New Releases by Barbara W. Tuchman

Una obra imprescindible que, con elegancia y rigor histórico, redefine nuestra visión del mundo, a menudo idealizado, previo a la Primera Guerra Mundial. La torre del orgullo se ha constituido como la obra histórica de referencia sobre los años previos al estallido de la Primera Guerra Mundial, un periodo que, lejos de la belleza que sugiere su denominación como Época Dorada, o Belle Époque, supuso la eclosión de profundos conflictos y tensiones que se habían ido gestando a lo largo de las décadas anteriores. Y es que ha sido una mirada nostálgica la que ha condicionado nuestra percepción de aquellos tiempos: la vida pacífica y segura no era tan común, y mientras proliferaban las brillantes fiestas del naciente ballet ruso, estallaba el escándalo del caso Dreyfus y crecía el descontento obrero. Barbara W. Tuchman, doblemente galardonada con el Premio Pulitzer y experta en la Gran Guerra, revela en esta obra la compleja realidad histórica que provocó un conflicto que dividió aquella época de la nuestra, que disolvió cosmovisiones y que hirió irremediablemente al conjunto de la sociedad.

Questo è il libro che John Fitzgerald Kennedy stava leggendo quando scoppiò la crisi dei missili a Cuba. Il mondo stava danzando sull’orlo del baratro e pochi uomini potevano decidere del suo destino. Tornata la quiete, il presidente americano disse che questa lettura lo aveva aiutato a comprendere come sia facile scivolare in un’immane tragedia per la sola incapacità dei governanti di sbrogliare una crisi politica internazionale. Siamo nella tarda estate del 1914: una marea di soldati tedeschi si sta riversando sulle strade della Francia settentrionale con l’obiettivo di conquistare Parigi e porre termine alla guerra, secondo i piani del Kaiser, in sei settimane. Barbara Tuchman, Premio Pulitzer 1962 per questo memorabile libro, rievoca l’inizio della Prima guerra mondiale come se stesse sfogliando un album di famiglia, accompagnando il lettore sui campi di battaglia, stordendolo con il tuono dei cannoni, abbagliandolo con il luccichio delle sciabole e delle baionette. Al tempo stesso, lo costringe a riflettere su quanta stupidità occorra per sprofondare la «saggia» Europa in una carneficina. L’incipit è memorabile. Tuchman descrive il funerale di re Edoardo vii d’Inghilterra, pochi anni prima della guerra, enumerando i capi di Stato e descrivendo gli sfolgoranti dettagli delle loro uniformi, le rigide e complesse regole del cerimoniale e gli intricati rapporti di parentela tra i presenti. Alle esequie presenziarono l’imperatore di Germania e lo zar di Russia, nipoti dello scomparso e cugini tra loro, il re di Grecia e i re di Danimarca e Norvegia, con lo stesso grado di parentela. Non per nulla, il figlio della regina Vittoria era soprannominato lo «zio d’Europa». Si intuisce, dietro a queste immagini, quale sia lo spettacolo di sfarzo e potere che l’Europa vuole offrire agli occhi del mondo. Ma è anche il primo atto del suo suicidio. Dopo aver descritto i personaggi, Tuchman affronta, con la stessa ricchezza di dettagli e profondità psicologica, l’eccitazione che l’attentato di Sarajevo avrebbe provocato, solo quattro anni dopo, negli invitati a quel funerale. Su questa Europa, chiosa il ministro inglese sir Edward Grey, «si stanno per spegnere le luci». «Con undici libri, innumerevoli scritti minori, due premi Pulitzer e milioni di lettori, Tuchman ha saputo dare alla divulgazione storica una dignità che, prima del suo comparire sulla scena dei bestseller, era, piú che rara, inesistente». la Repubblica

