Best Selling Books by john updike

The first one-volume hardcover edition of the eleven autobiographical stories that were closest to Updike''s heart. With full-cloth binding and a silk ribbon marker. EVERYMAN''S POCKET CLASSICS. In an interview, Updike once said, "If I had to give anybody one book of me, it would be the Olinger Stories." These stories were originally published in The New Yorker and then in various collections before Vintage first put them together in one volume in 1964, as a paperback original. They follow the life of one character from the age of ten through manhood, in the small Pennsylvania town of Olinger (pronounced, according to Updike, with a long O and a hard G), which was loosely based on Updike''s own hometown. "All the stories draw from the same autobiographical well," Updike explained, "the only child, the small town, the grandparental home, the move in adolescence to a farm." The selection was made and arranged by Updike himself, and was prefaced by a lovely 1,400-word essay by the author that has never been reprinted in full elsewhere until now.

The provocative novel about sex in suburbia, striking in its complete sexual frankness and rightly praised as an artful, seductive, savagely graphic portrayal of love, marriage and adultery in America. "From the Paperback edition."

A stunning collection of poems that John Updike wrote during the last seven years of his life and put together only weeks before he died for this, his final book. The opening sequence, “Endpoint,” is made up of a series of connected poems written on the occasions of his recent birthdays and culminates in his confrontation with his final illness. He looks back on the boy that he was, on the family, the small town, the people, and the circumstances that fed his love of writing, and he finds endless delight and solace in “turning the oddities of life into words.” “Other Poems” range from the fanciful (what would it be like to be a stolen Rembrandt painting? he muses) to the celebratory, capturing the flux of life. A section of sonnets follows, some inspired by travels to distant lands, others celebrating the idiosyncrasies of nature in his own backyard. For John Updike, the writing of poetry was always a special joy, and this final collection is an eloquent and moving testament to the life of this extraordinary writer.

In this sequel to Rabbit, Run, John Updike resumes the spiritual quest of his anxious Everyman, Harry “Rabbit” Angstrom. Ten years have passed; the impulsive former athlete has become a paunchy thirty-six-year-old conservative, and Eisenhower’s becalmed America has become 1969’s lurid turmoil of technology, fantasy, drugs, and violence. Rabbit is abandoned by his family, his home invaded by a runaway and a radical, his past reduced to a ruined inner landscape; still he clings to semblances of decency and responsibility, and yearns to belong and to believe.

In this posthumous collection of John Updike’s art writings, a companion volume to the acclaimed Just Looking (1989) and Still Looking (2005), readers are again treated to “remarkably elegant essays” (Newsday) in which “the psychological concerns of the novelist drive the eye from work to work until a deep understanding of the art emerges” (The New York Times Book Review). Always Looking opens with “The Clarity of Things,” the Jefferson Lecture in the Humanities for 2008. Here, in looking closely at individual works by Copley, Homer, Eakins, Norman Rockwell, and others, the author teases out what is characteristically “American” in American art. This talk is followed by fourteen essays, most of them written for The New York Review of Books, on certain highlights in Western art of the last two hundred years: the iconic portraits of Gilbert Stuart and the sublime landscapes of Frederic Edwin Church, the series paintings of Monet and the monotypes of Degas, the richly patterned canvases of Vuillard and the golden extravagances of Klimt, the cryptic triptychs of Beckmann, the personal graffiti of Miró, the verbal-visual puzzles of Magritte, and the monumental Pop of Oldenburg and Lichtenstein. The book ends with a consideration of recent works by a living American master, the steely sculptural environments of Richard Serra. John Updike was a gallery-goer of genius. Always Looking is, like everything else he wrote, an invitation to look, to see, to apprehend the visual world through the eyes of a connoisseur.

