Best Selling Books by Anthony Aveni

Skywatchers of Ancient Mexico helped establish the field of archaeoastronomy, and it remains the standard introduction to this subject. Combining basic astronomy with archaeological and ethnological data, it presented a readable and entertaining synthesis of all that was known of ancient astronomy in the western hemisphere as of 1980. In this revised edition, Anthony Aveni draws on his own and others'' discoveries of the past twenty years to bring the Skywatchers story up to the present. He offers new data and interpretations in many areas, including: The study of Mesoamerican time and calendrical systems and their unprecedented continuity in contemporary Mesoamerican culture The connections between Precolumbian religion, astrology, and scientific, quantitative astronomy The relationship between Highland Mexico and the world of the Maya and the state of Pan-American scientific practices The use of personal computer software for computing astronomical data With this updated information, Skywatchers will serve a new generation of general and scholarly readers and will be useful in courses on archaeoastronomy, astronomy, history of astronomy, history of science, anthropology, archaeology, and world religions.

Thousands of years before Europeans first colonized North America, other cities were here. They grew up, flourished and eventually disappeared in the same places that modern cities would later appear. You will find the astonishing story of how they grew from small settlements to booming city centers--and then crumbled into ruins.

Discusses England''s Stonehenge, the Mayan Code, and the Incan city of Cuzco.

An accessible exploration of how diverse cultures have explained humanity’s origins through narratives about the natural environment Drawing from a vast array of creation myths—Babylonian, Greek, Aztec, Maya, Inca, Chinese, Hindu, Navajo, Polynesian, African, Norse, Inuit, and more—this short, illustrated book uncovers both the similarities and differences in our attempts to explain the universe. Anthony Aveni, an award-winning author and professor of astronomy and anthropology, examines the ways various cultures around the world have attempted to explain our origins, and what roles the natural environment plays in shaping these narratives. The book also celebrates the audacity of the human imagination. Whether the first humans emerged from a cave, as in the Inca myths, or from bamboo stems, as the Bantu people of Africa believed, or whether the universe is simply the result of Vishnu’s cyclical inhales and exhales, each of these fascinating stories reflects a deeper understanding of the culture it arose from as well as its place in the larger human narrative.

In Class Not Dismissed, award-winning professor Anthony Aveni tells the personal story of his six decades in college classrooms and some of the 10,000 students who have filled them. Through anecdotes of his own triumphs and tribulations—some amusing, others heartrending—Aveni reveals his teaching story and thoughts on the future of higher education. Although in recent years the lecture has come under fire as a pedagogical method, Aveni ardently defends lecturing to students. He shares his secrets on crafting an engaging lecture and creating productive dialogue in class discussions. He lays out his rules on classroom discipline and tells how he promotes the lost art of listening. He is a passionate proponent of the liberal arts and core course requirements as well as a believer in sound teaching promoted by active scholarship. Aveni is known to his students as a consummate storyteller. In Class Not Dismissed he shares real stories about everyday college life that shed light on serious educational issues. The result is a humorous, reflective, inviting, and powerful inquiry into higher education that will be of interest to anyone invested in the current and future state of college and university education.

Apocalyptic Anxiety traces the sources of American culture’s obsession with predicting and preparing for the apocalypse. Author Anthony Aveni explores why Americans take millennial claims seriously, where and how end-of-the-world predictions emerge, how they develop within a broader historical framework, and what we can learn from doomsday predictions of the past. The book begins with the Millerites, the nineteenth-century religious sect of Pastor William Miller, who used biblical calculations to predict October 22, 1844 as the date for the Second Advent of Christ. Aveni also examines several other religious and philosophical movements that have centered on apocalyptic themes—Christian millennialism, the New Age movement and the Age of Aquarius, and various other nineteenth- and early twentieth-century religious sects, concluding with a focus on the Maya mystery of 2012 and the contemporary prophets who connected the end of the world as we know it with the overturning of the Maya calendar. Apocalyptic Anxiety places these seemingly never-ending stories of the world’s end in the context of American history. This fascinating exploration of the deep historical and cultural roots of America’s voracious appetite for apocalypse will appeal to students of American history and the histories of religion and science, as well as lay readers interested in American culture and doomsday prophecies.