Il Trecento, come l’epoca che stiamo vivendo, fu un secolo in bilico tra luce e ombra. Gli uomini si disperavano e al tempo stesso danzavano sul ciglio dell’abisso. Un male venuto dall’Oriente con la prima globalizzazione delle rotte navali e dei commerci, la peste nera, uccise un terzo della popolazione dall’Irlanda all’India. Una guerra senza fine contrappose Inghilterra e Francia devastando le terre più ricche e lasciando il continente in balia delle compagnie di ventura. La crisi economica e un sistema fiscale oppressivo innescarono rivolte populiste. La Chiesa era contesa da due papi, uno a Roma e l’altro ad Avignone, mentre i turchi insidiavano ciò che restava del millenario Impero romano. Lo avrebbero definitivamente cancellato dalle carte geografiche conquistando Costantinopoli di lì a mezzo secolo. L’invasione islamica dell’intera Europa non era più un incubo ma diventava una possibile realtà. La civiltà occidentale sembrava al collasso. Eppure quello fu il secolo di Petrarca e Chaucer,dei romanzi cavallereschi, del pensiero filosofico e scientifico che si alimentava a Oxford, alla Sorbona, a Bologna, a Padova. Milano era la capitale finanziaria. Firenze, nonostante le crisi bancarie, negoziava con i sovrani del continente. Venezia era il principalecrocevia dei commerci. Lo spettrodella fine, in realtà, stava spazzando via il sistema feudale divenuto ormai obsoleto,basato su ideali cavallereschi sbiaditi e incontrasto con una modernità che si sarebbe dispiegata di lì a pochi decenni con l’invenzione della stampa acaratteri mobili, laconquista dell’America, la messa a puntodi armi da fuoco sempre più micidiali, la riscoperta dei Classici e la magnificenza delRinascimento. Barbara Tuchman ricostruiscequel mondo da grande storica e da insuperabile narratrice seguendo le orme di un uomo, Enguerrand VII signore di Coucy, che attraversò quell’epoca in tutta la sua tragedia e in tutta la sua magnificenza. Ci porta sui campi di battaglia, nei castelli,nelle campagne flagellate, nella vita quotidiana,nei balli sfrenati e nelle penitenze masochiste, tra nobili e servi, ebrei e cardinali, stregoni e mercenari, santi ed esattori delle tasse. Ci fa scoprire quell’epoca, così simile alla nostra, facendo le debite proporzioni, come se la stessimo rivivendo. Giungendo a smentire le Cassandre sempre pronte a decretare la fine di un mondo.

En agosto de 1914, la historia de la humanidad cambió su curso. Después de un largo período de engañosa calma, ese mes de verano tronaron los cañones en Europa y empezó la Gran Guerra. Con el estallido del conflicto, ya no hubo vuelta atrás: se abrió un abismo entre un mundo que moría y otro que marcaría el devenir del convulso siglo XX. Gracias a una increíble labor de investigación y una asombrosa capacidad narrativa, Barbara W. Tuchman alumbró el mejor libro sobre la Primera Guerra Mundial —y uno de los Pulitzer de no ficción más renombrados—, indispensable para entender el mundo que se abrió hace 100 años con el final del conflicto.

A journalistic tour de force, this wide-ranging collection by the author of the Pulitzer Prize–winning biography Stilwell and the American Experience in China is a classic in its own right. During the summer of 1972—a few short months after Nixon’s legendary visit to China—master historian Barbara W. Tuchman made her own trip to that country, spending six weeks in eleven cities and a variety of rural settlements. The resulting reportage was one of the first evenhanded portrayals of Chinese culture that Americans had ever read. Tuchman’s observations capture the people as they lived, from workers in the city and provincial party bosses to farmers, scientists, and educators. She demonstrates the breadth and scope of her expertise in discussing the alleviation of famine, misery, and exploitation; the distortion of cultural and historical inheritances into ubiquitous slogans; news media, schools, housing, and transportation; and Chairman Mao’s techniques for reasserting the Revolution. This edition also includes Tuchman’s “fascinating” (The New York Review of Books) essay, “If Mao Had Come to Washington in 1945”—a tantalizing piece of speculation on a proposed meeting between Mao and Roosevelt that would have changed the course of postwar history. “Shrewdly observed . . . Tuchman enters another plea for coolness, intelligence and rationality in American Asian policies. One can hardly disagree.”—The New York Times Book Review

