New Releases by Arthur Miller

"It''s moral vision, as well as the Miller voice, which remains as strong and unrelenting as a prophet''s, that distinguish Broken Glass." - The New York Times When Sylvia Gellburg, a young Jewish woman living in Brooklyn, becomes partially paralyzed from the waist down, her husband Phillip is shocked: what could''ve caused this sudden condition? The answer is Kristallnacht, the horrific, anti-Semitic event occurring halfway around the world. As the Gellburgs reckon with this pogrom and with the breakdown of their own marriage, a terrifying thought emerges: will the Jewish people ever be able to avoid persecution? Broken Glass is one of Miller''s most moving and personal works, touching on themes of Jewish identity and anti-Semitism, winning him the Olivier Award for Best New Play in 1994. This Methuen Drama Student Edition is edited by Ambika Singh, and Nupur Tandon, with commentary and notes that explore the play''s production history (including excerpts from an interview with director David Thacker,) as well as the dramatic, thematic and academic debates that surround it.

Brand new edition of Miller''s powerful tragedy that brings it alive for 16-18 students. With the clearest and most accessible design, together with supporting activities, biography and contextual information targeting exactly the right level, this edition provides comprehensive, relevant and engaging support for students.

Celebrating the Arthur Miller centennial year, an eye-catching new Penguin Plays edition of the work that established him as a leading voice in the American theater In 1947, Arthur Miller exploded onto Broadway with his first major work, All My Sons, winning both the New York Drama Critics’ Circle Award for Best New Play and the Tony for Best Author. The play introduced themes that would preoccupy Miller throughout his career: the relationships between fathers and sons and the conflict between business and personal ethics. This striking new edition adds All My Sons to the elegant Penguin Plays series—now in beautifully redesigned covers. Joe Keller and Steve Deever, partners in a machine shop during World War II, turned out defective airplane parts, causing the deaths of many men. Deever was sent to prison while Keller escaped punishment and went back to business, making himself very wealthy in the ensuing years. A love affair between Keller’s son, Chris, and Ann Deever, Steve’s daughter; the bitterness of George Deever, who returns from the war to find his father in prison and his father’s partner free; and the reaction of Chris Keller to his father’s guilt escalate toward a climax of electrifying intensity.

To celebrate the centennial of his birth, the collected plays of America’s greatest twentieth-century dramatist in a beautiful bespoke hardcover edition In the history of postwar American art and politics, Arthur Miller casts a long shadow as a playwright of stunning range and power whose works held up a mirror to America and its shifting values. The Penguin Arthur Miller celebrates Miller’s creative and intellectual legacy by bringing together the breadth of his plays, which span the decades from the 1930s to the new millennium. From his quiet debut, The Man Who Had All the Luck, and All My Sons, the follow-up that established him as a major talent, to career hallmarks like The Crucible and Death of a Salesman, and later works like Mr. Peters’ Connections and Resurrection Blues, the range and courage of Miller’s moral and artistic vision are here on full display. This lavish bespoke edition, specially produced to commemorate the Miller centennial, is a must-have for devotees of Miller’s work. The Penguin Arthur Miller will ensure a permanent place on any bookshelf for the full span of Miller’s extraordinary dramatic career. The Penguin Arthur Miller includes: The Man Who Had All the Luck, All My Sons, Death of a Salesman, An Enemy of the People, The Crucible, A View from the Bridge, After the Fall, Incident at Vichy, The Price, The Creation of the World and Other Business, The Archbishop’s Ceiling, The American Clock, Playing for Time, The Ride Down Mt. Morgan, The Last Yankee, Broken Glass, Mr. Peters’ Connections, and Resurrection Blues.

This comprehensive volume brings together essays by one of the most influential literary, cultural and intellectual voices of our time: Arthur Miller. Arranged chronologically from 1944 to 2000, these writings take the reader on a whirlwind tour of modern history alongside offering a remarkable record of Miller''s views on theater. They give eloquent expression to his belief in ''the theater as a serious business, one that makes or should make man more human, which is to say, less alone''. Published with the essays are articles that Miller had written and in-depth interviews he has given.This collection features material from two earlier publications: Echoes Down the Corridor and The Theater Essays of Arthur Miller. It is edited and features a new introduction by Matthew Roudan�, Regents Professor of American Drama at Georgia State University. ''Arthur Miller understands that serious writing is a social act as well as an aesthetic one, that political involvement comes with the territory. A writer''s work and his actions should be of the same cloth, after all. His plays and his conscience are a cold burning force.'' Edward Albee

