Best Selling Books by Walter De La Mare

A collection of rhymes and poems for the young of all ages.

Walter De la Mare''s ''The Return'' is a literary phantasmagoria that delves into the realms of the supernatural and the psychological with a poetic grace that is often associated with the author''s works. Within its pages, the story unfolds around an individual''s transformative and haunting experience following an encounter with forces beyond the ken of the ordinary world. De la Mare employs a rich, symbolistic literary style, embedding his prose within the early 20th-century tradition that explores the thin veil between reality and the uncanny. The existential questions posed and the ethereal atmospheres evoked are a testament to De la Mare''s mastery in conjuring the fantastic that is deeply rooted in the human psyche. Walter De la Mare (1873–1956) was a profound British poet, short story writer, and novelist known for his explorations into imagination and the supernatural. His writings reflect a fascination with the dream world and the shadowy boundaries between the seen and the unseen. Factors that may have impelled De la Mare to pen ''The Return'' include his preoccupation with the metaphysical, an innate pull towards solitude and introspection, and a desire to illuminate the more enigmatic aspects of the human experience. ''The Return'' by Walter De la Mare comes highly recommended for readers who are aficionados of gothic and supernatural fiction. The reprint by DigiCat Publishing is an excellent opportunity for both scholars and enthusiasts to (re)discover a gem of early modernist literature. Encountering this novel is akin to walking through a carefully woven tapestry of the ethereal and the real, and it invites a contemplation on the essence of existence and identity that will resonate long after the last page is turned.

This Is A New Release Of The Original 1922 Edition.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"[...]could hear himself no longer, and one morning, in the first haze of sunrise over the sleeping forest, he called Mutta and his three sons to where he sat in the shadow of Glint''s great budding Ukka-tree. And he told them he was going on a long journey—"beyond and beyond, forest and river, forest swamp and river, the mountains of Arakkaboa, leagues, leagues away"—to seek again the Valleys of Tishnar. "And I will come back," he said, leaning his hand upon the ground and blinking at Nod, "with slaves and scarlet and food-baskets and Zevveras,[...]".

Up on their brooms the Witches stream, Crooked and black in the crescent''s gleam It''s Halloween and a family is preparing to go trick-or-treating. Little do they know that up above them a coven of witches flies unseen through the starry sky... Carolina''s stunning illustrations beautifully illuminate Walter de la Mare''s thrilling, magical poem, published as a picture book for the first time.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A collection of major Bible stories of the Old Testament, delightfully re-told in modern English, from the Garden of Eden to David and Goliath! Although geared towards the young, this book is a delight for all ages...

Nineteen classic fairy tales, retold for younger readers in the early twentieth-century, including "Rapunzel," "Little Red Riding-Hood," "Rumpelstiltskin," and "The Sleeping Beauty."

A collection of studies in the atmosphere of strangeness which has a haunting and elusive quality.

The publication of Short Stories 1895-1926 celebrates the fiftieth anniversary of Walter de la Mare''s death. It is also the culmination of a major literary enterprise. For many people Walter de la Mare (1873-1956) is as great a writer of fiction as of poetry. But the majority of his short stories, of which there are a hundred, have long been unavailable. Short Stories brings them all together in three volumes in the first comprehensive collection to be published. De la Mare''s earliest published works were stories, and he continued writing and rewriting stories throughout the rest of his life. There was always a creative counterpoint between the themes and imagery of his prose and his poetry - such as the dream, childhood, the house, night, love lost and regained, solitude and the traveller. A full understanding of either is impossible without knowledge of both. TLS on Short Stories 1895-1926 and Short Stories 1927-1956: ''What strikes one most about [them] is how truly peculiar they are... it is good to see these dark and disquieting stories back in print.'' Martin Seymour-Smith in Scotland on Sunday on Short Stories 1895-1926: ''He was so..."great" that, like all the greatest, his greatness functions as an assumption that goes hardly even recognized...the chief emotion is, as it should be, one of immense gratitude.'' Lord David Cecil: ''Beautiful, enigmatic and disquieting stories.'' Angela Carter: ''De la Mare is a master of mise-en-scene...Prose with the most vivid and unsettling intensity, which resembles some of what the surrealists were producing in France...'' Contents of Short Stories 1895-1926 : (1) The Riddle and Other Stories (1923): The Almond Tree; The Count''s Courtship; The Looking-Glass; Miss Duveen; Selina''s Parable; Seaton''s Aunt; The Bird of Travel; The Bowl; The Three Friends; Lispet, Lispett and Vaine; The Tree; Out of the Deep; The Creatures; The Riddle; The Vats. (2) Ding Dong Bell (1924): Lichen; Benighted; Strangers and Pilgrims; Winter. (3) The Connoisseur and Other Stories (1926): Mr Kempe; Missing; The Connoisseur; Disillusioned; The Nap; Pretty Poll; All Hallows; The Wharf; The Lost Track. (4) Uncollected stories: Kismet; The Hangman Luck; A Mote; The Village of Old Age; The Moon''s Miracle; The Giant; De Mortuis; The Rejection of the Rector; The Match-Maker; The Budget; The Pear-Tree; Leap Year; Promise at Dusk; Two Days in Town.

