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"The Dream of the Red Chamber" (also known as "The Story of the Stone") is one of China''s Four Great Classical Novels and is considered one of the greatest works of Chinese literature. It was written by Cao Xueqin during the Qing Dynasty in the 18th century. The novel is a sprawling epic that explores themes of love, family, societal hierarchy, and the inevitability of change. Set against the backdrop of the decline of a powerful family, the Jia clan, the story follows the lives of its members, particularly the two young cousins Jia Baoyu and Lin Daiyu, as they navigate the complexities of relationships, duty, and personal desires. At its heart, "The Dream of the Red Chamber" is a poignant reflection on the fleeting nature of life and the transient beauty of the world. The title itself refers to the grand estate where much of the action takes place, symbolizing both the splendor and the fragility of existence. The novel is celebrated for its richly drawn characters, intricate plotlines, and profound philosophical insights. It has had a profound influence on Chinese literature and culture, inspiring countless adaptations in various art forms and continuing to captivate readers worldwide with its timeless exploration of the human condition.

180 Masterpieces of World Literature (Vol.2) offers an unparalleled journey through the rich tapestry of human creativity and intellectual endeavor, spanning continents, centuries, and an array of literary styles. From the intricate narratives of ancient epics to the introspective explorations of modernism, this anthology showcases the diversity of human thought and emotion through works that have fundamentally shaped the course of literature and society. Standout pieces include seminal works by literary giants such as Dante and Dostoyevsky, alongside transformative texts from Confucius to Virginia Woolf, bridging the realms of fiction, philosophy, and beyond, and illuminating the myriad ways in which literature mirrors, critiques, and shapes the world. The contributing authors and editors, hailing from diverse cultural, geographical, and temporal backgrounds, together encapsulate the breadth of human experience and intellectual pursuit. This collection aligns with key literary movementsfrom the Enlightenment to Romanticism, Realism to Modernismwhile also transcending them to offer a more holistic appreciation of literary evolution. The anthology weaves a complex narrative of human progress, struggle, and insight, reflecting the shifts in social, political, and personal paradigms across ages, facilitated by the literary mastery of figures from Jane Austen to James Joyce, Leo Tolstoy to George Bernard Shaw. 180 Masterpieces of World Literature (Vol.2) is an essential read for those seeking to immerse themselves in the depth and diversity of global literary heritage. It offers readers the unique opportunity to explore an expansive array of perspectives, themes, and stylistic approaches, all within a single volume. This collection is not only an educational resource but a testament to the enduring power of literature to connect disparate voices across time and space, inviting readers into a dialogic encounter with history''s most profound thinkers and storytellers. For scholars, students, and avid readers alike, this anthology is a gateway to a world of insight, inspiration, and intellectual exploration.

The Dream of the Red Chamber, a cornerstone of Chinese literature, intricately weaves a tapestry of family dynamics, societal expectations, and the intricacies of love within the framework of 18th-century Qing Dynasty China. Cao Xueqin employs a rich literary style, characterized by lyrical prose, vivid imagery, and profound psychological depth, to illustrate the poignant realities of human existence. The narrative, which revolves around the rise and fall of the Jia family, delves into themes of fate, fleeting beauty, and the illusory nature of wealth, thus positioning itself against the backdrop of a society grappling with change and decline. Cao Xueqin, born into a once-illustrious family that faced financial ruin, infused his own life experiences into this semi-autobiographical work. His background provided him with a keen insight into the complexities of social hierarchy and familial affections, which serve as the novel''s backbone. Furthermore, his deep engagement with Buddhism, Daoism, and Confucian philosophy informs the metaphysical undercurrents that permeate the narrative, making it a reflective exploration of existence. I highly recommend The Dream of the Red Chamber to readers who seek a profound exploration of human emotions and societal complexities. Its nuanced characters and intricate plot will captivate those interested in classic literature, offering timeless wisdom that resonates well beyond its historical context.

El sueño de la mansión roja, obra de mediados del siglo XVIII, de Cao Xueqin. Es la obra maestra más importante de las novelas clásicas chinas de las dinastías Ming y Qing, y que más ha influido en las generaciones posteriores. sueño de la mansión roja se cree que es una obra semiautobiográfica, refleja el auge y decadencia de la propia familia de Cao Xueqin y por extensión, de la dinastía Qing. La novela es notable no solo por su enorme elenco de personajes y la psicología de los mismos, sino también por su observación precisa y detallada de la vida y las estructuras sociales propias de la aristocracia china del siglo XVIII. La novela retrata una tragedia en la que el amor, la juventud y la vida se arruinan, al mismo tiempo que expone y refleja profundamente la raíz de la tragedia: el sistema feudal y su cultura.

