New Releases by D. H. Lawrence

This novel by D. H. Lawrence was first published in 1928 and subsequently banned. Lady Chatterley's Lover is one of the most subversive novels in English Literature. The first edition was printed privately in Florence, Italy, with assistance from Pino Orioli; an unexpurgated edition could not be published openly in the United Kingdom until 1960. (A private edition was issued by Inky Stephensen's Mandrake Press in 1929.) The book soon became notorious for its story of the physical relationship between a working-class man and an upper-class woman, its explicit descriptions of sex, and its use of then-unprintable words. Lady Chatterley's Lover was inspired by the long-standing affair between Frieda, Lawrence's German wife, and an Italian peasant who eventually became her third husband; Lawrence's struggle with sexual impotence; and the circumstances of his and Frieda's courtship and the early years of their marriage.

"Etruscan Places" is a historical and anthropological guide into the world of the Etruscans people. The Etruscans, as everyone knows, were the people who occupied the middle of Italy in early Roman days and whom the Romans, in their usual neighbourly fashion, wiped out entirely in order to make room for Rome with a very big R. They couldn't have wiped them all out, there were too many of them. But they did wipe out the Etruscan existence as a nation and a people. However, this seems to be the inevitable result of expansion with a big E, which is the sole raison d'étre of people like the Romans. The main source of information we have today about the Etruscan way of life is the artifacts found in their tombs, which forms the focus for this book.

The White Peacock is set in Nethermere (fictional name for real-life Eastwood) and is narrated by Cyril Beardsall, whose sister Laetitia is involved in a love triangle with two young men, George and Leslie Temple. She decides to marry Leslie, even though she feels sexually drawn to George. Spurned by Lettie, George marries the conventional Meg. Both his and Lettie's marriages end in unhappiness, as George slides into alcoholism. The novel involves themes such as the damage associated with mismatched marriages, and the border country between town and country

In 'Love Poems and Others' by D. H. Lawrence, readers are immersed into an intimate exploration of love, desire, and human relationships. The collection of poems showcases Lawrence's poetic prowess, with each piece delving into the complexity and rawness of emotions. His lyrical style, rich in imagery and symbolism, transports readers to a world where passion and longing are laid bare. Set against the backdrop of early 20th century England, the poems in this book reflect Lawrence's own tumultuous personal life and his profound understanding of human nature. D. H. Lawrence, known for his provocative and groundbreaking works, drew inspiration from his own experiences and observations of society. 'Love Poems and Others' reflects Lawrence's belief in the transformative power of love and the human spirit's capacity for both beauty and destruction. His unapologetic exploration of love, sexuality, and emotional turmoil continues to resonate with readers today. I highly recommend 'Love Poems and Others' to those seeking a deeper understanding of love and its complexities. Lawrence's poetic vision and unflinching honesty make this collection a timeless masterpiece worth exploring.

DigiCat Publishing presents to you this special edition of "The Lost Girl" by D. H. Lawrence. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

DigiCat Publishing presents to you this special edition of "Aaron's Rod" by D. H. Lawrence. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

In 'Birds, Beasts and Flowers' by D. H. Lawrence, readers are immersed in a collection of poems that explore the natural world through the lens of the author's sensuous and evocative language. Written in the early 20th century, the book reflects Lawrence's interest in the primal forces of nature and the connection between human beings and the environment. The poems in this collection exhibit a vivid and raw quality, drawing on themes of vitality, desire, and the cycle of life and death. Lawrence's literary style is marked by its intense imagery and emotional depth, making 'Birds, Beasts and Flowers' a powerful and thought-provoking read for those interested in the intersection of nature and human experience. D. H. Lawrence, known for his controversial novels such as 'Lady Chatterley's Lover,' was influenced by his own experiences with nature and relationships, which are reflected in his poetic explorations found in 'Birds, Beasts and Flowers.' His deep connection to the natural world and interest in exploring human emotions led him to create this captivating collection of poems. I highly recommend 'Birds, Beasts and Flowers' to readers who appreciate vivid and lyrical poetry that delves into the complexities of the natural world and human existence. Lawrence's unique perspective and passionate depiction of nature make this collection a valuable addition to any literary enthusiast's library.

