Most Popular Books by D. H. Lawrence

An authoritative selection of letters by one of the great English letter-writers, first published in 1997, is also available in paperback.

In ''Love Poems and Others'' by D. H. Lawrence, readers are immersed into an intimate exploration of love, desire, and human relationships. The collection of poems showcases Lawrence''s poetic prowess, with each piece delving into the complexity and rawness of emotions. His lyrical style, rich in imagery and symbolism, transports readers to a world where passion and longing are laid bare. Set against the backdrop of early 20th century England, the poems in this book reflect Lawrence''s own tumultuous personal life and his profound understanding of human nature. D. H. Lawrence, known for his provocative and groundbreaking works, drew inspiration from his own experiences and observations of society. ''Love Poems and Others'' reflects Lawrence''s belief in the transformative power of love and the human spirit''s capacity for both beauty and destruction. His unapologetic exploration of love, sexuality, and emotional turmoil continues to resonate with readers today. I highly recommend ''Love Poems and Others'' to those seeking a deeper understanding of love and its complexities. Lawrence''s poetic vision and unflinching honesty make this collection a timeless masterpiece worth exploring.

In D. H. Lawrence''s groundbreaking novel, ''Lady Chatterley''s Lover'' (The Uncensored Edition), readers are immersed in an exploration of the intricate dynamics of passion, class, and sexuality in early 20th-century England. Lawrence''s candid prose and striking imagery challenge contemporary norms and social mores, creating a rich tapestry of the human experience. The narrative follows Constance Reid, trapped in a loveless marriage to Sir Clifford Chatterley, as she embarks on a passionate affair with the gamekeeper, Oliver Mellors. This edition restores the novel''s unexpurgated text, allowing for a deeper understanding of Lawrence''s thematic preoccupations with primal instincts and the reclamation of the body in a mechanized society, capturing the tension between the spiritual and the corporeal. D. H. Lawrence, a pivotal figure in modernist literature, often drew from his own tumultuous experiences of love and heartbreak. His deep-seated convictions about art and life propelled him to write this controversial work, which faced censorship for its explicit content yet ultimately sought to liberate human sexuality from societal constraints. Lawrence''s exploration of the subconscious and the primal urges reflects his fascination with the natural world and his critique of industrialization and its dehumanizing effects. ''Lady Chatterley''s Lover'' is a must-read for those interested in literature that defies convention and opens dialogues about intimacy and identity. Lawrence''s masterful prose invites readers to confront the often-taboo subjects of love, desire, and the complexities of social class, making this text not just a novel, but a profound commentary on human behavior and relationships. It challenges readers to look beyond the surface and engage with the text''s deeper implications about love and society.

Landmark volume of D. H. Lawrence''s writings on American literature including major essays on Poe, Hawthorne, Melville and Whitman.

A multi-generational family saga that chronicles the lives of three generations of the Brangwen family on their Nottinghamshire farm—and the riveting prequel to Women in Love—from one of the greatest and most controversial writers of the 20th century. Rooted in an agrarian past, Tom and Lydia Brangwen and their descendants find themselves navigating a rapidly changing world—a world of unprecedented individualism, alienation, and liberation. Banned after an obscenity trial in 1915 for its frankness about sexuality, THE RAINBOW was most remarkable for the pathbreaking journeys of its female characters, particularly that of Ursula Brangwen, whose destiny Lawrence explored further in his next novel, Women in Love. In its surface drama, in its capacious and expansive rhythms that so resemble the rhythms of nature itself, THE RAINBOW is one of the world’s great examples of the multi-generational family saga. But the large claim that Lawrence’s masterpiece has made on the attention of readers and critics stems less from this fact than from the deeper parallel history he provides for the Brangwens—a history of the growth of their souls, moving in a great arc from sensuality to self-awareness and freedom.