Step into the world of 18th-century Chinese society with Hung Lou Meng, Book I by Cao Xueqin. Commonly known as ''The Dream of the Red Chamber'', this book is one of China''s Four Great Classical Novels. Hung Lou Meng, Book I explores the decline of a wealthy Chinese household, weaving in complex themes of love, morality, and societal pressure. Xueqin''s masterful storytelling makes this novel an immersive experience, drawing readers into the intricate world of the Jia Clan. Discover the beauty and tragedy of Hung Lou Meng, Book I. Order your copy today and delve into this captivating portrayal of Chinese society.

Obra completa Incluye los 120 capítulos. Está considerada una de las obras maestras de la literatura de China y es una de las cuatro novelas clásicas chinas, y es generalmente reconocida como la cúspide de la narrativa china. Hasta antes de su publicación impresa en 1791, la novela circuló en copias manuscritas con diferentes títulos. También es conocida como Historia de la Piedra. Mientras que los primeros 80 capítulos fueron escritos por Cao Xueqin, Gao E, quien editó las primera y segunda ediciones impresas con su compañero Cheng Weiyuan en 1791, añadió 40 capítulos adicionales para completar la versión actual de la novela. Sueño en el pabellón rojo se cree que es una obra semi-autobiográfica, reflejando el auge y decadencia de la propia familia de Cao Xueqin y por extensión, de la dinastía Qing. Por los datos proporcionados por el propio autor desde el primer capítulo, se pretende que sea un monumento a las mujeres que conoció en su juventud: amigas, parientes, sirvientas. La novela es notable no solo por su enorme elenco de personajes y la psicología de los mismos, sino también por su observación precisa y detallada de la vida y las estructuras sociales propias de la aristocracia china del siglo XVIII.

De droom van de rode kamer wordt gerekend tot de hoogtepunten van de klassieke Chinese literatuur, het summum van de Chinese romankunst. In tweeduizend bladzijden toont Cao Xueqin de rijkdom van de achttiende-eeuwse adel, die leeft achter rode muren en met behulp van broze banden met de keizer probeert vast te houden aan zijn macht. Maar is die rijkdom misschien uiteindelijk toch niet een illusie? Tot dit boeddhistisch-taoïstische inzicht komt de jonge Baoyu: geboren met een stuk ‘bezielde jade’ in zijn mond, een steen van mythische oorsprong. Zijn liefdesleven vormt de rode draad van het grote familieverhaal. In een fameuze driehoeksverhouding met twee nichtjes leert hij het verschil kennen tussen liefde en huwelijk. Ontnuchterd denkt hij er steeds vaker aan het aardse leven op te geven en als bedelmonnik verder te gaan. De droom van de rode kamer laat zich enkel vergelijken met de allergrootste romans uit de wereldliteratuur: De Buddenbrooks van Thomas Mann of Op zoek naar de verloren tijd van Marcel Proust. Mark Leenhouts, Silvia Marijnissen en Anne Sytske Keijser werkten twaalf jaar aan de vertaling van dit monumentale boek.

De droom van de rode kamer'' wordt gerekend tot de hoogtepunten van de klassieke Chinese literatuur, het summum van de Chinese romankunst. In tweeduizend bladzijden toont Cao Xueqin de rijkdom van de achttiende-eeuwse adel, die leeft achter rode muren en met behulp van broze banden met de keizer probeert vast te houden aan zijn macht. Maar is die rijkdom misschien uiteindelijk toch niet een illusie? 0Tot dit boeddhistisch-taoïstische inzicht komt de jonge Baoyu: geboren met een stuk ?bezielde jade? in zijn mond, een steen van mythische oorsprong. Zijn liefdesleven vormt de rode draad van het grote familieverhaal. In een fameuze driehoeksverhouding met twee nichtjes leert hij het verschil kennen tussen liefde en huwelijk. Ontnuchterd denkt hij er steeds vaker aan het aardse leven op te geven en als bedelmonnik verder te gaan. 0''De droom van de rode kamer'' laat zich enkel vergelijken met de allergrootste romans uit de wereldliteratuur: ''De Buddenbrooks'' van Thomas Mann of ''Op zoek naar de verloren tijd'' van Marcel Proust. 0Mark Leenhouts, Silvia Marijnissen en Anne Sytske Keijser werkten twaalf jaar aan de vertaling van dit monumentale boek.

