Best Selling Books by Lee Miller

Antony Penrose and his family were friends of Picasso. Here Antony tells of his friendship with the great artist and discusses some of his works, bound up with the family stories.

`A comprehensive, balanced and judicious treatment of biographical methods in social research, made all the more useful to students by its careful delineation of the practicalities involved′ - Raymond M Lee, Royal Holloway, University of London Specifically designed for those carrying out biographical, life history or family history research, this concise guide covers the methods and issues involved. The author demonstrates that biographical research is a distinctive way of conceptualizing social activity. The three main approaches to biographical and family history research are covered: - Realist - focused around grounded-theory techniques of interviewing; - Neo-positivist - more structured interview techniques; - Narrative - with emphasis on the active construction of life stories through the interplay between interviewer and interviewee. An invaluable introduction to the field, which contains much that will be of interest to the experienced practitioner, the book will be ideal for researchers in sociology, psychology, political science, social policy or anthropology.

“Learned ignorance,” the recognition that God is beyond us and our knowing capacities is the theological concept for which Nicholas of Cusa is most famous. Despite God’s apparent absence Nicholas offers original ways to think about God that would unite his presence with his absence. He called these proposals “conjectures” (coniecturae). Conjecture and conjecturing are central to the methodology of Nicholas’s philosophical theology and to his thinking about human knowledge. By using concrete examples from the everyday life of his times as symbolic imagery Nicholas makes what we say about God imaginatively available and theoretically plausible. He called such conjectural symbols “aenigmata” (= “symbolic or ‘enigmatic’ conjectures”) because they partially clarify and likewise point to an exact truth that is beyond us. Novel and imaginative, Nicholas’s conjectural examples break with the traditional medieval Aristotelian examples and provide further evidence of his role as a figure bridging medieval and Renaissance thought. Following his earlier book, Reading Cusanus (The Catholic University of America Press, 2003), Clyde Lee Miller here examines and comments on the meaning of “conjecture” in Nicholas of Cusa. The Art of Conjecture: Nicholas of Cusa on Knowledge explores what Nicholas meant by conjecture and its import as demonstrated in his treatises and sermons. Beginning with Nicholas’ On Conjectures, Miller analyzes a series of conjectural symbols and proposals across Nicholas’s less frequently discussed texts and recently published sermons. This early Renaissance thinker offers an original and ground-breaking way of framing speculation in philosophical theology and more generally in philosophy itself.

Now in its 23rd edition, the Environmental Law Handbook gives readers a comprehensive and up-to-date look at the major environmental laws affecting U.S. businesses and organizations. Written and compiled by the country’s leading environmental law firms, it provides the comprehensive and reliable guidance you can trust.

In Dreams of the Burning Child, David Lee Miller explores the uncanny persistence of filial sacrifice as a motif in English literature and its classical and biblical antecedents. He combines strikingly original reinterpretations of the Aeneid, Hamlet, The Winter''s Tale, and Dombey and Son with perceptive accounts of dreams found in memoirs, poems, and psychoanalytic texts. Miller looks closely at the grisly fantasy of the sacrifice of sons as it is depicted in classical epic, early modern drama, the nineteenth-century novel, the postcolonial novel, the lyric, the funeral elegy, sacred scriptures, and psychoanalytic theory. He also draws examples from painting, sculpture, photography, and architecture into a witty and engaging discussion that ranges from the binding of Isaac to Chinua Achebe''s Things Fall Apart, and from questions of literary history to the dilemmas of patriarchal masculinity.

