Best Selling Books by William Fuller

The title refers to the Russian Constructivists. Fuller''s writing has a lucid and at the same time hallucinatory quality as if pressing one''s/his reciprocal relations to the world so closely that "they" appear spectrally but exactly: "That this act distorts me is a function, precisely, of your putative silence. Lifted above your head, thought discloses three of us. The street is rutted with life, spectrally washing hand and hand." Poetry.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T096357 P.43 misnumbered 45. London: printed for the author, 1701. [10],45[i.e.43], [1]p., plate: port.; 8°

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Bodleian Library (Oxford) T179476 A pirated edition. Woodcut of Fuller on the titlepage with a face between his legs which is not present in the first impression. [London]: Printed and sold by the booksellers in London and Westminster, 1703. 16p.; 8°

BACK COUNTRY Ex-G.I. Brad Dolan is traveling through central Florida, trying to forget his past, when his car breaks down. While waiting for a repair, he checks out the town and finds that everyone here in Carter County is afraid of a guy named Rand Ringo. Apparently Ringo owns the town. And after a bar fight that lands him in the local jail, Dolan soon finds himself introduced to Mr. Ringo, who offers him a job as his right-hand man. Ringo owns the county alright, and now he wants to own Dolan. And Dolan wouldn''t have a problem with that except that Ringo''s wife, Billy, keeps throwing herself at him. And then there''s Ringo''s beautiful daughter, Gloria, a sweet temptation. Dolan has stepped into a powder keg of a situation, and will be lucky if he can get out with his life.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In THE SUGAR BORDERS, William Fuller creates a flat space of "middles" which is everywhere, "the cave of all." The viewer is up so close seeing oneself that one''s / its "wet muscles repose there." As if one hallucinates oneself having a dream, one sees oneself who''s any viewer being the "natural world" where "we" fly and "pigeons sit down to their meal, without bodies." This writing puts pressure on its space to view realistically by its "flat/objective" approach with no view that proscribes or "understands": "The upper part of the world lives on an island, fishing in flames." "Words fall into place, a progressive past tense charting action from its sometimes ominous further reaches to the more immediate almost-present, and where is the future in ritual observation? Does it cast a shadow, leave an echo? Love and the letter of love. But what is the nature of this space between dream, wind, dinner, color and the alphabet? It''s our birthday everyday, and "We each get an earth to eat..." in the telescopic syntax of these Sugar Borders. Sugar borders terror where the iridescent dust of verse begins to shake a darker spell out of the bundled predicates. You want to keep opening this book, and opening it." -- Norma Cole "...imagery as perverse and baffling as that constructed in dreams, echoed in folktales and children''s rhymes, circulated as magic and superstition... These are poems which create the conditions for an experience of "negative capability." Yes. Small and terrific reversals and contradictions, untenanted space looming through the rifts of images. "I see your bones, your bones see me.""--Beverly Dahlen "If you need to read, take a look at this book." -- Tom Raworth

Genealogical information re Jewson''s immediate family recorded in letter, 11 Oct. 1909, from "Annie," his sister.