For generations, the Jia family is held in high esteem but when they lose favor with the emperor, their luxury lifestyle comes to an end. The Story of the Stone focuses on internal and external conflicts that arise as they adjust to their unexpected plight. Jia Baoyu is heir to a prestigious family, that’s held multiple imperial titles throughout the years. Despite their history and social standing, they are targeted by the emperor who strips them of their land and personal fortune. As the family’s wealth wanes, the young Jia struggles with his affection for his cousin Lin Daiyu, as he’s already engaged to Xue Baochai. It’s a compelling romance drama set against the family’s economic decline. Revered for centuries, The Story of the Stone is one of the Four Classic Novels in Chinese literature. It’s a depiction of pre-modern times that is both bleak and illuminating. Cao Xueqin delivers a piercing commentary on the duplicity of the social and political structure. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Story of the Stone is both modern and readable.

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a ''fresh and newly'' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a ''fresh and newly'' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. The Dream of the Red Chamber provides a detailed, episodic record of life in the two branches of the wealthy, aristocratic Jia clan—the Rongguo House and the Ningguo House—who reside in two large, adjacent family compounds in the capital. Their ancestors were made Dukes and given imperial titles, and as the novel begins the two houses are among the most illustrious families in the city. One of the clan''s offspring is made a Royal Consort, and a lush landscaped garden is built to receive her visit. In the novel''s frame story, a sentient Stone, abandoned by the goddess Nüwa when she mended the heavens aeons ago, begs a Taoist priest and a Buddhist monk to take it with them to see the world.

e-artnow presents to you this meticulously edited and formatted collection of the greatest world classics: Les Misérables (Victor Hugo) The Call of the Wild (Jack London) Walden (Henry David Thoreau) Anna Karenina (Leo Tolstoy) War and Peace (Leo Tolstoy) Crime and Punishment (Fyodor Dostoevsky) Art of War (Sun Tzu) Dead Souls (Nikolai Gogol) Don Quixote (Miguel de Cervantes) Dona Perfecta (Benito Pérez Galdós) A Doll''s House (Henrik Ibsen) Gitanjali (Rabindranath Tagore) The Life of Lazarillo de Tormes (Anonymous) Life is a Dream (Pedro Calderon de la Barca) The Divine Comedy (Dante) Decameron (Giovanni Boccaccio) The Prince (Machiavelli) Arabian Nights Hamlet (Shakespeare) Romeo and Juliet (Shakespeare) Robinson Crusoe (Daniel Defoe) Pride & Prejudice (Jane Austen) Frankenstein (Mary Shelley) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) Great Expectations (Charles Dickens) Ulysses (James Joyce) Pygmalion (George Bernard Shaw) Ivanhoe (Sir Walter Scott) Dr Jekyll and Mr Hyde (Robert Louis Stevenson) Peter and Wendy (J. M. Barrie) The Adventures of Huckleberry Finn (Mark Twain) Moby-Dick (Herman Melville) Little Women (Louisa May Alcott) Leaves of Grass (Walt Whitman) The Raven (Edgar Allan Poe) Anne of Green Gables (L. M. Montgomery) Iliad & Odyssey (Homer) The Republic (Plato) Faust, a Tragedy (Johann Wolfgang von Goethe) Siddhartha (Herman Hesse) Thus Spoke Zarathustra (Friedrich Nietzsche) 20,000 Leagues Under the Sea (Jules Verne) Journey to the Centre of the Earth (Jules Verne) The Hunchback of Notre Dame (Victor Hugo) The Flowers of Evil (Charles Baudelaire) The Count of Monte Cristo (Alexandre Dumas) The Poison Tree (Bankim Chandra Chatterjee) Shakuntala (Kalidasa) Rámáyan of Válmíki (Válmíki) Tao Te Ching (Laozi) The Analects of Confucius (Confucius) Hung Lou Meng or, The Dream of the Red Chamber (Cao Xueqin) Two Years in the Forbidden City (Princess Der Ling) Bushido, the Soul of Japan (Inazo Nitobé) The Book of Tea (Kakuzo Okakura) Botchan (Soseki Natsume)…