Sons and Lovers is a 1913 novel by the English writer D. H. Lawrence, originally published by Gerald Duckworth and Company Ltd., London, and Mitchell Kennerley Publishers, New York. While the novel initially received a lukewarm critical reception, along with allegations of obscenity, it is today regarded as a masterpiece by many critics and is often regarded as Lawrence's finest achievement. Part I The refined daughter of a "good old burgher family," Gertrude Coppard meets a rough-hewn miner, Walter Morel, at a Christmas dance and falls into a whirlwind romance characterised by physical passion. But soon after her marriage to Walter, she realises the difficulties of living off his meagre salary in a rented house. The couple fight and drift apart and Walter retreats to the pub after work each day. Gradually, Mrs. Morel's affections shift to her sons beginning with the oldest, William. As a boy, William is so attached to his mother that he doesn't enjoy the fair without her. As he grows older, he defends her against his father's occasional violence. Eventually, he leaves their Nottinghamshire home for a job in London, where he begins to rise up into the middle class. He is engaged, but he detests the girl's superficiality. William dies and Mrs. Morel is heartbroken. When her second son Paul catches pneumonia she rediscovers her love for Paul. Part II Both repulsed by and drawn to his mother, Paul is afraid to leave her but wants to go out on his own, and needs to experience love. Gradually, he falls into a relationship with Miriam, a farmer's daughter who attends his church. The two take long walks and have intellectual conversations about books but Paul resists, in part because his mother disapproves. At Miriam's family's farm, Paul meets Clara Dawes, a young woman with, apparently, feminist sympathies who has separated from her husband, Baxter. After pressuring Miriam into a physical relationship, which he finds unsatisfying, Paul breaks with her as he grows more intimate with Clara, who is more passionate physically. But even she cannot hold him and he returns to his mother. When his mother dies soon after, he is alone.

The classic novel about a man torn between his devotion to his mother and his desire for a lover. Cited by the Modern Library as one of the ten best twentieth-century novels in the English language, Sons and Lovers is considered by many to be D. H. Lawrence’s masterpiece, with its deep psychological insight into the bond between mother and son, and the difficulties of emotionally separating from a parent. Considered a semiautobiographical work, it follows protagonist Paul Morel as he experiences the loss of his older brother, hostility toward his coal miner father, and a burden of responsibility toward his more genteel mother, who inspires maddening mixed feelings in him. Paul struggles to find room in his life for a meaningful, romantic relationship of his own as he works to hold his family together.

Lady Chatterley's Lover is a novel by English author D. H. Lawrence, first published privately in 1928 in Italy, and in 1929 in France and Australia. An unexpurgated edition was not published openly in the United Kingdom until 1960, when it was the subject of a watershed obscenity trial against the publisher Penguin Books. Penguin won the case, and quickly sold 3 million copies. The book was also banned for obscenity in the United States (1929-59), Canada, Australia, India, and Japan. The book soon became notorious for its story of the physical (and emotional) relationship between a working class man and an upper class woman, its explicit descriptions of sex, and its use of then-unprintable (four-letter) words.About Lawrence:D.H. Lawrence is best known for his infamous novel 'Lady Chatterley's Lover,' which was banned in the United States until 1959. He is widely regarded as one of the most influential writers of the 20th century. Born in England in 1885, D.H. Lawrence is regarded as one of the most influential writers of the 20th century. He published many novels and poetry volumes during his lifetime, including Sons and Lovers and Women in Love, but is best known for his infamous Lady Chatterley's Lover. The graphic and highly sexual novel was published in Italy in 1928, but was banned in the United States until 1959, and in England until 1960. Garnering fame for his novels and short stories early on in his career, Lawrence later received acclaim for his personal letters, in which he detailed a range of emotions, from exhilaration to depression to prophetic brooding. He died in France in 1930.

