Best Selling Books by Carlos Eire

An award-winning historian’s examination of impossible events at the dawn of modernity and of their enduring significance Accounts of seemingly impossible phenomena abounded in the early modern era—tales of levitation, bilocation, and witchcraft—even as skepticism, atheism, and empirical science were starting to supplant religious belief in the paranormal. In this book, Carlos Eire explores how a culture increasingly devoted to scientific thinking grappled with events deemed impossible by its leading intellectuals. Eire observes how levitating saints and flying witches were as essential a component of early modern life as the religious turmoil of the age, and as much a part of history as Newton’s scientific discoveries. Relying on an array of firsthand accounts, and focusing on exceptionally impossible cases involving levitation, bilocation, witchcraft, and demonic possession, Eire challenges established assumptions about the redrawing of boundaries between the natural and supernatural that marked the transition to modernity. Using as his case studies stories about St. Teresa of Avila, St. Joseph of Cupertino, the Venerable María de Ágreda, and three disgraced nuns, Eire challenges readers to imagine a world animated by a different understanding of reality and of the supernatural’s relationship with the natural world. The questions he explores—such as why and how “impossibility” is determined by cultural contexts, and whether there is more to reality than meets the eye or can be observed by science—have resonance and lessons for our time.

From the author of Waiting for Snow in Havana, a brilliant cultural history of the idea of eternity What is eternity? Is it anything other than a purely abstract concept, totally unrelated to our lives? A mere hope? A frightfully uncertain horizon? Or is it a certainty, shared by priest and scientist alike, and an essential element in all human relations? In A Very Brief History of Eternity, Carlos Eire, the historian and National Book Award–winning author of Waiting for Snow in Havana, has written a brilliant history of eternity in Western culture. Tracing the idea from ancient times to the present, Eire examines the rise and fall of five different conceptions of eternity, exploring how they developed and how they have helped shape individual and collective self-understanding. A book about lived beliefs and their relationship to social and political realities, A Very Brief History of Eternity is also about unbelief, and the tangled and often rancorous relation between faith and reason. Its subject is the largest subject of all, one that has taxed minds great and small for centuries, and will forever be of human interest, intellectually, spiritually, and viscerally.

Continuing the personal saga begun in the National Book Award-winning Waiting for Snow in Havana, the inspiring, sad, funny, bafflingly beautiful story of a boy uprooted by the Cuban Revolution and transplanted to Miami during the years of the Kennedy administration. In his 2003 National Book Award–winning memoir Waiting for Snow in Havana, Carlos Eire narrated his coming of age in Cuba just before and during the Castro revolution. That book literally ends in midair as eleven-year-old Carlos and his older brother leave Havana on an airplane—along with thousands of other children—to begin their new life in Miami in 1962. It would be years before he would see his mother again. He would never again see his beloved father. Learning to Die in Miami opens as the plane lands and Carlos faces, with trepidation and excitement, his new life. He quickly realizes that in order for his new American self to emerge, his Cuban self must “die.” And so, with great enterprise and purpose, he begins his journey. We follow Carlos as he adjusts to life in his new home. Faced with learning English, attending American schools, and an uncertain future, young Carlos confronts the age-old immigrant’s plight: being surrounded by American bounty, but not able to partake right away. The abundance America has to offer excites him and, regardless of how grim his living situation becomes, he eagerly forges ahead with his own personal assimilation program, shedding the vestiges of his old life almost immediately, even changing his name to Charles. Cuba becomes a remote and vague idea in the back of his mind, something he used to know well, but now it “had ceased to be part of the world.” But as Carlos comes to grips with his strange surroundings, he must also struggle with everyday issues of growing up. His constant movement between foster homes and the eventual realization that his parents are far away in Cuba bring on an acute awareness that his life has irrevocably changed. Flashing back and forth between past and future, we watch as Carlos balances the divide between his past and present homes and finds his way in this strange new world, one that seems to hold the exhilarating promise of infinite possibilities and one that he will eventually claim as his own. An exorcism and an ode, Learning to Die in Miami is a celebration of renewal—of those times when we’re certain we have died and then are somehow, miraculously, reborn.

A survivor of the Cuban Revolution recounts his pre-war childhood as the religiously devout son of a judge, and describes the conflict''s violent and irrevocable impact on his friends, family, and native home.

The life and many afterlives of one of the most enduring mystical testaments ever written The Life of Saint Teresa of Avila is among the most remarkable accounts ever written of the human encounter with the divine. The Life is not really an autobiography at all, but rather a confession written for inquisitors by a nun whose raptures and mystical claims had aroused suspicion. Despite its troubled origins, the book has had a profound impact on Christian spirituality for five centuries, attracting admiration from readers as diverse as mystics, philosophers, artists, psychoanalysts, and neurologists. How did a manuscript once kept under lock and key by the Spanish Inquisition become one of the most inspiring religious books of all time? National Book Award winner Carlos Eire tells the story of this incomparable spiritual masterpiece, examining its composition and reception in the sixteenth century, the various ways its mystical teachings have been interpreted and reinterpreted across time, and its enduring influence in our own secular age. The Life became an iconic text of the Counter-Reformation, was revered in Franco’s Spain, and has gone on to be read as a feminist manifesto, a literary work, and even as a secular text. But as Eire demonstrates in this vibrant and evocative book, Teresa’s confession is a cry from the heart to God and an audacious portrayal of mystical theology as a search for love. Here is the essential companion to the Life, one woman’s testimony to the reality of mystical experience and a timeless affirmation of the ultimate triumph of good over evil.

Thematic examination of monotheistic religions The second edition of Jews, Christians, Muslims: A Comparative Introduction to Monotheistic Religions, compares Judaism, Christianity, and Islam using seven common themes which are equally relevant to each tradition. Provoking critical thinking, this text addresses the cultural framework of religious meanings and explores the similarities and differences among Judaism, Christianity, and Islam as it explains the ongoing process of interpretation in each religion. The book is designed for courses in Western and World Religions.

En su libro de memorias Nieve en La Habana, el cual ganó el Premio Nacional del Libro en 2003, Carlos Eire narra su niñez en Cuba en la época del triunfo de la revolución y la llegada al poder de Fidel Castro. Esa historia termina en 1962, en el avión que lleva a Carlos y a su hermano desde La Habana a Miami para comenzar una nueva vida, como sucedió a miles de niños cubanos. Pasarían años antes de que Carlos volviera a ver a su madre. Y nunca más volvería a ver a su padre, por quien sentía una verdadera devoción. Miami y Mis Mil Muertes sigue el cuento en el momento en que aquel avión aterriza y Carlos comienza una nueva vida impulsado por sus miedos y esperanzas. Enseguida se da cuenta de que para llegar a ser americano tendrá que “morir” el Carlos cubano que hasta ahora ha sido. Se enfrenta al eterno dilema del inmigrante que debe aprender inglés, ir a una escuela americana y descifrar un futuro incierto: está en el país de las oportunidades, pero aún no es capaz de aprovecharlas. A pesar de la dura realidad de los hogares adoptivos donde ha de vivir, el muchacho se abre paso, dejando atrás cualquier vestigio de su vida pasada hasta el punto de cambiar su nombre y convertirse en Charles. Miami y Mis Mil Muertes es un exorcismo y una oda a esa experiencia, es un homenaje a la renovación, a los momentos de la vida en que tenemos la certeza de haber muerto y, de alguna manera milagrosa, haber vuelto a nacer.