New Releases by john updike

When, in 1989, a collection of John Updike’s writings on art appeared under the title Just Looking, a reviewer in the San Francisco Chronicle commented, “He refreshes for us the sense of prose opportunity that makes art a sustaining subject to people who write about it.” In the sixteen years since Just Looking was published, he has continued to serve as an art critic, mostly for The New York Review of Books, and from fifty or so articles has selected, for this richly illustrated book, eighteen that deal with American art. After beginning with early American portraits, landscapes, and the transatlantic career of John Singleton Copley, Still Looking then considers the curious case of Martin Johnson Heade and extols two late-nineteenth-century masters, Winslow Homer and Thomas Eakins. Next, it discusses the eccentric pre-moderns James McNeill Whistler and Albert Pinkham Ryder, the competing American Impressionists and Realists in the early twentieth century, and such now-historic avant-garde figures as Alfred Stieglitz, Marsden Hartley, Arthur Dove, and Elie Nadelman. Two appreciations of Edward Hopper and appraisals of Jackson Pollock and Andy Warhol round out the volume. America speaks through its artists. As Updike states in his introduction, “The dots can be connected from Copley to Pollock: the same tense engagement with materials, the same demand for a morality of representation, can be discerned in both.” On Just Looking “Some of these essays are marvelous examples of critical explanation, in which the psychological concerns of the novelist drive the eye from work to work in an exhibition until a deep understanding of the art emerges.” —Arthur Danto, The New York Times Book Review “These are remarkably elegant little essays, dense in thought and perception but offhandedly casual in style. Their brevity makes more acute the sense of regret one feels to see them end.” —Jeremy Strick, Newsday

The third and fourth novel in John Updike’s acclaimed quartet of Rabbit books–now in one marvelous volume. RABBIT IS RICH Winner of the American Book Award and the National Book Critics Circle Award “Dazzlingly reaffirms Updike’s place as master chronicler of the spiritual maladies and very earthly pleasure of the Middle-American male.” –Vogue “A splendid achievement!” –The New York Times RABBIT AT REST Winner of the Pulitzer Prize and the National Book Critics Circle Award “Brilliant . . . It must be read. It is the best novel about America to come out of America for a very, very long time.” –The Washington Post Book World “Powerful . . . John Updike with his precision’s prose and his intimately attentive yet cold eye is a master.” –The New York Times Book Review

"The first and second novels in John Updike''s acclaimed quartet of Rabbit books-now in one marvelous volume. " RABBIT, RUN "Brilliant and poignant . . . By his compassion, clarity of insight, and crystal-bright prose, [Updike] makes Rabbit''s sorrow his and out own." -"The Washington Post ""Precise, graceful, stunning, he is an athlete of words and images. He is also an impeccable observer of thoughts and feelings." -"The Village Voice " RABBIT REDUX " ''Great in love, in art, boldness, freedom, wisdom, kindness, exceedingly rich in intelligence, wit, imagination, and feeling-a great and beautiful thing . . .'' these hyperboles (quoted from a letter written long ago by Thomas Mann) come to mind after reading John Updike''s "Rabbit Redux." -The New York Times Book Review" " ""Updike owns a rare verbal genius, a gifted intelligence and a sense of tragedy made bearable by wit. . . . A masterpiece." -"Time"

Gertrude and Claudius are the “villains” of Hamlet: he the killer of Hamlet’s father and usurper of the Danish throne, she his lusty consort, who marries Claudius before her late husband’s body is cold. But in this imaginative “prequel” to the play, John Updike makes a case for the royal couple that Shakespeare only hinted at. Gertrude and Claudius are seen afresh against a background of fond intentions and family dysfunction, on a stage darkened by the ominous shadow of a sullen, erratic, disaffected prince. “I hoped to keep the texture light,” Updike said of this novel, “to move from the mists of Scandinavian legend into the daylight atmosphere of the Globe. I sought to narrate the romance that preceded the tragedy.”

Including one new story and an Index by author of every story that has ever appeared in the series, this new volume offers a "spectacular tapestry of fictional achievement" ("Entertainment Weekly").

The Jewish American novelist Henry Bech—procrastinating, libidinous, and tart-tongued, his reputation growing while his powers decline—made his first appearance in 1965, in John Updike’s “The Bulgarian Poetess.” That story won the O. Henry First Prize, and it and the six Bech adventures that followed make up this collection. “Bech is the writer in me,” Updike once said, “creaking but lusty, battered but undiscourageable, fed on the blood of ink and the bread of white paper.” As he trots the globe, promotes himself, and lurches from one woman’s bed to another’s, Bech views life with a blend of wonder and cynicism that will make followers of the lit-biz smile with delight and wince in recognition.