Dream of the Red Chamber, also called The Story of the Stone, composed by Cao Xueqin, is one of China''s Four Great Classical Novels. It was written sometime in the middle of the 18th century during the Qing dynasty. Long considered a masterpiece of Chinese literature, the novel is generally acknowledged to be the pinnacle of Chinese fiction. "Redology" is the field of study devoted exclusively to this work. The title has also been translated as Red Chamber Dream and A Dream of Red Mansions. The novel circulated in manuscript copies with various titles until its print publication, in 1791. Gao E, who prepared the first and second printed editions with his partner Cheng Weiyuan in 1791–92, added 40 additional chapters to complete the novel. Red Chamber is believed to be semi-autobiographical, mirroring the rise and decline of author Cao Xueqin''s own family and, by extension, of the Qing Dynasty. As the author details in the first chapter, it is intended to be a memorial to the damsels he knew in his youth: friends, relatives and servants. The novel is remarkable not only for its huge cast of characters and psychological scope, but also for its precise and detailed observation of the life and social structures typical of 18th-century Chinese society.

Hong Lou Meng also called Dream of the Red Chamber or called The Story of the Stone, composed by Cao Xueqin, is one of China''s Four Great Classical Novels. It was written sometime in the middle of the 18th century during the Qing Dynasty. It is considered a masterpiece of Chinese literature and is generally acknowledged to be the pinnacle of Chinese fiction. The book is Chinese Simple Characters version.

..".The Empress Nu Wo, (the goddess of works, ) in fashioning blocks of stones, for the repair of the heavens, prepared, at the Ta Huang Hills and Wu Ch''i cave, 36,501 blocks of rough stone, each twelve chang in height, and twenty-four chang square. Of these stones, the Empress Wo only used 36,500; so that one single block remained over and above, without being turned to any account. This was cast down the Ch''ing Keng peak. This stone, strange to say, after having undergone a process of refinement, attained a nature of efficiency, and could, by its innate powers, set itself into motion and was able to expand and to contract. When it became aware that the whole number of blocks had been made use of to repair the heavens, that it alone had been destitute of the necessary properties and had been unfit to attain selection, it forthwith felt within itself vexation and shame, and day and night, it gave way to anguish and sorrow. One day, while it lamented its lot, it suddenly caught sight, at a great distance, of a Buddhist bonze and of a Taoist priest coming towards that direction. Their appearance was uncommon, their easy manner remarkable. When they drew near this Ch''ing Keng peak, they sat on the ground to rest, and began to converse. But on noticing the block newly-polished and brilliantly clear, which had moreover contracted in dimensions, and become no larger than the pendant of a fan, they were greatly filled with admiration. The Buddhist priest picked it up, and laid it in the palm of his hand. "Your appearance," he said laughingly, "may well declare you to be a supernatural object, but as you lack any inherent quality it is necessary to inscribe a few characters on you, so that every one who shall see you may at once recognise you to be a remarkable thing. And subsequently, when you will be taken into a country where honour and affluence will reign, into a family cultured in mind and of official status, in a land where flowers and trees shall flourish with luxuriance, in a town of refinement, renown and glory; when you once will have been there..." The stone listened with intense delight...""

Dream of the Red Chamber is one of China''s Four Great Classical Novels. It was written in the middle of the 18th century during the Qing Dynasty. It is considered a masterpiece of Chinese literature and is generally acknowledged to be the pinnacle of Chinese fiction. "Redology" is the field of study devoted exclusively to this work.Red Chamber is believed to be semi-autobiographical, mirroring the rise and decay of author Cao Xueqin''s own family and, by extension, of the Qing Dynasty. As the author details in the first chapter, it is intended to be a memorial to the women he knew in his youth: friends, relatives and servants. The novel is remarkable not only for its huge cast of characters and psychological scope, but also for its precise and detailed observation of the life and social structures typical of 18th-century Chinese aristocracy.

"The Story of the Stone" (c. 1760), also known as "The Dream of the Red Chamber", is one of the greatest novels of Chinese literature. The fifth part of Cao Xueqin''s magnificent saga, "The Dreamer Awakes", was carefully edited and completed by Gao E some decades later. It continues the story of the changing fortunes of the Jia dynasty, focussing on Bao-yu, now married to Bao-chai, after the tragic death of his beloved Dai-yu. Against such worldly elements as death, financial ruin, marriage, decadence and corruption, his karmic journey unfolds. Like a sleepwalker through life, Bao-yu is finally awakened by a vision, which reveals to him that life itself is merely a dream, ''as moonlight mirrored in the water''.

