New Releases by Barbara Lehman

Caldecott Honor artist Barbara Lehman's latest addition to Harper's I Can Read Comics line familiarizes kids with the world of graphic novel storytelling and teaches visual literacy to emerging readers. Celebrating teamwork and friendship, To the Rescue! is a Level Three book, meaning it's a complex story for an independent reader. Here is a story about three best friends living in the arctic: Blue, Puff, and Sealy. When Puff rescues a stranded sailor, Tip, everyone wants Tip to be able to stay and be one of the Cool Buds—but where does Tip fit in? The Buds already all have their own little homes, perfectly suited to each of them. Tip has a genius idea and soon they have formed their very own little town: “population 4”!

Little Red Riding Hood (who is a boy) bakes a big cake with his dad, Big Red, and on the way to deliver it to his grandmother, a gluttonous kitten keeps following him through the town of Mother Goose. Caddick Silver Medal winner Barbara Lyman continues the excitement of The Little Red Book. In this new wordless picture book, Lyman conceals a number of classic fairy tale rhyme stories, and a map on the back cover indicates Little Red Riding Hood's route and reminds readers that there will be many literary references along the way. The comic book frames advance the narrative methodically, and although there are many details, they firmly capture the attention of young readers, who are excitedly engaged in the images and get the dual reading pleasure of the wordless book and the fairy tale nursery rhyme.

In this wordless picture book--a variation on the classic fairy tale--Little Red has baked a cake with her father and they set off for Grandma's house, but along the way they're trailed by a cat who loves cakes.

Le livre rouge que tu tiens dans tes mains est un livre magique. Grâce à ses illustrations poétiques et colorées, il va te faire traverser des océans et des continents pour t'emmener à l'autre bout du monde. Qu'attends-tu ? Tourne la page pour vivre une belle aventure ! Le mot de l'éditeur : La neige tombe à New York et a plongé la ville dans une atmosphère calme et feutrée. Au détour d'une rue, une petite fille qui se rend à l'école, trouve un livre à la couverture rouge qu'elle s'empresse de ramasser et de mettre dans son sac. Alors qu'elle est en classe, elle ne peut s'empêcher de le feuilleter. Elle y découvre une carte et y observe un petit garçon sur une île déserte tenant dans ses mains un livre à la couverture... rouge ! Les deux se regardent alors fixement et avec étonnement au travers des pages. Une mise en abîme réussie, poétique, artistique et sans texte qui invite l'imagination du lecteur à voyager au-delà de toutes les frontières.

When a young boy finds an abandoned book, he discovers another world just as real as his own.

The abundance and complexity of information now being delivered visually demands that we become visually literate, as well as verbally literate. We need to understand better a process we have taken for granted. In an age increasingly dominated by images - a media culture, it becomes imperative to develop an understanding of how our visual processing system works; how visual cognition is shaped by social, political, and cultural conditioning; and how visual messages are created to elicit specific responses. One of the chief goals of visual literacy education is to encourage critical analysis of visual communication by developing tools that help us understand and manage this complex activity. "Seeing" needs to become an actively conscious, not a passive activity for us. This thesis illustrates the importance of critical visual literacy, provides an historical overview of the visual literacy movement, and suggests a foundational approach to teaching the basics of visual literacy.

Here, Barbara Lehman takes readers on a timeless trip to a world of secret messages left in secret boxes hidden in secret places.

A Painter's Tragedy and Triumph Revealed With the recent surge of the American painter's popularity, Elizabeth Sparhawk-Jones: The Artist Who Lived Twice captivates readers by revealing little-known details about the journey of a woman (1885-1968) almost forgotten by the art world if not for an accidental discovery. As a golden girl of the art world-christened by New York critics as its "find of the year" in 1908, Elizabeth Sparhawk-Jones, still in her teens, sold her American impressionism-style paintings for the equivalent of about fifty thousand dollars today. From a prominent family, she won nearly every award including the highest honor of the Pennsylvania Academy of the Fine Arts, two years study in Europe. In her notebook, she scribbled a quote by Walt Whitman: He only wins who goes far enough...And then, she disappeared. In a time when mental illness is associated with devil possession, Sparhawk-Jones leaves behind everything she's gained from her life-long devotion to painting. Reeling from two sudden deaths and a stolen fortune-along with being caught in a changing art world, she collapsed behind the doors of a hospital for the insane for the better part of three years. Attributing to her breakdown, she suffers the harsh blow of being forced to refuse the Academy's highest honor that awards a year's travel to study art in Europe. Her parents, a Presbyterian minister and his devout wife, refuse to entertain the idea that their daughter and her Jewish romantic interest, the yet-to-be discovered Morton Schamberg, would be abroad at the same time. What may have killed others makes Elizabeth Sparhawk-Jones only fight harder to regain what she'd lost. She loves only the most unattainable, like Edwin Arlington Robinson, the enigmatic Pulitzer Prize-winning poet who offers a strange reciprocation of her love; she believes in those sometimes hardest to love, like painter Marsden Hartley, who desired her friendship for perhaps less than virtuous reasons. With her famous wit and candor, she attracted admirers as much for her temperament as her fierce loyalty. Collectors and friends included film star Claude Rains, writer F. Scott Fitzgerald, and master painter William Merritt Chase among many others. Thirty years after her breakdown, American Artist magazine would call her "a phenomenon in the world of paint," painter Marsden Hartley would write she was "a thinking painter with a rare sense of the drama of poetic and romantic incident," and her works would belong to some of the country's most prestigious museums and collections, yet her story has nearly become forgotten. Structured around her last interview given to the Smithsonian Archives of American Art in 1964, The Artist Who Lived Twice tells of Sparhawk-Jones's tumultuous journey as one of the first women to carve out a place for herself in American art. The toll may have been higher than she ever imagined, but she held no regrets. She saw God when she painted, she believed, and what more could one ask?

A ride on the train is exciting. There’s always something new to see, even if you’ve been there before. But some train rides are better than others . . . What if a train took you somewhere else entirely? What if the doors opened in a strange, new place? This is one train stop you won’t want to miss!

It can be lonely sometimes on a rainy day in a big house with no one else around and there’s only the quiet to keep you company. But if you find a key, a mysterious key, that leads you to an unexpected place . . . chances are your afternoon is about to get a lot more interesting.

Museums: filled with mysterious, magical art and curiosities? Or secrets? And what might happen if a boy suddenly became part of one of the mind-bending exhibits? Join the fun in Museum Trip, by Barbara Lehman, the author-illustrator of the Caldecott Honor–winning The Red Book.

A book without words in which friends who have never met meet.

This Caldecott Honor–winning book about a book is a delightful, wordless tale about the power of stories, perfect for fans of Brendan Wenzel and David Weisner. A red book is lying in the snow in the city. When you open it, you find a new kind of adventure. You will be taken across oceans and continents when you just flip the page. But this book-in-a-book holds even more secrets to discover. Lehman’s simple story line and surprising illustrations create an unexpectedly enchanting story about friendship, connectedness, and how stories can bring us together . . . and even bring us inside their pages.

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