New Releases by Chinua Achebe

Essays on the history, complexity, diversity of a continent

Writers from Alice Walker to Michael Ondaatje to Claire Messud share their thoughts on one of the most vital gatherings of writers and readers in the world. The Palestine Festival of Literature was established in 2008 by authors Ahdaf Soueif, Brigid Keenan, Victoria Brittain and Omar Robert Hamilton. Bringing writers to Palestine from all corners of the globe, it aimed to break the cultural siege imposed by the Israeli military occupation, to strengthen artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, "the power of culture over the culture of power." This Is Not a Border is a collection of essays, poems, and sketches from some of the world''s most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and hope in the most desperate of situations. Contributing authors include J. M. Coetzee, China Miéville, Alice Walker, Geoff Dyer, Claire Messud, Henning Mankell, Michael Ondaatje, Kamila Shamsie, Michael Palin, Deborah Moggach, Mohammed Hanif, Gillian Slovo, Adam Foulds, Susan Abulhawa, Ahdaf Soueif, Jeremy Harding, Brigid Keenan, Rachel Holmes, Suad Amiry, Gary Younge, Jamal Mahjoub, Molly Crabapple, Najwan Darwish, Nathalie Handal, Omar Robert Hamilton, Pankaj Mishra, Raja Shehadeh, Selma Dabbagh, William Sutcliffe, Atef Abu Saif, Yasmin El-Rifae, Sabrina Mahfouz, Alaa Abd El Fattah, Mercedes Kemp, Ru Freeman.

Chinua Achebe is considered the father of modern African literature, the writer who "opened the magic casements of African fiction." The African Trilogy--comprised of Things Fall Apart, Arrow of God, and No Longer at Ease--is his magnum opus. In these masterly novels, Achebe brilliantly imagines the lives of three generations of an African community as their world is upended by the forces of colonialism from the first arrival of the British to the waning days of empire. The trilogy opens with the groundbreaking Things Fall Apart, the tale of Okonkwo, a hero in his village, whose clashes with missionaries--coupled with his own tragic pride--lead to his fall from grace. Arrow of God takes up the ongoing conflict between continuity and change as Ezeulu, the headstrong chief priest, finds his authority is under threat from rivals and colonial functionaries. But he believes himself to be untouchable and is determined to lead his people, even if it is towards their own destruction. Finally, in No Longer at Ease, Okonkwo''s grandson, educated in England, returns to a civil-service job in Lagos, only to see his morality erode as he clings to his membership in the ruling elite. Drawing on the traditional Igbo tales of Achebe''s youth, The African Trilogy is a literary landmark, a mythic and universal tale of modern Africa. As Toni Morrison wrote, "African literature is incomplete and unthinkable without the works of Chinua Achebe. For passion, intellect and crystalline prose, he is unsurpassed."

From the renowned author of The African Trilogy, a political satire about an unnamed African country navigating a path between violence and corruption As Minister for Culture, former school teacher M. A. Nanga is a man of the people, as cynical as he is charming, and a roguish opportunist. When Odili, an idealistic young teacher, visits his former instructor at the ministry, the division between them is vast. But in the eat-and-let-eat atmosphere, Odili''s idealism soon collides with his lusts—and the two men''s personal and political tauntings threaten to send their country into chaos. When Odili launches a vicious campaign against his former mentor for the same seat in an election, their mutual animosity drives the country to revolution. Published, prophetically, just days before Nigeria''s first attempted coup in 1966, A Man of the People is an essential part of Achebe’s body of work.

Arrow of God reverts to the tribal world. Ezeulu, the head priest of Ube,faces an erosion of values both from within his tribe and from without. On the one hand are the men of his tribe who align with and abet the European missionaries and on the other are the colonial invaders who are impinging on the old African way of life.

''[The writer] in whose company the prison walls fell down'' - Nelson Mandela. After a long silence Achebe published in 1987 what many see as his greatest work - an acrid, frightening look at oil-boom Nigeria, a world of robberies, road blocks and intimidation in which those who are meant to be protecting a country''s citizens are in reality supervising the looting.