The third published novel of D. H. Lawrence, taken by many to be his earliest masterpiece, tells the story of Paul Morel, a young man and budding artist. Richard Aldington explains the semi-autobiographical nature of his masterpiece:When you have experienced Sons and Lovers you have lived through the agonies of the young Lawrence striving to win free from his old life'. Generally, it is not only considered as an evocative portrayal of working-class life in a mining community, but also an intense study of family, class and early sexual relationships.

This eBook features the unabridged text of ‘The Trespasser’ from the bestselling edition of ‘The Complete Works of D. H. Lawrence’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Lawrence includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Trespasser’ * Beautifully illustrated with images related to Lawrence’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

This eBook features the unabridged text of ‘Phoenix: the Posthumous Papers of D. H. Lawrence’ from the bestselling edition of ‘The Complete Works of D. H. Lawrence’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Lawrence includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Phoenix: the Posthumous Papers of D. H. Lawrence’ * Beautifully illustrated with images related to Lawrence’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

This eBook features the unabridged text of ‘Lady Chatterley’s Lover’ from the bestselling edition of ‘The Complete Works of D. H. Lawrence’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Lawrence includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Lady Chatterley’s Lover’ * Beautifully illustrated with images related to Lawrence’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

Lady Chatterley's Lover is a novel by D. H. Lawrence, first published privately in 1928 in Italy, and in 1929 in France and Australia.An unexpurgated edition was not published openly in the United Kingdom until 1960, when it was the subject of a watershed obscenity trial against the publisher Penguin Books. Penguin won the case, and quickly sold 3 million copies.[1] The book soon became notorious for its story of the physical (and emotional) relationship between a working class man and an upper class woman, its explicit descriptions of sex, and its use of then-unprintable words. The story is said to have originated from events in Lawrence's own unhappy domestic life, and he took inspiration for the settings of the book from Eastwood, Nottinghamshire, where he grew up. According to some critics, the fling of Lady Ottoline Morrell with "Tiger," a young stonemason who came to carve plinths for her garden statues, also influenced the story. Lawrence at one time considered calling the novel Tenderness and made significant alterations to the text and story in the process of its composition. It has been published in three versions.The story concerns a young married woman, the former Constance Reid (Lady Chatterley), whose upper class husband, Sir Clifford Chatterley, described as a handsome, well-built man, has been paralysed from the waist down due to a Great War injury. In addition to Clifford's physical limitations, his emotional neglect of Constance forces distance between the couple. Her sexual frustration leads her into an affair with the gamekeeper, Oliver Mellors, the novel's title character. The class difference between the couple highlights a major motif of the novel which is the unfair dominance of intellectuals over the working class. The novel is about Constance's realization that she cannot live with the mind alone; she must also be alive physically. This realization stems from a heightened sexual experience Constance has only felt with Mellors, suggesting that love can only happen with the element of the body, not the mind. David Herbert Richards "D. H." Lawrence (11 September 1885 - 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his "savage pilgrimage."At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "The greatest imaginative novelist of our generation." Later, the Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel.

D. H. Lawrence's second novel The Trespasser is based on the tragic love affair of his friend Helen Corke and her violin teacher. After reading Miss Corke's diary, Lawrence first urged her to write her story and then received her permission to do it himself. Between his rapid composition of the first draft in the spring and summer of 1910 and his final revisions in early 1912, Lawrence's view of Helen Corke, and consequently of her story, changed. The manuscript survived.

