Best Selling Books by William Nicholson

The celebrated author of Shadowlands tells the powerful story of a husband who decides to be truthful in his marriage, and of the wife and son whose lives will never be the same again. “A finely perceptive, eloquently tender and exquisite new play.” —New York How well do we know the people we marry? Is it wrong to decide it’s time to be honest? Is love enough to save a family? Edward and Alice have been married for thirty-three years. He is a teacher at a boys school, perfectly at home with his daily crossword and lately engrossed in reading about Napoleon’s costly invasion of Moscow. She is an observant Catholic, exacting and opinionated, and has been collecting poems about lost love for a new anthology. Jamie, their diffident thirty-two year old son, is visiting for the weekend when Edward announces he has met another woman. With the coiled intensity of Tom Stoppard’s The Real Thing and the embracing empathy of Edward Albee’s best family dramas, The Retreat from Moscow shines a breathtakingly natural light on the fallout of a shattered marriage.

From an Oscar-nominated screenwriter, “a wonderfully smooth, sinuous, enigmatic, and sexy tale of two love affairs” (Providence Journal) set in Amherst and illuminated by the presence of Emily Dickinson. Alice Dickinson, a young advertising executive in London, decides to take time off work to research her idea for a screenplay: the true story of the scandalous, adulterous love affair between Emily Dickinson’s married brother, Austin, and a young, Amherst College faculty wife named Mabel Loomis Todd. Austin, twenty-four years Mabel’s senior and the college treasurer, lived next door to his reclusive sister, who allowed her home to be used for Austin and Mabel’s trysts. Alice travels to Amherst, staying in the house of Nick Crocker, a married English academic in his fifties. As Alice researches Austin and Mabel’s story and Emily’s role in their affair, she embarks on her own affair with Nick, an affair that, of course, they both know echoes the one that she’s writing about. Using the poems of Emily Dickinson throughout, historically accurate and meticulously recreated from their voluminous letters and diaries, “William Nicholson deftly weaves Mabel’s story with Alice’s, shedding light on the timeless longing, lust, and loneliness of love” (People). Amherst is a provocative and remarkable novel: “The poetry and history go down easy, the lovers fall hard, and the tragic, treacherous terrain of romantic entanglement is well explored” (Elle).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Kestrel Hath''s schoolroom rebellion against the stifling caste system of Aramanth leads to explosive consequences for her and her family: they are relegated to the city''s lowest caste and are ostracized. With nothing left to lose, Kestrel and her twin brother, Bowman, do the unthinkable: they leave the city walls. Their only hope to rescue the rest of their family is to find the key to the wind singer, a now-defunct device in the city''s center, which was once the course of happiness and harmony in Aramanth. But the key was given to an evil spirit-lord, the Morah, in exchange for the Morah''s calling off its terrible army of Zars. Armed with desperate bravery, wits, and determination, Kestrel, Bowman, and a tagalong classmate set off to find the key. Along the way they meet allies and foes, but in order to succeed in their quest, they must face the most sinister force of all: the powerful Morah.

Reprint of the original, first published in 1842.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.

October 2001

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Extra large format - 8.5" x 11" The Velveteen Rabbit (or How Toys Become Real) is a British children''s book written by Margery Williams (also known as Margery Williams Bianco) and illustrated by William Nicholson. It chronicles the story of a stuffed rabbit''s desire to become real through the love of his owner. The book was first published in 1922 and has been republished many times since.

The Square Book of Animals by William Nicholson; Rymes by Arthur Waugh. - Fully Illustrated. A collection of poetry featuring familiar animals from farm and home. Prompted some other fancy plate-series, and in 1899 Heinemann brought out The Square Book of Animals , dated 1900.William Nicholson, painter, print-maker and designer for the theater, studied art at the Academie Julian in Paris. He began his professional career as a poster designer and book illustrator, where the striking contrasts of black and white of his woodcutting technique were used to great effect.