New Releases by Scott Brown

Exploring the gray zone of infiltration and subversion in which the Nazi and Communist parties sought to influence and undermine each other, this book offers a fresh perspective on the relationship between two defining ideologies of the twentieth century. The struggle between Fascism and Communism is situated within a broader conversation among right- and left-wing publicists, across the Youth Movement and in the “National Bolshevik” scene, thus revealing the existence of a discourse on revolutionary legitimacy fought according to a set of common assumptions about the qualities of the ideal revolutionary. Highlighting the importance of a masculine-militarist politics of youth revolt operative in both Marxist and anti-Marxist guises, Weimar Radicals forces us to re-think the fateful relationship between the two great ideological competitors of the Weimar Republic, while offering a challenging new interpretation of the distinctive radicalism of the interwar era.

F. Scott Brown knew things were not perfect when he took over the European division of Morgan AM&T. He didn''t let that deter him. Their downward spiral needed to be fixed and he knew he was the man for the job. After successfully steering the company back in the black, he stepped down as CEO and president at the end of 2000. Eight months later, an FBI agent showed up at his house in Central Florida with a subpoena. His life has not been the same since. Brown faced corruption and personal betrayal, and a shockingly wide-ranged cover-up that ultimately would lead to incarceration. Many false accusations with heart-wrenching moments of frustration continued for more than three years. Finally, despite his innocence, he entered an "excruciating guilty plea." Brown''s fight for justice was not over. He would discover how God''s revelations would bring him proof of his innocence. Now he uses his experience to help others.

Publié par un couple de jeunes architectes et enseignants qui y sonnent la révolte, Learning from Las Vegas cristallise les débats dans le milieu architectural américain du début des années soixante-dix. Aux constructions imaginaires d''un monde meilleur, l''ouvrage oppose l''observation de la réalité, faisant de la ville existante - ici Las Vegas - un modèle à reproduire, imiter, ou parodier. Il rompt ainsi brutalement avec l''idéologie moderniste où la création architecturale ou urbanistique suppose une tabula rasa, une page blanche, ouvrant la voie à bien des écrits d''architectes qui, depuis, ont inversé le rapport entre théorie et réel.

"You remember a girl we knew back in high school named Linda Brown?" he asked solemnly. "Hmm, if I remember correctly, we used to hang out with her quite a few times." I replied. My connection to Linda was deeper than that. We were high school sweethearts. We dated through most of high school, eventually breaking up our senior year. I never wanted to end our relationship, but she did. It''s hard when you are young. "Yes, well, she''s been murdered." Scott said. There was a long pause while I tried to recover from the massive amount of shock I was experiencing. It was kind of like getting hit in the stomach with a bowling ball, only the wind hadn''t been knocked out of me. I had not seen her in many years and yet I felt so sad as if we had kept touch since we graduated. "What happened?" I asked almost in a whisper."I don''t have time to go over the details. I''m faxing you my report on this caseas we speak. I''m also going to arrange a flight for you. I want you to help me."Scott said. The fax was just coming in. "You want me to fly out there? What use would I be?" I asked. "I''ll explain when you get here, if the FBI will fit the bill. Sorry, I can''t talk anymore. I hope to see you soon. Bye." Scott said then hung up.

On October 8, 1908, Mordecai Brown clutched a half-dozen notes inside his coat pocket. The message of each was clear: We’ll kill you if you pitch and beat the Giants. A black handprint marked each note, the signature of the Italian Mafia. Mordecai Brown—dubbed “Three Finger” because of a childhood farm injury—was the dominant pitcher for the great Chicago Cubs team of the early twentieth century, a team that from 1906 through 1910 was arguably the best in baseball history. Brown’s handicap enabled him to throw pitches with an unconventional movement that left batters bewildered—the curve ball that Ty Cobb once called “the most devastating” he had ever faced. How Brown responded to the Mafia’s threats in 1908 mirrored the way he took life in general: with unflappable courage and resolve. Telling his story for the first time, Cindy Thomson and Scott Brown trail Mordecai from the Indiana countryside to the coal mines, from semipro ball to the Majors, from the World Series mound back down to the Minors. Along the way they retrieve the lost lore of one of baseball’s greatest pitchers—and chronicle one man’s determination to reach a dream that most believed was unreachable.