Obi Okonkwo is an idealistic young man who, thanks to the privileges of an education in Britain, has now returned to Nigeria for a job in the civil service. However in his new role he finds that the way of government seems to be backhanders and corruption. Obi manages to resist the bribes that are offered to him, but when he falls in love with an unsuitable girl - to the disapproval of his parents - he sinks further into emotional and financial turmoil. The lure of easy money becomes harder to refuse, and Obi becomes caught in a trap he cannot escape. Showing a man lost in cultural limbo, and a Nigeria entering a new age of disillusionment, No Longer at Ease concludes Achebe''s remarkable trilogy charting three generations of an African community under the impact of colonialism, the first two volumes of which are Things Fall Apart and Arrow of God.

From the legendary author of Things Fall Apart—a long-awaited memoir of coming of age in a fragile new nation, and its destruction in a tragic civil war For more than forty years, Chinua Achebe maintained a considered silence on the events of the Nigerian civil war, also known as the Biafran War, of 1967–1970, addressing them only obliquely through his poetry. Decades in the making, There Was a Country is a towering account of one of modern Africa’s most disastrous events, from a writer whose words and courage left an enduring stamp on world literature. A marriage of history and memoir, vivid firsthand observation and decades of research and reflection, There Was a Country is a work whose wisdom and compassion remind us of Chinua Achebe’s place as one of the great literary and moral voices of our age.

Twelve stories by the internationally renowned novelist which recreate with energy and authenticity the major social and political issues that confront contemporary Africans on a daily basis.

One of the most provocative and original voices in contemporary literature, Chinua Achebe here considers the place of literature and art in our society in a collection of essays spanning his best writing and lectures from the last twenty-three years. For Achebe, overcoming goes hand in hand with eradicating the destructive effects of racism and injustice in Western society. He reveals the impediments that still stand in the way of open, equal dialogue between Africans and Europeans, between blacks and whites, but also instills us with hope that they will soon be overcome.

Recounts how the leopard got his claws and teeth and why he rules the forest with terror.

The more Chike saw the ferry-boats the more he wanted to make the trip to Asaba. But where would he get the money? He did not know. Still, he hoped. Eleven-year-old Chike longs to cross the Niger River to the city of Asaba, but he doesn’t have the sixpence he needs to pay for the ferry ride. With the help of his friend S.M.O.G., he embarks on a series of adventures to help him get there. Along the way, he is exposed to a range of new experiences that are both thrilling and terrifying, from eating his first skewer of suya under the shade of a mango tree, to visiting the village magician who promises to double the money in his pocket. Once he finally makes it across the river, Chike realizes that life on the other side is far different from his expectations, and he must find the courage within him to make it home. Chike and the River is a magical tale of boundaries, bravery, and growth, by Chinua Achebe, one of the world’s most beloved and admired storytellers.

Beautifully written yet highly controversial, An Image of Africa asserts Achebe''s belief in Joseph Conrad as a ''bloody racist'' and his conviction that Conrad''s novel Heart of Darkness only serves to perpetuate damaging stereotypes of black people. Also included is The Trouble with Nigeria, Achebe''s searing outpouring of his frustrations with his country. GREAT IDEAS. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

From one of the greatest writers of the modern era, an intimate and essential collection of personal essays on home, identity, and colonialism Chinua Achebe’s characteristically eloquent and nuanced voice is everywhere present in these seventeen beautifully written pieces. From a vivid portrait of growing up in colonial Nigeria to considerations on the African-American Diaspora, from a glimpse into his extraordinary family life and his thoughts on the potent symbolism of President Obama’s elections—this charmingly personal, intellectually disciplined, and steadfastly wise collection is an indispensable addition to the remarkable Achebe oeuvre.

A collection of poetry spanning the full range of the African-born author''s acclaimed career has been updated to include seven never-before-published works, as well as much of his early poetry that explores such themes as the African consciousness, the tragedy of Biafra, and the mysteries of human relationships.

In three powerful essays, the acclaimed, Nigerian-born novelist and author of Things Fall Apart explores the complexities of African culture and discusses the devastating impact of European cultural imperialism on the African experience. Reprint. 25,000 first printing.

Art, cloth/posters, photography, architecture, music, theater/literature, film, anthology of Africa.

