New Releases by Shirley Jackson

Último romance publicado pela autora, Sempre Vivemos no Castelo é considerado uma obra fundamental da literatura norte-americana. Considerado pela crítica uma das obras-primas da literatura norte-americana, Sempre Vivemos no Castelo narra a história da extravagante família Blackwood — ou do que dela restou, após a morte por envenenamento de quase todos os seus elementos à mesa de jantar. Constance, uma das filhas, é ilibada do crime, passando a viver isolada na grande casa da família, longe da hostilidade dos habitantes da cidade. Com ela vivem o seu tio inválido, o gato Jonas e a sua irmã, Merricat, uma adolescente ingénua e invulgar que acredita em lobisomens, no poder dos objectos e em palavras mágicas, e que tudo fará para preservar este pequeno e estranho mundo. Essa frágil harmonia, contudo, é subitamente rompida com a chegada do primo Charles. Na sua presença, os terríveis acontecimentos do passado voltarão para assombrar os Blackwood, revelando a sua verdadeira face. Tradução do inglês de Maria João Freire de Andrade Os elogios da crítica: « Sempre Vivemos no Castelo é uma memorável dramatização da agorafobia levada ao extremo.» Rogério Casanova, LER «Shirley Jackson foi das que melhor cultivaram este regresso a um terror que se serve de início tépido e que vai aquecendo muito lentamente.» Rui Lagartinho, Time Out «Os seus romances deixaram uma marca em como se lê e vê o terror e, sobretudo, na forma como se olha para a família norte-americana.» André Santos, Sábado «Personagens bem desenhadas e a escrita excelente, feita de palavras comuns e percepção afinada.» Luís M. Faria, Expresso «Uma mestre maior do terror e do suspense.» The New York Times Book Review «Shirley Jackson é uma escritora inimitável cujas palavras permanecem connosco durante muito tempo.» Joyce Carol Oates «Shirley Jackson era uma escritora incrível... Se nunca leram Sempre Vivemos no Castelo ou A Maldição de Hill House, estão a perder uma coisa maravilhosa.» Neil Gaiman «Shirley Jackson é ímpar na criação de tremores silenciosos, crescentes e excepcionalmente bem escritos.» Dorothy Parker

Hill House is a mansion in a location that is never specified but is between many hills. The story concerns four main characters: Dr. John Montague, an investigator of the supernatural; Eleanor Vance, a shy young woman who resents having lived as a recluse caring for her demanding disabled mother; Theodora, a bohemian artist implied to be a lesbian; and Luke Sanderson, the young heir to Hill House, who is host to the others. Dr. Montague hopes to find scientific evidence of the existence of the supernatural. He rents Hill House for a summer and invites as his guests several people whom he has chosen because of their experiences with paranormal events. Of these, only Eleanor and Theodora accept. Eleanor travels to the house, where she and Theodora will live in isolation with Montague and Luke. Hill House has two caretakers, Mr. and Mrs. Dudley, who refuse to stay near the house at night. The four overnight visitors begin to form friendships as Dr. Montague explains the building''s history, which encompasses suicide and other violent deaths. All four of the inhabitants begin to experience strange events while in the house, including unseen noises and ghosts roaming the halls at night, strange writing on the walls, and other unexplained events. Eleanor tends to experience phenomena to which the others are oblivious. At the same time, Eleanor may be losing touch with reality, and the narrative implies that at least some of what Eleanor witnesses may be products of her imagination. Another implied possibility is that Eleanor possesses a subconscious telekinetic ability that is itself the cause of many of the disturbances experienced by her and other members of the investigative team (which might indicate there is no ghost in the house at all). This possibility is suggested especially by references early in the novel to Eleanor''s childhood memories about episodes of a poltergeist-like entity that seemed to involve mainly her.