Barbara W. Tuchman won her second Pulitzer Prize for this nonfiction masterpiece—an authoritative work of history that recounts the birth of modern China through the eyes of one extraordinary American. General Joseph W. Stilwell was a man who loved China deeply and knew its people as few Americans ever have. Barbara W. Tuchman’s groundbreaking narrative follows Stilwell from the time he arrived in China during the Revolution of 1911, through his tours of duty in Peking and Tientsin in the 1920s and ’30s, to his return as theater commander in World War II, when the Nationalist government faced attack from both Japanese invaders and Communist insurgents. Peopled by warlords, ambassadors, and missionaries, this classic biography of the cantankerous but level-headed “Vinegar Joe” sparkles with Tuchman’s genius for animating the people who shaped history. Praise for Stilwell and the American Experience in China “Tuchman’s best book . . . so large in scope, so crammed with information, so clear in exposition, so assured in tone that one is tempted to say it is not a book but an education.”—The New Yorker “The most interesting and informative book on U.S.–China relations . . . a brilliant, lucid and authentic account.”—The Nation “A fantastic and complex story finely told.”—The New York Times Book Review

Un espejo lejano es, sin duda, la obra maestra de Barbara W. Tuchman quien nos ofrece aquí, con gran habilidad expositiva y un conocimiento sólido de la época, un retrato vívido de la Europa Occidental en el siglo XIV. La centuria de la Peste Negra y la Guerra de los Cien Años, pero también el punto de arranque de la sociedad occidental moderna, de Petrarca y Chaucer, de Froissart y Wyclif. Tomando como hilo narrativo la v ida del noble Enguerrand VII de Coucy (1340-1397), el más experto y diestro de todos los caballeros de Francia, y gracias a sus admirables dotes de síntesis y de caracterización, Tuchman no suministra una imagen elocuente de los dramáticos avatares del siglo XIV, una mala época para la humanidad según el historiador Simonde de Sismondi, un momento tremendamente violento, sangriento y devastador. Este libro anhela abrir caminos y dejar pistas para navegantes que quieran cartografiar la disidencia. Señales que indiquen por dónde seguir, para distinguir la desobediencia, la crítica constructiva, la sátira inteligente y la lucidez mental en tiempos de confusión y pensamiento único.

Writing with a clarity, grace, and novelistic sweep rare among historians, Barbara W. Tuchman (1912-1989) distilled the complex interplay of personalities and events into gripping narratives that fuse rigorous scholarship with elegant literary art. An astute portraitist, she brilliantly laid bare the all-too-human failures of leaders subject to the pull of historical currents and prone, often tragically, to the ingrained biases of culture and temperament. Her Pulitzer Prize-winning best seller The Guns of August (1962) offers a majestic orchestration of the diplomatic and military history of the crucial first weeks of World War I. Tuchman''s observations about the irrational escalation of conflict made a deep impression on President John F. Kennedy and influenced his actions during the Cuban Missile Crisis; fifty years later, The Guns of August remains an exemplary study of events propelled headlong by their own internal logic and momentum. Some of Tuchman''s finest writing is contained in her following book, The Proud Tower: A Portrait of the World before the War, 1890-1914 (1966), a fascinating kaleidoscope of eight precisely drawn essays on subjects ranging from international socialism and anarchism to the Dreyfus Affair in France and the birth of American imperialism that collectively set the stage for the cataclysm of 1914. Presented in one volume for the first time and released to mark Tuchman''s centennial year and the fiftieth anniversary of the publication of The Guns of August, here is a vivid, indelible panorama of an epoch in transition. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Barbara W. Tuchman, the Pulitzer Prize–winning author of the classic The Guns of August, turns her sights homeward with this brilliant, insightful narrative of the Revolutionary War. In The First Salute, one of America’s consummate historians crafts a rigorously original view of the American Revolution. Barbara W. Tuchman places the Revolution in the context of the centuries-long conflicts between England and both France and Holland, demonstrating how the aid to the American colonies of both these nations made the triumph of independence possible. She sheds new light on the key role played by the contending navies, paints a magnificent portrait of George Washington, and recounts in riveting detail the decisive campaign of the war at Yorktown. By turns lyrical and gripping, The First Salute is an exhilarating account of the birth of a nation. Praise for The First Salute “Nothing in a novel could be more thrilling than the moment in this glorious history when French soldiers arrive [to] see a tall, familiar figure: George Washington. . . . It is only part of Tuchman’s genius that she can reconstitute such scenes with so much precision and passion.”—People “Tuchman writes narrative history in the great tradition. . . . A persuasive book, which brings us entertaining pictures, scenes and characters.”—Chicago Tribune “[A] tightly woven narrative, ingeniously structured.”—The Christian Science Monitor

