New Releases by Anita Desai

From “world-class writer” (The Washington Post) and three-time Booker finalist Anita Desai, an exquisitely written stunning exploration of love, place, memory, history, and the secrets between a mother and her daughter. Away from her home in India to study Spanish, Bonita sits on a bench in El Jardin de San Miguel, Mexico, basking in the park’s lush beauty, when she slowly becomes aware that she is being watched. An elderly woman approaches her, claiming that she knew Bonita’s mother—that they had been friends when Bonita’s mother had lived in Mexico as a talented young artist. Bonita tells the stranger that she must be mistaken; her mother was not a painter and had never travelled to Mexico. Though the stranger leaves, Bonita cannot shake the feeling that she is being followed. Days later, haunted by the encounter, Bonita seeks out the woman, whom she calls The Trickster, and follows her on a tour of what may, or may not, have been her mother’s past. As a series of mysterious events brilliantly unfold, Bonita is unable to escape The Trickster’s presence, as she is forced to confront questions of truth and identity, and specters of familial and national violence. A masterpiece of storytelling from a gifted writer, Rosarita is a profound mediation on mothers and marriage, art and self-expression, and how the traumas from the past can impact future generations.

«Se il villaggio perisce, perisce anche l''India. L''India non sarà piú l''India. La rinascita del villaggio è possibile solo se esso non verrà piú sfruttato». Mohandas K. Gandhi

Quando l''Occidente fugge nell''infinita complessità della spiritualità indiana.

Tutti i racconti di Anita Desai. Ventuno racconti, in un intimo e struggente viaggio a ritroso, dall''inedito Il pianerottolo del 2007 ai primi testi pubblicati negli anni Sessanta.

The Complete Stories gathers together Anita Desai''s short story collections Diamond Dust and Games at Twilight and the novellas of The Artist of Disappearance, with a new preface from the author. From the icy suburbs of Canada to the overcrowded B&Bs of Cornwall, via the hill towns and cities of India, Anita Desai observes human behaviour unflinchingly but not unkindly, recognising our ordinariness and our strangeness, and capturing both with quiet precision.

«Anita Desai, una delle maggiori scrittrici indiane contemporanee, ha un eccezionale talento per i ritratti d''ambiente, ed è impareggiabile nella capacità di descrivere le motivazioni dell''animo umano». Salman Rushdie

«Uno sguardo sulla vita in famiglia nella provincia indiana e nella periferia americana per svelare sintomi di malessere paralleli: dai roghi delle spose alla bulimia, mentre i padri sono ovunque carnivori e le madri si ostinano a rimpinzare figli vegetariani e figlie isteriche». «The Guardian»

Animati da presenze insieme estranee e familiari, i racconti di Anita Desai inquietano e riscaldano con ironia e attenzione per il dettaglio, fino a creare un senso di struggente intimità. Come ha scritto «The Times», queste storie scintillano con l''intensità dei «veri diamanti».

«Gli antichi cinesi ritenevano che il tempo non fosse una scala che si sale verso il futuro bensì una scala che si scende verso il passato».

Shortlisted for the Man Booker Prize: A “rich, Chekhovian novel” about family and forgiveness from the acclaimed author of Fire on the Mountain (The New Yorker). At the heart of this “wonderful” novel are the moving relationships between the estranged members of the Das family (The Washington Post Book World). Bimla is a dissatisfied but ambitious teacher at a women’s college who lives in her childhood home, where she cares for her mentally challenged brother, Baba. Tara is her younger, unambitious sister, married and with children of her own. Raja is their popular, brilliant, and successful brother. When Tara returns for a visit with Bimla and Baba, old memories and tensions resurface, blending into a domestic drama that leads to beautiful and profound moments of self-understanding. Set in the vividly portrayed environs of Old Delhi, “Clear Light of Day does what only the very best novels can do: it totally submerges us. It also takes us so deeply into another world that we almost fear we won’t be able to climb out again” (The New York Times Book Review). “Passages must be read and reread so that you savor their imagery, their language, and their wisdom.” —The Washington Post Book World “[A] thoroughly universal tale of unhealable family hurts . . . Distinctively shaded with enticing glimpses of India’s Hindu middle-class in shabby decline.” —Kirkus Reviews, starred review