D. H. Lawrence''s "Lady Chatterley''s Lover" (The Unexpurgated Edition) offers a controversial yet profound exploration of love, sexuality, and the human condition against the backdrop of post-World War I society. Written in a lush, poetic style, the novel intertwines passionate prose with keen psychological insight, vividly depicting the clandestine affair between Constance Reid, an upper-class woman, and Oliver Mellors, a working-class gamekeeper. Its unexpurgated version restores the bold, frank discussions of sensuality that Lawrence originally intended, challenging societal norms and expectations regarding class and intimacy, a theme resonant with the burgeoning modernist movement of the early 20th century. D. H. Lawrence, an emblematic figure of modern literature, often drew from his own tumultuous experiences and radical ideas about relationships and individuality. Born in 1885 in Eastwood, England, Lawrence faced societal constraints that informed his exploration of sexuality and the quest for personal freedom, both themes prevalent in this novel. His own struggles with the conventional morality of his time ignited a desire to break free from societal shackles, which he vividly articulates through his characters. "Lady Chatterley''s Lover" is essential reading for those intrigued by the complexities of human relationships and the forces that shape them. This unexpurgated edition invites contemporary readers to engage with Lawrence''s daring vision of love unbound by class restrictions, making it an indispensable addition to the canon of modern literature.

In ''Birds, Beasts and Flowers'' by D. H. Lawrence, readers are immersed in a collection of poems that explore the natural world through the lens of the author''s sensuous and evocative language. Written in the early 20th century, the book reflects Lawrence''s interest in the primal forces of nature and the connection between human beings and the environment. The poems in this collection exhibit a vivid and raw quality, drawing on themes of vitality, desire, and the cycle of life and death. Lawrence''s literary style is marked by its intense imagery and emotional depth, making ''Birds, Beasts and Flowers'' a powerful and thought-provoking read for those interested in the intersection of nature and human experience. D. H. Lawrence, known for his controversial novels such as ''Lady Chatterley''s Lover,'' was influenced by his own experiences with nature and relationships, which are reflected in his poetic explorations found in ''Birds, Beasts and Flowers.'' His deep connection to the natural world and interest in exploring human emotions led him to create this captivating collection of poems. I highly recommend ''Birds, Beasts and Flowers'' to readers who appreciate vivid and lyrical poetry that delves into the complexities of the natural world and human existence. Lawrence''s unique perspective and passionate depiction of nature make this collection a valuable addition to any literary enthusiast''s library.

D. H. Lawrence''s "The Lost Girl" immerses readers in the exploration of identity, desire, and the constraints of societal expectations. Set against the backdrop of early 20th century England, this poignant narrative follows the tumultuous journey of Alvina Houghton, a young woman torn between the comforts of her conventional life and her yearning for liberation. Lawrence''s evocative prose, marked by rich imagery and sensory detail, captures the struggle of a woman seeking fulfillment beyond the prescribed roles of her time, deeply embedding this work within the context of modernist literature''s examination of the human psyche. D. H. Lawrence, a key figure in modernist literature, was influenced by his own experiences in the Industrial Revolution and the complexities of gender dynamics. Raised in a working-class family, Lawrence''s observations of social class warfare and personal alienation fueled his critiques of societal norms. "The Lost Girl" reflects his profound interest in the tensions between instinct and restraint, shedding light on the challenges that confront women in their quest for selfhood amidst cultural constraints. Readers who appreciate introspective character studies and thematic depth will find "The Lost Girl" both illuminating and poignant. Through Lawrence''s masterful storytelling, the novel serves as a timeless meditation on the quest for autonomy and the sacrifices entailed in embracing one''s true self, making it a compelling addition to the study of gender and identity in literature.

