Best Selling Books by Rainer Maria Rilke

The first English translation of two stories from Rilke''s earliest prose work.

Intimately connected in themes and regarded as the poet''s masterpieces, these verses offer meditations on love, death, God, and the meaning of life. This edition features acclaimed translations by Jessie Lemont.

Rilke''s great cycle of ten elegies, perhaps his most profound poetic achievement, had its inception on the morning of January 21, 1912, but was interrupted by the First World War and not completed until a decade later. The Duino Elegies are not only the result of an extraordinary kind of contact with the unseen world; they are an attempt to understand that world in its holistic relationship to the visible, tangible world. This powerful rendering of the cycle is a product of the collaboration between a poet, Norris, and a Germanist, Keele.

Available for the first time in a single volume, Ranier Maria Rilke’s two most beloved sequences of poems rendered by his most faithful translator. Rilke is unquestionably the twentieth century’s most significant and compelling poet of romantic transformation and spiritual quest. His poems of ecstatic identification with the world exert perennial fascination. In Stephen Mitchell’s versions of Rilke’s two greatest masterpieces readers will discover an English rendering that captures the lyric intensity, fluency, and reach of his poetry. Stephen Mitchell adheres impeccably to Rilke’s text, to his formal music, and to the complexity of his thought; at the same time, Mitchell’s work has authority and power as poetry in its own right.

"First published in Paris in 1910, Rilke''s The Notebooks of Malte Laurids Brigge is one of the first great modernist novels: Partly a ghost story, partly an autobiography, and partly the diary of a young poet teaching himself how to see the world, this new translation by Burton Pike captures not only the beauty but also the strangeness and spirit of the original."--BOOK JACKET.

"In the diaries [Rilke] kept from 1898 to 1900, now translated for the first time . . . the overall impression is that of a genius just coming into his own powers."—Boston Phoenix In April 1898 Rainer Maria Rilke, not yet twenty-three, began a diary of his Florence visit. It was to record, in the form of an imaginary dialogue with his mentor and then-lover, Lou Andreas-Salome, his firsthand experiences of early Renaissance art. The project quickly expanded to include not only thoughts on life, history, and artistic genius, but also unguarded moments of revulsion, self-doubt, and manic expectation. The result is an intimate glimpse into the young Rilke, already experimenting brilliantly with language and metaphor. "For the lover of Rilke, this superb translation of the poet''s early diaries will be a watershed. Through Edward Snow''s and Michael Winkler''s brilliantly supple and faithful translation . . . a new and more balanced picture of Rilke will emerge."—Ralph Freedman

An anthology of Rilke''s strongest poetry and prose for both aficionados and new readers. Here is a mini-anthology of poetry and prose for both aficionados and those readers discovering Rainer Maria Rilke for the first time. John J. L. Mood has assembled a collection of Rilke''s strongest work, presenting commentary along with the selections. Mood links into an essay passages from letters that show Rilke''s profound understanding of men and women and his ardent spirituality, rooted in the senses. Combining passion and sensitivity, the poems on love presented here are often not only sensual but sexual as well. Others pursue perennial themes in his work—death and life, growth and transformation. The book concludes with Rilke''s reflections on wisdom and openness to experience, on grasping what is most difficult and turning what is most alien into that which we can most trust.

"An inspirational collection of poetry, based on the Book of Hours - psalms and prayers for various times throughout the day - used by monks, offers prayers and songs that address such concerns as spirituality in the modern age and the sufferings of war, poverty, and disease."--The publisher