A young man believes that his sweetheart and her family are the silliest people in the world, until he meets three others who are even sillier.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

""A vast treasure chest, a bewildering collection . . . to dazzle and fascinate everyone who lifts the lid."-Geoffrey Grigson"--

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Walter de la Mare was a 20th century writer whose most famous work was actually a kid''s book, which is ironic because most of his works consisted of psychological horror stories, most notably "Seaton''s Aunt" and "Out of the Deep".

Poems written to appeal to the young in mind.

Told Again; Old Tales Told Again was compiled by Walter de la Mare, and contains illustrations by A. H. Watson. It is a wonderful collection of traditional fairy tales, including favourites such as ‘Little Red Riding Hood’, ‘Jack and the Beanstalk’, ‘Bluebeard’, ‘Sleeping Beauty’, ‘Rumpelstiltskin’ and ‘Snow-White.’ Walter de la Mare (1873 – 1956) was an English poet, short story writer and novelist, best remembered for his works for children, and his poem ‘The Listeners.’ He composed many short-story collections, though folkloric tales were a particular fascination. This edition of Old Tales Told Again is accompanied by the drawings of Alice Helena Watson (1896 – 1984); a graceful and unique illustrator. Watson largely focused on children’s and nursery tales, but also provided illustrations for dust-jackets, magazines, and other one-off pieces. Her sinuous black-and white illustrations further refine and enhance the carefully collated stories of De La Mare – making this a book to delight both young and old alike. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration from the 1880s to the 1930s. Our collection showcases classic fairy tales, children’s stories, and the work of some of the most celebrated artists, illustrators and authors.

This collection consists of thirteen stories by some of the best authors of speculative fiction. While they all feature ghosts, these are not traditional ghost stories. These tales are all unique and will stay with you long after you read them. The anthology contains a biography of Oliver Onions, the author of “The Beckoning Fair One.” There are also some annotations within the book with additional information pertinent to the stories. Table of Contents: The Attic by Algernon Blackwood Oh, Whistle, and I''ll Come to You, My Lad by M.R. James A Ghost by Guy de Maupassant The Upper Berth by F. Marion Crawford Bone to His Bone by E.G Swain The Beckoning Fair One by Oliver Onions The Signal-Man by Charles Dickens Christmas Eve on a Haunted Hulk by Frank Cowper The Ghosts by Lord Dunsany The Haunted and the Haunters, or the House and the Brain by Edward Bulwer-Lytton In The Tube by E.F. Benson The Toll-House by W.W. Jacobs The Listeners by Walter de la Mare Appendix: The Life of Oliver Onions by Osie Turner

Walter De la Mare''s ''Peacock Pie, a Book of Rhymes'' is a charming collection of children''s poetry that transports readers to a whimsical and magical world. De la Mare''s literary style is characterized by his use of vivid imagery, playful language, and imaginative storytelling. Written in the early 20th century, this book is a timeless classic that continues to captivate young audiences with its enchanting verses and catchy rhymes. Each poem in ''Peacock Pie'' presents a unique glimpse into De la Mare''s creative mind, making it a delightful read for both children and adults alike. The poems range from lighthearted and humorous to mysterious and thought-provoking, showcasing the author''s versatility and skill as a poet. Walter De la Mare''s personal experiences and observations, combined with his love for language and storytelling, inspired him to create this delightful collection of rhymes that has stood the test of time. ''Peacock Pie'' is a must-read for anyone looking to escape into a world of fantasy and imagination, making it a beloved addition to any literary enthusiast''s collection.