A bewitchingly brilliant collection of never-before-published letters from the renowned author of “The Lottery” and The Haunting of Hill House NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS • “This biography-through-letters gives an intimate and warm voice to the imagination behind the treasury of uncanny tales that is Shirley Jackson’s legacy.”—Joyce Carol Oates Shirley Jackson is one of the most important American authors of the last hundred years and among our greatest chroniclers of the female experience. This extraordinary compilation of personal correspondence has all the hallmarks of Jackson’s beloved fiction: flashes of the uncanny in the domestic, sparks of horror in the quotidian, and the veins of humor that run through good times and bad. i am having a fine time doing a novel with my left hand and a long story—with as many levels as grand central station—with my right hand, stirring chocolate pudding with a spoon held in my teeth, and tuning the television with both feet. Written over the course of nearly three decades, from Jackson’s college years to six days before her early death at the age of forty-eight, these letters become the autobiography Shirley Jackson never wrote. As well as being a bestselling author, Jackson spent much of her adult life as a mother of four in Vermont, and the landscape here is often the everyday: raucous holidays and trips to the dentist, overdue taxes and frayed lines of Christmas lights, new dogs and new babies. But in recounting these events to family, friends, and colleagues, she turns them into remarkable stories: entertaining, revealing, and wise. At the same time, many of these letters provide fresh insight into the genesis and progress of Jackson’s writing over nearly three decades. The novel is getting sadder. It’s always such a strange feeling—I know something’s going to happen, and those poor people in the book don’t; they just go blithely on their ways. Compiled and edited by her elder son, Laurence Jackson Hyman, in consultation with Jackson scholar Bernice M. Murphy and featuring Jackson’s own witty line drawings, this intimate collection holds the beguiling prism of Shirley Jackson—writer and reader, mother and daughter, neighbor and wife—up to the light.

Publicada per primera vegada als Estats Units el 1959, La maledicció de Hill House està considerada una de les obres mestres de la literatura de terror, una novel·la que ha marcat les trajectòries d''autors com Stephen King o Neil Gaiman. La maledicció de Hill House narra l''experiment inquietant de John Montague, filòsof i antropòleg dedicat obsessivament a l''estudi de fenòmens paranormals: el doctor vol comprovar en persona què suposa viure en una casa encantada. Quan sent a parlar de Hill House, un casalot inhòspit, desangelat i de reputació estremidora, està convençut que ha arribat el moment de provar-ho, i convoca tres persones perquè l''acompanyin en l''aventura: la Theodora, una jove despreocupada i curiosa, escollida per la seva capacitat telepàtica; l''Eleanor, solitària, infeliç i fràgil, amb un passat obscur, i el Luke, un jove vividor, mentider i futur hereu de Hill House. La maledicció de Hill House és una poderosa novel·la de terror psicològic que persegueix al lector més enllà de les pàgines del llibre.

Vier Menschen betreten die alte Villa, die als Hill House bekannt ist. Sie wollen die übernatürlichen Phänomene, die sich angeblich darin ereignen, untersuchen. Die vier werden etwas Böses erleben, das sich ihrer Kontrolle und ihrem Verstand entzieht. Sie können unmöglich wissen, dass sie von dem Haus selbst angelockt wurden und welche bösen Pläne es verfolgt ... Das Meisterwerk der ''Queen of Horror'', der wichtigsten Autorin unheimlicher Literatur und Vorbild für Stephen King und viele andere Autoren. Neil Gaiman: ''Was das wirklich Unheimliche betrifft, überragt Shirley Jacksons SPUK IN HILL HOUSE alle anderen Romane. Eine erstaunliche Autorin. Wenn du sie nicht gelesen hast, hast du etwas Wunderbares verpasst.'' Donna Tartt: ''Shirley Jacksons Geschichten gehören zu den schauerlichsten, die je geschrieben wurden.'' Joyce Carol Oates: ''Shirley Jackson ist eine dieser höchst eigenwilligen, unnachahmlichen Schriftstellerinnen, deren Werke einen bleibenden Zauber ausüben.'' Stephen King: ''Einer der wirklich großen unheimlichen Romane der vergangenen hundert Jahre.'' FESTA MUST READ: Große Erzähler ohne Tabus. Muss man gelesen haben. Shirley Jackson ist die ''Queen of Horror'', die wichtigste Autorin unheimlicher Literatur und literarisches Vorbild für Stephen King, Neil Gaiman und viele andere Autoren. Shirley Jackson wurde 1916 in Kalifornien geboren. Als der New Yorker 1948 ihre Kurzgeschichte ?The Lottery? veröffentlichte, waren viele Leser so entsetzt, dass sie ihre Abonnements kündigten und Hassbriefe sendeten. The Union of South Africa verbot die Veröffentlichung dieser Geschichte sogar. Inzwischen gilt sie als eine der berühmtesten Erzählungen Amerikas. Ihre dunklen, brillanten Romane haben viele Autoren beeinflusst. The Haunting of Hill House und We Have Always Lived in the Castle sind ihre Meisterwerke. Shirley Jackson starb 1965. Stephen King: ''The Haunting of Hill House ist einer der wirklich großen, unheimlichen Romane der vergangenen hundert Jahre.''

