Most Popular Books by Robert Browning

In "The Pied Piper of Hamelin (Illustrated)," Robert Browning crafts a mesmerizing narrative that intertwines the realms of folklore and moral inquiry. This illustrated poem not only recounts the fascinating tale of a mysterious piper who leads a town''s children away in retribution for unpaid debts but also employs Browning''s hallmark dramatic monologue style. With vivid imagery and rhythmic cadences, the text invites readers into a richly imaginative landscape where themes of trust, authority, and consequence unfold, revealing the moral ambiguities inherent in human relationships and societal obligations. Robert Browning, a prominent figure in Victorian literature, was known for his innovative narrative techniques and psychological depth. His interest in dramatic storytelling, combined with the cultural context of his time—marked by industrial expansion and social upheaval—likely influenced his adaptation of this ancient legend. Browning''s ability to delve into the human psyche and societal norms is evident in this retelling, which reflects both his artistic vision and the complexities of human nature. This captivating work is highly recommended for anyone fascinated by classic literature, moral dilemmas, and the intersection of fantasy and reality. Browning''s poignant verses and the accompanying illustrations breathe new life into this timeless tale, making it an essential read for both young audiences and discerning aficionados of poetry.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Pied Piper pipes the village free of rats, and when the villagers refuse to pay him for the service he exacts a terrible revenge.

The Pied Piper of Hamelin is the subject of a legend concerning the disappearance or death of a great number of kids from the town of Hamelin (Hameln), Lower Saxony, Germany, in the Middle Ages. The earliest references describe a piper, dressed in multicolored ("pied") clothing, leading the kids away from the town never to return. In the 16th century the story was expanded into a full narrative, in which the piper is a rat-catcher hired by the town to lure rats away with his magic pipe. When the citizens refuse to pay for this service, he retaliates by turning his power that he put in his instrument on their children, leading them away as he had the rats. This version of the story spread as folklore and has also appeared in the writings of Johann Wolfgang von Goethe, the Brothers Grimm and Robert Browning, among others. Using the Verstegan/Wanley version of the tale and adopting the 1376 date, Browning''s verse retelling is notable for its humor, wordplay, and jingling rhymes. Robert Browning (1812–1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The love affair between two of the Victorian era''s most famous poets is one of passion, tragedy, illness, and ultimately, endurance. Collected here are their love letters, which capture their courtship, their blossoming love, and their forbidden marriage. This is the story of one of history’s great love affairs. The relationship between Elizabeth Barrett Browning and Robert Browning began in his admiring her poetry. His audacious first letter moves from loving her books to loving her. She was alarmed by his "extravagance", and worried that he might substitute lioness-worship for real feeling. Much of her hesitation came from knowing that love can bring injury as well as boon. She had suffered such injury. The fullness of their love is revealed in these letters.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Robert Browning''s friendship for Isabella Blagden was almost as remarkable as was his love for Elizabeth Barrett. After Elizabeth''s death (June 1861), Browning went to England to educate their son, but he hoped eventually to return to Italy, principally so that he might be near his friend "Isa." He asked her to write to him once a month on the twelfth, promising to answer her letter on the nineteenth. The fulfillment of this obligation resulted in a correspondence which is remarkable from the standpoint of continuity. Most collections of letters suffer from their fragmentary form; there are no continuing threads of interest which hold them together. Not so the letters which Browning wrote to Miss Blagden. They are not in the great English letter writing tradition, being obviously written for Isa rather than for posterity, but they are filled with the most intimate and interesting sort of gossip and informal exchanges of ideas which give them a character all their own. One hundred and fifty-four letters from Browning to Isabella Blagden are known to be in existence; all of them are included in the present volume, together with copious explanatory notes and an illuminating introduction. Edward C. McAleer has approached every detail of his editorial task with thoroughness, imagination, and skill. His notes will add immeasurably to the pleasure of reading the letters, in addition to making a substantial contribution to the world''s knowledge of Browning and his associates.

Robert Browning''s epic poem Prince Hohenstiel-Schwangau, Savior of Society was inspired by French Emperor Napoleon III and it was largely composed in Florence in the early 1860s. Robert Browning, the author, was a major Victorian poet and, of course, an English poet. Irony, characterization, dark humor, social criticism, historical context, and hard language and grammar are among his many talents.

This Is A New Release Of The Original 1901 Edition.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.