New Releases by Bruce Weber

Independent arts journal published by photographer and filmmaker Bruce Weber

The arts and crafts co-founder of the Byrdcliffe Art Colony in 1903.

Economic development in rural areas affects the natural environment, which in turn affects economic growth--both rural and urban. These shared interests and feedback effects in the natural environment are increasingly recognized as important economic and political issues, and necessitate a new framework for better understanding them. This article asks why such a framework does not exist and why it should be developed. It then presents such a framework by integrating regional, urban, and environmental economic insights. The framework focuses on the interactive location decisions of firms and households and centripetal forces for concentration and centrifugal forces for decentralization. The article captures the economic and environmental consequences of rural-urban relocation and feedback effects through changes in agglomeration economies, congestion costs, natural and social amenities, and the location of economic opportunities. Results show that some feedback effects reinforce the initial forces, but others weaken them. We present two examples to demonstrate the application of the framework. The first focuses on how agglomeration economies affect the effectiveness of environmental regulation and illustrates the benefits of incorporating regional and urban economic insights into environmental policy analysis. The second example focuses on how conservation policy can create localized amenities that help resource-rich regions avoid the natural resource curse and illustrates how concepts and perspectives from resource and environmental economics can improve our understanding of regional and rural issues.

Bruce Weber is the author of five previously published books of poetry: "These Poems are Not Pretty" (Miami: Palmetto Press, 1992), "How the Poem Died" (New York: Linear Arts, 1998), "Poetic Justice" (New York: Ikon Press, 2004), "The First Time I Had Sex with T. S. Eliot" (New York: Venom Press, 2004), and "The Break-up of My First Marriage" (Rogue Scholars Press, 2009).Bruce''s work has appeared in numerous magazines, as well as in several anthologies. He has performed regularly in the Tri-State area, both alone and for many years with his former performance group, Bruce Weber''s No Chance Ensemble.

As with all of Bruce Weber''s short story books, the settings for these tales span the globe, from the leafy suburbs of Scarsdale, New York to the steamy jungles of Laos, from the desert canyons of the Southwest to tiny villages in northern France, and from a stuffy apartment in Tel Aviv to the banal suburbs of Las Vegas. But settings are no more than stages for the same dramas enacted daily by people around the globe. Driven by love or lust, greed or compassion, hate or mercy, they act out in their individual lives the destiny of our race, adding their unique contributions to the ongoing Human Comedy.

The 1994 Northwest Forest Plan (NWFP) resulted in the protection of over 11 million acres of public forestland in the Pacific Northwest region of the United States. This paper quantifies the amenity effect arising from protected NWFP lands on long-run community economic growth. Using community fixed effects and postmatching panel regression to control for many sources of bias, we find highly localized and positive amenity impacts on the growth in median income, population, and property values for small communities close to protected NWFP land, as compared to communities far from the NWFP. We find no effect on medium-sized communities.

Life Is a Wheel chronicles the cross-country bicycle trip Bruce Weber made at the age of fifty-seven, an “entertaining travel story filled with insightful thoughts about life, family, and aging” (The Associated Press). During the summer and fall of 2011, Bruce Weber, an obituary writer for The New York Times, bicycled across the country, alone, and wrote about it as it unfolded. Life Is a Wheel is the witty, inspiring, and reflective diary of his journey, in which the challenges and rewards of self-reliance and strenuous physical effort yield wry and incisive observations about cycling and America, not to mention the pleasures of a three-thousand-calorie breakfast. The story begins on the Oregon coast, with Weber wondering what he’s gotten himself into, and ends in triumph on New York City’s George Washington Bridge. From Going-to-the-Sun Road in the northern Rockies to the headwaters of the Mississippi and through the cityscapes of Chicago and Pittsburgh, his encounters with people and places provide us with an intimate, two-wheeled perspective of America. And with thousands of miles to travel, Weber considers his past, his family, and the echo that a well-lived life leaves behind. Part travelogue, part memoir, part romance, part paean to the bicycle—and part bemused and panicky account of a middle-aged man’s attempt to stave off, well, you know—Life Is a Wheel is “a book for cyclists, and for anyone who has ever dreamed of such transcontinental travels. But it also should prove enlightening, soul-stirring, even, to those who don’t care a whit about bikes but who care about the way people connect” (The Philadelphia Inquirer).

