New Releases by Brittany Cavallaro

Two young artists have a chance meeting on the last night of summer arts camp in this YA novel in verse and dialogue cowritten by acclaimed authors Jeff Zentner and Brittany Cavallaro. Jude loves photography, and he’s good at it, too. Between his parents’ divorce and his anxiety, being behind a camera is the only time his mind is quiet. Florence is confronting the premature end of her dance career as a degenerative eye disease begins to steal her balance. She’s having a hard time letting go. The two meet at Sunrise Night, their sleepaway art camp’s dusk-to-dawn closing celebration, and decide to take a chance on each other. Their one rule: No contact for a year after the sun has risen. Over the course of three Sunrise Nights, will Florence and Jude find a deeper connection and learn who they are—and who they could be together?

New York Times bestselling author Brittany Cavallaro delivers the thrilling conclusion to her YA duology set in a reimagined American monarchy about a girl fighting for her own freedom, trying to change the government from within . . . or burn it all down. For the first time in her life, Claire Emerson isn’t under a man’s control. She’s escaped from her dangerous father, and her fiancé, Governor Remy Duchamp, is too weak to rule. All eyes fall on Claire—and the power she could wield. But that power is precarious as she and Remy are leading St. Cloud in exile after the General’s attempted coup. And when King Washington descends on the small province, he brings with him his baseball team, Claire’s brother, and a proximity to power Claire has never dreamed of. With few allies to support her, she determines her best chance at survival is earning the King’s good graces. Claire’s schemes quickly get out of hand, reminding her that it isn’t about who holds the power. It’s about a system that grants such power to a select few, and the men who built it that way. Claire isn’t anyone’s muse, and if she can’t fix the system from within, she’s determined to be the spark of revolution in the First American Kingdom.

American Royals meets The Winner’s Curse in the first book of a dazzling duology from New York Times bestselling author Brittany Cavallaro about revolution, love, and friendship in a reimagined American monarchy. The year is 1893, and war is brewing in the First American Kingdom. But Claire Emerson has a bigger problem. Claire’s father is a sought-after inventor, but he believes his genius is a gift granted to him by his daughter’s touch, so he keeps Claire under his control. As their province prepares for war, Claire plans to escape, even as her best friend, Beatrix, tries to convince her to stay and help with the growing resistance movement that wants to see a woman on the throne. When her father’s weapon fails to fire on the World’s Fair’s opening day, Claire is taken captive by Governor Remy Duchamp, St. Cloud’s young, untried ruler. Remy believes that Claire’s touch bestows graces he’s never had, and with political rivals planning his demise, Claire might be his only ally. The last thing that Claire has ever wanted is to be someone else’s muse, but she finally has a choice: Will she quietly remake her world from the shadows—or bring it down in flames?

Thelma and Louise gets remade in this powerful, darkly funny novel from acclaimed authors Brittany Cavallaro and Emily Henry. When Winona and Lucille have had enough of the controlling men in their lives, they take their rage on the road to make a new life for themselves. Winona has been starving for life in the seemingly perfect home that she shares with her seemingly perfect father, celebrity weatherman Stormy Olsen. No one knows that he locks the pantry door to control her eating and leaves bruises where no one can see them. Lucille has been suffocating beneath the needs of her mother and her drug-dealing brother, wondering if there’s more out there for her than disappearing waitress tips and a lifetime of barely getting by. One harrowing night, Winona and Lucille realize they can’t wait until graduation to start their new lives. They need out. Now. One hour later, they’re armed with a plan that will take them from their small Michigan town to Chicago. All they need is three grand, fast. And really, a stolen convertible can’t hurt. Chased by the oppression, toxicity, and powerlessness that has held them down, Winona and Lucille must reclaim their strength if they are going to make their daring escape—and get away with it. Brittany Cavallaro is the author of the New York Times bestselling Charlotte Holmes series. Emily Henry is the #1 New York Times bestselling author of Book Lovers, People We Meet on Vacation and Beach Read. Together, they have created "a razor-sharp union of sidesplitting dark comedy, fierce feminism, and poignant friendship, paced like an Alfa-Romeo at full throttle, and written in gleaming, perfect, gut-punch sentences.” (Jeff Zentner, Morris Award-winning author of The Serpent King)

In the explosive conclusion to the New York Times bestselling Charlotte Holmes series, Holmes and Watson think they’re finally in the clear after graduating from Sherringford…but danger awaits in the hallowed halls of Oxford. Charlotte Holmes and Jamie Watson finally have a chance to start over. With all the freedom their pre-college summer program provides and no one on their tail, the only mystery they need to solve, once and for all, is what they are to each other. But upon their arrival at Oxford, Charlotte is immediately drawn into a new case: a series of accidents befell the theater program at Oxford last year, culminating in a young woman going missing on the night of a major performance. The mystery has gone unsolved; the case is cold. And no one—least of all the girl’s peculiar, close-knit group of friends—is talking. When Watson and Holmes join the theater program, the “accidents” start anew, giving them no choice but to throw themselves into the case. But as the complicated lines of friendship, love, and loyalty blur, time is running out—and tragedy waits in the wings.