Two great talents have joined together to create a unique d gorgeous book that fuses photographs, poetry, and text to create a view of present-day Africa that moves beyond the stereotypes commonly held by most Westerners. There are no shots of beautiful sand dunes and tropical savannas where herds of wildlife roam. Instead, this work peels away myths to explore the complexity, diversity, and human dimensions of a place called Africa -- one that celebrates the commonplace and exotic simultaneously. The ninety full-color photographs are highly subjective, a personal investigation that reflects the sensibilities, formal concerns, and the ongoing engagement of the photographer Robert Lyons. With the brilliant Chinua Achebe, a Nigerian, contributing his never-before-published poems and an essay, the book takes on another dimension. He presents a concise view of Africa today, including the individual and political issues facing its countries. His poems and his essay, written specifically for this book, deal with Africa on its own terms -- from within.This beautifully produced book with text by a "magical writer -- one of the greatest of the twentieth century" (Margaret Atwood) will be irresistible to anyone interested in Africa.

Chinua Achebe''s books are being read throughout the English-speaking world. They have been translated into more than fifty languages. His publishers estimate that more than eight million copies of his first novel Things Fall Apart (1958) have been sold. As a consequence, he is the best known and most widely studied African author. His distinguished books of fiction and nonfiction include No Longer at Ease, Arrow of God, Morning Yet on Creation Day, Christmas in Biafra, and others. Achebe often has been called the inventor of the African novel. Although he modestly denies the title, it is true that modern African literature would not have flowered so rapidly and spectacularly had he not led the way by telling Africa''s story from a distinctively African point of view. Many other Africans have been inspired to write novels by his example. The interviews collected here span more than thirty years of Achebe''s writing career. The earliest was recorded in 1962, the latest in 1995. Together they offer a representative sample of what he has said to interviewers for newspapers, journals, and books in many different countries. Through his own statements we can see Achebe as a man of letters, a man of ideas, a man of words. As these interviews show, Achebe is an impressive speaker and gifted conversationalist who expresses his ideas in language that is simple yet pungent, moderate yet peppered with colorful images and illustrations. It is this talent for deep and meaningful communication, this intimate way with words, that makes his interviews a delight to read. He has a facility for penetrating to the essence of a question and framing a response that addresses the concerns of the questioner and sometimes goes beyond those concerns to matters of general interest. "People," he says, "are expecting from literature serious comment on their lives. They are not expecting frivolity. They are expecting literature to say something important to help them in their struggle with life. This is what literature, what art, is supposed to do: to give us a second handle on reality so that when it becomes necessary to do so, we can turn to art and find a way out. So it is a serious matter."

This book is a transcription of the proceedings of the "Black Writers Redefine the Struggle: A Tribute to James Baldwin" Conference held on April 22-23, 1988 at the University of Massachusetts-Amherst. The Conference was developed by five-college faculty members involved with black literary studies and would revolve around Chinua Achebe and James Baldwin, both outstanding writers and major cultural figures, who were teaching at the University at the same time: one the prototypical writer of Africa--the other the preeminent living embodiment of the literature of the Black Diaspora. Originally, the conference would assess where black writing, black struggle for full articulation, liberation, and recognition stood at its time and what its prospects and priorities might be. Before the Conference, however, Baldwin succumbed to cancer. The Conference still went on and was retitled as a tribute to James Baldwin and focused on his impact on Black writing. Throughout the Conference are extraordinary readings in several genres and voices by Chinua Achebe, Irma McClaurin-Allen, Andrew Salkey, Michael Thelwell, and John Edgar Wideman.

Set in the Ibo heartland of eastern Nigeria, one of Africa''s best-known writers describes the conflict between old and new in its most poignant aspect--the personal struggle between father and son.

This novel about Nigeria prophesied the 1983 coup.

Billedbog med megen tekst fra Nigeria - om hvordan den første skildpadde klarede sig ud af en knibe over for de andre dyr

Girls at War and Other Stories reveals the essence of life in Nigeria and traces twenty years in the literary career of one of this century''s most acclaimed writers. In this collection of stories, Chinua Achebe takes us inside the heart and soul of a people whose pride and ideals must compete with the simple struggle to survive. Hailed by critics everywhere, Chinua Achebe''s fiction re-creates with energy and authenticity the major issues of daily life in Africa.