"The book opens with a poem by SHERMAN ALEXIE. A new commission by SEAN THOMAS finds him back in his hometown of Omaha, Nebraska, documenting the teen rites of passage that pile up at the end of high school: senior prom, first romances, lazy summer jobs. Then Bruce Weber’s first story in the book: a profile of FATHER GREGORY BOYLE, founder of Homeboy Industries, the pioneering Los Angeles based gang intervention and rehabilitation program. From there All-American travels to Harlem with LISA EISNER, whose commissioned story about Amateur Night at the Apollo becomes a love poem to the vibrant neighborhood. Weber’s second story is a profile of the charming and eccentric MICKY WOLFSON, whose extraordinary collection of furniture, paintings, books, prints, and decorative objects became the Wolfsonian Museum in Miami, Florida. A portfolio of paintings by the Palm Beach society fixture RALPH WOLFE COWAN presents everyone from Doris Duke to Johnny Mathis to Princess Grace in the most ethereal and unexpected light. All-American traces one woman’s personal struggle for justice through exclusive images from the personal archive of EDITH WINDSOR, whose Supreme Court case resulted in the overturning of the Defense of Marriage Act (DOMA) earlier this year. This story also features portraits by Bruce Weber and photographs by POPPY DE VILLENEUVE. All-American Volume Thirteen closes with an in-depth look at the world of professional motocross racing. Bruce Weber traveled this summer to Southwick, Massachusetts together with photographers JOHN SCOTT and MICHAEL JOHN MURPHY to capture stars like Ryan Dungey and James Stewart racing against a host of up-an-comers"--

Over the past eleven years, the photographer and filmmaker Bruce Weber has published the book series All-American, an independent portfolio of work by artists, photographers, essayists, poets, and personalities whose lives and accomplishments warrant celebration. The latest volume in the series is again a collection by Weber that is motivated equally by admiration and a desire to connect. Sometimes the subjects are already wellknown in their own right, but just as often the participants are relatively unknown, noteworthy because their stories or accomplishments reveal something that resonates on a deeper, more personal level. All-American XII explores the true characters of the American landscape. SELLING POINTS: *The All-American series is a curiosity cabinet of the contemporary American vernacular, seen through the lens of one of its quintessential image makers *Compelling for current collectors of the series, as well as admirers of contemporary photography ILLUSTRATIONS: 51 colour & 144 tritone photographs

Named One of the Best Baseball Books Ever Written by Esquire An insider’s look at the largely unknown world of professional umpires, the small group of men (and the very occasional woman) who make sure America’s favorite pastime is conducted in a manner that is clean, crisp, and true.u200b Millions of American baseball fans know, with absolute certainty, that umpires are simply overpaid galoots who are doing an easy job badly. Millions of American baseball fans are wrong. Bruce Weber, a New York Times reporter, not only interviewed dozens of professional umpires but entered their world, trained to become an umpire, then spent a season working games from Little League to big league spring training. As They See ’Em is Weber’s entertaining account of this experience as well as a lively exploration of what amounts to an eccentric secret society, with its own customs, its own rituals, its own colorful vocabulary. Writing with deep knowledge of and affection for baseball, he delves into such questions as: Why isn’t every strike created equal? Is the ump part of the game or outside of it? Why doesn’t a tie go to the runner? And what do umps and managers say to each other during an argument, really? Packed with fascinating reportage that reveals the game as never before and answers the kinds of questions that fans, exasperated by the clichés of conventional sports commentary, pose to themselves around the television set, Bruce Weber’s As They See ’Em is a towering grand slam.