A collection both intimate and generous of the eloquent, insightful, beautifully written prose works that John Updike was compiling when he died in January 2009. This collection of miscellaneous prose opens with a self-portrait of the writer in winter, a Prospero who, though he fears his most dazzling performances are behind him, reveals himself in every sentence to be in deep conversation with the sources of his magic. It concludes with a moving meditation on a modern world robbed of imagination--a world without religion, without art--and on the difficulties of faith in a disbelieving age. In between are previously uncollected stories and poems, a pageant of scenes from seventeenth-century Massachusetts, five late "golf dreams," and several of Updike''s commentaries on his own work. At the heart of the book are his matchless reviews--of John Cheever, Ann Patchett, Toni Morrison, William Maxwell, John le Carré, and essays on Aimee Semple McPherson, Max Factor, and Albert Einstein, among others. Also included are two decades of art criticism--on Chardin, El Greco, Blake, Turner, Van Gogh, Max Ernest, and more. Updike''s criticism is gossip of the highest order, delivered in an intimate and generous voice.

“The idea of verse, of poetry, has always, during forty years spent working primarily in prose, stood at my elbow, as a standing invitation to the highest kind of verbal exercise—the most satisfying, the most archaic, the most elusive of critical control. In hotel rooms and airplanes, on beaches and Sundays, at junctures of personal happiness or its opposite, poetry has comforted me with its hope of permanence, its packaging of flux.” Thus John Updike writes in introducing his Collected Poems. The earliest poems here date from 1953, when Updike was twenty-one, and the last were written after he turned sixty. Almost all of those published in his five previous collections are included, with some revisions. Arranged in chronological order, the poems constitute, as he says, “the thread backside of my life’s fading tapestry.” An ample set of notes at the back of the book discusses some of the hidden threads, and expatiates upon a number of fine points. Nature—tenderly intricate, ruthlessly impervious—is a constant and ambiguous presence in these poems, along with the social observation one would expect in a novelist. No occasion is too modest or too daily to excite metaphysical wonder, or to provoke a lyrical ingenuity of language. Yet even the wittiest of the poems are rooted to the ground of experience and fact. “Seven Odes to Seven Natural Processes” attempt to explicate the physical world with a directness seldom attempted in poetry. Several longer poems—“Leaving Church Early,” “Midpoint”—use autobiography to proclaim the basic strangeness of existence.

A novel that charts the violent events in an imaginary African nation, as told by the colonel and leader of the country—from one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series. "What a rich, surprising, and often funny novel.”—The New York Times Book Review “A leader,” writes Colonel Hakim Félix Ellelloû, “is one who, out of madness or goodness, takes upon himself the woe of a people. There are few men so foolish.” Colonel Ellelloû has four wives, a silver Mercedes, and a fanatic aversion—cultural, ideological, and personal—to the United States. But the U.S. keeps creeping into the nation of Kush, and the repercussions of this incursion constitute the events of the novel. Colonel Ellelloû tells his own story—always elegantly, and often in the third person—from an undisclosed location in the South of France.

Eighteen classic short stories that form a luminous chronicle of the life and times of one marriage in all its rich emotional complexity—from one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series. In 1956, Updike published a story, “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement. Seventeen Maples stories were collected in 1979 in a paperback edition titled Too Far to Go, prompted by a television adaptation. Now those stories appear in hardcover for the first time, with the addition of a later story, “Grandparenting,” which returns us to the Maples’s lives long after their wrenching divorce.

S. is Sarah Worth -- doctor''s wife, North Shore matron, loving mother, and now (suddenly!) ardent follower of a Hindu religious leader known as the Arhat. As this brilliant and very funny novel opens, Sarah is fleeing the confinement of her suburban life to become a sannyasin (pilgrim) at her guru''s Arizona ashram. In the letters and audiocassettes that Sarah sends to her husband, daughter, mother, brother, best friend -- to her psychiatrist and her hairdresser and her dentist -- master novelist John Updike gives us a witty comedy of manners, a biting satire of life on a religious commune, and the story -- deep and true -- of an American woman in search of herself. "From the Trade Paperback edition.