John Updike wrote about the lure of golf for five decades, from the first time he teed off at the age of twenty-five until his final rounds at the age of seventy-six. Golf Dreams collects the most memorable of his golf pieces, high-spirited evidence of his learning, playing, and living for the game. The camaraderie of golf, the perils of its present boom, how to relate to caddies, and how to manage short putts are among the topics he addresses, sometimes in lyrical essays, sometimes in light verse, sometimes in wickedly comic fiction. All thirty pieces have the lilt of a love song, and the crispness of a firm chip stiff to the pin.

“A lacerating story of loss and of seeking, written in prose that is charged with emotion but is always held under impeccable control.”—Kansas City Star Rabbit, Run is the book that established John Updike as one of the major American novelists of his—or any other—generation. Its hero is Harry “Rabbit” Angstrom, a onetime high-school basketball star who on an impulse deserts his wife and son. He is twenty-six years old, a man-child caught in a struggle between instinct and thought, self and society, sexual gratification and family duty—even, in a sense, human hard-heartedness and divine Grace. Though his flight from home traces a zigzag of evasion, he holds to the faith that he is on the right path, an invisible line toward his own salvation as straight as a ruler’s edge.

Set in turn-of-the-century New York, Edith Wharton''s classic novel The Age of Innocence reveals a society governed by the dictates of taste and form, manners and morals, and intricate social ceremonies. With amazing clarity and sensitivity, Edith Wharton re-creates an atmosphere in which subtle gestures and faint implications bespeak desire and emotion, in which beauty and innocence are valued above truth, and in which disturbing the social order disturbs the very foundations of one''s identity. Newland Archer, soon to marry the lovely May Welland, is a man torn between his respect for tradition and family and his attraction to May''s strongly independent cousin, the Countess Ellen Olenska. Plagued by the desire to live in a world where two people can love each other free from condemnation and judgment by the group, Newland views the artful delicacy of the world he lives in as a comforting security one moment, and at another, as an oppressive fiction masking true human nature. The Age of Innocence is at once a richly drawn portrait of the elegant lifestyles, luxurious brownstones, and fascinating culture of bygone New York society and a compelling look at the conflict between human passions and the social tribe that tries to control them.

A collection of twenty-two stories exploring life beyond middle age and finding it to have its own wonders, from omniscient golf caddies to prescient sexual rumours, from losing mothers to gaining grandchildren. It features a world where innocence persists, and fresh beginnings almost outnumber losses.

Collects thirty-two interviews with the writer between 1959 and 1993.

S. is Sarah Worth -- doctor''s wife, North Shore matron, loving mother, and now (suddenly!) ardent follower of a Hindu religious leader known as the Arhat. As this brilliant and very funny novel opens, Sarah is fleeing the confinement of her suburban life to become a sannyasin (pilgrim) at her guru''s Arizona ashram. In the letters and audiocassettes that Sarah sends to her husband, daughter, mother, brother, best friend -- to her psychiatrist and her hairdresser and her dentist -- master novelist John Updike gives us a witty comedy of manners, a biting satire of life on a religious commune, and the story -- deep and true -- of an American woman in search of herself. "From the Trade Paperback edition.

Stories that trace the decline and fall of a marriage, a history made up of the happiness of growing children and shared life, and the sadness of growing estrangement and the misunderstandings of love.

In this brilliant novel, John Updike has created one of his most memorable characters: the Reverend Tom Marshfield -- literate, charming, sexual -- whose outrageous behavior with the ladies of his flock scandalizes his parish.... "From the Trade Paperback edition."

A novel that charts the violent events in an imaginary African nation, as told by the colonel and leader of the country—from one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series. "What a rich, surprising, and often funny novel.”—The New York Times Book Review “A leader,” writes Colonel Hakim Félix Ellelloû, “is one who, out of madness or goodness, takes upon himself the woe of a people. There are few men so foolish.” Colonel Ellelloû has four wives, a silver Mercedes, and a fanatic aversion—cultural, ideological, and personal—to the United States. But the U.S. keeps creeping into the nation of Kush, and the repercussions of this incursion constitute the events of the novel. Colonel Ellelloû tells his own story—always elegantly, and often in the third person—from an undisclosed location in the South of France.

The John Updike Papers include a variety of materials reflecting his personal, literary and business life. Includes materials documenting his early life, correspondence, autograph manuscript compositions, speeches, interviews legal and business records, biographical materials, fan mail, video tapes, photographs and drawings, clippings on his life and subject and research files he compiled, and much more.