D.H. Lawrence finished "Lady Chatterley''s Lover" in 1928, but it was not published in an uncensored version until 1960. Many contemporary critics of D.H. Lawrence viewed the Victorian love story as vulgar, and even pornographic. It was banned immediately upon publication in both the UK and the US. The obscenity trials which followed established legal precedents for literature which still endure. At the heart, "Lady Chatterley''s Lover" is a story about the invisible bonds between lovers, companions, and husbands and wives. Against this backdrop, Lawrence also explores the relationship between physical desire and spiritual fulfillment, often using sensual and explicitly sexual language. This special edition of "Lady Chatterley''s Lover" has been restored for a modern audience, including all previously censored material. Excerpt from "Lady Chatterley''s Lover - Restored Modern Edition" Reprinted by permission. All rights reserved Supreme pleasure? she said, looking up at him. Is that sort of idiocy the supreme pleasure of the life of the mind? No, thank you! Give me the body. I believe the life of the body is a greater reality than the life of the mind: when the body is really awakened to life. But so many people, like your famous wind-machine, have only got minds tacked on to their physical corpses. He looked at her in wonder. The life of the body, he said, is just the life of the animals. And thats better than the life of professional corpses. But its not true! The human body is only just coming to real life. With the Greeks it gave a lovely flicker, then Plato and Aristotle killed it, and Jesus finished it off. But now the body is coming really to life, it is really rising from the tomb. And it will be a lovely, lovely life in the lovely universe, the life of the human body. -- Ch. 16, p. 281 He went down again into the darkness and seclusion of the wood. But he knew that the seclusion of the wood was illusory. The industrial noises broke the solitude, the sharp lights, though unseen, mocked it. A man could no longer be private and withdrawn. The world allows no hermits. And now he had taken the woman, and brought on himself a new cycle of pain and doom. For he knew by experience what it meant. It was not womans fault, nor even loves fault, nor the fault of sex. The fault lay there, out there, in those evil electric lights and diabolical rattlings of engines. There, in the world of the mechanical greedy, greedy mechanism and mechanized greed, sparkling with lights and gushing hot metal and roaring with traffic, there lay the vast evil thing, ready to destroy whatever did not conform. Soon it would destroy the wood, and the bluebells would spring no more. All vulnerable things must perish under the rolling and running of iron. He thought with infinite tenderness of the woman. Poor forlorn thing, she was nicer than she knew, and oh! so much too nice for the tough lot she was in contact with. Poor thing, she too had some of the vulnerability of the wild hyacinths, she wasnt all tough rubber-goods and platinum, like the modern girl. And they would do her in! As sure as life, they would do her in, as they do in all naturally tender life. Tender! Somewhere she was tender, tender with a tenderness of the growing hyacinths, something that has gone out of the celluloid women of today. But he would protect her with his heart for a little while. For a little while, before the insentient iron world and the Mammon of mechanized greed did them both in, her as well as him. -- Ch.10, p. 134

Aaron Sisson lives a humble life in the English Midlands. He works as a union official for the coal mines, but his real passion is music. As an amateur, but very talented flautist, Aaron dreams of a big career as a beloved musician. Though, with his small community and unglamorous job at the coal mine, this dream seems unattainable. Trapped in an unhappy marriage, and unsatisfied at work, Aaron becomes more and more frustrated with his life. Finally, when he feels that he cannot take it any longer, Aaron abandons his two kids and wife to run away to Italy. As he begins his journey Aaron feels hopeful for the first time in a long time. However, the journey proves to be more trouble than Aaron expected. When he falls ill, he befriends Rawdon Lilly, a cynical writer. After Rawdon nurses Aaron through his sickness, Aaron is free to continue on to Florence. Upon entering a social circle of intellectuals and artists, he experiences a higher level of conversation—discussions about politics, leadership, and expression. Feeling liberated, Aaron has an affair with an aristocratic woman, excited at all the new pleasures he is experiencing. Of course, it comes at a cost. In a city struggling in the aftermath of a war that wiped out generations, talks of revolution and change echo in the streets, and Aaron’s eyes are opened to social and political problems he had never considered. With complicated characters and beautifully written prose, Aaron’s Rod by the prolific author, D.H Lawrence, is a unique perspective on how World War I affected the individual. Looking beyond just the death toll of the war, Aaron’s Rod examines those who were left behind, the political turmoil that followed, and the emotional plight of the individual. With allusions to the bible and complicated questions on both the battle and partnership between art and intellect, Aaron’s Rod poses thought-provoking questions about all levels of Western society. This edition of Aaron’s Rod by D.H Lawrence is now presented in an easy-to-read font and features a unique and eye-catching new cover design. With these accommodations, Aaron’s Rod is restored to its original genius while being updated to modern standards.