The Trespasser is the second novel written by D. H. Lawrence, published in 1912. Originally it was entitled the Saga of Siegmund and drew upon the experiences of a friend of Lawrence, Helen Corke, and her adulterous relationship with a married man that ended with his suicide. Lawrence worked from Corke's diary, with her permission, but also urged her to publish; which she did in 1933 as Neutral Ground. Corke later wrote several biographical works on Lawrence. David Herbert Richards Lawrence (11 September 1885 - 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter who published as D. H. Lawrence. His collected works, among other things, represent an extended reflection upon the dehumanising effects of modernity and industrialisation. In them, some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his "savage pilgrimage".At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "The greatest imaginative novelist of our generation."Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. The fourth child of Arthur John Lawrence, a barely literate miner at Brinsley Colliery, and Lydia, a former pupil teacher who, owing to her family's financial difficulties, had to do manual work in a lace factory, Lawrence spent his formative years in the coal mining town of Eastwood, Nottinghamshire. The house in which he was born, in Eastwood, 8a Victoria Street, is now the D. H. Lawrence Birthplace Museum. His working-class background and the tensions between his parents provided the raw material for a number of his early works. Lawrence would return to this locality and often wrote about nearby Underwood, calling it; "the country of my heart," as a setting for much of his fiction. Despite common misconception he is not related to T.E. Lawrence. The young Lawrence attended Beauvale Board School (now renamed Greasley Beauvale D. H. Lawrence Primary School in his honour) from 1891 until 1898, becoming the first local pupil to win a County Council scholarship to Nottingham High School in nearby Nottingham. He left in 1901, working for three months as a junior clerk at Haywood's surgical appliances factory, but a severe bout of pneumonia ended this career. During his convalescence he often visited Hagg's Farm, the home of the Chambers family, and began a friendship with Jessie Chambers.

Renowned author D. H. Lawrence recounts his voyage to Sardinia in this spellbinding travelogue. In January of 1921, D. H. Lawrence and his wife, Frieda, set out for unspoiled country: the pristine island of Sardinia. For the following nine days, Lawrence fixes his unflinching gaze upon the Mediterranean island, where ancient ruins collide with the detritus of a modernizing society. Blending mythology with historical fact, his account is both lyrical and shrewdly observed. With a keen awareness of the socio-political climate, Lawrence captures a Sardinia that is both timeless and of the moment. This ebook has been professionally proofread to ensure accuracy and readability on all devices.

D.H. Lawrence finished "Lady Chatterley's Lover" in 1928, but it was not published in an uncensored version until 1960. Many contemporary critics of D.H. Lawrence viewed the Victorian love story as vulgar, and even pornographic. It was banned immediately upon publication in both the UK and the US. The obscenity trials which followed established legal precedents for literature which still endure. At the heart, "Lady Chatterley's Lover" is a story about the invisible bonds between lovers, companions, and husbands and wives. Against this backdrop, Lawrence also explores the relationship between physical desire and spiritual fulfillment, often using sensual and explicitly sexual language. This special edition of "Lady Chatterley's Lover" has been restored for a modern audience, including all previously censored material. Excerpt from "Lady Chatterley's Lover - Restored Modern Edition" Reprinted by permission. All rights reserved Supreme pleasure? she said, looking up at him. Is that sort of idiocy the supreme pleasure of the life of the mind? No, thank you! Give me the body. I believe the life of the body is a greater reality than the life of the mind: when the body is really awakened to life. But so many people, like your famous wind-machine, have only got minds tacked on to their physical corpses. He looked at her in wonder. The life of the body, he said, is just the life of the animals. And thats better than the life of professional corpses. But its not true! The human body is only just coming to real life. With the Greeks it gave a lovely flicker, then Plato and Aristotle killed it, and Jesus finished it off. But now the body is coming really to life, it is really rising from the tomb. And it will be a lovely, lovely life in the lovely universe, the life of the human body. -- Ch. 16, p. 281 He went down again into the darkness and seclusion of the wood. But he knew that the seclusion of the wood was illusory. The industrial noises broke the solitude, the sharp lights, though unseen, mocked it. A man could no longer be private and withdrawn. The world allows no hermits. And now he had taken the woman, and brought on himself a new cycle of pain and doom. For he knew by experience what it meant. It was not womans fault, nor even loves fault, nor the fault of sex. The fault lay there, out there, in those evil electric lights and diabolical rattlings of engines. There, in the world of the mechanical greedy, greedy mechanism and mechanized greed, sparkling with lights and gushing hot metal and roaring with traffic, there lay the vast evil thing, ready to destroy whatever did not conform. Soon it would destroy the wood, and the bluebells would spring no more. All vulnerable things must perish under the rolling and running of iron. He thought with infinite tenderness of the woman. Poor forlorn thing, she was nicer than she knew, and oh! so much too nice for the tough lot she was in contact with. Poor thing, she too had some of the vulnerability of the wild hyacinths, she wasnt all tough rubber-goods and platinum, like the modern girl. And they would do her in! As sure as life, they would do her in, as they do in all naturally tender life. Tender! Somewhere she was tender, tender with a tenderness of the growing hyacinths, something that has gone out of the celluloid women of today. But he would protect her with his heart for a little while. For a little while, before the insentient iron world and the Mammon of mechanized greed did them both in, her as well as him. -- Ch.10, p. 134

