New Releases by William Bay

Fingerstyle Technic is a collection of 34 original compositions designed toenhance important elements of fingerpicking guitar technique. I have always feltthat as important as scale and technique drills are, they can by themselves be very tedious to practice. In addition, technique has relevance only in the context of the entire musical composition it is intended to enhance. The compositions can be used merely as technical studies but they also may be used as short concert or recital pieces. Several of them may be grouped to present a kind of suite. I hope you enjoy playing these solos. The guitar has so many moods and colors. Good technique enables the guitarist to bring out the breadth and subtlety of expression possible with this instrument. I have tried to present a variety of moods, rhythms and textures in these compositions and have presented a workable assortment of keys, both major and minor. In Notation and Tablature

The twenty classic guitar etudes in this book are melodic and guitaristic. I composed them in guitar friendly keys. They were written to be fun to play and also to provide short pieces ideal for recitals or concert preludes and encores.The pieces should be played with freedom and expression. They are intermediate in difficulty and will present a diverse array of moods and textures for the guitarist

The goal of these twenty etudes is to address various issues of guitar techniquewhile presenting pieces that have melodic content, are interesting and fun to play and which can be used in concert or recital. Fragmented scale runs, scales ascending and descending several octaves, switching positions amidst musical phrases, arpeggio picking, string skipping and combining open and fingered strings are some of the issues addressed in these compositions

These twenty-one studies present a variety of melodic themes composed to provide enhancement of technique. I wanted to write short, playable pieces designed to build fluency and coordination between the left and right hand. I also wanted these technical studies to contain melodic elements sufficient to allow them to be used as short pieces in concert or recital. As valuable as scalepractice can be, it can also be tedious. I wanted these studies to be fun to play. I also utilized a variety of major and minor keys and composed the pieces specifically to explore the contrast between open and fingered strings. Finally, these studies will help enable the guitarist to move freely between variouspositions on the fingerboard. In Notation and Tablature

Acoustic Guitar Portraits is a collection of scores from my recording of the same name. The music reflects a rich variety of musical styles and is original. Therhythms are contemporary and the harmonies are lush. The duos feature an intricate dialog between the two acoustic guitars. It has been my goal to present performance or concert material for the plectrum (flatpick) guitar. These compositions were written with that in mind

The solos in this collection present a myriad of moods on the guitar. They were written to be very expressive, contemplative pieces which could be performed in a variety of secular and sacred settings. Most of them are from three solo collections previously released, entitled Guitar Meditations (MB22029), Guitar Airs and Ballads (MB22039) and Timeless Solos for Guitar (MB22041). Some of the pieces were scored for 7-string guitar; however, they can also be performed on 6-string guitar—indicated are the alternate 6-string pedal tones in the tablature part. Many of the solos use a cross-picking technique alternating higher position closed strings and open strings, resulting in a "harp-like" effect. the included tablature parts allow for a clear presentation of this effect and clarify where on the fingerboard these passages should be played. A number of the pieces are in Dropped D tuning, highlighting the rich resonance that tuning gives the instrument. All of these solos may be performed by the classical or fingerstyle guitarist or, as originally performed, with a pick. Explore the diverse moods presented in this collection and make full use of the many avenues of expression offered in these pieces! A companion dual CD is available with all 25 solos included. Performance Notes

Influenced by a wide range of musical styles, these concert pieces are meant to be played with a pick, although they certainly can be performed by a fingerstyle guitarist. the intent is not to showcase sparkling technique, instead they were composed to convey a palate of musical colors and moods. They offer the guitarist a wonderful opportunity for expression. Many are impressionistic in character. Some are musical reflections of thoughts, moods and emotions. Some were scored for a 7-string guitar, with the 7th string either tuned to low A or low B. However, all may be successfully performed on a 6-string guitar. Written in notation and tablature. Free audio downloads are available for use with this title.

A comprehensive 96-page, large print perfect-bound book of bass chords. Hundreds of chord forms are shown ranging from basic major, minor and dominant 7th forms and venturing into extensions such as minor 7b5, 7b9, minor 9th and more.

