New Releases by Tom Robbins

“B Is for Beer isn’t meant for children . . . But kids at heart, and anyone bemused by Robbins’ previous novels, will guzzle down Robbins’ latest brew.” —The Denver Post A children’s book about beer? Yes, believe it or not—but B Is for Beer is also a book for adults, and bear in mind that it’s the work of maverick bestselling novelist Tom Robbins, inter-nationally known for his ability to both seriously illuminate and comically entertain. Once upon a time (right about now) there was a planet (how about this one?) whose inhabitants consumed thirty-six billion gallons of beer each year (it’s a fact, you can Google it). Among those affected, each in his or her own way, by all the bubbles, burps, and foam, was a smart, wide-eyed, adventurous kindergartner named Gracie; her distracted mommy; her insensitive dad; her non-conformist uncle; and a magical, butt-kicking intruder from a world within our world. Populated by the aforementioned characters—and as charming as it may be subversive—B Is for Beer involves readers, young and old, in a surprising, far-reaching investigation into the limits of reality, the transformative powers of children, and, of course, the ultimate meaning of a tall, cold brewski. “In his children’s book for grown-ups/grown-up book for children, Robbins (Even Cowgirls Get the Blues) takes readers on a whimsical tour of all things beer, written in the language of a bedtime story . . . the premise and execution of this unique book lends itself to moments of real humor.” —Publishers Weekly

Winter Sports.

Known for his meaty seriocomic novels–expansive works that are simultaneously lowbrow and highbrow–Tom Robbins has also published over the years a number of short pieces, predominantly nonfiction. His travel articles, essays, and tributes to actors, musicians, sex kittens, and thinkers have appeared in publications ranging from Esquire to Harper’s, from Playboy to the New York Times, High Times, and Life. A generous sampling, collected here for the first time and including works as diverse as scholarly art criticism and some decidedly untypical country- music lyrics, Wild Ducks Flying Backward offers a rare sweeping overview of the eclectic sensibility of an American original. Whether he is rocking with the Doors, depoliticizing Picasso’s Guernica, lamenting the angst-ridden state of contemporary literature, or drooling over tomato sandwiches and a species of womanhood he calls “the genius waitress,” Robbins’s briefer writings often exhibit the same five traits that perhaps best characterize his novels: an imaginative wit, a cheerfully brash disregard for convention, a sweetly nasty eroticism, a mystical but keenly observant eye, and an irrepressible love of language. Embedded in this primarily journalistic compilation are a couple of short stories, a sheaf of largely unpublished poems, and an off-beat assessment of our divided nation. And wherever we open Wild Ducks Flying Backward, we’re apt to encounter examples of the intently serious playfulness that percolates from the mind of a self-described “romantic Zen hedonist” and “stray dog in the banquet halls of culture.”

In Seattle, Gwen Mati, a half-Irish, half-Filipina stockbroker, has the weekend in which to raise enough money to avert financial ruin and perhaps jail. The market took a nose dive on Friday and will likely crash on Monday. The story of a greedy woman by the author of Even Cowgirls Get the Blues.

Roman jubilatoire et récit d''aventures, Féroces Infirmes conte les tribulations d''un type un peu particulier. Agent, très spécial, de la CIA, philosophe, admirateur de sa grand-mère, amoureux d''une demi-sœur qui aurait troublé Nabokov et Austin Powers, il promène ses névroses, son impertinence, sa libido débraillée et son fauteuil roulant d''Amazonie au Vatican en passant par un couvent syrien. Et tout cela pour faire plaisir à son aïeule Maestra, spécialiste du piratage informatique, désireuse de rendre son perroquet à sa forêt d''origine... Fermement convaincu que " l''humour et la joie de vivre sont les armes les plus subversives du monde ", Tom Robbins remet au goût du jour dans cette épopée picaresque et tumultueuse le sens du merveilleux et l''allégresse qui font les grands romans.

An Arab and a Jew open a restaurant together across the street from the United Nations.... It sounds like the beginning of an ethnic joke, but it''s the axis around which spins this gutsy, fun-loving, and alarmingly provocative novel, in which a bean can philosophizes, a dessert spoon mystifies, a young waitress takes on the New York art world, and a rowdy redneck welder discovers the lost god of Palestine--while the illusions that obscure humanity''s view of the true universe fall away, one by one, like Salome''s veils. Skinny Legs and All deals with today''s most sensitive issues: race, politics, marriage, art, religion, money, and lust. It weaves lyrically through what some call the "end days" of our planet. Refusing to avert its gaze from the horrors of the apocalypse, it also refuses to let the alleged end of the world spoil its mood. And its mood is defiantly upbeat. In the gloriously inventive Tom Robbins style, here are characters, phrases, stories, and ideas that dance together on the page, wild and sexy, like Salome herself. Or was it Jezebel?

