Best Selling Books by Aimee Bender

"Contemporary fairy tales, cushioned by goofy humor and a deep tenderness for her characters, that aren''t always as dark or as sinister as they initially appear." --The New York Times Book Review Aimee Bender’s Willful Creatures conjures a fantastical world in which authentic love blooms. This is a place where a boy with keys for fingers is a hero, a woman’s children are potatoes, and a little boy with an iron for a head is born to a family of pumpkin heads. With her singular mix of surrealism, musical prose, and keenly felt emotion, Bender once again proves herself to be a masterful chronicler of the human condition.

"A collection of wistful, witty stories." --Esquire "Hilarious, deep and a little bit dirty." --Harper''s Bazaar A grief-stricken librarian decides to have sex with every man who enters her library. A half-mad, unbearably beautiful heiress follows a strange man home, seeking total sexual abandon: He only wants to watch game shows. A woman falls in love with a hunchback; when his deformity turns out to be a prosthesis, she leaves him. A wife whose husband has just returned from the war struggles with the heartrending question: Can she still love a man who has no lips? Aimee Bender''s stories portray a world twisted on its axis, a place of unconvention that resembles nothing so much as real life, in all its grotesque, beautiful glory. From the first line of each tale she lets us know she is telling a story, but the moral is never quite what we expect. Bender''s prose is glorious: musical and colloquial, inimitable and heartrending. Here are stories of men and women whose lives are shaped--and sometimes twisted--by the power of extraordinary desires, erotic and otherwise. The Girl in the Flammable Skirt is the debut of a major American writer. A 1998 New York Times Notable Book of the Year. Selected by the Los Angeles Times as one of the best works of fiction of 1998.

Aimee Bender’s stunning debut collection, The Girl in the Flammable Skirt, proved her to be one of the freshest voices in American fiction. Now, in her first novel, she builds on that early promise. Mona Gray was ten when her father contracted a mysterious illness and she became a quitter, abandoning each of her talents just as pleasure became intense. The only thing she can’t stop doing is math: She knocks on wood, adds her steps, and multiplies people in the park against one another. When Mona begins teaching math to second-graders, she finds a ready audience. But the difficult and wonderful facts of life keep intruding. She finds herself drawn to the new science teacher, who has an unnerving way of seeing through her intricately built façade. Bender brilliantly directs her characters, giving them unexpected emotional depth and setting them in a calamitous world, both fancifully surreal and startlingly familiar. BONUS MATERIAL: This edition includes an excerpt from Aimee Bender''s The Color Master.

The bestselling author of The Particular Sadness of Lemon Cake returns with a wondrous collection of dreamy, strange, and magical stories. Truly beloved by readers and critics alike, Aimee Bender has become known as something of an enchantress whose lush prose is “moving, fanciful, and gorgeously strange” (People), “richly imagined and bittersweet” (Vanity Fair), and “full of provocative ideas” (The Boston Globe). In her deft hands, “relationships and mundane activities take on mythic qualities” (The Wall Street Journal). In this collection, Bender’s unique talents sparkle brilliantly in stories about people searching for connection through love, sex, and family—while navigating the often painful realities of their lives. A traumatic event unfolds when a girl with flowing hair of golden wheat appears in an apple orchard, where a group of people await her. A woman plays out a prostitution fantasy with her husband and finds she cannot go back to her old sex life. An ugly woman marries an ogre and struggles to decide if she should stay with him after he mistakenly eats their children. Two sisters travel deep into Malaysia, where one learns the art of mending tigers who have been ripped to shreds. In these deeply resonant stories—evocative, funny, beautiful, and sad—we see ourselves reflected as if in a funhouse mirror. Aimee Bender has once again proven herself to be among the most imaginative, exciting, and intelligent writers of our time.

On the eve of her ninth birthday, unassuming Rose Edelstein bites into her mother''s homemade lemon-chocolate cake and discovers she has a magical gift: she can taste her mother’s emotions in the slice. To her horror, she finds that her cheerful mother tastes of despair. Soon, she’s privy to the secret knowledge that most families keep hidden: her father’s detachment, her mother’s transgression, her brother’s increasing retreat from the world. But there are some family secrets that even her cursed taste buds can’t discern.