''A beautifully structured narrative: tough, very moving, a political testimony of considerable force'' - Harold Pinter ''As wise and witty and funny and brave as any of his plays'' - Louis Auchincloss ''Wholly admirable'' - Anthony Burgess ______________ Arthur Miller''s plays have held the world''s stages for almost half a century. Among them are Death of a Salesman, The Crucible, and All My Sons, which have been read and performed countless times across the world. His memoir, Timebends, shows that the life of the man is as compelling as his plays. With passion, wit and candour, Miller recalls his childhood in Harlem and Brooklyn in the 1920s and the Depression; his successes and failures in the theatre and in Hollywood; the formation of his political beliefs that, two decades later, brought him into confrontations with the House Committee of Un-American Activities; and his later work on behalf of human rights as the president of PEN International. He writes with astonishing perception and tenderness of Marilyn Monroe, his second wife, as well as the host of famous and infamous characters that have intersected with his adventurous life. Revealing and deeply moving, Timebends is Miller''s love letter to the twentieth century: its energy, its humour, its chaos and moral struggles.

"A View From The Bridge" is a play by American playwright Arthur Miller that was first staged on September 29, 1955 as a one-act verse drama with "A Memory of Two Mondays" at the Coronet Theatre on Broadway. The play was unsuccessful and Miller subsequently revised the play to contain two acts.Einstein Books'' edition of "A View From The Bridge" is the original one-act version of the play.The play is set in 1950s America, in an Italian American neighborhood near the Brooklyn Bridge in New York. It employs both a chorus and a narrator (Alfieri). Eddie, the tragic protagonist, has an improper love of, and almost obsession with, Catherine. Miller''s interest in writing about the world of the New York docks originated with an unproduced screenplay that he developed with Elia Kazan in the early 1950s (entitled The Hook) that addressed corruption on the Brooklyn docks (Kazan would go on to direct On the Waterfront, which tackled the same subject). Miller said that he heard the basic account that developed into the plot of A View from the Bridge from a longshoreman, who related it to him as a true story.Einstein Books'' edition of "A View From The Bridge" contains supplementary texts:* An excerpt from "A Memory Of Two Mondays", a one-act play by Arthur Miller.* An excerpt from "The Man Who Had All The Luck", and early play by Arthur Miller.* A few selected quotes of Arthur Miller.

Victor, a New York cop nearing retirement, moves among furniture in the disused attic of a house marked for demolition. Cabinets, desks, a damaged harp, an overstuffed armchair - the relics of a lost life of affluence he''s finally come to sell. But when his brother Walter, who he hasn''t spoken to in years, arrives, the talk stops being just about whether Victor''s been offered a fair price for the furniture, and turns to the price that one and not the other of them paid when their father lost both his fortune and the will to go on ...

Collects some of Miller''s last published fiction, revealing the playwright''s insight, humanism, and empathy.

Arthur Miller’s penultimate play, Resurrection Blues, is a darkly comic satirical allegory that poses the question: What would happen if Christ were to appear in the world today? In an unidentified Latin American country, General Felix Barriaux has captured an elusive revolutionary leader. The rebel, known by various names, is rumored to have performed miracles throughout the countryside. The General plans to crucify the mysterious man, and the exclusive television rights to the twenty-four-hour reality-TV event have been sold to an American network for $25 million. An allegory that asserts the interconnectedness of our actions and each person’s culpability in world events, Resurrection Blues is a comedic and tragic satire of precarious morals in our media-saturated age.

"In the inaugural volume of its collected edition of Miller''s plays, The Library of America gathers the works from the 1940s and 1950s that electrified theatergoers and established Miller as one of the indispensable voices of the postwar era."--BOOK JACKET.

The forgotten classic that launched the career of one of America''s greatest playwrights A Penguin Classic It took more than fifty years for The Man Who Had All the Luck to be appreciated for what it truly is: the first stirrings of a genius that would go on to blossom in such masterpieces as Death of a Salesman and The Crucible. Infused with the moral malaise of the Depression era, the parable-like drama centers on David Beeves, a man whose every obstacle to personal and professional success seems to crumble before him with ease. But his good fortune merely serves to reveal the tragedies of those around him in greater relief, offering what David believes to be evidence of a capricious god or, worse, a godless, arbitrary universe. David’s journey toward fulfillment becomes a nightmare of existential doubts, a desperate grasp for reason in a cosmos seemingly devoid of any, and a struggle that will take him to the brink of madness. This Penguin Classics edition includes an introduction by Christopher Bigsby. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

(Applause Books). Conversations with Miller offers a personal and revealing account of one of the major playwrights of our time. Arthur Miller is revealed in deep and candid conversation with the highly regarded dramatic critic, Mel Gussow. In this series of interviews, which took place over 40 years, Miller is astonishingly forthcoming about his creative sources, his accomplishments and his disappointment; about his staunch resistance to the McCarthy witch hunts of the 1950''s; about his private life including his five-year marriage to Marilyn Monroe. The result is an intimate portrait of a cultural giant who is both refreshingly down to earth and a fiercely original writer and thinker.

