New Releases by Rainer Maria Rilke

These poems, selected from Das Buch der Bilder and the two parts of Neue Gedichte, show Rilke''s deep concern with sculpture and painting. Written in his less mystical period (1900-1908), the poems exhibit Rilke''s particular artistic and poetic power. Rainer Maria Rilke was one of Germany''s most important poets. His influences include the paintings of the Worpswedders and the French Impressionists, the sculpture of Rodin (to whom he was both friend and secretary), and the poetry of Baudelaire, Verlaine, Mallarm , and other symbolists. His poetry is innovative, enigmatic, and entertainingly idiosyncratic. C.F. MacIntyre''s translations are both true to the original and poetic in their own right, and in each book he includes an introduction and notes. German text faces the English translation.

"In the diaries [Rilke] kept from 1898 to 1900, now translated for the first time . . . the overall impression is that of a genius just coming into his own powers."—Boston Phoenix In April 1898 Rainer Maria Rilke, not yet twenty-three, began a diary of his Florence visit. It was to record, in the form of an imaginary dialogue with his mentor and then-lover, Lou Andreas-Salome, his firsthand experiences of early Renaissance art. The project quickly expanded to include not only thoughts on life, history, and artistic genius, but also unguarded moments of revulsion, self-doubt, and manic expectation. The result is an intimate glimpse into the young Rilke, already experimenting brilliantly with language and metaphor. "For the lover of Rilke, this superb translation of the poet''s early diaries will be a watershed. Through Edward Snow''s and Michael Winkler''s brilliantly supple and faithful translation . . . a new and more balanced picture of Rilke will emerge."—Ralph Freedman

The reputation of Rainer Maria Rilke has grown steadily since his death in 1926; today he is widely considered to be the greatest poet of the twentieth century. This Modern Library edition presents Stephen Mitchell’s acclaimed translations of Rilke, which have won praise for their re-creation of the poet’s rich formal music and depth of thought. “If Rilke had written in English,” Denis Donoghue wrote in The New York Times Book Review, “he would have written in this English.” Ahead of All Parting is an abundant selection of Rilke’s lifework. It contains representative poems from his early collections The Book of Hours and The Book of Pictures; many selections from the revolutionary New Poems, which drew inspiration from Rodin and Cezanne; the hitherto little-known “Requiem for a Friend”; and a generous selection of the late uncollected poems, which constitute some of his finest work. Included too are passages from Rilke’s influential novel, The Notebooks of Malte Laurids Brigge, and nine of his brilliant uncollected prose pieces. Finally, the book presents the poet’s two greatest masterpieces in their entirety: the Duino Elegies and The Sonnets to Orpheus. “Rilke’s voice, with its extraordinary combination of formality, power, speed and lightness, can be heard in Mr. Mitchell’s versions more clearly than in any others,” said W. S. Merwin. “His work is masterful.”

An anthology of Rilke''s strongest poetry and prose for both aficionados and new readers. Here is a mini-anthology of poetry and prose for both aficionados and those readers discovering Rainer Maria Rilke for the first time. John J. L. Mood has assembled a collection of Rilke''s strongest work, presenting commentary along with the selections. Mood links into an essay passages from letters that show Rilke''s profound understanding of men and women and his ardent spirituality, rooted in the senses. Combining passion and sensitivity, the poems on love presented here are often not only sensual but sexual as well. Others pursue perennial themes in his work—death and life, growth and transformation. The book concludes with Rilke''s reflections on wisdom and openness to experience, on grasping what is most difficult and turning what is most alien into that which we can most trust.

Born in 1875, the German lyric poet Rainer Maria Rilke published his first collection of poems in 1898 and went on to become renowned for his delicate depiction of the workings of the human heart. These translations by M.D. Herter Norton offer Rilke''s work to the English-speaking world in an accurate, sensitive, modern version.