La marcha de la locura incluye cuatro ensayos en los que presenta ejemplos de la insensatez de los gobernantes: la guerra de Troya, con su famoso caballo que rompiera la resistencia de la ciudad; la actitud de los papas del Renacimiento, motivo en gran medida de la separaci n protestante; la p rdida de las trece colonias por parte de Inglaterra y la guerra de Estados Unidos contra Vietnam.

The classic account of the lead-up to World War I, told with “a rare combination of impeccable scholarship and literary polish” (The New York Times)—from the Pulitzer Prize–winning author of The Guns of August During the fateful quarter century leading up to World War I, the climax of a century of rapid, unprecedented change, a privileged few enjoyed Olympian luxury as the underclass was “heaving in its pain, its power, and its hate.” In The Proud Tower, Barbara W. Tuchman brings the era to vivid life: the decline of the Edwardian aristocracy; the Anarchists of Europe and America; Germany and its self-depicted hero, Richard Strauss; Diaghilev’s Russian ballet and Stravinsky’s music; the Dreyfus Affair; the Peace Conferences in The Hague; and the enthusiasm and tragedy of Socialism, epitomized by the assassination of Jean Jaurès on the night the Great War began and an epoch came to a close. The Proud Tower, The Guns of August, and The Zimmermann Telegram comprise Barbara W. Tuchman’s classic histories of the First World War era.

PULITZER PRIZE WINNER • “A brilliant piece of military history which proves up to the hilt the force of Winston Churchill’s statement that the first month of World War I was ‘a drama never surpassed.’”—Newsweek Selected by the Modern Library as one of the 100 best nonfiction books of all time In this landmark account, renowned historian Barbara W. Tuchman re-creates the first month of World War I: thirty days in the summer of 1914 that determined the course of the conflict, the century, and ultimately our present world. Beginning with the funeral of Edward VII, Tuchman traces each step that led to the inevitable clash. And inevitable it was, with all sides plotting their war for a generation. Dizzyingly comprehensive and spectacularly portrayed with her famous talent for evoking the characters of the war’s key players, Tuchman’s magnum opus is a classic for the ages. The Proud Tower, the Pulitzer Prize–winning The Guns of August, and The Zimmermann Telegram comprise Barbara W. Tuchman’s classic histories of the First World War era

A “marvelous history”* of medieval Europe, from the bubonic plague and the Papal Schism to the Hundred Years’ War, by the Pulitzer Prize–winning author of The Guns of August *Lawrence Wright, author of The End of October, in The Wall Street Journal The fourteenth century reflects two contradictory images: on the one hand, a glittering age of crusades, cathedrals, and chivalry; on the other, a world plunged into chaos and spiritual agony. In this revelatory work, Barbara W. Tuchman examines not only the great rhythms of history but the grain and texture of domestic life: what childhood was like; what marriage meant; how money, taxes, and war dominated the lives of serf, noble, and clergy alike. Granting her subjects their loyalties, treacheries, and guilty passions, Tuchman re-creates the lives of proud cardinals, university scholars, grocers and clerks, saints and mystics, lawyers and mercenaries, and, dominating all, the knight—in all his valor and “furious follies,” a “terrible worm in an iron cocoon.” Praise for A Distant Mirror “Beautifully written, careful and thorough in its scholarship . . . What Ms. Tuchman does superbly is to tell how it was. . . . No one has ever done this better.”—The New York Review of Books “A beautiful, extraordinary book . . . Tuchman at the top of her powers . . . She has done nothing finer.”—The Wall Street Journal “Wise, witty, and wonderful . . . a great book, in a great historical tradition.”—Commentary