D. H. Lawrence''s debut novel, "The White Peacock," unfolds in the pastoral landscapes of rural England, where the themes of love, nature, and social class intertwine with a distinct and evocative literary style. With rich descriptions and a keen psychological insight, Lawrence explores the lives of the three central characters—including the conflicted protagonist, Gerald—and their tumultuous relationships against the backdrop of a changing society. The natural world functions as a critical component of the narrative, symbolizing the characters'' inner turmoil and their quest for identity amidst the conventional constraints of Edwardian England. Lawrence, born in 1885 in the coal mining town of Eastwood, Nottinghamshire, was intimately familiar with the struggles of the working class and the complexities of human relationships. His upbringing in a working-class family and his observations of social disparities significantly influenced his literary voice. "The White Peacock" emerges from the author''s desire to challenge societal norms and to articulate the emotional undercurrents of human experience, reflecting his belief in the interconnectedness of nature and humanity. This novel is a must-read for those interested in early 20th-century literature, as it not only introduces readers to Lawrence''s profound themes but also showcases his innovative narrative style. Readers seeking to understand the complexities of love and the impact of the environment on human connections will find "The White Peacock" a compelling exploration of these enduring themes.

This volume contains Lawrence''s letters written between March 1927 and November 1928: almost 770 letters in just a year and nine months. The letters cover the period of Lawrence''s Etruscan tour in the spring of 1927 as preparation for the writing of Sketches of Etruscan Places; the performance of his play, David, in London in May, and - above all - the writing, typing, private publication, promotion and immediate consequences of Lady Chatterley''s Lover. He makes new acquaintances with writers and publishers in Europe (Max Mohr, Hans Carossa, Harry and Caresse Crosby); renews friendships which will stand him in good stead in times of poor health (the Huxleys, Aldington, the Brewsters); and rediscovers the bonds of family and old Eastwood friends. The volume provides annotation identifying persons and allusions, and includes a biographical introduction, illustrations, a full chronology and index.

Lady Chatterley''s Lover is a novel by D. H. Lawrence, first published privately in 1928 in Italy, and in 1929 in France and Australia.An unexpurgated edition was not published openly in the United Kingdom until 1960, when it was the subject of a watershed obscenity trial against the publisher Penguin Books. Penguin won the case, and quickly sold 3 million copies.[1] The book soon became notorious for its story of the physical (and emotional) relationship between a working class man and an upper class woman, its explicit descriptions of sex, and its use of then-unprintable words. The story is said to have originated from events in Lawrence''s own unhappy domestic life, and he took inspiration for the settings of the book from Eastwood, Nottinghamshire, where he grew up. According to some critics, the fling of Lady Ottoline Morrell with "Tiger," a young stonemason who came to carve plinths for her garden statues, also influenced the story. Lawrence at one time considered calling the novel Tenderness and made significant alterations to the text and story in the process of its composition. It has been published in three versions.The story concerns a young married woman, the former Constance Reid (Lady Chatterley), whose upper class husband, Sir Clifford Chatterley, described as a handsome, well-built man, has been paralysed from the waist down due to a Great War injury. In addition to Clifford''s physical limitations, his emotional neglect of Constance forces distance between the couple. Her sexual frustration leads her into an affair with the gamekeeper, Oliver Mellors, the novel''s title character. The class difference between the couple highlights a major motif of the novel which is the unfair dominance of intellectuals over the working class. The novel is about Constance''s realization that she cannot live with the mind alone; she must also be alive physically. This realization stems from a heightened sexual experience Constance has only felt with Mellors, suggesting that love can only happen with the element of the body, not the mind. David Herbert Richards "D. H." Lawrence (11 September 1885 - 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct. Lawrence''s opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his "savage pilgrimage."At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "The greatest imaginative novelist of our generation." Later, the Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence''s fiction within the canonical "great tradition" of the English novel.

