New Releases by Anthony Burgess

The Devil Prefers Mozart is the first comprehensive collection of Anthony Burgess''s writings about music. In this extensive compilation of essays and reviews, he covers a vast range of musical topics, from the hurdy-gurdy to Beatlemania and the Sex Pistols, with Burgess''s love of English music represented by writings on Elgar, Holst, and Delius. There are essays on Handel, Mozart, Beethoven, Berlioz and Wagner and other great composers from Monteverdi to Weill, as well as writings about Burgess''s favourite performers, including Yehudi Menuhin, Larry Adler and John Sebastian. Whether whimsical (''Food and Music''), satirical (''Anybody Can Conduct'') or controversial (''Why Punk Had to End in Evil''), Burgess''s writing is consistently informative and entertaining. The music of Debussy sparked Burgess''s musical imagination so powerfully when he was a boy in Manchester that he composed his first symphony at eighteen years of age and aspired to a career as a professional composer until his mid-thirties. Writings about his own music provides valuable information about many of Burgess''s compositions, including his Symphony in C, his works for guitar quartet, and his opera Blooms of Dublin.

Semi-autobiographical reflection on the author''s experience of having been the subject of Stanley Kubrick''s film adaptation of A Clockwork Orange in 1971.

VINDICIÆ LEGIS or A VINDICATION OF THE MORAL LAW and The Covenants, From the Errors of Papists, Arminians, Socinians, and more especially, Antinomians. In 30 lectures, preached at Laurence-Jury, London. A modernized 3rd edition 2015, retyped from the second edition, corrected and augmented, originally printed in London by James Young, for Thomas Underbill, at the Sign of the Bible in Wood street, 1647.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Collected Poems of the acclaimed Manchester-born poet, novelist, screenwriter and composer Anthony Burgess.

In John 17, Jesus prayed for the unity of the church. Yet today, we tend to accept disunity as inevitable. In this book, Anthony Burgess calls us to addresses the spiritual and visible unity that Jesus desires for His people. Burgess speaks of how union and communion with Christ and His people are "the life and comfort of believers." Giving careful consideration of what Christian unity should look like, Burgess excels at uncovering common causes of division and promoting means to advance unity among God''s people.

Following the death of her father, an irregularly employed pianist, Ellen Henshaw becomes a high-class prostitute in Paris during the 1930s and then founds a chain of schools to instruct men in the arts of love and music.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Sometimes when I''m at work and waiting for customers I think about the two of us living like kings and not bothering about the future. Because there may not be any future to bother about, you know. Not for anybody, one of these days. And it''s a wicked world. Average couple Janet and Howard''s lives begin to unravel when Howard''s photographic memory helps win him a gameshow fortune. Janet doesn''t want their lives to change that much. She''s quite happy working at the supermarket, cooking for her husband three times a day and watching quiz shows in the evening. But once Howard unleashes his photographic brain on the world, the once modest used-car salesman can''t seem to stop. And what he sees as the logical conclusion to his success isn''t something Janet can agree to. Burgess''s 1961 darkly comic satire of drab English consumerism is adapted for the stage by Lucia Cox. This edition was published to coincide with the US premiere at the Brits Off-Broadway Festival, at 59E59 Theatre, New York, in May 2015.

It is not uncommon for professing Christians to question the genuineness of their faith. In seasons like this, they can wonder whether it is even possible to know for sure if they are in a state of saving grace. In this book, Anthony Burgess shows that Christians not only can come to an assurance of their salvation but should pursue it. Burgess provides helpful advice for avoiding a presumptuous spirit while developing a humble confidence in grace. Here is a book that will help you understand the marks of grace and avoid some common abuses associated with self-examination. Read it with an open Bible and a prayerful heart, looking to the Holy Spirit as your faith seeks assurance. Table of Contents: 1. The Necessity and Advantage of Assurance 2. Additional Advantages of Assurance 3. Can Hypocrites Attain Practical Knowledge about Religion? 4. Assurance May Be Experienced 5. The Adjuncts of Assurance 6. The Difference Between True Assurance and Presumption 7. Remedies for Carnal Confidence and Directions to the Godly Who Lack Assurance 8. Marks of Grace and Assurance 9. Using Signs for Assurance and Proving That They Evidence Justification 10. The Lawfulness and Obligation of Proceeding by Signs, and Answering Doubts 11. How People Miscarry in Self-Examination by Signs 12. The Duty and Particulars of Assurance 13. The Assurance of Our Calling Demonstrated, and Answers to Objections 14. Assurance versus Presumption, with Directions to the Godly Series Description Interest in the Puritans continues to grow, but many people find reading these giants of the faith a bit unnerving. This series seeks to overcome that barrier by presenting Puritan books that are convenient in size and unintimidating in length. Each book is carefully edited with modern readers in mind, smoothing out difficult language of a bygone era while retaining the meaning of the original authors. Books for the series are thoughtfully selected to provide some of the best counsel on important subjects that people continue to wrestle with today.