Here are nine solos for plectrum guitar written with the tradition of the Celtic ballad and Scottish Aire. Many of the solos call for a 7 string guitar but can certainly be played on a 6 string. I have shown alternate notes for the low 7 string pedal tones in the tablature.The solos give the guitarist an opportunity to play concert settings with a maximum of expression. I have recorded all of the solos and they are available as a free internet download.This book is a sequel to my solo collection entitled Guitar Meditations (MB22029). I have authored both solo collections to address the need for serious compositions for the plectrum guitarist wanting to play in concert or recital. the music in each collection draws from a wide variety of influences and utilizes many contemporary harmonic concepts. I hope you enjoy performing and listening to these solos.

Timeless Solos is a play on words. the solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet free-form in structure. the companion recording presents my interpretation of these works. You may interpret them differently and that is fine! All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended cadenza. However, from my earlier trumpet playing days I recalled that, especially in the 19th century, a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. These solos are not about that. Rather, they are a vehicle to give the guitarist an opportunity to move the listener with the performer''s expressive ability. I also thought of these solos in the form of a chant. However, most chants are monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar, they may be played successfully on a 6 string guitar. Alternate notes for those found on the 7th string are shown in the tablature part. Also, the solo, Peace, is written in Dropped D tuning and makes little use of the 7th string pedal tones. the solos are contemplative in nature and provide ample opportunity for individual expression and interpretation. I hope you enjoy playing and performing these works.

A comprehensive 96-page, large print perfect-bound chord dictionary for today''s rock guitarist. Contains power chord forms, barre chords and essential rhythm chord forms in all keys.

A comprehensive 96-page, large print/big note perfect-bound collection of over 90 favorite fiddle tunes. Includes American fiddle tunes, Celtic reels, gospel favorites, jazz tunes and more. Guitar chords are included.

Intermediate-advanced level. Presents 16 solos carefully written and edited to build technique. Ideal for solo performances and recitals, this volume contains works by Carcassi, Sanz, J.S. Bach, Sor, Tarrega, Coste, Diabelli, and Aguado. All solos are written in notation and tablature.

Seven Festive Trumpet Solos is a collection of powerful and sparkling settings for trumpet and organ. Several of the compositions are original. Others are new arrangements on well-loved sacred hymns. This text is the first in a two book series. the follow up is called Trumpet Praise! All selections in this book and in the companion book, Trumpet Praise! may be heard in the companion free audio download. Seven Festive Trumpet Solos contains the organ and trumpet parts. A free download of the trumpet solo parts is also available. the solos in both this book and in Trumpet Praise! are ideal for church worship celebrations, concerts, festivals and recitals.

A valuable book for any guitarist. Part one presents a dictionary of essential chord forms shown by inversion. Part two features a very thorough analysis of chord melody and quartal harmony voicings in each key. Playing through part II will train your ear to improvise chordal melodies. Ideal for daily practice.•

This book/CD teaches you how to hear and play Groove Time. Tunes include: Evil Ways; Blue Tuesday, Truckin''; Blues Drive; She Done Me Wrong; and Coastin''. Two improvising scales are shown for every tune, and each selection presents a different blues style for improvising. Blues tunes are presented in the keys of C, Am and G. You can also play along with the companion CD which features an excellent blues band playing all of the back-up parts.

Ultimate guide of rock exercises and solos and perfect reference manual for everyday use.Presents basic fundamentals progressing towards techniques such as barre chords, power chords, ties, slurs, slides, vibrato, double stops, bends, harmonics, the whammy bar, tapping and more.Numerous rock rhythms, chords and scales perfect for the student to the professional musician.Companion CD included.

This is a very user friendly text. It is ideal for daily practice sessions and contains frequently used major and minor guitar scale forms. In addition, each scale is shown in numerous positions up the guitar fingerboard. Also included is a special section on blues and scales in various positions. Each scale form is carefully shown in diagram, notation and tablature.