The greatest haunted house story ever written and the inspiration for a 10-part Netflix series directed by Mike Flanagan and starring Michiel Huisman, Carla Gugino, and Timothy Hutton. First published in 1959, Shirley Jackson''s The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers--and soon it will choose one of them to make its own.

'' "Of course, no one would want to say anything about a girl like this that''s missing..." '' Malice, paranoia and creeping dread lie beneath the surface of ordinary American life in these chilling miniature masterworks of unease. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York''s underground scene to the farthest reaches of outer space.

For the first time in one volume, a collection of Shirley Jackson’s scariest stories, with a foreword by PEN/Hemingway Award winner Ottessa Moshfegh After the publication of her short story “The Lottery” in the New Yorker in 1948 received an unprecedented amount of attention, Shirley Jackson was quickly established as a master horror storyteller. This collection of classic and newly reprinted stories provides readers with more of her unsettling, dark tales, including the “The Possibility of Evil” and “The Summer People.” In these deliciously dark stories, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the crumbling country pile, and from the small-town apartment to the dark, dark woods. There’s something sinister in suburbia. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A child meets a magician who grants eight wonderfully fantastic wishes, with one wish left over for someone else to find.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • From the renowned author of “The Lottery” and The Haunting of Hill House, a spectacular volume of previously unpublished and uncollected stories, essays, and other writings. Features “Family Treasures,” nominated for the Edgar Award for Best Short Story Shirley Jackson is one of the most important American writers of the last hundred years. Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted. As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion. Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space. For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist. This volume includes a Foreword by the celebrated literary critic and Jackson biographer Ruth Franklin. Praise for Let Me Tell You “Stunning.”—O: The Oprah Magazine “Let us now—at last—celebrate dangerous women writers: how cheering to see justice done with [this collection of] Shirley Jackson’s heretofore unpublished works—uniquely unsettling stories and ruthlessly barbed essays on domestic life.”—Vanity Fair “Feels like an uncanny dollhouse: Everything perfectly rendered, but something deliciously not quite right.”—NPR “There are . . . times in reading [Jackson’s] accounts of desperate women in their thirties slowly going crazy that she seems an American Jean Rhys, other times when she rivals even Flannery O’Connor in her cool depictions of inhumanity and insidious cruelty, and still others when she matches Philip K. Dick at his most hallucinatory. At her best, though, she’s just incomparable.”—The Washington Post “Offers insights into the vagaries of [Jackson’s] mind, which was ruminant and generous, accommodating such diverse figures as Dr. Seuss and Samuel Richardson.”—The New York Times Book Review “The best pieces clutch your throat, gently at first, and then with growing strength. . . . The whole collection has a timelessness.”—The Boston Globe “[Jackson’s] writing, both fiction and nonfiction, has such enduring power—she brings out the darkness in life, the poltergeists shut into everyone’s basement, and offers them up, bringing wit and even joy to the examination.”—USA Today “The closest we can get to sitting down and having a conversation with . . . one of the most original voices of her generation.”—The Huffington Post

In a hilariously charming domestic memoir, America’s celebrated master of terror turns to a different kind of fright: raising children. In her celebrated fiction, Shirley Jackson explored the darkness lurking beneath the surface of small-town America. But in Life Among the Savages, she takes on the lighter side of small-town life. In this witty and warm memoir of her family’s life in rural Vermont, she delightfully exposes a domestic side in cheerful contrast to her quietly terrifying fiction. With a novelist’s gift for character, an unfailing maternal instinct, and her signature humor, Jackson turns everyday family experiences into brilliant adventures.