At once witty, wise and deeply provocative, On Politics and the Art of Acting is essential reading for everyone seriously interested in the American political scene."--BOOK JACKET.

A car wreck on the slopes of Mt. Morgan puts poet and insurance tycoon Lyman Felt in the hospital. While Lyman recovers, two women meet in the hospital to discover that they are both married to him. With his secrets exposed, Lyman tries to justify himself to the two women--the prim, cultured Theo and the restless, ambitious Leah--at the same time hoping to convince himself that he is blameless. Moving between broad farce and delicate tragedy, The Ride Down Mt. Morgan reveals the struggle between honesty with others and honesty with oneself. This new edition incorporates the revisions Miller wrote for the acclaimed 1998 Public Theatre production starring Patrick Stewart.

Produced in May 1998 in New York and starring Peter Falk, Mr. Peters'' Connections takes place, in Miller''s own words, in "that suspended state of consciousness when the mind is freed to roam from real memories to conjectures, from trivialities to tragic insights, from terror of death to glorying in one''s being alive." Within the confines of his mind, Mr. Peters interacts with the living members of his family and his long-deceased brother and lover, as well as the imaginary Adele, a black bag lady, who is a figment of Peters'' imagination and one of Miller''s most original characters. "A work of rare honesty and dignity" (Fintan O''Toole, New York Daily News), Mr. Peters'' Connections uncoils with ferocious, life-affirming intensity.

In his long career, Arthur Miller has charted some of the most hidden aspects of the American character, and made us recognize ourselves. With Homely Girl, A Life, he turns his attention to a smaller, more intimate, canvas, but one that in its deceptive delicacy still encompasses a vast range of human fears, ambitions, and desires. Janice—the eponymous homely girl—has hated her face ever since she was a child and her mother held up Ivory Snow advertisements to her, saying, "Now that is beauty." Homely she is, but also fiercely herself. Still,it is not until she falls in love with a blind musician that she feels her full nature unfold in this exquisite portrait of a woman finding a language to describe herself. Flanked by two stories also set in Manhattan, "Fame" and "Fitter''s Night," Homely Girl, A Life pays homage to a city constantly reinventing itself—and to the classic Miller themes of work, honor, and identity. "Chekhovian . . . deserves praising to the top of the highest skyscraper for its humanity, wit, depth" —A.N. Wilson

THE STORY: In the detention room of a Vichy police station in 1942, eight men have been picked up for questioning. As they wait to be called, they wonder why they were chosen. At first, their hopeful guess is that only their identity papers will be

THE STORY: Two men, one in his late-forties, the other twenty years older, meet in the waiting room of a New England state mental health facility only to discover that they have done business together in the past. Inside the facility, each of their wives

THE STORY: As Howard Taubman outlines the play: At the outset Quentin emerges, moves forward and seats himself on the edge of the stage and begins to talk, like a man confiding in a friend. In the background are key figures in his life, and they m

Jacket description/back: These two plays, first produced in the United States in the 1970s, have recently been revived here and abroad to great critical and popular acclaim. Both had triumphant runs on London''s West End in 1986-87, and the Huntington Theatre Company gave The American Clock a rousing Boston premiere in the fall of 1988, at the same time -- remarkably enough -- that "The Archibishop''s Ceiling" was playing to packed houses in a landmark production in Budepest.

Interviews with Miller and his essays provide an insight into his dramatic works and the man behind the works.

THE STORY: Subtitled a mural for the theatre, the play employs a series of vignettes and short scenes, with the actors portraying some fifty-two characters, to capture the sense and substance of America in the throes of the Great Depression. The

A Penguin Classic When Dr. Stockmann discovers that the water in the small Norwegian town in which he is the resident physician has been contaminated, he does what any responsible citizen would do: reports it to the authorities. But Stockmann''s good deed has the potential to ruin the town''s reputation as a popular spa destination, and instead of being hailed as a hero, Stockmann is labeled an enemy of the people. Arthur Miller''s adaptation of Henrik Ibsen''s classic drama is a classic in itself, a penetrating exploration of what happens when the truth comes up against the will of the majority. This edition includes Arthur Miller’s preface and an introduction by John Guare. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room. "By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times "So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time

The play centers on the Salem witch trials of the late 17th century and the problem of guilt by association

THE STORY: Dividing his play into three questions on the human dilemma, the author begins with a charming and gently humorous retelling of Adam and Eve (and God) in the Garden of Eden. After their expulsion from paradise, Eve gives birth to Cain,