“The ultimate expression of intergenerational literary wisdom.” —Andrew Solomon, The New Yorker A work that has inspired generations, this new edition of Letters to a Young Poet features a fresh translation of Rilke’s ten classic letters, along with the missing letters from the young poet himself. For nearly a century, eager writers and young poets, as well as those simply looking for a purpose in life, have embraced the wisdom of Rainer Maria Rilke’s Letters to a Young Poet, first published in 1929. Most readers and scholars have long assumed that the letters from the young poet were forever lost to posterity. Yet, shockingly, these letters were recently uncovered in Germany, and now the acclaimed translator Damion Searls has not only cast a fresh eye on Rilke’s original letters but also those of the “young poet,” Franz Xaver Kappus, an Austrian military cadet and an aspiring poet. This timeless edition, in addition to presenting their dialogue together for the first time in English, provides a new window into the workings of Rilke’s visionary poetic and philosophical mind, allowing us to reexperience the literary genius of one of the most inspiring works of twentieth-century literature.

The Sonnets of Orpheus I by Rainer Maria Rilke Translated by Joshua Jennings- A ShortWorks Publication ShortWorks is an independent publishing group that compiles short, compelling works, from arts, music and literature to social criticism and history to science and technology. www.shortworks.co

Presents a selection of observations and reflections on the topics of illness and death, dreams and religion, language and art, love and happiness, work and ambition, and childhood and old age.

Composed in 1899 when Rilke was only twenty-three, the interconnected tales of Stories of God were inspired by a trip to Russia the young poet had made the year previously. It is said that the vastness of the Russian landscape and the profound spirituality he perceived in the simple people he met led him to an experience of finding God in all things, and to the conviction that God seeks to be known by us as passionately as we might seek to know God. All the great themes of Rilke''s later powerful and complex poetry can be found in the Stories of God , yet their charming, folktale-like quality has made them among the most accessible of Rilke''s works, beloved by all ages.

In this collection of excerpts from his essays, notebooks, and letters, pre-eminent modern poet Rainer Maria Rilke meditates on subjects as varied as a dolls, walking among trees, and the great sculptor Rodin. Where Silence Reigns, a sampling from his essays, notebooks, and letters, shows Rainer Maria Rilke (1875-1926), the pre-eminent modern poet of solitude and inwardness, seeking to reconcile his personal conflict between the claims of "life" and the claims of art. His subjects are commonplace, seemingly innocuous at times: the encounter between a man and a dog, a collection of dolls, a walk among trees. But always the deceptively simple external phenomenon is seen as the symbol, the catalyst of an intensely felt inner experience. As he confided to his friend Frau Wunderly-Volkart: "Oh, how often one longs to speak a few degrees more deeply! My prose... lies deeper... but one gets only a minimal layer further down; one’s left with a mere intimation of the kind of speech that may be possible THERE where silence reigns." In addition to occasional pieces and notebook entries, this volume contains selections from the strange and haunting "Dream-Book," the lyrical "Lay of the Love and Death of Cornet Christoph Rilke," and the entire "Rodin-Book"––Rilke’s appreciation of the great sculptor whom he had served as secretary.

Rilke''s prayerful responses to the french master''s beseeching art For a long time nothing, and then suddenly one has the right eyes. Virtually every day in the fall of 1907, Rainer Maria Rilke returned to a Paris gallery to view a Cezanne exhibition. Nearly as frequently, he wrote dense and joyful letters to his wife, Clara Westhoff, expressing his dismay before the paintings and his ensuing revelations about art and life. Rilke was knowledgeable about art and had even published monographs, including a famous study of Rodin that inspired his New Poems. But Cezanne''s impact on him could not be conveyed in a traditional essay. Rilke''s sense of kinship with Cezanne provides a powerful and prescient undercurrent in these letters -- passages from them appear verbatim in Rilke''s great modernist novel, The Notebooks of Malte Laurids Brigge. Letters on Cezanne is a collection of meaningfully private responses to a radically new art.