How hard is it to encourage the people of God toward biblical Reformation and actually see it occur? Is there room for a new Reformation today? What should Christians think concerning revival today and reforming in the power of the Gospel? Could there actually be a present day “biblical reformation”? In the first part of the work, beginning with Leviticus 26:23-24, McMahon demonstrates that Reformation ought not to be gradual, but immediate. Gospel truth dictates spiritual action and God requires his church to be reformed by him through the power of the transforming word of God. In the second part, Anthony Burgess explains Judges 6. From this text he demonstrates both individual devotion and meaningful reform within the church. Set in an era marked by deep religious and societal shifts, Burgess''s work stands out as a powerful request for spiritual reformation. He pushes believers to move beyond mere routine practices and emphasizes a genuine holiness that combines belief with action. He draws attention to the current importance of a swift reform, highlighting the risks of inaction and secular distractions. Reformation in this way, he says, should be immediate. He meticulously details the qualities vital for real reformation, acting both as a tender minister and a biblical critic against those who reject reform in the church. He spotlights the importance of understanding, passion, authenticity, humility, courage, and wisdom while also warning against the pitfalls of shallow faith. This work isn''t just a historical or theological study; it serves as a biblical guide for those yearning for spiritual growth and reform before the eyes of King Jesus.

A brilliantly funny spy novel, this morality tale of a Secret Service gone mad features sex, gluttony, violence, and treachery. From the author of the ground-breaking A Clockwork Orange. Denis Hillier is an aging British agent based in Yugoslavia. His old school friend Roper has defected to the USSR to become one of the evil empire''s great scientific minds. Hillier must bring Roper back to England or risk losing his fat retirement bonus. As thoughtful as it is funny, this morality tale of a Secret Service gone mad features sex, gluttony, violence, treachery, and religion. Anthony Burgess''s cast of astonishing characters includes Roper''s German prostitute wife; Miss Devi and her Tamil love treatise; and the large Mr. Theodorescu, international secret monger and lascivious gourmand. A rare combination of the deadly serious and the absurd, the lofty and the lusty, Tremor of Intent will hold you in its thrall.

A grand and tragi-comic symphony to Napoleon Bonaparte, this novel unteases and reweaves Napoleon''s life - from the first great days of his campaigns in 1796 to exile and death on St. Helena a quarter of a century later. Burgess'' Bonaparte is a cuckold, afflicted with heartburn and halitosis while enacting a wily seduction of Tsar Alexander, conquering Egypt and crowning himself Emperor. Witty, sardonic, intellectual, Napoleon Symphony is Burgess at his most challenging and inventive. In creating a novel based on a musical form, Burgess is playing with structure, from the grand, ambitious shape of the novel itself, through to the finer composition of each sentence.

A frightening story of good and evil. A fifteen year old boy named Alex, who is in trouble with the authorities. The state wants to reform him.

The daring dystopian satire that inspired one of the most notorious films ever made, beautifully reimagined as part of the Penguin Essentials series ''Every generation should discover this book'' Time Out ________________ In this nightmare vision of youth in revolt, fifteen-year-old Alex and his friends set out on a diabolical orgy of robbery, rape, torture and murder. Alex is jailed for his teenage delinquency and the State tries to reform him - but at what cost? Experiment of language? Social prophecy? Black comedy? A Clockwork Orange is all of these. Dazzling and transgressive, this frightening fable about good and evil asks the meaning of human freedom. ________________ ''A gruesomely witty cautionary tale'' Time ''Not only about man''s violent nature and his capacity to choose between good and evil. It is about the excitements and intoxicating effects of language'' Daily Telegraph ''I do not know of any other writer who has done as much with language . . . a very funny book'' William S. Burroughs ''One of the cleverest and most original writers of his generation'' The Times

Bekentenissen van een jeugdig delinquent die in onconventionele taal vertelt over zijn criminele uitspattingen en zijn heropvoeding.

''One of the most productive, imaginative and risk-taking of writers... It is a clever, sexually explicit, fast-moving, full blooded yarn'' Irish Times A Dead Man in Deptford re-imagines the riotous life and suspicious death of Christopher Marlowe. Poet, lover and spy, Marlowe must negotiate the pressures placed upon him by theatre, Queen and country. Burgess brings this dazzling figure to life and pungently evokes Elizabethan England.