A chilling noir collection featuring fifteen crime and mystery tales and six poems from female authors. Joyce Carol Oates, a queen-pin of the noir genre, has brought her keen and discerning eye to the curation of an outstanding anthology of brand-new top-shelf short stories (and poems by Margaret Atwood!). While bad men are not always the victims in these tales, they get their due often enough to satisfy readers who are sick and tired of the gendered status quo, or who just want to have a little bit of fun at the expense of a crumbling patriarchal society. This stylistically diverse collection will make you squirm in your seat, stay up at night, laugh out loud, and inevitably wish for more. With stories by: Joyce Carol Oates, Margaret Atwood (poems), Valerie Martin, Aimee Bender, Edwidge Danticat, Sheila Kohler, S.A. Solomon, S.J. Rozan, Lucy Taylor, Cassandra Khaw, Bernice L. McFadden, Jennifer Morales, Elizabeth McCracken, Livia Llewellyn, Lisa Lim, and Steph Cha. Praise for Cutting Edge “The indefatigable Joyce Carol Oates gathers a strong list of names . . . . Emerging and established authors provide attention-grabbing short works: especially notable are Edwidge Danticat''s story on the quotidian horror of domestic violence, Bernice L. McFadden’s comic take on the appropriation of racial friendship, and Lisa Lim’s illustrations of a grotesque marriage.” —Alfred Hitchcock Mystery Magazine “But of course, in the end, it isn''t the themes or the innovations on the format of the short story anthology that make the tales collected in Cutting Edge most “feel” as if you were reading Joyce Carol Oates herself. It is the writing. The tight plots and fresh, flowing prose that go about their business until—snap!—the story’s well-oiled mousetrap does its job.” —New York Journal of Books “The 15 stories and six poems in this slim yet weighty all-original noir anthology . . . are razor-sharp and relentless in their portrayal of life, offering snapshots of dysfunction, everyday toil, and brief joy. It is unusual, however, in its scope, zeroing in not only on what the female characters endure but what they dish out . . . . Each story sears but does not cauterize, leaving protagonists and readers raw . . . . Fans of contemporary crime fiction won’t want to miss this one.” —Publishers Weekly

A Vintage Shorts “Short Story Month” Selection The old man and the old woman always dreamed the same dreams. Everyone in Celia’s town knows the couple, married sixty years, with wrinkled skin down to their wrists—but one summer, while Celia takes care of her father, refusing to join her mother on the next leg of their concentration camp museum tour, the old man and the old woman start prophesying, and the town is forever changed. “Dreaming in Polish” invites the reader to look at the world through Aimee Bender’s unique funhouse vision, a world twisted on its axis yet as gloriously tangible as real life. A selection from her debut collection The Girl in the Flammable Skirt, hailed by the New York Times and Los Angeles Times as one of the best books of the year. An eBook short.

What would you write if no one knew who you were? In the spirit of the demolition derby, where drivers take heedless risks with reckless abandon, welcome to the first convocation of the Secret Society of Demolition Writers. Here is a one-of-a-kind collection by famous authors writing anonymously–and dangerously. With the usual concerns about reputations and renown cast aside, these twelve daredevils have each contributed an extreme, no-holds-barred unsigned story, each shining as brightly and urgently as hazard lights. Unconventional and unapologetic, this publishing equivalent of a whodunit features an eclectic group of fictional characters, including a delusional schizophrenic narrator, an egg donor with second thoughts about her decision, a pharmacist who forms a weird crush on a woman who beat both of her parents to death, and a little girl who understands that an old safe is the threshold to another, ghostly, world. Equally diverse and surprising are the authors themselves: Aimee Bender, Benjamin Cheever, Michael Connelly, Sebastian Junger, Elizabeth McCracken, Rosie O’Donnell, Chris Offutt, Anna Quindlen, John Burnham Schwartz, Alice Sebold, Lauren Slater, and Marc Parent, the editor of the collection. Never before has such a wide-ranging and talented group of authors been assembled to such explosive and entertaining effect. The Secret Society of Demolition Writers is an intriguing puzzle in itself, but it’s also an important addition to the careers of some of our finest storytellers–even if we never really know who wrote what. Its boundary-smashing fiction offers exhilarating proof that for an artist, withholding your identity can mean gaining your freedom.

