Best Selling Books by Art Spiegelman

''Maus'' nähert sich dem Unbeschreiblichen, dem Mord an Europas Juden, mit den Mitteln des Comic-Strip. ''Maus'' ist Roman und Biographie, Bericht und persönliche Erinnerung - ein bewegendes Kunstwerk.

"My best drawings have often been on stray scraps of paper, falling somewhere between unconscious doodles and focused drawings ... When McSweeney''s actually offered to produce a large file folder of my scraps, the counterintuitive idea of replicating my detritus goaded me into presenting some sketchbooks that had enough momentum to go on for more than a few pages. One, from 1979, is here called "BE." The most recent one, from 2007, catalyzed this current folly when it stumbled in the world as part of McSweeney''s 27. It''s here called "A." A favorite sketchbook from 1983, "NOSE," completes the set"--Introductory pamphlet "Liner Notes" by Art Spiegelman, p. [2] of Introduction.

"My best drawings have often been on stray scraps of paper, falling somewhere between unconscious doodles and focused drawings ... When McSweeney''s actually offered to produce a large file folder of my scraps, the counterintuitive idea of replicating my detritus goaded me into presenting some sketchbooks that had enough momentum to go on for more than a few pages. One, from 1979, is here called "BE." The most recent one, from 2007, catalyzed this current folly when it stumbled in the world as part of McSweeney''s 27. It''s here called "A." A favorite sketchbook from 1983, "NOSE," completes the set"--Introductory pamphlet "Liner Notes" by Art Spiegelman, p. [2] of Introduction.

In this graphic depiction of nuclear devastation, three survivors of the bombing of Hiroshima--Gen, his mother, and his baby sister--face rejection, hunger, and humiliation in their search for a place to live.

In this graphic depiction of nuclear devastation, three survivors of the bombing of Hiroshima--Gen, his mother, and his baby sister--face rejection, hunger, and humiliation in their search for a place to live.

Inspired by the Occupy Wall Street protests, this anthology brought together a diverse chorus of voices to present tales drawn from the issues that drove people to set up camp on capitalism''s doorstep, issues that continue to impact our lives and world today. Featuring work by Alan Moore (Watchmen, V For Vendetta), Art Spiegelman (Maus), David Lloyd (V For Vendetta), Molly Crabapple (Drawing Blood), Amanda Palmer, Bill Ayers (The Weather Underground), Mike Allred (Madman), David Mack (Kabuki), Ben Templesmith (30 Days Of Night), Charlie Adlard (The Walking Dead), and early comics by Matthew Rosenberg (Uncanny X-Men), Patrick Kindlon (Nobody Is In Control), Matt Miner (Critical Hit), Eric Zawadzki (The Dregs), Patrick Meaney (Last Born), Amancay Nahuelpan (Clandestino), and Matteo Pizzolo (Calexit).

A rabbit named Jack receives a jack-in-the-box as a present from his parents, but this spring-loaded device is more than a mere silly toy.

"Maus raconte la vie de Vladek Spiegelman, rescapé juif des camps nazis, et de son fils, auteur de bandes dessinées, qui cherche un terrain de réconciliation avec son père, sa térrifiante histoire et l''Histoire. Des portes d''Auschwitz aux trottoirs de New York se déroule l''histoire d''une double survie: celle du père, mais aussi celle du fils qui se débat pour survivre au survivant. Ici les nazis sont des chats et les juifs des souris. Oubliez vos préjugés: ces souris-là ont plus à voir avec Kafka ou Orwell qu''avec Tom et Jerry.

Un chiot subit plusieurs métamorphoses. Il est d''abord changé en berger par une sorcière, puis en crapaud par une fée, finalement en livre par un méchant magicien. La preuve de tout cela est la laisse au dos du livre. Qui porte une laisse sinon un chien! Amusant, original, le temps de la laisse.

"All of the [students], black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Rich and complex."- Kirkus Reviews "As always, Grimes gives young people exactly

Interview in three sessions, the first (Cavalieri/Spiegelman) before the publication of Raw #1, the second (Cavalieri/Spiegelman/Mouly) before the publication of Raw #2, and the third (Cavalieri/Spiegelman/Mouly/Thompson/Groth) before the publication of Raw #3. Topics covered include Spiegelman''s fan and underground work, editing Arcade the comics revue, his work and consultantship with Topps Bubble Gum, work for Playboy, the history of Maus, and the beginnings of Raw.

Memoir about Vladek Spiegelman, a Jewish survivor of Hitler''s Europe, and about his son, a cartoonist who tries to come to terms with his father, his story, and with history itself. The second volume follows the family''s move from Auschwitz to the Catskills.

An autobiographical and biographical cartoon in which the author explores his strained relationship with his father, an Auschwitz survivor, while also relating the story of his parent''s experiences as Jews in wartime Poland, as told to him by his dad during a series of conversations they had years later in New York and Vermont.