Best Selling Books by Richard Price

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Set in the more general context of tale telling by the descendants of Africans throughout the Americas and of recent scholarship in performance studies, these Saramaka tales are presented as a dramatic script. With the help of nearly forty photographs, readers become familiar not only with the characters in folktale-land, but also with the men and women who so imaginatively bring them to life. And because music complements narration in Saramaka just as it does elsewhere in Afro-America, more than fifty songs are presented here in musical notation.

“Four Dissertations†by Richard Price presents a philosophical exploration of morality, Providence, miracles, and prayer. Price delves into the essence of virtue and the criteria by which actions are deemed morally right. He also examines the wisdom of Divine Providence, addressing the question of whether all events are predetermined or if free will plays a role in human affairs. Further, Price investigates the credibility of miracles, scrutinizing the evidence required to substantiate claims of supernatural occurrences. He concludes with a discourse on the duty of prayer, considering its efficacy and alignment with reason. Price''s work offers a profound discussion on fundamental philosophical and religious concepts. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An election day massacre in colonial Martinique. A "mad" artist who lives in a cave. A satirical wooden bust of a white colonel. The artist''s banishment to the Devil''s Island penal colony for "impertinence." And a young anthropologist who arrives in Martinique in 1962, on the eve of massive modernization. In a stunning combination of scholarship and storytelling, the award-winning anthropologist Richard Price draws on long-term ethnography, archival documents, cinema and street theater, and Caribbean fiction and poetry to explore how one generation''s powerful historical metaphors could so quickly become the next generation''s trivial pursuit, how memories of oppression, inequality, and struggle could so easily become replaced by nostalgia, complicity, and celebration. "A superb callaloo of a book. . . . Richard Price has a remarkable grasp of the literatures of the Caribbean, and draws on this resource to explore the underlying insanity of the colonial experience, as well as the bewildering complexities of the postcolonial world where memory is erased or invented according to the demands of a market modernity."--George Lamming, author of The Pleasures of Exile "By beautifully crafting elements as disparate as biographical data, sociological studies, literary sources, and archival documents, Richard Price''s research is more fascinating than a piece of fiction."--Maryse Condé, author of I, Tituba, Black Witch of Salem "Price does it again. Mixing eras, genres, and voices, he carries the reader through the contradictory streams of historical consciousness in the Caribbean island of Martinique. The result is as complex and as enticing as the sea it evokes."--Michel-Rolph Trouillot, author of Silencing the Past "Filled with insights that are at once theoretical, methodological, and ethnographic, The Convict and the Colonel is required reading for anyone interested in colonialism, memory, and contemporary Caribbean societies."--Jennifer Cole, American Ethnologist

A National Bestseller A New York Times Notable Book of the Year One of the most acclaimed novels of the year, Richard Price’s Lush Life is a tale of two Lower East Sides: one a high-priced bohemia, the other a home to hardship, its residents pushed to the edges of their time-honored turf. When a cocky young hipster is shot by a street kid from the “other” Lower East Side, the crime ripples through every stratum of the city in this brilliant and kaleidoscopic portrait of the “new” New York, from one of our finest American authors.

By the co-writer of the HBO miniseries The Night Of Richard Price''s New York Times bestseller, The Whites, is an electrifying tale of a New York City police detective under siege-by an unsolved murder, by his own dark past, and by a violent stalker seeking revenge. Back in the run-and-gun days of the mid-1990s, when a young Billy Graves worked in the South Bronx as part of an aggressive anti-crime unit known as the Wild Geese, he made headlines by accidentally shooting a ten-year-old boy while struggling with an angel-dusted berserker on a crowded street. Branded as a loose cannon by his higher-ups, Billy spent years enduring one dead-end posting after another. Now in his early forties, he has somehow survived and become a sergeant in Manhattan Night Watch, a small team of detectives charged with responding to all post-midnight felonies from Wall Street to Harlem. Mostly, his unit acts as little more than a set-up crew for the incoming shift, but after years in police purgatory, Billy is content simply to do his job. Then comes a call that changes everything: Night Watch is summoned to the four a.m. fatal slashing of a man in Penn Station, and this time Billy''s investigation moves beyond the usual handoff to the day tour. And when he discovers that the victim was once a suspect in the unsolved murder of a twelve-year-old boy-a savage case with connections to the former members of the Wild Geese-the bad old days are back in Billy''s life with a vengeance, tearing apart enduring friendships forged in the urban trenches and even threatening the safety of his family. Razor-sharp and propulsively written, The Whites introduces Harry Brandt--a new master of American crime fiction.

Thirty-five years into his research among the descendants of rebel slaves living in the South American rain forest, anthropologist Richard Price encountered Tooy, a priest, philosopher, and healer living in a rough shantytown on the outskirts of Cayenne, French Guiana. Tooy is a time traveler who crosses boundaries between centuries, continents, the worlds of the living and the dead, and the visible and invisible. With an innovative blend of storytelling and scholarship, Travels with Tooy recounts the mutually enlightening and mind-expanding journeys of these two intellectuals. Included on the itinerary for this hallucinatory expedition: forays into the eighteenth century to talk with slaves newly arrived from Africa; leaps into the midst of battles against colonial armies; close encounters with double agents and femme fatale forest spirits; and trips underwater to speak to the comely sea gods who control the world’s money supply. This enchanting book draws on Price’s long-term ethnographic and archival research, but above all on Tooy’s teachings, songs, stories, and secret languages to explore how Africans in the Americas have created marvelous new worlds of the imagination.

For more than four centuries, communities of maroons (men and women who escaped slavery) dotted the fringes of plantation America, from Brazil through the Caribbean to the United States. Today their descendants still form semi-independent enclaves—in Jamaica, Brazil, Colombia, Belize, Suriname, Guyane, and elsewhere—remaining proud of their maroon origins and, in some cases, faithful to unique cultural traditions forged during the earliest days of Afro-American history. In 1986, expelled by the military regime of Suriname, anthropologists Richard and Sally Price turned to neighboring Guyane (French Guiana), where thousands of Maroons were taking refuge from the Suriname civil war. Over the next fifteen years, their conversations with local people convinced them of the need to replace the pervasive stereotypes about Maroons in Guyane with accurate information. In 2003, Les Marrons became a local best seller. In 2020, after a series of further visits, the Prices wrote a new edition taking into account the many rapid changes. Available for the first time in English, Maroons in Guyane reviews the history of Maroon peoples in Guyane, explains how these groups differ from one another, and analyzes their current situations in the bustling, multicultural world of this far-flung outpost of the French Republic. A gallery of the magnificent arts of the Maroons completes the volume.

Includes bibliographical references and index.

Richard Price here offers a sweeping interpretation of modern British history. He challenges the dominant assumption that the nineteenth century marked the beginning of modern Britain. British Society argues on the contrary that nineteenth-century British society was the extension of an earlier era whose main themes first appeared in the late seventeenth century and which continued to shape the social, economic and political history of the country until the end of the nineteenth century. This book casts light on the main themes of economic, political and social history, and offers alternative interpretations on questions and issues that are central to the history of modern Britain. It follows in the great tradition of works such as Briggs''s Age of Improvement, and Perkin''s Origins of Modern English Society, and will be of enormous interest to all students and scholars of the period.

Maroon Societies is a systematic study of the communities formed by escaped slaves in the Caribbean, Latin America, and the United States. These societies ranged from small bands that survived less than a year to powerful states encompassing thousands of members and surviving for generations and even centuries. The volume includes eyewitness accounts written by escaped slaves and their pursuers, as well as modern historical and anthropological studies of the maroon experience.