An award-winning professor takes readers on a guided tour of the stunning celestial discoveries of past cultures. Interweaving the astronomy, mythology, and anthropology of ancient peoples, Aveni shows how to discover the harmony between their beliefs and their study of the sky through naked-eye observations. From CHAPTER ONE: "My tales of Venus and Mars, squash and corn, are designed to entice the reader away from some of the widely held notions about the discovery and exploration of nature that are ingrained in modern culture. I want us to walk some worthwhile paths that are not so well trod."

Follow an epic animal race, a quest for a disembodied hand, and an emu egg hunt in constellation stories from diverse cultures We can see love, betrayal, and friendship in the heavens, if we know where to look. A world expert on cultural understandings of cosmology, Anthony Aveni provides an unconventional atlas of the night sky, introducing readers to tales beloved for generations. The constellations included are not only your typical Greek and Roman myths, but star patterns conceived by a host of cultures, non-Western and indigenous, ancient and contemporary. The sky has long served as a template for telling stories about the meaning of life. People have looked for likenesses between the domains of heaven and earth to help marry the unfamiliar above to the quotidian below. Perfect reading for all sky watchers and storytellers, this book is an essential complement to Western mythologies, showing how the confluence of the natural world and culture of heavenly observers can produce a variety of tales about the shapes in the sky.

December 21, 2012. The Internet, bookshelves, and movie theaters are full of prophecies, theories, and predictions that this date marks the end of the world, or at least the end of the world as we know it. Whether the end will result from the magnetic realignment of the north and south poles, bringing floods, earthquakes, death, and destruction; or from the return of alien caretakers to enlighten or enslave us; or from a global awakening, a sudden evolution of Homo sapiens into non-corporeal beings - theories of great, impending changes abound. In The End of Time, award-winning astronomer and Maya researcher Anthony Aveni explores these theories, explains their origins, and measures them objectively against evidence unearthed by Maya archaeologists, iconographers, and epigraphers. He probes the latest information astronomers and earth scientists have gathered on the likelihood of Armageddon and the oft-proposed link between the Maya Long Count cycle and the precession of the equinoxes. He then expands on these prophecies to include the broader context of how other cultures, ancient and modern, thought about the "end of things" and speculates on why cataclysmic events in human history have such a strong appeal within American pop culture.

"Anthony Aveni reveals how !Kung and Mursi hunter-gatherers depended on signals in the sky for their survival and sustenance; how Polynesian sailors navigated a seemingly limitless watery world by star bearings; how social cohesion in cultures as diverse as the Pawnee and the Inca was mirrored in celestial imagery; and how the cosmic connection between the arrangement of Chinese and Aztec cities and the constellations served as an expression of political authority." "For most of human history, people found meaning in the dance of the cosmic denizens. Today, many aspects of this intimate contact between daily life and what happens in the sky have disappeared. Did our ancestors have an understanding of the cosmos that we ourselves lack? How and why did it all happen? These are the questions addressed in this engaging and erudite book."--BOOK JACKET.

From an award-winning author, astronomer, and anthropologist, an exploration of the scientific and cultural significance of the mesmerizing cosmic display. Since the first humans looked up and saw the sun swallowed by darkness, our species has been captivated by solar eclipses. Astronomer and anthropologist Anthony Aveni explains the history and culture surrounding solar eclipses, from prehistoric Stonehenge to Babylonian creation myths, to a confirmation of Einstein’s theory of general relativity, to a spectacle that left New York City in the moon’s shadow, to future eclipses that will capture human imaginations. In one accessible and engaging read, Aveni explains the science behind the phenomenon, tracks eclipses across the ancient world, and examines the roles of solar eclipses in modern times to reveal the profound effects these cosmic events have had on human history. Colored by his own experiences—Aveni has witnessed eight total solar eclipses in his lifetime—his account of astronomy’s most storied phenomenon will enthrall anyone who has looked up at the sky with wonder. “Aveni’s authoritative but accessible text is the clearest statement of the way our perception of eclipses has changed over the centuries.” —Stuart Clark, New Scientist “Authoritative and engaging.” —Marcelo Gleiser, NPR’s 13.7 “A recommended way to share the spirit of the occasion.” —Laurence A. Marschall, Natural History magazine “Everything you need to enjoy a solar eclipse—and even predict one, just like the Babylonians did! Aveni’s entertaining explorations show the very different impacts eclipses have had on past and present cultures.” —David DeVorkin, National Air and Space Museum, Smithsonian Institution