In our third anthology, Aimee Bender introduces us to a young woman unable to summon the desire to sleep with her husband without payment in cash, Matt Sumell''s protagonist feels capable of anything but can save no one, Rick Moody charts the rise an fall of a romance via Twitter, Patrick deWitt presents a bleak, funny tale of two movers who are going nowhere, and Jenny Offill chronicles the awkward vigil of a man caring for his terminally ill ex-wife.

Following in the footsteps of the late great Lester Bangs -- the most revered and irreverent of rock ''n'' roll critics -- twenty-four celebrated writers have penned stories inspired by great songs. Just as Bangs cast new light on a Rod Stewart classic with his story "Maggie May," about a wholly unexpected connection between an impressionable young man and an aging, alcoholic hooker, the diverse, electrifying stories here use songs as a springboard for a form dubbed the lit riff. Alongside Bangs''s classic work, you''ll find stories by J.T. LeRoy, who puts a recovering teenage drug abuser in a dentist''s chair with nothing but the Foo Fighters''s "Everlong" -- blaring through the P.A. -- to fight the pain; Jonathan Lethem, whose narrator looks back on his lost innocence just as an extramarital affair careens to an end -- this to the tune "Speeding Motorcycle" as recorded by Yo La Tengo; and Jennifer Belle, who envisions a prequel to Paul Simon''s "Graceland" -- one that takes place at a children''s birthday party replete with a real live kangaroo. With original contributions from Tom Perrotta, Nelson George, Amanda Davis, Lisa Tucker, Aimee Bender, Darin Strauss, and many more -- riffing on everyone from Tom Waits and Bruce Springsteen to the White Stripes, Cat Power, and Bob Marley -- this is both an astounding collection of short stories and an extraordinary experiment in words and music. Soundtrack available from Saturation Acres Music & Recording Co.

The first novel in ten years from the author of the beloved New York Times bestseller The Particular Sadness Of Lemon Cake, a luminous, poignant tale of a mother, a daughter, mental illness, and the fluctuating barrier between the mind and the world On the night her single mother is taken to a mental hospital after a psychotic episode, eight year-old Francie is staying with her babysitter, waiting to take the train to Los Angeles to go live with her aunt and uncle. There is a lovely lamp next to the couch on which she''s sleeping, the shade adorned with butterflies. When she wakes, Francie spies a dead butterfly, exactly matching the ones on the lamp, floating in a glass of water. She drinks it before the babysitter can see. Twenty years later, Francie is compelled to make sense of that moment, and two other incidents -- her discovery of a desiccated beetle from a school paper, and a bouquet of dried roses from some curtains. Her recall is exact -- she is sure these things happened. But despite her certainty, she wrestles with the hold these memories maintain over her, and what they say about her own place in the world. As Francie conjures her past and reduces her engagement with the world to a bare minimum, she begins to question her relationship to reality. The scenes set in Francie''s past glow with the intensity of childhood perception, how physical objects can take on an otherworldly power. The question for Francie is, What do these events signify? And does this power survive childhood? Told in the lush, lilting prose that led the San Francisco Chronicle to say Aimee Bender is "a writer who makes you grateful for the very existence of language," The Butterfly Lampshade is a heartfelt and heartbreaking examination of the sometimes overwhelming power of the material world, and a broken love between mother and child.

Contains poetry, fiction, and essays that either address the abiding influence of fairy tales on contemporary literature and culture, or are themselves contemporary fairy tales in prose or verse.