In the uproarious sequel to Life Among the Savages, the author of The Haunting of Hill House confronts the most vexing demons yet: her children In the long out-of-print sequel to Life Among the Savages, Jackson’s four children have grown from savages into full-fledged demons. After bursting the seams of their first house, Jackson’s clan moves into a larger home. Of course, the chaos simply moves with them. A confrontation with the IRS, Little League, trumpet lessons, and enough clutter to bury her alive—Jackson spins them all into an indelible reminder that every bit as thrilling as a murderous family in a haunted house is a happy family in a new home.

Elizabeth Richmond ha ventitré anni, i tratti insieme eleganti e anonimi di una «vera gentildonna» della provincia americana, e non sembra avere altri progetti che quello di aspettare «la propria dipartita stando il meno male possibile». Sotto un’ingannevole tranquillità, infatti, si agita in lei un disagio allarmante che si traduce in ricorrenti emicranie, vertigini e strane amnesie. Un disagio a lungo senza nome, finché un medico geniale e ostinato, il dottor Wright, dopo aver sottoposto la giovane a lunghe sedute ipnotiche, rivelerà la presenza di tre personalità sovrapposte e conflittuali: oltre alla stessa Elizabeth, l’amabile e socievole Beth e il suo «negativo» fotografico Betsy, «maschera crudele e deforme» che vorrebbe fagocitare e distruggere – con il suo «sorriso laido e grossolano» e i suoi modi sadici, insolenti e volgari – le altre due. È solo l’inizio di un inabissamento che assomiglierà, più a che un percorso clinico coronato da un «successo» terapeutico, a una discesa amorale e spietata nelle battaglie angosciose di un Io diviso, apparentemente impossibile da ricomporre; tanto che dopo la comparsa di una quarta personalità, Bess, il dottor Wright sentirà scosse le fondamenta non solo della sua dottrina, ma della sua stessa visione del rapporto tra l’identità e la realtà.

Shirley Jackson''s third novel, a chilling descent into multiple personalities Elizabeth is a demure twenty-three-year-old wiling her life away at a dull museum job, living with her neurotic aunt, and subsisting off her dead mother’s inheritance. When Elizabeth begins to suffer terrible migraines and backaches, her aunt takes her to the doctor, then to a psychiatrist. But slowly, and with Jackson’s characteristic chill, we learn that Elizabeth is not just one girl—but four separate, self-destructive personalities. The Bird’s Nest, Jackson’s third novel, develops hallmarks of the horror master’s most unsettling work: tormented heroines, riveting familial mysteries, and a disquieting vision inside the human mind. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A stunningly creepy deluxe hardcover edition with spot gloss, black sprayed edges, black-stained pages, and black endpapers. Part of a six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro. Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro’s favorites, from Mary Shelley’s Frankenstein and Ray Russell’s short story “Sardonicus,” considered by Stephen King to be “perhaps the finest example of the modern Gothic ever written,” to Shirley Jackson’s The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. Featuring original cover art by Penguin Art Director Paul Buckley, these stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere. The Haunting of Hill House The classic supernatural thriller by an author who helped define the genre. First published in 1959, Shirley Jackson''s The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a “haunting;'' Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

Seventeen-year-old Natalie Waite longs to escape home for college. Her father is a domineering and egotistical writer who keeps a tight rein on Natalie and her long-suffering mother. When Natalie finally does get away, however, college life doesn''t bring the happiness she expected. Little by little, Natalie is no longer certain of anything--even where reality ends and her dark imaginings begin. Chilling and suspenseful, Hangsaman is loosely based on the real-life disappearance of a Bennington College sophomore in 1946.