Fully restored edition of Anthony Burgess'' original text of A Clockwork Orange, with a glossary of the teen slang ''Nadsat'', explanatory notes, pages from the original typescript, interviews, articles and reviews Edited by Andrew Biswell With a Foreword by Martin Amis ''It is a horrorshow story ...'' Fifteen-year-old Alex likes lashings of ultraviolence. He and his gang of friends rob, kill and rape their way through a nightmarish future, until the State puts a stop to his riotous excesses. But what will his re-education mean? A dystopian horror, a black comedy, an exploration of choice, A Clockwork Orange is also a work of exuberant invention which created a new language for its characters. This critical edition restores the text of the novel as Anthony Burgess originally wrote it, and includes a glossary of the teen slang ''Nadsat'', explanatory notes, pages from the original typescript, interviews, articles and reviews, shedding light on the enduring fascination of the novel''s ''sweet and juicy criminality''. Anthony Burgess was born in Manchester in 1917 and educated at Xaverian College and Manchester University. He spent six years in the British Army before becoming a schoolmaster and colonial education officer in Malaya and Brunei. After the success of his Malayan Trilogy, he became a full-time writer in 1959. His books have been published all over the world, and they include The Complete Enderby, Nothing Like the Sun, Napoleon Symphony, Tremor of Intent, Earthly Powers and A Dead Man in Deptford. Anthony Burgess died in London in 1993. Andrew Biswell is the Professor of Modern Literature at Manchester Metropolitan University and the Director of the International Anthony Burgess Foundation. His publications include a biography, The Real Life of Anthony Burgess, which won the Portico Prize in 2006. He is currently editing the letters and short stories of Anthony Burgess.

How hard is it to Reform people? This is obviously the work of God. But how hard is it to take the people of God toward biblical Reformation? The answer is that there are many difficulties to hurdle, but there are encouragements to doing this for the glory of God. Burgess, a master exegete, teaches from Mark 1:2-3, “As it is written in the Prophets, Behold I send my messenger before thy face, which shall prepare thy way before thee. The voice of one crying in the wilderness, Prepare ye the way of the Lord, make thy paths straight.” He answers questions like, Are we reformed enough? Is God content for us to be sanctified just enough? What can church members and pastors do to promote true biblical reform in their congregations? This second edition is not a scan or facsimile, has been updated in modern English for easy reading and has an active table of contents for electronic versions.

Collected interviews with the British author of A Clockwork Orange, ReJoyce: An Introduction to James Joyce for the Ordinary Reader, and other works

This fascinating early work by Anthony Burgess is a delightful fantasy, blending classical myth and farce. Displaying a high degree of verbal ingenuity and intelligence, Burgess effortlessly plays with ideas to create a riotous comedy that is ultimately a celebration of love and marriage. It is presented here along with the earlier and similarly themed The Venus of Ille, by Prosper Mérimée. Ambrose and Diana are to be married. Diana, however, is having last-minute doubts fuelled by her feminist friend and bridesmaid, Julia, while Ambrose inadvertently becomes engaged to the goddess Venus, who has taken possession of the wedding ring. These obstacles present the first in a farcical series of challenges—not only to the impending wedding, but also to the most dearly held preconceptions of Ambrose, Diana, and their wedding guests. In addition to writing novels like A Clockwork Orange and The Earthly Powers, Anthony Burgess was also a composer and critic.

Revolutionary Sonnets explores themes of violence and love, pretensions and emotion, sex and war and is both sobering and funny.

(Applause Books). Anthony Burgess was the author of over 50 books, including his best known novel, "A Clockwork Orange." But Burgess always emphasized music as the ruling passion in his creative life. Largely self-taught in music, Burgess composed his first symphony before he was twenty, many years before his first novel, and he was the composer of over 65 musical works. In these deeply insightful meditations, the renowned writer explores the meaning of music, the intention of the composer and the process of composition, and the seemingly elusive relationships between literature and music. Burgess shows how "the process of literary composition are revealed by the writers themselves" and then gathers evidence to understand the "inexplicable magic" of the details of the operation of music what is music''s "intelligibility"? From Shakespeare to the lyric verse of Gerard Manley Hopkins, from the modernists T.S. Eliot and James Joyce to the modern lyricists Lorenz Hart and Stephen Sondheim, Burgess reveals how prose writers have struggled to tap the inherent musicality of their material. This treasured classic, at last back in print, provides a fascinating perspective on the mutually enriching relationship of these two creative arts by a man who mastered them both.

Hemingway''s great achievement was to free the novel from all the languid decoration and cozy indirectness that was its early twentieth-century inheritance. His terse prose taught the writer to engage life to the fullest in order to write about it, and his own life was the perfect demonstration of that principle. Reissued to coincide with the centenary of Hemingway''s birth, Anthony Burgess''s insightful biography traces the rapidly changing scene from a happy, complacent childhood to the grim reality of the First World War and the vulgar unreality of the Second; from the Paris of the 1920s to the Spain of Civil War and the excitements of African safari to the somber last years in Cuba. Hemingway was rich and successful from an early age, yet public acclaim and even the Nobel Prize could not disguise the fact that he was a moody, suffering, and sometimes vicious figure--a man who was finally unable to live with his own image.

Homage to Mozart on the occasion of the bicentennial of his death with celestial dialogue, an opera libretto, fragments of film script, and part rumination on the mystery of music.

A lively attempt to understand the meaning of music through a celestial dialogue with arguably the world''s greatest composer.

The narrative begins in 1959, with the author''s return to England from Brunei and, after the prognosis which gave him a year to live is confounded, the start of his professional writing career. It ends in 1983. The book is the sequel to "Little Wilson and Big God."