La historia de una niña, que descubre las emociones ajenas en el sabor de los platos que come. Rose Edelstein está a punto de cumplir nueve años, y prueba a escondidas un pedazo de pastel que su madre ha cocinado para ella. Ella espera disfrutar del sabor del limón mezclado con el azúcar, pero de repente su boca se llena de soledad y tristeza. Sin que nadie sepa cómo ni por qué, la niña descubre que puede adivinar los sentimientos de quien cocina, y desde entonces comer será su arma secreta para conocer mejor a los demás. No solo los platos más sofisticados, sino unas simples patatas fritas o unas tostadas con mantequilla tienen historias que contar, y ahí está Rose, intentando acercarse al dolor de los demás y aprender a vivir. Intrigada y a menudo asustada, la niña descubre el lado oscuro de su propia familia: ese hogar en apariencia feliz se derrumba bajo el peso de la ansiedad de su madre, la indolencia de su padre y las extravagancias de un hermano que intenta huir de la rutina negando la realidad. Los años pasan, y por fin esa chiquilla que ya es mujer encontrará el buen sabor de la vida. ¿Cómo? Para saberlo, habrá que disfrutar de esta hermosa fábula que Aimee Bender ha cocinado con talento e imaginación. Reseña: «Extraordinaria... Una excelente muestra de cómo mezclar la buena cocina y la buena literatura.» Time Out New York

Bir gün, mutsuzluğu, acıları ve arzuları, en derindeki sırları görme yeteneğin olduğunu keşfetseydin... Bir gün, sana gülümseyen yüzlerin ardını görüp sana en yakın kişinin yüreğinde kilitlediği kapıları aralasaydın, ne yapardın?.. Büyümenin eşiğindeki Rose için hayat, bir sabah geri dönülmezcesine değişir. Zira annesinin yaptığı limonlu pastadan aldığı bir lokmayla, sadece yemeği değil, onu pişiren kişinin duygularını da tatmakta olduğunu anlar... Olağanüstü yeteneği, aynı zamanda derin bir kaygı ve hüznü de beraberinde getirir; çünkü her zaman neşeli, güler yüzlü ve sevecen biri olarak bildiği annesi, kalbinde sarsıcı bir gerçek saklamakta, ailesinden ayrı ikinci bir hayat yaşamaktadır... Çok geçmeden babası ve ağabeyinin de çok özel yetenekleri olduğunu anlar. Her üçü için de bu yetenek, kimi zaman bir mucizeye kimi zaman da yakalarını kurtaramadıkları bir illete dönüşecektir. Hemen her ailenin üstünü örttüğü gerçekleri, duyarlı ve yetenekli bir genç kızın büyüme öyküsü eşliğinde anlatan acı, tatlı ama her sayfası büyülü bir şehir masalı... "Kitap o kadar güzel ki, tadını daha iyi alabilmek için bitirir bitirmez tekrar okumaya başladım." Jodi Picoult

Alla vigilia del suo nono compleanno, la timida Rose Edelstein scopre improvvisamente di avere uno strano dono: ogni volta che mangia qualcosa, il sapore che sente è quello delle emozioni provate da chi l''ha preparato, mentre lo preparava. I dolci della pasticceria dietro casa hanno un retrogusto di rabbia, il cibo della mensa scolastica sa di noia e frustrazione; ma il peggio è che le torte preparate da sua madre, una donna allegra ed energica, acquistano prima un terrificante sapore di angoscia e disperazione, e poi di senso di colpa. Rose si troverà così costretta a confrontarsi con la vita segreta della sua famiglia apparentemente normale, e con il passare degli anni scoprirà che anche il padre e il fratello – e forse, in fondo, ciascuno di noi – hanno doni misteriosi con cui affrontare il mondo. Mescolando il realismo psicologico e la fiaba, la scrittura sensuale di Aimee Bender torna a regalarci una storia appassionante sulle sfide che ogni giorno ci pone il rapporto con le persone che amiamo.

Le jour de ses neuf ans, Rose Edelstein mord avec délice dans le gâteau au citron préparé pour l''occasion. S''ensuit une incroyable révélation : elle ressent précisément l''émotion éprouvée par sa mère, alors qu''elle assemblait les couches de génoise et de crème. Sous la douceur la plus exquise, Rose perçoit le désespoir. Ce bouleversement va entraîner la petite fille dans une enquête sur sa famille. Car, chez les Edelstein, tous disposent d''un pouvoir embarrassant : odorat surpuissant ou capacité de se fondre dans le décor au point de disparaître. Pour ces superhéros du quotidien, ce don est un fardeau. Chacun pense être affligé d''un mal unique, d''un pouvoir qu''il faut passer sous silence. Comment vivre lorsque les petits arrangements avec la vérité sont impossibles ? Comment supporter le monde lorsque la moindre bouchée provoque un séisme intérieur ? Comme le singulier gâteau de Rose, les livres d''Aimee Bender sont recouverts d''un succulent glaçage, fait d''humour et de fantaisie. Dans ce texte plein de charme, proche des films de Wes Anderson, elle met l''imagination au pouvoir et prouve qu''elle est l''un des auteurs les plus originaux du paysage littéraire américain. Aimee Bender vit à Los Angeles. Après un roman (L''Ombre de moi-même) et deux recueils de nouvelles (La Fille en jupe inflammable et Des créatures obstinées) publiés aux Éditions de l''Olivier, elle a connu un grand succès aux États-Unis avec La Singulière Tristesse du gâteau au citron.