.0000000000Connie's unhappy marriage to Clifford Chatterley is one scarred by mutual frustration and alienation. Crippled from wartime action, Clifford is confined to a wheelchair, while Connie's solitary, sterile existence is contained within the narrow parameters of the Chatterley ancestral home, Wragby. She seizes her chance at happiness and freedom when she embarks on a passionate affair with the estate's gamekeeper, Mellors, discovering a world of sexual opportunity and pleasure she'd thought lost to her. The explosive passion of Connie and Mellors' relationship - and the searing candour with which it is described - marked a watershed in twentieth century fiction, garnering Lady Chatterley's Lover a wide and enduring readership and lasting notoriety. The text is taken from the privately published Author's Unabridged Popular Edition of 1930, the last to be supervised in the author's lifetime. It also includes Lawrence's My Skirmish with Jolly Roger, his witty essay describing the pirating of this most notorious novel which was specially written as an Introduction to this edition.With an Afterword by Anna South.

D. H. Lawrence started 'The Sisters' in March 1913, wrote four different versions and claimed to have discarded 'quite a thousand pages' before completing The Rainbow in May 1915. The novel was suppressed, just over a month after publication, in November 1915. Mark Kinkead-Weekes gives the composition history and collates the surviving states of the text to assess the damage done to Lawrence's great novel, and to provide a text as close to that which the author wrote as is now possible. The final manuscript, revisions in the typescript and the first edition are recorded in the full textual apparatus so the reader can follow the development of the novel and evaluate what outside interference might have done to it. Appendixes give the earliest, unpublished fragments from the first two versions and a newly discovered report and summary of the third. Published in two volumes.

This volume contains Lawrence's letters written between March 1927 and November 1928: almost 770 letters in just a year and nine months. The letters cover the period of Lawrence's Etruscan tour in the spring of 1927 as preparation for the writing of Sketches of Etruscan Places; the performance of his play, David, in London in May, and - above all - the writing, typing, private publication, promotion and immediate consequences of Lady Chatterley's Lover. He makes new acquaintances with writers and publishers in Europe (Max Mohr, Hans Carossa, Harry and Caresse Crosby); renews friendships which will stand him in good stead in times of poor health (the Huxleys, Aldington, the Brewsters); and rediscovers the bonds of family and old Eastwood friends. The volume provides annotation identifying persons and allusions, and includes a biographical introduction, illustrations, a full chronology and index.

Edition of D. H. Lawrence's last book, Apocalypse, along with other writings on the Revolution.

A multi-generational family saga that chronicles the lives of three generations of the Brangwen family on their Nottinghamshire farm—and the riveting prequel to Women in Love—from one of the greatest and most controversial writers of the 20th century. Rooted in an agrarian past, Tom and Lydia Brangwen and their descendants find themselves navigating a rapidly changing world—a world of unprecedented individualism, alienation, and liberation. Banned after an obscenity trial in 1915 for its frankness about sexuality, THE RAINBOW was most remarkable for the pathbreaking journeys of its female characters, particularly that of Ursula Brangwen, whose destiny Lawrence explored further in his next novel, Women in Love. In its surface drama, in its capacious and expansive rhythms that so resemble the rhythms of nature itself, THE RAINBOW is one of the world’s great examples of the multi-generational family saga. But the large claim that Lawrence’s masterpiece has made on the attention of readers and critics stems less from this fact than from the deeper parallel history he provides for the Brangwens—a history of the growth of their souls, moving in a great arc from sensuality to self-awareness and freedom.