When, in 1989, a collection of John Updike’s writings on art appeared under the title Just Looking, a reviewer in the San Francisco Chronicle commented, “He refreshes for us the sense of prose opportunity that makes art a sustaining subject to people who write about it.” In the sixteen years since Just Looking was published, he has continued to serve as an art critic, mostly for The New York Review of Books, and from fifty or so articles has selected, for this richly illustrated book, eighteen that deal with American art. After beginning with early American portraits, landscapes, and the transatlantic career of John Singleton Copley, Still Looking then considers the curious case of Martin Johnson Heade and extols two late-nineteenth-century masters, Winslow Homer and Thomas Eakins. Next, it discusses the eccentric pre-moderns James McNeill Whistler and Albert Pinkham Ryder, the competing American Impressionists and Realists in the early twentieth century, and such now-historic avant-garde figures as Alfred Stieglitz, Marsden Hartley, Arthur Dove, and Elie Nadelman. Two appreciations of Edward Hopper and appraisals of Jackson Pollock and Andy Warhol round out the volume. America speaks through its artists. As Updike states in his introduction, “The dots can be connected from Copley to Pollock: the same tense engagement with materials, the same demand for a morality of representation, can be discerned in both.” On Just Looking “Some of these essays are marvelous examples of critical explanation, in which the psychological concerns of the novelist drive the eye from work to work in an exhibition until a deep understanding of the art emerges.” —Arthur Danto, The New York Times Book Review “These are remarkably elegant little essays, dense in thought and perception but offhandedly casual in style. Their brevity makes more acute the sense of regret one feels to see them end.” —Jeremy Strick, Newsday

Set in turn-of-the-century New York, Edith Wharton''s classic novel The Age of Innocence reveals a society governed by the dictates of taste and form, manners and morals, and intricate social ceremonies. With amazing clarity and sensitivity, Edith Wharton re-creates an atmosphere in which subtle gestures and faint implications bespeak desire and emotion, in which beauty and innocence are valued above truth, and in which disturbing the social order disturbs the very foundations of one''s identity. Newland Archer, soon to marry the lovely May Welland, is a man torn between his respect for tradition and family and his attraction to May''s strongly independent cousin, the Countess Ellen Olenska. Plagued by the desire to live in a world where two people can love each other free from condemnation and judgment by the group, Newland views the artful delicacy of the world he lives in as a comforting security one moment, and at another, as an oppressive fiction masking true human nature. The Age of Innocence is at once a richly drawn portrait of the elegant lifestyles, luxurious brownstones, and fascinating culture of bygone New York society and a compelling look at the conflict between human passions and the social tribe that tries to control them.

In this brilliant novel, John Updike has created one of his most memorable characters: the Reverend Tom Marshfield -- literate, charming, sexual -- whose outrageous behavior with the ladies of his flock scandalizes his parish.... "From the Trade Paperback edition."

A collection of twenty-two stories exploring life beyond middle age and finding it to have its own wonders, from omniscient golf caddies to prescient sexual rumours, from losing mothers to gaining grandchildren. It features a world where innocence persists, and fresh beginnings almost outnumber losses.

In the dream-Brazil of John Updike’s imagining, almost anything is possible if you are young and in love. When Tristão Raposo, a black nineteen-year-old from the Rio slums, and Isabel Leme, an eighteen-year-old upper-class white girl, meet on Copacabana Beach, their flight from family and into marriage takes them to the farthest reaches of Brazil’s phantasmagoric western frontier. Privation, violence, captivity, and reversals of fortune afflict them, yet this latter-day Tristan and Iseult cling to the faith that each is the other’s fate for life. Spanning twenty-two years, from the sixties through the eighties, Brazil surprises with its celebration of passion, loyalty, romance, and New World innocence.

Stories that trace the decline and fall of a marriage, a history made up of the happiness of growing children and shared life, and the sadness of growing estrangement and the misunderstandings of love.