Honoring his practice of tackling the taboo, esteemed author D.H Lawrence created a collection of evocative short fiction in The Prussian Officer and Other Stories. With themes of feminism and sexuality, The Prussian Officer and Other Stories examines varying levels and types of the abuse of power so common among men and government officials, especially in the 20th century. The Daughters of the Vicar depicts the aftermath of an unstable family as it follows Mary and Louisa, who are both sisters and best friends. Due to their father’s poor financial position and their parent’s loveless marriage, Mary and Louisa’s family is severely struggling. The women work as teachers to offer financial support, but when that proves to be too little, Mary is forced to marry a hideous an uncultured rich man. Miserable and dreading the rest of her life, Mary tries to warn Louisa from doing the same. Exploring similar topics, Second Best follows two sisters struggling with their identity and love life. Odour of Chrysanthemums depicts a later narrative of marriage than the aforementioned, as it portrays a woman’s emotional journey after being drained by her marriage. Separated into three parts, Odour of Chrysanthemums begins with the woman and her children waiting for her husband to return home, assuming he was at a pub. However, as the wait continues, they begin to suspect something more sinister may have occurred. Finally, the title story, The Prussian Officer stars a single military captain who feels that he has wasted his youth. In contrast, his orderly is young and in a happy relationship, making his captain jealous. Desiring his youth and feeling sexually attracted to the young man, the captain tries to ruin the orderly’s relationship and starts to abuse him, driving the young man to a dangerous decision. This collection of sentimental and compelling stories depicts sinister human truths and the depths of the despair societal expectations force upon people. With this careful and brutally honest portrayal, modern audiences are able to both observe the culture of 20th century England as well as consider dark human truths that are still prevalent today. This edition of The Prussian Officer and Other Stories by D.H Lawrence features a new, eye-catching cover design and is printed in a modern and easy-to-read font, crafting an accessible experience for contemporary readers.

In "Sea and Sardinia," D. H. Lawrence offers an evocative exploration of the Italian island''s landscapes and cultures, melding personal reflection with vivid imagery. Written during a significant phase of his literary career in 1921, the work is a travel narrative that captures the essence of Sardinia''s natural beauty while also critiquing modernity and industrialization. Lawrence''s prose is characterized by its lyrical intensity and psychological depth, drawing readers into stunning descriptions of rugged coastlines and warm, rolling hills, while also revealing the deeper existential inquiries that often underlie his works. As a vital part of Lawrence''s oeuvre, this book foreshadows his later, more complex explorations of human relationships and natural environments. D. H. Lawrence, a prominent figure in early 20th-century literature, was profoundly influenced by his own experiences of travel and the tensions between nature and modern life. His dissatisfaction with the industrial world prompted him to seek solace in the remote corners of Europe, leading him to Sardinia, where he found a vibrant tapestry of life that challenged his disillusionment. This journey was instrumental in shaping Lawrence''Äôs views on the connection between humanity and the natural world, themes that permeate his writing. "Sea and Sardinia" is a must-read for anyone interested in the interplay between landscape and emotion, as well as the broader themes of identity and transformation. Lawrence''s unique voice and poignant observations invite readers to contemplate the complexities of existence while savoring the sensuous beauty of Sardinia''s terrain.

This eBook features the unabridged text of ‘Lady Chatterley’s Lover’ from the bestselling edition of ‘The Complete Works of D. H. Lawrence’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Lawrence includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Lady Chatterley’s Lover’ * Beautifully illustrated with images related to Lawrence’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

Edition of D. H. Lawrence''s last book, Apocalypse, along with other writings on the Revolution.