The hotly anticipated and explosive third book in the New York Times bestselling Charlotte Holmes series. It’s been a year since the shocking death of August Moriarty, and Jamie and Charlotte haven’t spoken. Jamie is going through the motions at Sherringford, trying to finish his senior year without incident, with a nice girlfriend he can’t seem to fall for. Charlotte is on the run, from Lucien Moriarty and from her own mistakes. No one has seen her since that fateful night on the lawn in Sussex—and Charlotte wants it that way. She knows she isn’t safe to be around. She knows her Watson can’t forgive her. Holmes and Watson may not be looking to reconcile, but when strange things start happening, it’s clear that someone wants the team back together. Someone who has been quietly observing them both. Making plans. Biding their time. Someone who wants to see one of them suffer and the other one dead.

In the second brilliant, action-packed book in the Charlotte Holmes series, Jamie Watson and Charlotte Holmes are in a chase across Europe to untangle a web of shocking truths about the Holmes and Moriarty families. Jamie and Charlotte are looking for a winter break reprieve in Sussex after a fall semester that almost got them killed. But nothing about their time off is proving simple, including Holmes and Watson’s growing feelings for each other. When Charlotte’s beloved Uncle Leander goes missing from the Holmes estate—after being oddly private about his latest assignment in a German art forgery ring—the game is afoot once again, and Charlotte throws herself into a search for answers. So begins a dangerous race through the gritty underground scene in Berlin and glittering art houses in Prague, where Holmes and Watson discover that this complicated case might change everything they know about their families, themselves, and each other.

The first book in a witty, suspenseful new series about a brilliant new crime-solving duo: the teen descendants of Sherlock Holmes and John Watson. This clever page-turner will appeal to fans of Maureen Johnson and Ally Carter. Jamie Watson has always been intrigued by Charlotte Holmes; after all, their great-great-great-grandfathers are one of the most infamous pairs in history. But the Holmes family has always been odd, and Charlotte is no exception. She’s inherited Sherlock’s volatility and some of his vices—and when Jamie and Charlotte end up at the same Connecticut boarding school, Charlotte makes it clear she’s not looking for friends. But when a student they both have a history with dies under suspicious circumstances, ripped straight from the most terrifying of the Sherlock Holmes stories, Jamie can no longer afford to keep his distance. Danger is mounting and nowhere is safe—and the only people they can trust are each other.

The poems in Brittany Cavallaro''s Girl-King are whispered from behind a series of masks, those of victim and aggressor, nineteenth-century madame and reluctant magician''s girl, of truck-stop Persephone and frustrated Tudor scholar. This "expanse of girls, expanding still" chase each other through history, disappearing in an Illinois cornfield only to re-emerge on the dissection table of a Scottish artist-anatomist. But these poems are not just interested in historical narrative: they peer, too, at the past''s marginalia, at its "blank pages" as well as its "scrawls and dashes." Always, they return to "the dark, indelicate question" of power and sexuality, of who can rule the "city where no one is from." These girls search for the connection between "alive and will stay that way," between each dying star and the emptiness that can collapse everything.

Poetry. Brittany Cavallaro and Rebecca Hazelton began with the proposition that the opposite of a dream song might be waking speech. Or a sleepless anthem. Or wakeful silence. Then they reversed that notion, and reversed it again. Through an intrepid, always devoted, often cheeky engagement with John Berryman''s The Dream Songs, the 26 poems in NO GIRLS NO TELEPHONES strike out for an unmapped horizon where ruined fairy stories, dreams, and self-deception all collide in a perfect storm of "the possibility of Past and Perfect" and "the certainty of the Now and New." These poems are no mere act of homage. Suggestive of the brittle aspirations, illusions, and delusions that permeate our everyday lives, NO GIRLS NO TELEPHONES invites us into a world where, "naïve on the rim / of a glass teacup," men and women exist at odds with one other and with a frighteningly indifferent, fiercely beautiful world.