New Releases by Arthur Koestler

Arrow in the Blue is the first volume of Arthur Koestler''s autobiography. It covers the first 26 years of his life and ends with his joining the Communist Party in 1931, an event he felt to be second only in importance to his birth in shaping his destiny. In the years before 1931, Arthur Koestler lived a tumultuous and varied existence. He was a member of the duelling fraternity at the University if Vienna; a collective farm worker in Galilee; a tramp and street vendor in Haifa; the editor of a weekly paper in Cairo; the foreign correspondent of the biggest continental newspaper chain in Paris and the Middle East; a science editor in Berlin; and a member of the North Pole expedition of the Graf Zeppelin. Written with enormous zest, joie de vivre and frankness, Arrow in the Blue is a fascinating self-portrait of a remarkable young man at the heart of the events that shaped the twentieth century. The second volume of Arthur Koestler''s autobiography is The Invisible Writing.

The newly discovered lost text of Arthur Koestler’s modern masterpiece, Darkness at Noon—the haunting portrait of a revolutionary, imprisoned and tortured under totalitarian rule—is now restored and in a completely new translation. Editor Michael Scammell and translator Philip Boehm bring us a brilliant novel, a remarkable discovery, and a new translation of an international classic. In print continually since 1940, Darkness at Noon has been translated into over 30 languages and is both a stirring novel and a classic anti-fascist text. What makes its popularity and tenacity even more remarkable is that all existing versions of Darkness at Noon are based on a hastily made English translation of the original German by a novice translator at the outbreak of World War II. In 2015, Matthias Weßel stumbled across an entry in the archives of the Zurich Central Library that is a scholar''s dream: “Koestler, Arthur. Rubaschow: Roman. Typoskript, März 1940, 326 pages.” What he had found was Arthur Koestler’s original, complete German manuscript for what would become Darkness at Noon, thought to have been irrevocably lost in the turmoil of the war. With this stunning literary discovery, and a new English translation direct from the primary German manuscript, we can now for the first time read Darkness at Noon as Koestler wrote it. Set in the 1930s at the height of the purge and show trials of a Stalinist Moscow, Darkness at Noon is a haunting portrait of an aging revolutionary, Nicholas Rubashov, who is imprisoned, tortured, and forced through a series of hearings by the Party to which he has dedicated his life. As the pressure to confess preposterous crimes increases, he re-lives a career that embodies the terrible ironies and betrayals of a merciless totalitarian movement masking itself as an instrument of deliverance. Koestler’s portrayal of Stalin-era totalitarianism and fascism is as chilling and resonant today as it was in the 1940s and during the Cold War. Rubashov’s plight explores the meaning and value of moral choices, the attractions and dangers of idealism, and the corrosiveness of political corruption. Like The Trial, 1984, and Animal Farm, this is a book you should read as a citizen of the world, wherever you are and wherever you come from.

Reflections on Hanging is a searing indictment of capital punishment, inspired by its author’s own time in the shadow of a firing squad. During the Spanish Civil War, Arthur Koestler was held by the Franco regime as a political prisoner, and condemned to death. He was freed, but only after months of witnessing the fates of less-fortunate inmates. That experience informs every page of the book, which was first published in England in 1956, and followed in 1957 by this American edition. As Koestler ranges across the history of capital punishment in Britain (with a focus on hanging), he looks at notable cases and rulings, and portrays politicians, judges, lawyers, scholars, clergymen, doctors, police, jailers, prisoners, and others involved in the long debate over the justness and effectiveness of the death penalty. In Britain, Reflections on Hanging was part of a concerted, ultimately successful effort to abolish the death penalty. At that time, in the forty-eight United States, capital punishment was sanctioned in forty-two of them, with hanging still practiced in five. This edition includes a preface and afterword written especially for the 1957 American edition. The preface makes the book relevant to readers in the U.S.; the afterword overviews the modern-day history of abolitionist legislation in the British Parliament. Reflections on Hanging is relentless, biting, and unsparing in its details of botched and unjust executions. It is a classic work of advocacy for some of society’s most defenseless members, a critique of capital punishment that is still widely cited, and an enduring work that presaged such contemporary problems as the sensationalism of crime, the wrongful condemnation of the innocent and mentally ill, the callousness of penal systems, and the use of fear to control a citizenry.

Arthur Koestler''s extraordinary history of humanity''s changing vision of the universe In this masterly synthesis, Arthur Koestler cuts through the sterile distinction between ''sciences'' and ''humanities'' to bring to life the whole history of cosmology from the Babylonians to Newton. He shows how the tragic split between science and religion arose and how, in particular, the modern world-view replaced the medieval world-view in the scientific revolution of the seventeenth century. He also provides vivid and judicious pen-portraits of a string of great scientists and makes clear the role that political bias and unconscious prejudice played in their creativity.

Arthur Koestler''s extraordinary history of humanity''s changing vision of the universe In this masterly synthesis, Arthur Koestler cuts through the sterile distinction between ''sciences'' and ''humanities'' to bring to life the whole history of cosmology from the Babylonians to Newton. He shows how the tragic split between science and religion arose and how, in particular, the modern world-view replaced the medieval world-view in the scientific revolution of the seventeenth century. He also provides vivid and judicious pen-portraits of a string of great scientists and makes clear the role that political bias and unconscious prejudice played in their creativity.