This 48-page method is geared toward the beginning student of guitar. the method is presented in tablature - not standard music notation - in order to get the student playing as quickly as possible. Notes are presented one string at a time. Students will be taught the most widely used scales and chords on the guitar. Audio accompanies each exercise and piece in the book.

This book/CD presents blues melody and recorded back up improvising track for these nine blues tunes: Franky''s Place, Bullet Train, Long Gone, Just Can''t Take It, Storm rising, Hurtin'' Bad, Texas Shuffle, Honky-Tonk Woman, and Loose Change. Two improvising scale patterns are shown for every tune, and each selection tune presents a different blues style for improvising. Blues tunes are presented in the keys of G, F, Dm and D. You can also play along with the companion CD which features an excellent blues band playing all of the back-up parts.

A concise, incredibly useful scale regimen that enhances left and right hand technique, helps master the fingerboard and paves the way for improvisation. Also a helpful aid to sight reading.

Part of Mel Bay''s new and innovative QWIKGUIDE® series, this handy-sized book features selections such as: Blackberry Blossom; St. Anne''s Reel; Whisky Before Breakfast; Morrison''s Jig; Billy in the Low Ground, Crazy Creek, Cold Frosty Morning, Harvest Moon, Sweet Lillie, East Tennessee Blues and more. Written in standard notation and tablature.

Here''s a wonderfully diverse collection of 56 beginning mandolin solos in notation and tablature with suggested guitar chords. This book makes an excellent supplement to any introductory mandolin method. You''ll notice your progress and gather sight-reading confidence as you read through this carefully graded series of pieces from various ethnic origins. Dix Bruce performs all of the tunes in the book on the companion CD.

An extremely handy and valuable guide for any guitarist! This unique book/compact disc combination may be utilized as a method supplement, a technical study guide, or as a daily technique builder. Written in standard notation and tablature.

A handy collection of 24 popular harmonica songs packaged with a split-track CD! Fun music to play. Excellent play- along repertoire for practice with a C diatonic harmonica. All selections are performed on the companion compact disc. Includes a section on basic technique and music reading, and features a diatonic note chart with each song.

Revised and expanded edition. It now ranks as one of the very best introductory rock guitar methods available. the student will learn licks, phrases, solos, bass runs, and power chords in the keys of E, F, G, A, D, B flat, and C! Also included is a special section by Mark Lonergan on performing licks and riffs, rock techniques such as tapping, bending, double stops, etc., and some great solo ideas! In notation and tablature. Note- reading ability is not necessary! In standard notation and tablature. the recording is in stereo play-along format and features a rock band accompaniment (complete with horns). the Mark Lonergan section highlights Mark''s excellent guitar demonstration and performance of rock concepts.

Today''s top praise songs scored in notation and tab for easy to play flatpicking guitar. Songs include Sanctuary, As the Deer, Give Thanks, Lord, Reign in Me, Draw Me Close and many more. A companion CD is included. on the CD each piece is played twice, once as a guitar solo with accompaniment and again as a back-up track so the guitarist may practice the piece and use in a worship setting; ideal for small group or church performance.

A collection of Southern Gospel and Camp Meeting all time favorites scored in notation and tab in an easy to play flatpicking guitar style. A companion CD is included. on the CD each piece is played twice, once as a guitar solo with accompaniment and again as a back-up track so the guitarist may practice the piece and use in a worship setting; ideal for small group or church performance.

A step-by-step method teaching correct modern jazz interpretation and phrasing. Great for reading and for learning to "play in the pocket". Companion CD allows the guitarist both to hear how the phrases should be interpreted and to play the jazz etudes with a rhythm section.

A collection of reels written in the keys of C, Am, G, Em, D, A, E, F and Dm. Each reel is written in a different position. Thus, the guitarist learns to play great sounding flatipicking solos while learning keys and positions. Play along CD allows the guitarist to hear each piece and to play with a rhythm backup.