Best Selling Books by Sarah Smith

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In an obscure old volume in the British Library, bestselling mystery writer Sarah Smith found an ancient poem. Who wrote it? Ex-English professor Smith writes a snarky and accessible preface that introduces the reader to authorship studies and, with deduction worthy of Sherlock Holmes, she identifies the writer of the poem as the major alternate Shakespeare candidate, Edward de Vere.

She who would be queen must win the love of a king—and a country. Whitehall is a royal tale full of true history and sensual intrigue, from Serial Box Publishing. Set in the 17th century court of King Charles II and his queen, Portuguese princess Catherine of Braganza. Her journey to find her place as the foreign wife in a court riddled with political and religious intrigue -- not to mention the many mistresses of Charles the “Merry Monarch” -- is a tale of perseverance only a true queen could endure. Love mingles with betrayal before a sensual renaissance of art, culture, and sex in this lush historical serial. Whitehall is written by Liz Duffy Adams, Delia Sherman, Barbara Samuel, Mary Robinette Kowal, Madeleine Robins, and Sarah Smith. Originally presented serially in 13 episodes, this omnibus collects installments 1 through 7 of Whitehall Season One into one edition.

Reprint of the original, first published in 1841.

A Guide to Growing Up is an engaging, clear, and helpful guide for young people that shines God''s light into the topics of puberty, bodies and sex. It is profoundly positive; about sex, about self, about faith, about relationships, love, boundaries, pleasure, choices - about all the sorts of things that could possibly matter when it comes to growing up. Full of distinctive illustrations that grab the attention, conversations with young people and detailed chapters on hot topics, such as masturbation and same-sex attraction; A Guide to Growing Up is an invaluable tool to support parents in talking to their children, and an essential guide in any young person''s journey - a guide they can go back to time and again.

In 1999, after 24-years of violent military occupation by Indonesian forces, the small country of Timor-Leste became host to one of the largest UN peace operations. The operation rested on a liberal paradigm of statehood, including nascent ideas on gender in peacebuilding processes. This book provides a critical feminist examination of the form and function of a gendered peace in Timor-Leste. Drawing on policy documents and field research in Timor-Leste with national organisations, international agencies and UN staff, the book examines gender policy with a feminist lens, exploring and developing a more complex account of ‘gender’ and ‘women’ in peace operations. It argues that gendered ideologies and power delimit the possibilities of building a gender-just peace, and contributes deep insight into how gendered logics inform peacebuilding processes, and specifically how these play out through the implementation of policy that explicitly seeks to reorder gender relations at sites in which peace operations deploy. By utilising a single case study, the book provides space to examine both international and national discourses, and contextualises its analysis of Women, Peace and Security within local histories and contexts. This book will be of interested to scholars and students of gender studies, global governance, International Relations, and security studies.

So when, ten years later, police arrived at the house Sarah was cleaning, she could not believe what they were telling her: Freegard was not an MI5 agent, he was a conman and she was one of many victims. He had brainwashed her by using such sophisticated techniques that psychologists are still baffled.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An eccentric Count who runs a famous Paris horror theatre, cursed with unexpected death . . . A beautiful young heiress and aspiring leading lady who just might be a involved in the dark arts . . . An enigmatic gentleman whose shadowed past will at last be exposed. Their fates and hidden agendas intertwine in Sarah Smith’s captivating novel of suspense, a compelling tale of desire, poisonous secrets, and the most terrible of betrayals. . . . A CITIZEN OF THE COUNTRY

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Describes how pizza is made at a pizza shop.