In this novel the call-girls are the men and women of the international jet-set who, at the lift of a telephone, will fly from conference to congress to symposium to discuss subjects of world importance. This time the place is Switzerland and the subject Survival...

Thieves in the Night : Chronicle of an Experiment was written in 1946. Originally intended to be the first of a trilogy, Koestler later concluded that the book stood on its own and plans for further novels made redundant. Based on the author''s own experiences in a kibbutz, it sets up a stage in describing the historical roots of the conflict between Arabs and Jewish settlers in the British ruled Palestine. The book tackles many subjects, such as Zionism and idealism. Koestler was Zionist early in life, but later abandoned the idea. The title is a Biblical reference, quoted on the title page: "But the day of the Lord will come as a thief in the night." (2 Peter 3:10)

"In 1937, while working for the London News Chronicle as a correspondent with the loyalist forces in the Spanish Civil War, I was captured by General Franco''s troops and held for several months in solitary confinement, witnessing the executions of my fellow-prisoners and awaiting my own. [This book] is an account of that experience written immediately after my release, in July-August, 1937 ... My principal interest in writing [this book] was an introspective one : the psychological impact of the condemned cell. From this view point, the political background was irrelevant, and the narrative, as far as it went, was the truthful account of an intimate experience"--Page xiii-xiv.

The third volume of Arthur Koestler''s autobiography covering the years 1940-1956.

Janus is both a summing up and continuation of Koestler''s work over the past twenty-five years, since he turned from politics to the sciences of life- or more precisely, to the ''evolution, creativity and pathology of the human mind''. The insights gained on that long journey are here assembled in a coherent and comprehensive synthesis, and in the last part of the book, he offers us a tantalizing ''glance through the key-hole'' from subatomic physics to metaphysics.

The author advances the theory that all creative activities have a basic pattern in common, which he attempts to define.

"The Khazars (Turkish: Hazarlar) were a semi-nomadic Turkic people who created one of the largest states of medieval Eurasia, Khazaria, with its capital at Atil. Astride one of the major arteries of commerce between northern Europe and southwestern Asia, Khazaria commanded the western marches of the Silk Road and played a key commercial role as a crossroad between China, the Middle East, and Europe."--Wikipedia.

"Mr. Koestler''s main concern is with demonstrating that, contrary to what one might expect- namely, that...paranormal events are most disturbing because they seem to break what most of us think are the laws of the real world- it is precisely modern physics that offers a "rapprochement" between the real world and parapsychology, even if the rapprochement is "negative in the sense that the unthinkable phenomena of ESP appear somewhat less preposterous in the light of the unthinkable propositions of physics." As Mr. Koestler so lucidly and wittily demonstrates, modern physics depicts a world of noncausational paradoxes- a wonderland of Heisenbergian Principles of Uncertainty, of mysterious elementary particles, of psi-fields, anti-electrons, multi-dimensionality, and time running forward and backward. And unlike Newton''s clockwork universe, this new world is not at all uncongenial to the dice-shooter convinced that he has a "hot" hand or the sensitive who insists that his dreams are premonitory" -- by Christopher Lehmann-Haupt, New York Times, August 11, 1972.

An account of Paul Kammerer''s research on Lamarckian evolution and what he called "serial coincidences".

This selection of essays, book-reviews, broadcast talks and papers delivered to learned societies reflects the extraordinary breadth of Arthur Koestler''s interests. From the trial of Galileo to the pleasures of canoeing down the Loire, from a detailed examination of the ''memory'' of flatworms to an equally detailed examination of the futility of quarantining dogs, the author writes about a vast range of subjects which occupied his attention in the twelve years (1955-1967) covered by this collection. Those were the years that saw, among many other works, the publication of his great trilogy about the mind of man: THE SLEEPWALKERS, THE ACT OF CREATION, and THE GHOST IN THE MACHINE. It is not surprising therefore, that many of these essays elaborate certain aspects of arguments which occur in those books. They could, as the author says in his Preface, ''be called variations on certain themes'', and the selection of books reviewed also reveals a certain thematic coherence. There is, however, a great deal of miscellaneous material, quite different in nature from Koestler''s scientific preoccupations, with which he has been so closely associated in recent years. This includes the subjects of his ''crusades'', such as the campaign for the abolition of hanging, the scandal of our quarantine laws, some escapist travel essays, and some controversies in which he became engaged. Like everything Koestler writes, DRINKERS OF INFINITY not only stimulates the mind, but gives the greatest pleasure to the reader while doing so.

The Gladiators (1939) is the first novel by the author Arthur Koestler; it portrays the effects of the Spartacus revolt in the Roman Republic.

Six men, who were at one time either communists or sympathizers, herein set forth the reasons why they became disillusioned with communism.

Essays on literature, politics, and European current affairs.

Memoirs covering period from the beginning of the present war until the fall of France.