The Story of the Stone (c. 1760), also known by the title of The Dream of the Red Chamber, is the great novel of manners in Chinese literature. Divided into five volumes, of which The Debt of Tears is the fourth, it charts the glory and decline of the illustrious Jia family (a story which closely accords with the fortunes of the author''s own family). The two main characters, Bao-yu and Dai-yu, are set against a rich tapestry of humour, realistic detail and delicate poetry, which accurately reflects the ritualized hurly-burly of Chinese family life. But over and above the novel hangs the constant reminder that there is another plane of existence - a theme which affirms the Buddhist belief in a supernatural scheme of things.

The Story of the Stone (c.1760) is one of the greatest novels of Chinese literature. The first part of the story, The Golden Days, begins the tale of Bao-yu, a gentle young boy who prefers girls to Confucian studies, and his two cousins: Bao-chai, his parents'' choice of a wife for him, and the ethereal beauty Dai-yu. Through the changing fortunes of the Jia family, this rich, magical work sets worldly events - love affairs, sibling rivalries, political intrigues, even murder - within the context of the Buddhist understanding that earthly existence is an illusion and karma determines the shape of our lives.

The Story of the Stone (c. 1760), also known by the title of The Dream of the Red Chamber, is the great novel of manners in Chinese literature. Divided into five volumes, of which The Warning Voice is the third, it charts the glory and decline of the illustrious Jia family (a story which closely accords with the fortunes of the author''s own family). The two main characters, Bao-yu and Dai-yu, are set against a rich tapestry of humour, realistic detail and delicate poetry, which accurately reflects the ritualized hurly-burly of Chinese family life. But over and above the novel hangs the constant reminder that there is another plane of existence - a theme which affirms the Buddhist belief in a supernatural scheme of things.

The Story of the Stone (c. 1760), also known as The Dream of the Red Chamber, is one of the greatest novels of Chinese literature. The fifth part of Cao Xueqin''s magnificent saga, The Dreamer Awakes, was carefully edited and completed by Gao E some decades later. It continues the story of the changing fortunes of the Jia dynasty, focussing on Bao-yu, now married to Bao-chai, after the tragic death of his beloved Dai-yu. Against such worldly elements as death, financial ruin, marriage, decadence and corruption, his karmic journey unfolds. Like a sleepwalker through life, Bao-yu is finally awakened by a vision, which reveals to him that life itself is merely a dream, ''as moonlight mirrored in the water''.

This is the traditional Chinese edition of Hong Lou Meng (A Dream of the Red Mansions), the great classical Chinese fiction by Cao Xueqin and Gao Eh, edited by YeShell.

One of China''s Four Great Classical Novels, "The Dream of the Red Chamber" is perhaps the greatest novel written in the Chinese vernacular. Its authorship is attributed to Cao Xueqin, who lived sometime from the early to mid-eighteenth century. Little is known of Cao Xueqin, except from what was passed down from his contemporaries and friends. An intelligent and artistic man, known for both his poetry and his paintings, Xueqin spent a decade working diligently on "The Dream of the Red Chamber". The result is a wonderfully vivid story of the powerful rise, and subsequent fall, of the Jia clan, an illustrious family representative of the eighteenth century Chinese aristocracy. The novel is said to be semi-autobiographical, and is noted for its detailed observations of the social classes, as well as its deeply psychological explorations of themes like morality, feudalism and Confucianism, sexual deviance, fraternal jealousies, and the unwillingness to grow up. It is a timeless story that will continue to be revered by readers the world over.

Also known as A Dream of Red Mansions, The Story of the Stone, or Chronicles of the Stone; Hung Lou Meng, or, The Dream of the Red Chamber is usually grouped with three other pre-modern Chinese works of fiction, collectively known as the Four Great Classical Novels, and is often taken to be the zenith of classical Chinese fiction.

Subsequent to the visions of a dream which he had experienced, the writer relates, he concealed the true circumstances and borrowed the attributes of perception and spirituality to relate this story of the Record of the Stone. With this purpose, he made use of such designations as Chen Shih-yin (truth under the garb of fiction) and the like.