From the writer of the classic Letters to a Young Poet, reflections on grief and loss, collected and published here in one volume for the first time. “A great poet’s reflections on our greatest mystery.”—Billy Collins “A treasure . . . The solace Rilke offers is uncommon, uplifting and necessary.”—The Guardian Gleaned from Rainer Maria Rilke’s voluminous, never-before-translated letters to bereaved friends and acquaintances, The Dark Interval is a profound vision of the mourning process and a meditation on death’s place in our lives. Following the format of Letters to a Young Poet, this book arranges Rilke’s letters into an uninterrupted sequence, showcasing the full range of the great author’s thoughts on death and dying, as well as his sensitive and moving expressions of consolation and condolence. Presented with care and authority by master translator Ulrich Baer, The Dark Interval is a literary treasure, an indispensable resource for anyone searching for solace, comfort, and meaning in a time of grief. Praise for The Dark Interval “Even though each of these letters of condolence is personalized with intimate detail, together they hammer home Rilke’s remarkable truth about the death of another: that the pain of it can force us into a ‘deeper . . . level of life’ and render us more ‘vibrant.’ Here we have a great poet’s reflections on our greatest mystery.”—Billy Collins “As we live our lives, it is possible to feel not sadness or melancholy but a rush of power as the life of others passes into us. This rhapsodic volume teaches us that death is not a negation but a deepening experience in the onslaught of existence. What a wise and victorious book!”—Henri Cole

Rainer Maria Rilke''s poetry offers a rare combination of insight, beauty, and accessibility that has delighted readers for generations. Beloved for its unique lyrical style and musical language, his work stands as some of the most remarkable poetry of the past one hundred years. In Praise of Mortality is an artfully curated selection of poems from Sonnets to Orpheus and Duino Elegies that investigate the emotional and psychological impact of the industrial revolution, and meditate on themes of impermanence and the steady passage of time. Barrows, an award-winning poet herself, and Macy, a well-known spiritual teacher, bring to their translations a striking sensitivity to the subtle currents of the work, approaching the poems with a fresh perspective that highlights the delicacy of their craft and beauty. With a deep reverence for nature and a singular ability to embody the tenuous connection between the spiritual and material, Rilke''s sonnets and elegies are a thoughtful antidote to the distractions, noise, and ever-increasing pace of the modern world.

»Die Winterstürme durchdringen die Welt mit wütender Macht. Da sinkt auf schneeigen Schwingen die tannenduftende Nacht ...« Für Rainer Maria Rilke ist der Winter die Zeit des Fragens und der Erinnerung, aber auch eine Zeit der Besinnung und des Abschieds. In Gedichten, Briefen und Texten sinniert Rilke über die ruhende Natur und die Stille der Welt und wie kein anderer vermag er es, mit seinen Worten zu trösten und zu kräftigen: »Aber die Winter! Oh diese heimliche Einkehr der Erde.«

Perhaps no cycle of poems in any European language has made so profound and lasting an impact on an English-speaking readership as Rilke''s Duino Elegies. These luminous new translations by Martyn Crucefix, facing the original German texts, make it marvellously clear how the poem is committed to the real world observed with acute and visionary intensity. Completed in 1922, the same year as the publication of Eliot''s The Waste Land, the Elegies constitute a magnificent godless poem in their rejection of the transcendent and their passionate celebration of the here and now. Troubled by our insecure place in this world and our fractured relationship with death, the Elegies are nevertheless populated by a throng of vivid and affecting figures: acrobats, lovers, angels, mothers, fathers, statues, salesmen, actors and children. This bilingual edition offers twenty-first century readers a new opportunity to experience the power of Rilke''s enduring masterpiece. Book jacket.

This volume marks the first translation of these prayer-poems into English. Originally written in 1899, Rilke wrote them upon returning to Germany from his first trip to Russia. His experience of the East shaped him profoundly. He found himself entranced by Orthodox churches and monasteries, above all by the icons that seemed to him like flames glowing in dark spaces. He intended these poems as icons of sorts, gestures that could illumine a way for seekers in the darkness. As Rilke here writes, "I love the dark hours of my being, for they deepen my senses." Translated by Mark S. Burrows.