La nit abans de fer nou anys, la Rose tasta un tros del pastís de llimona que ha preparat la seva mare. Sorpresa, no aconsegueix trobar-hi el gust del seu pastís preferit i, en canvi, hi descobreix els sentiments de la mare: frustració i solitud, una tristesa fonda. A partir d''aquí, menjar esdevé una tortura per a la Rose, que a cada mossegada descobreix les intimitats de la gent que l''envolta i s''adona que la seva família no és tan feliç com semblava. Disposada a resoldre la seva vida, després de cuinar per primera vegada i sentir el buit de la seva pròpia existència, la Rose decideix fer de la seva peculiaritat un instrument de plaer. Delicada, tendra i molt original, La peculiar tristesa del pastís de llimona és una novel·la emotiva, deliciosa, extravagant i molt enginyosa.

Il libro di esordio di Aimee Bender, autrice del bestseller L''inconfondibile tristezza della torta al limone, è una raccolta che usa la dimensione surreale e fantastica, a volte fiabesca, per raccontare in maniera originale l''amore, il tradimento, il desiderio sessuale, le dinamiche familiari, l''amicizia. Dietro un uomo che torna dalla guerra senza labbra, una donna che partorisce misteriosamente la propria madre, un folletto che si innamora di una sirena nei corridoi di un liceo americano – dietro l''ereditiera o la bibliotecaria che cercano di esorcizzare il dolore con il sesso, dietro il delinquente ossessionato dalla propria bruttezza – c''è in fondo ognuno di noi, con la sua solitudine, le sue paure e le sue infinite possibilità di redenzione. Figlia del postmoderno di Calvino e del minimalismo di Carver, la scrittura leggera ma mai banale della Bender è una forma di «realismo magico» dallo straordinario impatto emotivo.

Mona Gray, vent''anni, è innamorata dei numeri fino all''ossessione: l''ordine e la precisione dell''aritmetica le servono a difendersi dall''instabilità del mondo. Da quando il padre ha contratto una misteriosa malattia, infatti, Mona ha bloccato ogni propria aspirazione, ha paura di innamorarsi e si rifugia in una serie di piccoli gesti e oggetti scaramantici. Ma quando viene assunta come insegnante di matematica alle elementari, la sua vita - grazie a un''allieva fuori dal comune e aun collega capace di far breccia nella sua timidezza - comincia a cambiare irreversibilmente. Tenero, spassoso, commovente, acclamato dal Los Angeles Times come uno dei libri dell''anno, questo romanzo ha lanciato Aimee Bender come una delle migliori voci nella nuova narrativa americana.

La notte in cui sua madre viene portata in un ospedale psichiatrico dopo un accesso di follia, Francie ha solo otto anni e rimane sola con la sua babysitter aspettando di poter prendere, la mattina dopo, il treno che la porterà a Los Angeles a vivere con gli zii. Accanto al divano sul quale dorme c''è una lampada con un paralume decorato di farfalle. Al risveglio, Francie vede una farfalla morta, identica a quelle sul paralume, che galleggia dentro un bicchiere d''acqua. Senza farsi vedere dalla babysitter, la deglutisce. Vent''anni dopo Francie si trova costretta a fare i conti con quel momento, immergendosi nel passato e ripescando nella memoria altri due incidenti, molto simili: la scoperta, in un quaderno di scuola, dello scheletro essiccato di uno scarafaggio, e la presenza di un bouquet di rose che riproduce il motivo floreale delle tende di casa. Mentre il mondo intorno a lei sembra quasi perdere di consistenza, i ricordi si fanno sempre più luminosi, e gli insetti e i fiori sembrano aprire lo sguardo verso una terza dimensione. Comincia una dolce battaglia, nella quale salvare e proteggere la farfalla, lo scarafaggio, le rose è forse l''unico modo possibile per ritrovare l''amore di una madre adorabile e folle, e poter ricominciare, una volta per tutte, a vivere. A dieci anni dal suo ultimo romanzo, Aimee Bender torna a esplorare, con una lingua unica per eleganza e limpidezza, un mondo nel quale gli oggetti più banali e quotidiani si trasformano in finestre verso un''altra dimensione e in amuleti di salvezza. E rinnova la dolce magia che ha fatto dell''Inconfondibile tristezza della torta al limone un libro di culto.