A young American in Mexico discovers his family’s past—and a present-day danger—in this “elegant, exquisite” novel of suspense (Elle). Eric is a newly minted historian just out of graduate school, plagued by self-doubt over both his past choices and his future options. With no clear direction, he follows his lover, Em, when she travels to the Yucatan for her scientific research, but ends up alone in this foreign place. And so he pursues his own private quest, tracing his family’s history to a Mexican ghost town, where, a hundred years earlier, young Cornish miners—among them Eric’s grandparents—toiled to the death. Now, in place of the Cornish workers, the native Huichol Indians suffer the cruelty of the mines. When he inquires into their lives, Eric provokes the ire of their self-appointed savior, Dona Vera. Known as the “Queen of the Sierra,” Dona Vera is the widow of a mining baron who has dedicated her fortune to preserving the Huichol culture. But her formidable presence belies a dubious past. The zigzag paths of these characters converge on the Day of the Dead, bringing together past and present in a moment of powerful epiphany. Haunting and atmospheric, with splashes of exuberant color and darker violence, The Zigzag Way is “a beautifully rendered combination of history, folklore, and modern fiction” (Entertainment Weekly), from a Booker Prize finalist. “Long before Jhumpa Lahiri . . . long before Monica Ali . . . another novelist was offering us exquisitely detailed portraits of bodies in transit [and] classes in the art of sly and sensuous fiction . . . Anita Desai was a global, migrant writer before such a thing was fashionable.” —Time “Almost unbearably suspenseful.” —The Boston Globe “A hypnotic journey.” —San Jose Mercury News

Sophie and Matteo are young and in love, sharing a dissatisfaction with their bourgeois Italian upbringing. Naturally, like so many other young Westerners in the sixties and seventies, they go to India. But the realities of life in an ashram ignite their differences; Sophie wants to be a tourist and go to Goa and eat shrimp, which Matteo scorns, seeking the ‘real’ India. Pragmatic Sophie is disillusioned by the hardships they encounter, while her husband, who yearns for spiritual fulfillment, sees only the purity of ascetic life, leading him to Mother, a charismatic guru. Trying to reclaim an ailing Matteo, Sophie embarks on a new journey in search for a different truth; that of Mother’s mysterious past. Soon, she finds that the immortal has a history of her own; born in Cairo, she was once Laila, a dancer who toured the world before coming to Bombay to search for ‘divine love’. What each of the three people discover, on their individual quests, is at its heart that ancient truth: that wisdom is found in the journey itself. A stirring, profound exploration of emotional exile, of sacred and profane loves, Journey to Ithaca is a masterful novel.

Hugo Baumgartner is a firangi wherever he goes—too dark for Hitler’s Germany, too fair for India. Escaping the Nazi regime but losing his parents to it, the wandering Jew builds a life in India only to be interrupted by war, and then partition—and finally finds a home in multitudinous Bombay. We meet him as a kindly, rather hapless old man who spends his days making the rounds of local teashops to scavenge for his many cats. Then, one day at the Café du Paris, one of his regular haunts, he encounters a surly young German of the new order—a drug-crazed hippie who will change his life forever. Set in Berlin, Venice, Calcutta—and of course Bombay—Baumgartner’s Bombay is the story of the twentieth century and a memorable portrait of Baumgartner, survivor, victim, everyman.

Buried resentments, unexpected disappointments, new friendships, small acts of cruelty, journeys that take you back to where you started. With trademark compassion and tender irony, Anita Desai’s short stories give us familiar worlds made unfamiliar, to wonderful effect. An ageing couple is stranded in a stultifying Delhi summer by the visit of a roguish old Oxford friend, who trades on his charm; an American woman turns to hippies living in the Indian hills, homesick for the farmlands of Vermont; a dog terrorizes the neighbourhood but is cherished by his stern master; a Delhi girl of slender means finds a new kind of freedom with her young friends, in her barsati home; a peaceful game of hide and seek turns into a nightmare; a businessman sees his own death. In one masterly volume, for the first time ever, here are Anita Desai’s collected stories —u00adu00adincluding Diamond Dust and Games at Twilight.

In this sensitive portrayal of human nature, Anita Desai, one of India’s foremost writers, paints an intimate portrait of lives impacted by the quest for identity and purpose. Deven, a Hindi lecturer in small-town Mirpore, lives a humdrum existence. A chance to interview Nur—India’s greatest living Urdu poet—offers him an escape from his dreary life. But the Nur he meets is an enfeebled man, surrounded by clashing wives and preying sycophants. Deven’s decision to be the custodian of Nur’s verse gives birth to an unusual alliance between the two. Stimulating and thought provoking, In Custody is a brilliant parable lamenting the gradual corrosion of culture and tradition in the face of modernity, and a dazzling study of the complexity of human relationships.