"Immensely readable...a significant piece of scholarship."—Fred Volkmer, New York Sun He would become one of the most important poets of the twentieth century; she a muse of Europe''s fin-de-siècle thinkers and artists. In this collection of letters, a finalist for the PEN USA translation award, the poet Rainer Maria Rilke and Lou Andreas-Salomé, a writer and intellectual fourteen years his senior, pen a relationship that spans thirty years and shifting boundaries: as lovers, as mentor and protégé, and as deep personal and literary allies.

This collection features 12 stories by Franz Kafka, whose fiction is synonymous with the anguish of modern life, and the poet Rainer Maria Rilke, whose stories unfold in the same transcendent lyricism as his verse. Twelve of Kafka''s tales from the compilation Ein Landarzt (A Country Doctor), appear here, along with two tales from Ein Hungerkünstler (A Hunger Artist). Rilke''s stories include "Die Weise von Liebe und Tod des Cornets Christoph Rilke" (The Ballad of Love and Death of Cornet Christoph Rilke); "Die Turnstunde" (The Gym Class); and Geschichten vom lieben Gott (Stories About the Good Lord).

Tout à la fois influencé par les maîtres de l’Antiquité, le génie de Michel-Ange et la sculpture baroque, Auguste Rodin est l’un des artistes les plus reconnus de l’histoire. Bien qu’il soit considéré comme l’un des fondateurs de la sculpture moderne, Rodin n’a jamais critiqué la tradition classique. Nombre de ses sculptures furent critiquées et controversées en raison de leur sensualité ou de leur réalité crue. Ses œuvres les plus originales se détachaient des traditionnels thèmes mythologiques ou allégoriques pour étreindre le corps humain, célébrer l’individualisme et la matérialité. Ce livre dévoile la vie et la carrière de cet artiste en explorant ses œuvres majeures telles que La Porte de l’Enfer, Le Penseur et le fameux Baiser.

Collects correspondence between the revered poet and the European intellectual, tracing the early days of their affair and offering insight into how they interacted as lovers, mentor and protege, and literary allies.

A stunning, revelatory new translation of the only novel by one of the greatest poets of the twentieth century, from one of “the most trustworthy and exhilarating of Rilke’s contemporary translators” (Michael Dirda, Washington Post). A groundbreaking masterpiece of early European modernism originally published in 1910, The Notebooks of Malte Laurids Brigge unspools the vivid reflections of the titular young Danish nobleman and poet. From his Paris garret, Brigge records his encounters with the city and its outcasts, muses on his family history, and lays bare his earliest experiences of fear, tenderness, and desolation. With a poet’s feel for language and a keen instinct for storytelling, Rainer Maria Rilke forges a dazzlingly fractured coming-of-age narrative, kaleidoscopic in its alternation of vivid present encounters and equally alive memories of childhood. Strikingly contemporary, The Notebooks of Malte Laurids Brigge reveals a writer metabolizing his own experiences to yield still-essential questions about fiction and reality, empathy and psychosis, and—above all—life, love, and death. In a fascinating introduction, award-winning translator Edward Snow explores the overlaps between Rilke’s experiences and those of his protagonist, and shows with granular attention the novel’s capacity for nuance and sympathy. Snow’s exquisite translation captures as never before the astonishing cadences and musical clarity of the poet’s prose. It reveals The Notebooks of Malte Laurids Brigge as an urgent contemporary achievement, more than one hundred years after it was written.

This volume of Rilke''s letters covers the years from the completion of The Notebooks of Malte Laurids Brigge to Rilke''s death in December 1926, nearly five years after he had written the Duino Elegies and the Sonnets to Orpheus, his last major works. There are important letters here to Muzot, Lou Andreas-Salome, to Princess Marie of Thurn and Taxis Hohenlohe, and many others. The most significant of the Wartime Letters: 1914-1921 are also included. An Introduction briefly traces the development of Rilke''s work during these years; the Notes provide the necessary framework of biographical details and point up significant references to the poetry.