Con la sua originale miscela di surrealismo, prosa musicale e potenza emotiva, Aimee Bender è diventata una delle scrittrici di culto della nuova scena letteraria americana. I quindici racconti di questa raccolta sono incroci originalissimi tra la realtà e la fiaba: vi compaiono omini in miniatura tenuti in gabbia come animali da compagnia, piccole patate ambulanti, coppie con la testa a forma di zucca e sculture fatte d''aria e d''acqua in vendita nel bel mezzo del deserto del Nevada; ma anche l''inevitabilità della morte, la crudeltà delle adolescenti, le dinamiche irresistibili del desiderio, la solitudine e il conforto dell''amore, la voglia di sfidare il proprio destino. Nella scrittura della Bender, che unisce la sensibilità visionaria alla Tim Burton a uno stile cristallino degno di Raymond Carver, il genere fantastico diventa un mezzo per dipingere con acutezza ed empatia la realtà della condizione umana.

La scrittura di Aimee Bender è da sempre un inconfondibile mix di realismo e fantasia; in questa nuova raccolta di racconti la sua voce, carica di sensualità e magia, continua a ridisegnare il mondo in maniera originale, senza concessioni al sentimentalismo e ai cliché della narrativa «femminile». Alcune storie sono ambientate al giorno d''oggi, fra teenager al centro commerciale o studentesse in un campus universitario; in altre fa capolino l''elemento surreale (un ragazzino che soffre di «analfabetismo facciale», cioè non riesce a distinguere il viso delle persone e la loro espressione; un vecchietto inoffensivo che è convinto di essere un criminale nazista); altre ancora sono incantevoli esempi di «realismo magico» (una sarta viene rapita e condotta in un paese dell''Asia dove dovrà rammendare le tigri a cui si stanno strappando via le strisce) o rivisitazioni di fiabe classiche. Fin dal 1999 il New Yorker aveva segnalato Aimee Bender come uno dei «venti scrittori per il 21° secolo»; La maestra dei colori, accolta da elogi unanimi da parte della critica statunitense e inserita dal New York Times nella lista dei libri più importanti dell''anno, non fa che riconfermarne il talento.

Un executiu entra en una botiga d''nimals i es compra una gàbia amb un home petit a dins; un nen neix amb claus en lloc de dits i descobreix que obren portes; una dona lluita contra set patates que se li fiquen a casa com orfes que busquessin mare... Els relats d''Aimee Bender són contes de fades moderns. La fantasia hi campa per connectar-nos directament amb el nivell profund dels nostres comportaments, més enllà de la psicologia.

The literary magazine people are talking about

Francie a huit ans quand la dépression de sa mère, Elaine, vient bouleverser à jamais son existence. Recueillie par son oncle et sa tante, Francie grandit entourée d’affection auprès de sa cousine Vicky. Malgré tout, elle vit une jeunesse singulière, détachée du réel, habitée par la peur de la folie. Mère et fille tracent dès lors leur chemin : l’une survit, l’autre se construit en s’efforçant de « ralentir le monde » et de sonder ses souvenirs d’enfance. Mais comme toujours dans les romans d’Aimee Bender, la fantaisie règne : un insecte décorant un abat-jour prend vie puis s’échappe, une fleur brodée sur un rideau tombe au sol, bien palpable… L’imaginaire devient le lieu le plus propice à la découverte de vérités profondes. Un papillon, un scarabée, une rose est avant tout le récit d’une transformation : du chaos au pardon, de l’incompréhension à la résilience. Traduit de l’anglais (États-Unis) par Céline Leroy

