Most Popular Books by Chris Ware

A major graphic novel event more than 18 years in progress: part one of the ongoing bifurcated masterwork from the brilliant and beloved author of Jimmy Corrigan: The Smartest Kid on Earth and Building Stories. Rusty Brown is a fully interactive, full-color articulation of the time-space interrelationships of three complete consciousnesses in the first half of a single midwestern American day and the tiny piece of human grit about which they involuntarily orbit. A sprawling, special snowflake accumulation of the biggest themes and the smallest moments of life, Rusty Brown literately and literally aims at nothing less than the coalescence of one half of all of existence into a single museum-quality picture story, expertly arranged to present the most convincingly ineffable and empathetic illusion of experience for both life-curious readers and traditional fans of standard reality. From childhood to old age, no frozen plotline is left unthawed in the entangled stories of a child who awakens without superpowers, a teen who matures into a paternal despot, a father who stores his emotional regrets on the surface of Mars and a late-middle-aged woman who seeks the love of only one other person on planet Earth.

In Chris Ware''s own words, ''Building Stories follows the inhabitants of a three-flat Chicago apartment house: a thirty-year-old woman who has yet to find someone with whom to spend the rest of her life; a couple who wonder if they can bear each other''s company for another minute; and finally an elderly woman who never married and is the building''s landlady...'' The scope, the ambition, the artistry and emotional heft of this project are beyond anything even Chris Ware has achieved before.

The first book from the Chicago author of the “stunning” Building Stories (The New York Times) is a pleasantly-decorated view at a lonely and emotionally impaired "everyman," who is provided, at age 36, the opportunity to meet his father for the first time. “This haunting and unshakable book will change the way you look at your world.” —Time magazine “There’s no writer alive whose work I love more than Chris Ware.” —Zadie Smith, New York Times bestselling author of Swing Time An improvisatory romance which gingerly deports itself between 1890''s Chicago and 1980''s small town Michigan, the reader is helped along by thousands of colored illustrations and diagrams, which, when read rapidly in sequence, provide a convincing illusion of life and movement. The bulk of the work is supported by fold-out instructions, an index, paper cut-outs, and a brief apology, all of which concrete to form a rich portrait of a man stunted by a paralyzing fear of being disliked.

FOREWORD INDIES Book of the Year Awards — 2017 BRONZE Winner for Art New York Times Best Art Book of 2017 A flabbergasting experiment in publishing hubris, Monograph charts the art and literary world''s increasing tolerance for the language of the empathetic doodle directly through the work of one of its most esthetically constipated practitioners. For thirty years, writer and artist (i.e. cartoonist) Chris Ware (b. 1967) has been testing the patience of readers and fine art fans with his complicated and difficult-to-comprehend picture stories in the pages of The New Yorker, The New York Times and other charitable periodicals—to say nothing of challenging the walls of the MCA Chicago and the Whitney Museum of American Art with his unevocative delineations and diagrams. Arranged chronologically with all thoughtful critical and contemporary discussion common to the art book genre jettisoned in favor of Mr. Ware''s unchecked anecdotes and unscrupulous personal asides, the author-as-subject has nonetheless tried as clearly and convivially as possible to provide a contrite, companionable guide to an otherwise unnavigable jumble of product spanning his days as a pale magnet for athletic upperclassmen''s'' ire up to his contemporary life as a stay-at-home dad and agoraphobic graphic novelist. Shrewdly selected personal photos distract from justifiably little-seen early experiments littered among never-before-seen paintings and sculptures, all padded out with high-quality scans of original artwork publicizing jottings, mistakes, blunders and, especially, Mr. Ware''s University juvenilia via which the reader can track a general cultural increase in tolerance for quality''s decline since his work first came on "the scene." Expensive, heavy, and fashioned from the finest uncoated paper and soy-based ink, this thigh-crushing book is certain to cut off the circulation of all but the most active of comics boosters. “There’s no writer alive whose work I love more than Chris Ware. The only problem is it takes him ten years to draw these things and then I read them in a day and have to wait another ten years for the next one.”—Zadie Smith

Cleverly appropriated old-fashioned animation imagery and advertising styles of the 1920s and 1930s are put to use in Quimby the Mouse at the service of modern vignettes of angst and existentialism. As this cartoon silhouette of a mouse ignominiously suffers at every turn, the spaces between the panels create despair and a Beckett-like rhythm of hope deceived and deferred (but never quite extinguished), buoying Quimby from page to page. Like Ware''s first book, Jimmy Corrigan, Quimby is saturated with Ware''s genius, including consistently amazing graphics, insanely perfectionist production values, cut-out-and-assemble paper projects, and the formal complexity of his narratives that have earned him the reputation as one of the most prodigious artists of his generation.

