Best Selling Books by William Edward Burghardt Du Bois

First published in 1909, W.E.B. Du Bois''s biography of abolitionist John Brown is a literary and historical classic. With a rare combination of scholarship and passion, Du Bois defends Brown against all detractors who saw him as a fanatic, fiend, or traitor. Brown emerges as a rich personality, fully understandable as an unusual leader with a deeply religious outlook and a devotion to the cause of freedom for the slave. This new edition is enriched with an introduction by John David Smith and with supporting documents relating to Du Bois''s correspondence with his publisher. Copyright © Libri GmbH. All rights reserved.

Gathers writings, articles, and essays revealing Du Bois''s views on racial inequality and oppression.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. DuBois''s sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. The Suppression of the African Slave Trade to the United States of America, 1638-1870, W. E. B. Du Bois''s groundbreaking monograph, recounts the moral failures and missed opportunities of the American Revolution and the consequences of compromising with slavery. As Du Bois''s first published work and doctoral dissertation, Suppression lays the groundwork for his early commitment to the study of the African American experience. At the time of its publication in 1896, Du Bois''s monograph was at the forefront of developments in historiography, embodying a new, empirical approach to history. Suppression is integral to understanding Du Bois''s early theories and his evolution into a leading scholar and activist. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Saidiya Hartman, this edition is essential for anyone interested in African American history.

W.E.B. Du Bois called Black Reconstruction, first published in 1934, his "magnum opus." A massive reinterpretation of the Civil War and Reconstruction with African Americans as actors rather than pawns, it presaged postwar changes in prevailing interpretations of southern history, as well as the rise of black militancy in the 1960s.

Written in very accessible prose, these two booklets allowed W. E. B. Du Bois to reach a wide audience with an interest in Africa. Coupling Du Bois''s breadth of scholarship with his passion for the subjects, the analyses in these booklets are integral to the study of Africa. Many of his arguments foreshadowed the issues and debates regarding Africa in the twentieth century.

Scholar, author, editor, teacher, reformer and civil rights leader, W.E.B. Du Bois (1888-1963) was a major figure in American life and one of the earliest proponents of equality for black Americans. This is the second volume of three and incorporates correspondence from 1934 to 1944.

Ten essays, spanning six decades, reveal Du Bois''s continuing concern with the Black American''s educational needs.

The final book in W. E. B. Du Bois''s Black Flame trilogy, Worlds of Color, opens when Mansart is sixty and a successful college president. Packed with political intrigue, romance, and social commentary, the book provides a cynical view of the world''s relationship to the "Black Flame," or the potential of black civilization. Building upon the drama of the previous two books, Worlds of Color delves into a bleak future.

DuBois describes in a mood of mountingintensity, sternly held in check, his own changing attitudes towards the restricting bars set upagainst the world of color. The story of DuBois'' life, devoted to a program of action againstthese restrictions, presents an unforgettable picture of the changing life of ourtime." -Library Journal

The World and Africa and Color and Democracy are two of W E. B. Du Bois''s most powerful essays on race. He explores how to tell the story of those left out of recorded history, the evils of colonialism worldwide, and Africa''s and African''s contributions to, and neglect from, world history.

V.1 The Ordeal of Mansart; v.2 Mansart Builds a School

The first book in W. E. B. Du Bois''s Black Flame trilogy, The Ordeal of Mansart, chronicles Mansart''s early life during the time of Reconstruction through his involvement in black education in Atlanta. The Ordeal of Mansart offers readers a peek into African American life and struggle through the lens of Mansart''s humble life.

The Souls of Black Folk is a classic work of American literature by W. E. B. Du Bois. It is a seminal work in the history of sociology, and a cornerstone of African-American literary history. The book, published in 1903, contains several essays on race, some of which had been previously published in the Atlantic Monthly magazine. To develop this groundbreaking work, Du Bois drew from his own experiences as an African-American in the American society. Outside of its notable relevance in African-American history, The Souls of Black Folk also holds an important place in social science as one of the early works in the field of sociology. Critical reception In Living Black History, Du Bois biographer Manning Marable observes: Few books make history and fewer still become foundational texts for the movements and struggles of an entire people. The Souls of Black Folk occupies this rare position. It helped to create the intellectual argument for the black freedom struggle in the twentieth century. "Souls" justified the pursuit of higher education for Negroes and thus contributed to the rise of the black middle class. By describing a global color-line, Du Bois anticipated pan-Africanism and colonial revolutions in the Third World. Moreover, this stunning critique of how ''race'' is lived through the normal aspects of daily life is central to what would become known as ''whiteness studies'' a century later. Each chapter in The Souls of Black Folk begins with a lyric epigraph, complete with a musical score of the melody. Along with traditional spirituals and African-American poetry, white European and American poets such as Schiller, Fitzgerald, Whittier and Byron are also represented. These lyrics deal with sorrow, suffering, hope, and liberation. Du Bois says of these slave songs: "I know that these songs are the articulate message of the slave to the world."