The compelling novel that began Shirley Jackson''s legendary career Pepper Street is a really nice, safe California neighborhood. The houses are tidy and the lawns are neatly mowed. Of course, the country club is close by, and lots of pleasant folks live there. The only problem is they knocked down the wall at the end of the street to make way for a road to a new housing development. Now, that’s not good—it’s just not good at all. Satirically exploring what happens when a smug suburban neighborhood is breached by awful, unavoidable truths, The Road Through the Wall is the tale that launched Shirley Jackson’s heralded career. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Chiunque abbia visto qualche film del terrore con al centro una costruzione abitata da sinistre presenze si sarà trovato a chiedersi almeno una volta perché le vittime di turno (giovani coppie, gruppi di studenti, scrittori alla vana ricerca di ispirazione) non optino, prima che sia troppo tardi, per la soluzione più semplice – e cioè non escano dalla stessa porta dalla quale sono entrati, allontanandosi senza voltarsi indietro. Bene, a tale domanda, meno oziosa di quanto potrebbe parere, questo romanzo di Shirley Jackson – il suo più noto – fornisce una risposta, forse la prima. Non è infatti la fragile, sola, indifesa Eleanor Vance a scegliere la Casa, dilatando l’esperimento paranormale in cui l’ha coinvolta l’inquietante professor Montague molto oltre i suoi presunti limiti. È piuttosto la Casa – con la sua torre buia, le porte che sembrano aprirsi da sole, le improvvise folate di gelo – a scegliere, per sempre, Eleanor Vance. E a imprigionare insieme a lei il lettore, che tenterà invano di fuggire da una costruzione romanzesca senza crepe, in cui – come ha scritto il più celebre discepolo della Jackson, Stephen King – «ogni svolta porta dritta in un vicolo buio». "L’incubo di Hill House" è apparso per la prima volta nel 1959.

Stories of magic, superstition, and witchcraft were strictly forbidden in the little town of Salem Village. But a group of young girls ignored those rules, spellbound by the tales told by a woman named Tituba. When questioned about their activities, the terrified girls set off a whirlwind of controversy as they accused townsperson after townsperson of being witches. Author Shirley Jackson examines in careful detail this horrifying true story of accusations, trials, and executions that shook a community to its foundations.

A seemingly ordinary village participates in a yearly lottery to determine a sacrificial victim.

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Into the car and close the door. Ready to go on a mystery tour! * Sharing a story or rhyme for only 10 minutes each day helps your child to enjoy practising his reading. * Books 1-8 of Read with Ladybird will help children who are just starting to learn to read. * You can be confident that practising at home with Read with Ladybird will support work done at school.

My dad can''t dance, my mum can''t sing - but you''ll still love them! * You can help your child to practise his reading by spending 10 minutes a day sharing short stories and simple rhymes. * Books 9-16 of Read with Ladybird are ideal for children who are in the early stages of learning to read. * You can be confident that practising at home with Read with Ladybird will support work done at school.

Red and yellow and pink and blue. She likes brown. Do you? * Sharing a story or rhyme for only 10 minutes each day helps your child to enjoy practising his reading. * Books 1-8 of Read with Ladybird will help children who are just starting to learn to read. * You can be confident that practising at home with Read with Ladybird will support work done at school.

Loop the loop, climb to the top... Hold on tight, it''s about to drop! * Sharing a story or rhyme for only 10 minutes each day helps your child to enjoy practising her reading. * Books 1-8 of Read with Ladybird will help children who are just starting to learn to read. * You can be confident that practising at home with Read with Ladybird will support work done at school.

Welcome to the maddest salon in town, where every day is a bad hair day! * You can help your child to practise his reading by spending 10 minutes a day sharing short stories and simple rhymes. * Books 9-16 of Read with Ladybird are ideal for children who are in the early stages of learning to read. * You can be confident that practising at home with Read with Ladybird will support work done at school.

Bossy sisters, noisy brothers and naughty pets - no wonder Mum is cross! * You can help your child to practise his reading by spending 10 minutes a day sharing short stories and simple rhymes. * Books 9-16 of Read with Ladybird are ideal for children who are in the early stages of learning to read. * You can be confident that practising at home with Read with Ladybird will support work done at school.