Gone are the days when Nanda Kaul watched over her family and played the part of Vice-Chancellor’s wife. Leaving her children behind in the real world, the busier world, she has chosen to spend her last years alone in the mountains in Kasauli, in a secluded bungalow called Carignano. Until one summer her great-granddaughter Raka is dispatched to Kasauli – and everything changes. Nanda is at first dismayed at this break in her preciously acquired solitude. Fiercely taciturn, Raka is, like her, quite untamed. The girl prefers the company of apricot trees and animals to her great-grandmother’s, and spends her afternoons rambling over the mountainside. But the two are more alike than they know. Throughout the hot, long summer, Nanda’s old, hidden dependencies and wounds come to the surface, ending, inevitably, in tragedy. Marvellous yet restrained, Fire on the Mountain speaks of the past and its unshakable hold over the present.

Distraught by her own lack of accomplishment -- especially in comparison to that of a childhood rival who has become a famous and successful publisher -- a middle-aged woman has the opportunity of a lifetime: to translate the work of an unknown literary star and, in the process, impress the woman she most admires.

Disappointed by his professional and social position, an entitled and officious junior civil servant imagines that his life will change when a mysterious old man promises to lead him to a museum filled with priceless treasures.

Award-winning novelist Anita Desai explores time and transformation in these three artful novellas

Cuando Deven, un oscuro profesor de una pequeña localidad de la India sin apenas horizontes vitales, se ve enfrentado a un reto inesperado entrevistar a Nur, el más grande poeta vivo en urdu, la lengua de la poesía por excelencia, postergada por el patrocinio oficial del hindi, sus más íntimas fibras se remueven, sus ilusiones agostadas reverdecen y nace en él una luminosa fantasía que le hace sobreponerse a su poquedad. Sin embargo, esto no será más que el inicio de una tragicómica serie de desventuras que acabarán llevándolo a tomar ''En custodia'' la poesía y la propia existencia del poeta, tarea en la cual se esbozará una suerte de redención a su mísera existencia. Anita Desai traza en esta inolvidable novela una profunda y sutil reflexión sobre la inestabilidad y complejidad de las relaciones humanas, siempre prisioneras entre la fantasía y la realidad, la nostalgia y el espejismo, el presente perentorio y el inexorable paso del tiempo.

" On aurait dit que leurs mères avaient soigné toutes ces jeunes filles comme des fleurs en pot jusqu''au moment où leurs joues seraient assez pleines, leurs lèvres assez brillantes; petits rires et chuchotements aboutissaient à cette grande décision : le mariage. " Mais il s''agit presque toujours d''une union arrangée où l''amour ne joue aucun rôle. Possessive, autoritaire, étouffante, la famille indienne se révèle être ici un univers de violence, de cruauté et d''angoisse. Ravissante et intelligente, Anamika doit accepter le mari qu''on lui impose et qui sera son bourreau. Uma, laide, sotte et donc impossible à marier, est condamnée à devenir la vieille fille au service de tous. Quant à Arun, le fils, le préféré, celui à qui tout est dû, il se heurtera, aux ÉtatsUnis où il croyait pouvoir respirer un air de liberté, à d''autres contraintes... Dur, lourd de sensualité inexprimée, Le jeûne et le festin est peut-être le plus beau livre d''Anita Desai.

Tout était préparé pour l''exode de l''été : les malles faites, la maison marchant au ralenti, quasi fermée, prête à être abandonnée durant les trois mois de chaleur desséchante, de poussière envahissante, tandis que ses propriétaires se replieraient dans leur retraite à la montagne... C''est alors qu''arriva une carte postale, une de ces cartes ordinaires de couleur sépia qu''utilisait encore Raja, en raison peut-être de son âge. Les mains de Sarla se mirent à trembler : des nouvelles de Raja... Il était en Inde. Il serait à Delhi la semaine prochaine, il comptait bien l''y trouver... Mais cette visite tant attendue d''un ami d''autrefois qui vient à l''improviste s''inviter chez un couple de paisibles retraités va en réalité bouleverser leur vie de fond en comble. Dans une autre des neuf nouvelles qui composent ce recueil, un jeune Indien installé au Canada révèle à sa femme qu''il a eu non pas une mais deux mères pour l''élever... En Inde, à nouveau, une famille partie en vacances en direction de l''Himalaya va, à la faveur d''un immense embouteillage, faire de curieuses découvertes... Peu de choses, certes... Mais de sa voix calme et douce, Anita Desai sait dire l''essentiel, qui est souvent cruel. Sous une surface en apparence lisse, elle nous fait entrevoir de redoutables coins de pénombre.