La revista Luvina y la Editorial de la Universidad de Guadalajara reúnen estos cien Cuentos de Asia, Europa y América para celebrar el número 100 de Luvina y sus veinticinco años ininterrumpidos de publicación. Son textos representativos de la literatura universal contemporánea que Luvina ha publicado, especialmente en los números dedicados al país invitado de honor de la Feria Internacional del Libro de Guadalajara. Es una muestra formada por distintas literaturas, en el afán de nombrar nuevos y originales mundos, en una dimensión habitada en su totalidad por la lengua. Cada uno de los cuentos permite internarse en la singularidad humana al mismo tiempo que en los entramados de los relatos, cuya belleza encierra vitalidad y resignificación de lo real gracias al encuentro de la creatividad y la imaginación del autor, la obra y el lector.

An einem strahlenden Frühlingstag kurz vor ihrem neunten Geburtstag beißt Rose Edelstein in ein Stück Zitronenkuchen, den ihre Mutter für sie gebacken hat. Und muss feststellen, dass zwischen den frischen Zitronen, dem Zucker und der Butter, nun ja, eindeutig ein Hauch Traurigkeit liegt. Nicht besser ergeht es Rose mit dem Hühnchen und den grünen Bohnen, die die Mutter zum Abendessen reicht - und von nun an mit allen Gerichten. Der Marmeladentoast ihres Bruders Joseph schmeckt seltsam abwesend, das Roastbeef ihres Vaters nach Schuldgefühlen, ein Sandwich nach großer Verliebtheit: Jeder Bissen offenbart mehr, als Rose lieb ist - und erst im Laufe der Jahre lernt sie, mit ihrer Gabe umzugehen, bis diese sie in ein französisches Bistro führt.

"Pour cette fête, je me suis fixé un objectif : embrasser trois hommes ; un brun, un roux, un blond. Pas nécessairement dans cet ordre ", écrit Aimee Bender. Mais aussi : "Dix hommes se rendent chez dix médecins. Tous les médecins disent à tous les hommes qu''il ne leur reste que deux semaines à vivre." Et encore : "La tête de leur troisième bébé était en forme de fer à repasser. C''était un modèle argenté avec une poignée en plastique. Quand il pleuvait, de la vapeur s''échappait de ses épaules." Ou tout simplement : "Ce garçon était né avec des doigts en forme de clé." Baroques, sexy, inquiétants, ces quinze contes cruels montrent que la jeune littérature américaine sait aussi cultiver la fantaisie. Fille spirituelle d''Italo Calvino et de Tim Burton, Aimee Bender nous dépayse en quelques phrases.

Existe um noir feminino? Foi a partir desta pergunta que a consagrada autora Joyce Carol Oates idealizou uma jornada literária pela paisagem sombria do noir, convocando 15 vozes poderosas em busca de uma resposta. O resultado é Damas Noir, uma coletânea de narrativas viscerais que reúne, além de contos, poemas de Margaret Atwood e uma história ilustrada de Lisa Lim. Cada uma das autoras traz seu próprio ponto de vista sobre o gênero, mas o noir feminino revela algo em comum: ele surge cruel, assustador, eletrizante e sanguinolento. Em Damas Noir, as engrenagens da ficção de crime deixam de girar em torno do eixo patriarcal, que com frequência reduz personagens femininas ao papel de vítimas ou mulheres fatais e as relega à margem de uma existência circunscrita ao domínio masculino. Dividido em três partes, Damas Noir nos convida a perscrutar universos intrigantes: Seus Corpos, Nossos Eus; Um Infortúnio Todo Seu e, por fim, Homicídio. Ao investigarem novas ideias sobre o noir, as autoras descentralizam as figuras masculinas e abrem espaço para que outras vozes, outros olhares e outros corpos também possam ser representados. Publicado pela marca Crime Scene Fiction, que traz o melhor do true crime na ficção, Damas Noir é uma coletânea para todos os interessados nas vozes mais inspiradas e inovadoras da ficção de crime. Mais do que um livro no qual mulheres fortes e corajosas viram o jogo e recriam as regras, ele é uma celebração dos caminhos da autonomia feminina.