“This is one of those special novels—a piece of working magic, warm, funny, and sane.”—Thomas Pynchon The whooping crane rustlers are girls. Young girls. Cowgirls, as a matter of fact, all “bursting with dimples and hormones”—and the FBI has never seen anything quite like them. Yet their rebellion at the Rubber Rose Ranch is almost overshadowed by the arrival of the legendary Sissy Hankshaw, a white-trash goddess literally born to hitchhike, and the freest female of them all. Freedom, its prizes and its prices, is a major theme of Tom Robbins’s classic tale of eccentric adventure. As his robust characters attempt to turn the tables on fate, the reader is drawn along on a tragicomic joyride across the badlands of sexuality, wild rivers of language, and the frontiers of the mind.

“Written with a style and humor that haven’t been seen since Mark Twain.”—Los Angeles Times What if the Second Coming didn’t quite come off as advertised? What if “the Corpse” on display in that funky roadside zoo is really who they say it is—what does that portend for the future of western civilization? And what if a young clairvoyant named Amanda reestablishes the flea circus as popular entertainment and fertility worship as the principal religious form of our high-tech age? Another Roadside Attraction answers those questions and a lot more. It tell us, for example, what the sixties were truly all about, not by reporting on the psychedelic decade but by recreating it, from the inside out. In the process, this stunningly original seriocomic thriller is fully capable of simultaneously eating a literary hot dog and eroding the borders of the mind. “Hard to put down because of the sheer brilliance and fun of the writing. The sentiments of Brautigan and the joyously compassionate omniscience of Fielding dance through the pages garbed colorfully in the language of Joyce.”—Rolling Stone

When the stock market crashes on the Thursday before Easter, you—an ambitious, although ineffectual and not entirely ethical young broker—are convinced that you’re facing the Weekend from Hell. Before the market reopens on Monday, you’re going to have to scramble and scheme to cover your butt, but there’s no way you can anticipate the baffling disappearance of a 300-pound psychic, the fall from grace of a born-again monkey, or the intrusion in your life of a tattooed stranger intent on blowing your mind and most of your fuses. Over these fateful three days, you will be forced to confront everything from mysterious African rituals to legendary amphibians, from tarot-card bombshells to street violence, from your own sexuality to outer space. This is, after all, a Tom Robbins novel—and the author has never been in finer form.

“As clever and witty a novel as anyone has written in a long time . . . Robbins takes readers on a wild, delightful ride. . . . A delight from beginning to end.”—Buffalo News Switters is a contradiction for all seasons: an anarchist who works for the government; a pacifist who carries a gun; a vegetarian who sops up ham gravy; a cyberwhiz who hates computers; a man who, though obsessed with the preservation of innocence, is aching to deflower his high-school-age stepsister (only to become equally enamored of a nun ten years his senior). Yet there is nothing remotely wishy-washy about Switters. He doesn’t merely pack a pistol. He is a pistol. And as we dog Switters’s strangely elevated heels across four continents, in and out of love and danger, discovering in the process the “true” Third Secret of Fatima, we experience Tom Robbins—that fearless storyteller, spiritual renegade, and verbal break dancer—at the top of his game. On one level this is a fast-paced CIA adventure story with comic overtones; on another it’s a serious novel of ideas that brings the Big Picture into unexpected focus; but perhaps more than anything else, Fierce Invalids is a sexy celebration of language and life. Praise for Fierce Invalids Home From Hot Climates “Superb.”—New York Post “Dangerous? Wicked? Forbidden? You bet. . . . Pour yourself a bowl of chips and dig in.”—Daily News, New York “Robbins is a great writer . . . and definitely a provocative rascal.”—The Tennessean “Whoever said truth is stranger than fiction never read a Tom Robbins novel. . . Clever, creative, and witty, Robbins tosses off impassioned observations like handfuls of flower petals.”—San Diego Union-Tribune

Roman jubilatoire et récit d''aventures, Féroces infirmes retour des pays chauds conte les tribulations de Switters, un agent de la CIA d''un type un peu particulier. Anarchiste convaincu, rebelle et joyeusement immature, il est en effet davantage intéressé par le sexe, la drogue et le rock''n roll que par la défense des intérêts américains. Nous le suivons dans un périple qui, depuis l''Amazonie, le mène au Moyen-Orient où, venu apporter des masques à gaz aux Kurdes, il découvre un couvent oublié de nonnes françaises excommuniées, dont la mère supérieure a servi de modèle nu à Matisse. Ce couvent renferme un terrible secret, celui de la troisième prophétie de Fatima, qui entraînera notre héros jusqu''au Vatican où il devra y affronter des forces obscures prêtes à tout pour dissimuler au monde que l''insolence suprême et la sagesse ultime résident dans l''énergie mystérieuse du rire. Faisant preuve d''un esprit d''irrévérence absolument moderne, Tom Robbins, fermement convaincu que " l''humour et la joie de vivre sont les armes les plus subversives du monde ", remet au goût du jour dans cette épopée picaresque et tumultueuse le sens du merveilleux et l''allégresse qui font les grands romans.