Sons and Lovers is a 1913 novel by the English writer D. H. Lawrence, originally published by Gerald Duckworth and Company Ltd., London, and Mitchell Kennerley Publishers, New York. While the novel initially received a lukewarm critical reception, along with allegations of obscenity, it is today regarded as a masterpiece by many critics and is often regarded as Lawrence''s finest achievement. Part I The refined daughter of a "good old burgher family," Gertrude Coppard meets a rough-hewn miner, Walter Morel, at a Christmas dance and falls into a whirlwind romance characterised by physical passion. But soon after her marriage to Walter, she realises the difficulties of living off his meagre salary in a rented house. The couple fight and drift apart and Walter retreats to the pub after work each day. Gradually, Mrs. Morel''s affections shift to her sons beginning with the oldest, William. As a boy, William is so attached to his mother that he doesn''t enjoy the fair without her. As he grows older, he defends her against his father''s occasional violence. Eventually, he leaves their Nottinghamshire home for a job in London, where he begins to rise up into the middle class. He is engaged, but he detests the girl''s superficiality. William dies and Mrs. Morel is heartbroken. When her second son Paul catches pneumonia she rediscovers her love for Paul. Part II Both repulsed by and drawn to his mother, Paul is afraid to leave her but wants to go out on his own, and needs to experience love. Gradually, he falls into a relationship with Miriam, a farmer''s daughter who attends his church. The two take long walks and have intellectual conversations about books but Paul resists, in part because his mother disapproves. At Miriam''s family''s farm, Paul meets Clara Dawes, a young woman with, apparently, feminist sympathies who has separated from her husband, Baxter. After pressuring Miriam into a physical relationship, which he finds unsatisfying, Paul breaks with her as he grows more intimate with Clara, who is more passionate physically. But even she cannot hold him and he returns to his mother. When his mother dies soon after, he is alone.

Lady Chatterley''s Lover is a novel by English author D. H. Lawrence, first published privately in 1928 in Italy, and in 1929 in France and Australia. An unexpurgated edition was not published openly in the United Kingdom until 1960, when it was the subject of a watershed obscenity trial against the publisher Penguin Books. Penguin won the case, and quickly sold 3 million copies. The book was also banned for obscenity in the United States (1929-59), Canada, Australia, India, and Japan. The book soon became notorious for its story of the physical (and emotional) relationship between a working class man and an upper class woman, its explicit descriptions of sex, and its use of then-unprintable (four-letter) words.About Lawrence:D.H. Lawrence is best known for his infamous novel ''Lady Chatterley''s Lover,'' which was banned in the United States until 1959. He is widely regarded as one of the most influential writers of the 20th century. Born in England in 1885, D.H. Lawrence is regarded as one of the most influential writers of the 20th century. He published many novels and poetry volumes during his lifetime, including Sons and Lovers and Women in Love, but is best known for his infamous Lady Chatterley''s Lover. The graphic and highly sexual novel was published in Italy in 1928, but was banned in the United States until 1959, and in England until 1960. Garnering fame for his novels and short stories early on in his career, Lawrence later received acclaim for his personal letters, in which he detailed a range of emotions, from exhilaration to depression to prophetic brooding. He died in France in 1930.

The third published novel of D. H. Lawrence, taken by many to be his earliest masterpiece, tells the story of Paul Morel, a young man and budding artist. Richard Aldington explains the semi-autobiographical nature of his masterpiece:When you have experienced Sons and Lovers you have lived through the agonies of the young Lawrence striving to win free from his old life''. Generally, it is not only considered as an evocative portrayal of working-class life in a mining community, but also an intense study of family, class and early sexual relationships.

Lady Chatterley''s Lover is a novel by English author D. H. Lawrence, first published privately in 1928 in Italy and in 1929 in France. An unexpurgated edition was not published openly in the United Kingdom until 1960, when it was the subject of a watershed obscenity trial against the publisher Penguin Books. Penguin won the case and quickly sold three million copies. The book was also banned for obscenity in the United States (1929-59), Canada, Australia, India, and Japan. The book soon became notorious for its story of the physical (and emotional) relationship between a working-class man and an upper-class woman, its explicit descriptions of sex, and its use of then-unprintable four-letter words.