The observer-designer-theorists who analyzed the Las Vegas strip as an archetype in "Learning from Las Vegas" now turn their iconoclastic vision onto their own remarkable partnership and the rule-breaking architecture it has spawned for this fascinating retrospective of their life work.

Teaches seven essential skills to aid in negotiating with children, ending conflict and bringing more joy into the family.

Las Vegas é atravessada pela Rota 91, o arquétipo do corredor comercial, o fenômeno mais puro e intenso. A documentação e a análise cuidadosa de sua forma física é tão importante para os arquitetos e urbanistas de hoje quanto foram os estudos da Europa medieval e da Grécia e Roma antigas para gerações anteriores. Um estudo desse tipo ajuda a definir um novo tipo de forma urbana que surge nos Estados Unidos e na Europa, radicalmente diferente de tudo o que se conhece. Um dos objetivos deste estudo é, por meio de uma investigação aberta e sem preconceitos, chegar a compreender essa nova forma e começar a desenvolver técnicas para seu tratamento. Dividida em duas partes, a obra trata primeiramente da descrição do estudo dos autores sobre a arquitetura do corredor comercial e, posteriormente, da generalização sobre o simbolismo na arquitetura e a iconografia do esparrame urbano.

Adam Taliaferro had it all: smarts, an easy-going personality, and incomparable athletic ability. None of that seemed to matter, however, on that fateful September day when his father was given startling news: Do not expect your son to walk. Ever. Since that numbing day, Taliaferro, the Penn State freshman cornerback who was paralyzed after he tackled an Ohio State running back, has defied the odds. Before he had spinal-fusion surgery, he made a vow to his mother: "Mom, I''m not going out like this." Three months later, he walked out of a Philadelphia hospital on crutches, determined to complete his amazing recovery, making the name "Adam Taliaferro" synonymous with courage and perseverance.

A biography and discography of James P. Johnson, whose musical career spanned the ragtime era.

These seventeen essays span thirty-two years in the careers of Robert Venturi and Denise Scott Brown. In these careers one can see the inextricable blending of the building of buildings and the building of words. They "look, analyze, synthesize through writing, synthesize through design, then look again." Robert Venturi''s Complexity and Contradiction in Architecture, published in 1966, has been acknowledged as the most important thinking and writing on architecture since Le Corbusier. It provided a theoretical base for architects to transform architectural design from Modern to contemporary. A leading exponent of the Postmodern, the firm of Venturi, Rauch and Scott Brown has been in the forefront of new approaches in architecture and design, combining traditional with modern. And their writing has been viewed as "brilliant and liberating." Paul Goldberger, in The New York Times, says of Robert Venturi and Denise Scott Brown: "They merge a kind of childlike delight with an adult''s ironic sensibility, bringing to architecture an attitude not altogether different from that which Lewis Carroll brought to literature." -- from book cover.

Ausgangspunkt fur diese Veroffentlichung, die sich schon lange zu einem Klassiker der Architekturtheorie entwickelt hat, war ein Seminar mit dem Titel -Learning from Las Vegas, or Form Analysis as Design Research- an der Fakultat fur Kunst und Architektur der Yale University 1968.

Learning from Las Vegas created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of "common" people and less immodest in their erections of "heroic," self-aggrandizing monuments. This revision includes the full texts of Part I of the original, on the Las Vegas strip, and Part II, "Ugly and Ordinary Architecture, or the Decorated Shed," a generalization from the findings of the first part on symbolism in architecture and the iconography of urban sprawl. (The final part of the first edition, on the architectural work of the firm Venturi and Rauch, is not included in the revision.) The new paperback edition has a smaller format, fewer pictures, and a considerably lower price than the original. There are an added preface by Scott Brown and a bibliography of writings by the members of Venturi and Rauch and about the firm''s work.