„Izgalmas, provokatív. Arra emlékeztet, hogy a történelem alól senki se szabadíthatja fel az embert.” — The New York Times A helyszín egy lerobbant gyárváros New Jerseyben. A tizennyolc éves Ahmad anyja ír-amerikai, egyiptomi apja pedig lelépett otthonról, amikor a fiú hároméves volt. Ahmad életének fontos része az odaadó imádat, amellyel istenéhez, Allahhoz fordul. Tizenegy évesen megtért, és középiskolásként úgy gondolja, a hedonista, anyagias társadalom, amelyet maga körül lát, fenyegeti a hitét. Az imámja hitét is gyengének, ingatagnak érzi, és apránként mindenkitől elfordul: se az anyja, se a pszichológusa, se a barátai nem tudják lebeszélni arról, hogy a „Helyes Utat” kövesse. Munkát vállal egy bútorboltban, amelyet libanoni bevándorlók üzemeltetnek családi vállalkozásban. Munkaadói hamarosan bevonják egy veszélyes terv megvalósításába, amely a szövetségi ügynökök érdeklődését is felkelti... Hogy a Koránt idézzük: „Mindenek között a legkiválóbb terveket Isten alkotja meg.” John Updike huszonkettedik, és talán egyik legkitűnőbb regényének cselekménye napjainkban, a „szeptember 11-e utáni világban" játszódik. Eredetileg 2007-ben jelent meg magyarul. Most a 21. Század Kiadó szerzői életműsorozatában adja ki újra.

The third and fourth novel in John Updike’s acclaimed quartet of Rabbit books–now in one marvelous volume. RABBIT IS RICH Winner of the American Book Award and the National Book Critics Circle Award “Dazzlingly reaffirms Updike’s place as master chronicler of the spiritual maladies and very earthly pleasure of the Middle-American male.” –Vogue “A splendid achievement!” –The New York Times RABBIT AT REST Winner of the Pulitzer Prize and the National Book Critics Circle Award “Brilliant . . . It must be read. It is the best novel about America to come out of America for a very, very long time.” –The Washington Post Book World “Powerful . . . John Updike with his precision’s prose and his intimately attentive yet cold eye is a master.” –The New York Times Book Review

"The first and second novels in John Updike''s acclaimed quartet of Rabbit books-now in one marvelous volume. " RABBIT, RUN "Brilliant and poignant . . . By his compassion, clarity of insight, and crystal-bright prose, [Updike] makes Rabbit''s sorrow his and out own." -"The Washington Post ""Precise, graceful, stunning, he is an athlete of words and images. He is also an impeccable observer of thoughts and feelings." -"The Village Voice " RABBIT REDUX " ''Great in love, in art, boldness, freedom, wisdom, kindness, exceedingly rich in intelligence, wit, imagination, and feeling-a great and beautiful thing . . .'' these hyperboles (quoted from a letter written long ago by Thomas Mann) come to mind after reading John Updike''s "Rabbit Redux." -The New York Times Book Review" " ""Updike owns a rare verbal genius, a gifted intelligence and a sense of tragedy made bearable by wit. . . . A masterpiece." -"Time"

"A triumph of love and art." THE WASHINGTON POST In a small Pennsylvania town in the late 1940s, schoolteacher George Caldwell yearns to find some meaning in his life. Alone with his teenage son for three days in a blizzard, Caldwell sees his son grow and change as he himself begins to lose touch with his life. Interwoven with the myth of Chiron, the noblest centaur, and his relationship to the Titan Prometheus, "The Centaur" is one of Updike''s most brilliant novels.

In an evolving relationship between two women - interviewer and interviewee - the women move in and out of the roles of daughter and mother, therapist and patient, predator and prey, annunciatory angel and startled receptacle of grace.

Through four generations--from Clarence Wilmot, a lapsed minister-turned-encyclopedia salesman, in 1910, to the present-day--one family pursues the American obsession with God and the unreal world of the motion picture

The John Updike Papers include a variety of materials reflecting his personal, literary and business life. Includes materials documenting his early life, correspondence, autograph manuscript compositions, speeches, interviews legal and business records, biographical materials, fan mail, video tapes, photographs and drawings, clippings on his life and subject and research files he compiled, and much more.