Perhaps no cycle of poems in any European language has made so profound and lasting an impact on an English-speaking readership as Rilke''s Duino Elegies. These luminous new translations by Martyn Crucefix, facing the original German texts, make it marvellously clear how the poem is committed to the real world observed with acute and visionary intensity. Completed in 1922, the same year as the publication of Eliot''s The Waste Land, the Elegies constitute a magnificent godless poem in their rejection of the transcendent and their passionate celebration of the here and now. Troubled by our insecure place in this world and our fractured relationship with death, the Elegies are nevertheless populated by a throng of vivid and affecting figures: acrobats, lovers, angels, mothers, fathers, statues, salesmen, actors and children. This bilingual edition offers twenty-first century readers a new opportunity to experience the power of Rilke''s enduring masterpiece. Book jacket.

The "Duino Elegies "are the culmination of the development of Rilke''s poetry. A summary of his spiritual troubles, perhaps no volume of poems in a European language has made so dramatic and sustained an impact on English-speaking readers in this century.

A new revised, bilingual ed. containing previously untranslated poems, as well as many of Rilke''s best-loved lyrics, including Autumn, Childhood and Entrance.

Rilke''s association with Rodin in 1902 inspired in him a new poetic method. ''Somehow, '' he wrote, ''I too must come to make things... realities that emerge from handiwork. Somehow I too must discover the smallest basic element, the cell of my art, the tangible immaterial means of representation for everything.'' Until this work, Rilke''s voice had come from the interior, expressing feelings and moods. New Poems represented a turning point, an intoxication with the materiality of the world.

Rilke''s prayerful responses to the french master''s beseeching art "For a long time nothing, and then suddenly one has the right eyes." Virtually every day in the fall of 1907, Rainer Maria Rilke returned to a Paris gallery to view a Cezanne exhibition. Nearly as frequently, he wrote dense and joyful letters to his wife, Clara Westhoff, expressing his dismay before the paintings and his ensuing revelations about art and life. Rilke was knowledgeable about art and had even published monographs, including a famous study of Rodin that inspired his "New Poems," But Cezanne''s impact on him could not be conveyed in a traditional essay. Rilke''s sense of kinship with Cezanne provides a powerful and prescient undercurrent in these letters -- passages from them appear verbatim in Rilke''s great modernist novel, "The Notebooks of Malte Laurids Brigge," "Letters on Cezanne" is a collection of meaningfully private responses to a radically new art.

Rilke''s move to Paris in 1902 and his close association with Rodin led him in a new direction in his poetry. between 1906 and 1908 he produced a torrent of brilliant work that he published in two volumes under the title ''New Poem.''

For poetry lovers and students of literature and literary criticism, Robert Bly, the National Book Award-winning poet, brings his prowess as a translator and critic to bear on the work of one of the major German poets of the century.

In this collection of excerpts from his essays, notebooks, and letters, pre-eminent modern poet Rainer Maria Rilke meditates on subjects as varied as a dolls, walking among trees, and the great sculptor Rodin. Where Silence Reigns, a sampling from his essays, notebooks, and letters, shows Rainer Maria Rilke (1875-1926), the pre-eminent modern poet of solitude and inwardness, seeking to reconcile his personal conflict between the claims of "life" and the claims of art. His subjects are commonplace, seemingly innocuous at times: the encounter between a man and a dog, a collection of dolls, a walk among trees. But always the deceptively simple external phenomenon is seen as the symbol, the catalyst of an intensely felt inner experience. As he confided to his friend Frau Wunderly-Volkart: "Oh, how often one longs to speak a few degrees more deeply! My prose... lies deeper... but one gets only a minimal layer further down; one’s left with a mere intimation of the kind of speech that may be possible THERE where silence reigns." In addition to occasional pieces and notebook entries, this volume contains selections from the strange and haunting "Dream-Book," the lyrical "Lay of the Love and Death of Cornet Christoph Rilke," and the entire "Rodin-Book"––Rilke’s appreciation of the great sculptor whom he had served as secretary.

Authoritative translations of two fundamentally united works by the influential German poet are presented along with the original German texts and explanatory notes

This representative selection from Rilke''s large and extraordinary correspondence provides a kind of spiritual autobiography of the poet. The period here covered reflects all the great experiences of Rilke''s early adult life: his difficult beginnings, his relationships with Lou Andreas-Salome and with his wife Clara, his two journeys to Russia, his contact with the Worpswede artists, the influence of Paris, the revelation of Cezanne. Many of the letters are psychologically revealing; many touch upon characteristic themes, or freshly transcribe experience that sooner or later passes into the poetry.