Born the son of George Byng, a favorite of the king and himself an admiral and member of the admiralty board (and later First Lord of the Admiralty), John Byng seemed destined for a shining career in the Royal Navy. He saw his first fleet action at Cape Passaro, the elder Byng''s finest hour, as a Captain''s Servant, aged just 14. He qualified as a lieutenant at 19 years old (although the minimum age was 21) and was Post Captain at 23. By the outbreak of the Seven Years'' War he had risen to Admiral of the Blue. Then it all went wrong with the Battle of Minorca (20 May 1756), where his failure, or rather the nature of it, earned him accusations of cowardice and a court martial. His trial and execution were the hottest topic of the day, the media lampooning him mercilessly and his reputation has never recovered. Chris Ware reassesses Byng''s whole career and carefully untangles the politics surrounding his final days to see how far his poor reputation is justified. This is a valuable and long overdue addition to the literature of the Georgian navy.

"Romanian-born American artist Saul Steinberg (1914-1999) won international acclaim for his inventive, wry representations of the postwar age. His work appeared on the covers and interiors of the New Yorker for nearly six decades, and his drawings, collages, prints, paintings, and sculptures have been exhibited in galleries and museums around the world. With essays by cartoonist Chris Ware and curator Mark Pascale, this book traces Steinberg''s imagery as it evolved over the full scope of his career, during which he refused to distinguish between high and low art. The 60 works included range from the witty black-ink takes on his newly adopted land of 1940s America to the watercolor paintings he made as a mature artist in the late 1980s"--

Rusty Brown meets 2 new students at the school who have just moved into the town. Chalky has a class with Rusty''s father.

Collects stories about Rusty Brown, who goes to Mars with a woman to establish a settlement, and delves into the character of his father, W.K. Brown, who lives an awkward life either alone or with his wife and deals with strange occurences at work and in the bedroom.

One of the first specialist warships, the bomb vessel was a floating siege engine carrying huge shell-firing mortars for the purposes of bombarding stationary targets, such as coastal towns, fortifications or harbours. For its time, it was a complex and high-tech weapons system, and was widely used by the British in every conflict between 1689 and the War of 1812. Because of their strength, bomb vessels played a major role in Arctic exploration.

"Will, a young man stuck in the industrial Pittsburgh of way-back-when is rarin'' to go--even if he''s not sure exactly where to--until he learns that his former mentor/partner/best-friend, The Reverend Rudy, has been sighted in Montreal, and then he''s off! Will''s adventure leads across exotic lands and to an epiphany about life itself"--Page 4 of cover

Chinese edition of Jimmy Corrigan: The Smartest Kid on Earth. In Traditional Chinese. Distributed by Tsai Fong Books, Inc.

Jimmy Corrigan est le garçon le plus intelligent de la Terre, c''est Superman qui le lui a dit. Mais quand Superman se suicide, tout s''accélère pour Jimmy. Il fait la connaissance de son père Jimmy, de son grand-père Jimmy et de sa soeur Amy. Un comics semi-autobiographique qui fait voyager le lecteur entre la réalité et les rêves angoissés de Jimmy. Guardian First Book Award 2000, meilleur album au Festival d''Angoulême 2003.

Monte Beauchamp''s annual darling of the graphic design and illustrationworld is back with its most spectacular collection of cutting-edgecomics, illustration, and graphic design yet.

Acclaimed cartoonist Chris Ware reveals the outtakes of his genius in these intimate, imaginative, and whimsical sketches collected from the years during which he completed his award-winning graphic novel Jimmy Corrigan: The Smartest Kid on Earth (Pantheon). His novel not only won the Manchester Guardian First Novel prize in 2001 but it has sold over 100,000 copies. This book is as much a companion volume to Jimmy Corrigan --one of the great crossover success stories-- as a tremendous art collection from of one of America''s most interesting and popular graphic artist. Chris Ware has a passion for drawing that is surprisingly wide-ranging in style and subject. This book surprises the reader on every page with its sense of spontaneous vision. Architectural drawings from Chicago and interplanetary robot comics collide with cruelly doodled human figures and quietly troubling studies of the still life. A must for people with a passion for modern design and old-fashioned style.