As the name implies, this book is a heartfelt love letter to a jewelry house without equal. Epitomizing luxury for over a century, Cartieras devotees have included the global elite, as well as sirens of stage and screen. Originally a jeweler of kings, Cartier is often dubbed athe king of jewelers.a Renowned for its craftsmanship and exquisite materials, the marque is a byword for opulent innovation. Art directed and edited by Bruce Weber, this dazzling homage combines photographs created by Weber just for the book, original texts by Weber and Ingrid Sischy, along with a fascinating cornucopia of archival images and passages. The gold-bordered, distinctively red cover and case are designed to look like a Cartier jewelry boxa-right down to the authentic Cartier ribbon sewn into each binding!

First recognized by Rudolf Nureyev, Roberto Bolle is renowned for his athletic ability, stylistic grace and a sizzling movie star presence. Possessing broad appeal, his performances draw acclaim from the dance world and general public alike. This stunning book is the culmination of a three-year collaboration between Bolle and the photographic superstar Bruce Weber. Weber''s masterful images capture the dazzling charisma of a world-class talent. Text in English and Italian SELLING POINTS: Indispensable for all lovers of dance Includes photographs from photo shoots around the globe 300 colour & duotone photographs

New York has always attracted artists--because it is electric with passion, endeavor, and hustle, and because they know they will find others of like mind there. The city is a vibrant center of the international art world; no wonder then that both resident and sojourning painters have long felt compelled to capture, interpret, and evoke the place on canvas. Bruce Weber faced a daunting amount of works for inclusion in Paintings of New York. But he chose well, producing a book that combines solid scholarship in history and the arts, warmly readable prose, and gorgeous color images. Artwork included by Piet Mondrian, Ernest Lawson, Maurice Prendergast, William Glackens, Georgia O''Keeffe, Childe Hassam, Raphael Soyer, Charles Frederic Ulrich, Albertus Del Orient Browere, Thomas Moran, Joseph Stella, Elsie Driggs, George Bellows, Otto Boetticher, Robert Henri, George Tooker, Francis Guy, Thomas Hart Benton, and Ben Shahn.

Photographer Bruce Weber intended to create a book of fashion photographs, however, as he became more involved in the process, his intention evolved into the desire to chronicle how fashion can be seen in nature, architecture, and the human spirit.

At first I thought strictly about a book of photographs on fashion. As I worked on it, I thought more and more about something my friend the late, great fashion designer Gianni Versace once said, in giving me advice before an assignment, ''Call me des mode, but give me beauty''. And with these inspired words I wanted to make a record of how I journeyed out into the world and recorded what most people call fashion. These photographs were not just about the shape of clothes, but also how one sees fashion in nature, architecture, and in the human spirit.

Poetry. Art. Bruce Weber is a poet and art historian who has been the director of exhibitions at the Berry-Hill Galleries since 1990. He is alsothe organizer of the readings at the ABC NO RIO on the Lower East Side, and the editor of Stained Sheets. "Bruce Weber''s poems about art and life keep pitching smart words at you like horseshoes made of glass"--Dave Brody. With artwork by Joanne Pagano and Arturo Rodriguez.

In Paul Jasmin''s hauntingly beautiful new book, Lost Angeles, the city takes on a quality of light and personality known only to someone who has experienced it first hand. Here are the "tarnished angels" that hang out on Hollywood Boulevard or in local motel rooms, that have come to L.A. looking for the American dream, Hollywood style, and have quickly discovered it takes more than just desire to succeed. Jasmin combines formally fluid pictures of these youths languishing in dreamlike settings or in erotically charged compositions--clothed and unclothed. His images present the viewer with a personal survey of Los Angeles, of the place and the people who live there, some of whom have realized their dreams, some of whom are still searching. A major figure in the world of photography and an influence on many of today''s young artists, Jasmin has included among his subjects his friends, including Sofia Coppola, who along with long-time friend and admirer Bruce Weber, have contributed essays that explore the depths of this truly rarefied vision. They add yet another dimension to his portrait of a town they all love.

Peter Mitchell, winner of the 1978 Nobel Prize for chemistry for his chemiosmotic theory, was a highly original scientist who revolutionized our understanding of cellular metabolism and bioenergetics. This is the only full biography of Mitchell, and it should be of considerable interest to biophysicists, biochemists, and physicians and researchers focusing on metabolism, as well as historians of medicine and biology.