Since antiquity, time in the West has been represented in circular form, the gear wheels of time churning out duration in endless years. At the time of the Spanish conquest, dials on round clock faces looked down from facades of cathedrals, their tones chiming out the hours that directed people’s religious and workaday lives. Spanish chroniclers assert that the circle was also the principal mode of temporal expression among the New World natives they sought to Catholicize. Here, Anthony Aveni demonstrates that this was decidedly not the case. Rather, the indigenous quadripartite way of perceiving rendered the expression of time to have been decidedly square. He examines an array of calendar circles appearing in manuscripts from Central Mexico and the Maya area of Yucatan from the time of 16th-century contact up to the 18th century and follows the gradual intrusion of Western calendrical particulars into the native format. Dr. Aveni offers insight into the tension in the first generation of native scribes after the conquest, who were working with radically different ways of knowing between the imposed requirement to change the way they thought about time and the desire to preserve their heritage and their identity. Illus.

In this authoritative, accessible, and at times funny and irreverent work, distinguished anthropologist Anthony Aveni speaks to the trained astrophysicist and the curious layperson alike about a simple but previously unexplored question: Why do we assume aliens, if they are really out there, behave just like us? Aveni’s newest work departs from the usual scientific treatment of extraterrestrial intelligence by probing the historical and widely neglected anthropological record, which offers relevant analogous incidents of contact among terrestrial cultures. Beginning with theories of the evolution of life and culture advocated by astrobiologists, Aliens Like Us? explores how the Western cultural imagination is influenced by ways of knowing that are deeply embedded in the minds of the questioners—for example, how we consider the ownership of property, the idea of progress, and even the way we classify things. The lessons of anthropology offer not only value structures from other cultures that differ profoundly from our own but also testify to the diverse ways in which "alien" cultures interact. Finally, on the question of potential first contact, Aveni closes with a fascinating exploration of the image of extraterrestrials in popular culture that is derived in part from the hugely influential realm of science fiction.

From the dual perspective of astronomer and anthropologist, Aveni reveals the origins of our modern system of measuring time and compares it with the systems of tribal societies such as the semi-nomadic Nuer Africans and well-organized American cultures such as the Aztecs, Mayas and Incas . Exploring the art and architecture of these ancient civilizations, the author shows how cyclical and linear notions of time evolved and where the unique divisions of our calendar come from: trillionth of a second, week, month, year, era . This journey through time also wants to demonstrate how political power and time control have always gone hand in hand.

Come nasce il mondo è un segreto, un segreto da tramandare nel tempo. All''origine di tutto era un uovo. Oppure il buio, o un corvo imbroglione, un pescatore di isole, una donna danzante, un concilio di dei intorno a un fuoco sacrificale. Uno stato informe in cui tutto era nel contempo in costante trasformazione e nella più totale assenza di movimento. Poi, d''improvviso, qualcosa si è spezzato: il verbo si è fatto luce, da un albero di mango è sgorgato il mare, un pesce gigante è stato fatto a pezzi e i suoi resti sono stati abitati dagli esseri umani; il cielo è stato strappato dalla terra, e ciò che sarebbe potuto essere è stato diviso per sempre da ciò che è. Anthony Aveni indaga le storie della creazione del cosmo secondo varie culture ed epoche per comprendere che cosa le accomuni e dove la scienza di oggi sfiori la mitologia del passato. Il suo è un viaggio tra montagne magiche e corsi d''acqua sacri, tra profonde caverne buie e isole scese dal cielo, dai maya agli aborigeni, dall''America Latina al Polo Nord, dalla Bibbia al Nihongi: una riflessione sul modo in cui abbiamo provato a spiegarci l''imperscrutabile passaggio dal nulla all''esistenza, e abbiamo trovato risposte nel paesaggio che ci circondava. Come la violenta battaglia tra Marduk e la madre Tiamat raccontata nel babilonese Enuma Elish, che rispecchia le trasformazioni climatiche e geografiche del territorio; o come le distruzioni (e successive rinascite) dell''azteco racconto dei Cinque soli, che mimano i frequenti terremoti e le eruzioni del Popocatépetl. I racconti della creazione è un''opera che si muove tra archetipo e fenomeno, tra simbolo e svelamento, tra superstizione e razionalità. Un mosaico di immagini, miti, frammenti e visioni, a ricordarci l''esistenza di una storia, sepolta nei nostri sogni più profondi, che contiene in sé tutto l''esistente; ma che può essere narrata solo attraverso la molteplicità.

When night falls, people contemplate and contemplate the similarities between the constellations in the sky and close images on the ground. They hope to combine the strange things of heaven with normal life on earth.