The role of the human body as a poetic and ideological construct in the 1590 Faerie Queene provides the point of departure for David Lee Miller''s richly detailed treatment of Spenser''s allegory. In this major contribution to the study of Renaissance literature and ideology, Miller finds the poem organized by a fantasy of bodily wholeness that, like the marriage of Arthur and Gloriana, is both anticipated and deferred in the text. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book presents careful readings of six of the most important theoretical works of Nicholas of Cusa (1401-1463). Though Nicholas'' writings have long been studied as either scholastic Aristotelian or proto-Kantian, Clyde Lee Miller locates Cusanus squarely in the Christian Neoplatonic tradition. He demonstrates how Nicholas worked out his own original synthesis of that tradition by fashioning a conjectural view of main categories of Christian thought: God, the universe, Jesus Christ, and human beings. Each of the readings reveals how Nicholas'' project of "learned ignorance" is played out in striking metaphors for God and the relation of God to creation.

Audrey, Reid, Emma, and Sadie have been best friends since they were fourteen years old. When Sadie tragically passes away more than a decade later, she leaves them each a note with her last wish: to complete the bucket list they made together on the night of their high school graduation. Audrey and Reid haven’t spoken since the last time they ticked an item off that list. As they work with Emma to fulfill Sadie’s wish, they’re forced to confront their unresolved emotions—none of them good. But when Audrey goes through a devastating breakup, she finds an unlikely support system in Reid. Perhaps she’s been wrong about her all along. As Audrey and Reid draw closer in ways they never thought possible, their last promise to Sadie takes them on a journey toward healing their broken friendship and discovering the love they’ve always had for each other.

Unexpectedly, loss can teach us how to love. For Eliza Walsh, life is full of risk. She knows a thing or two about pain, and not just from her job as chief resident at the hospital. She’s reeling from a car accident that took the life of the only woman she’s ever loved, and her parents’ betrayal has strained their relationship to the point of nonexistence. But Blake Navarro enters the picture and challenges Eliza’s cautious way of living. Blake’s everything she isn’t: open, carefree, and a little reckless. When Eliza discovers that Blake, too, is healing from a huge loss, she feels seen, understood, and less alone. As Eliza and Blake fall for each other, they heal in ways they never expected. But when Eliza’s troubled past catches up with her, it changes everything, and she has to decide if fully opening her heart is worth the risk.

Remi Brenner will one day see the world. Literally. She’s one summer away from starting her degree in aerospace at MIT, but then her dad cuts off her college tuition until they repair their estranged relationship. Remi has no choice but to spend her summer with him and her annoyingly famous stepmom in resort town Gaslight Shores, South Carolina. Harper Hebert wishes her life didn’t revolve around her family’s restaurant, a staple in Gaslight Shores for more than seven decades. When a new restaurant is opened by a famous chef and business begins to decline, Harper’s dreams of ever making it on her own are threatened. The more Remi and Harper’s friendship blossoms into something deeper, the more Remi becomes tangled in the intense restaurant rivalry between her stepmom and the Heberts. She knows she has to tell Harper, but the truth could scare away the only person who can capture her summer and her heart.

Swimmer Quinn Hughes has given up a lot in order to be an Olympian: her social life, her love life, and everything that comes with being a normal twenty-three-year-old. Just days away from competing in the Tokyo Games, Quinn runs into her childhood best friend and high school sweetheart, Kennedy Reed. Five years earlier, they’d made a pact that they would try again if their paths ever crossed, and now she can’t shake the feeling that this is a sign. But Kennedy has a whole life in New York City, and Quinn’s at the opposite end of the country in San Francisco, struggling to redefine who she’ll be after the Olympics. Feeling lonely and lost from everything she’s given up, Quinn finds comfort in reconnecting with Kennedy, and they both discover that time and distance have only fueled their passion. As Quinn comes to terms with herself and what the future holds, she’s sure of only one thing: she’s not letting the only girl she’s ever loved get away for the second time.

The Hidden Treasure of Atlantis is a Prophetic book that tells of the future of Earth. Everyone except evil people, will need to evacuate to habitable planets, by building many many spacecraft top carry all righteous people to places in space, away from the evil and atomic radiation of Earth. Friendly outer space people have been here on Earth for 20,000, guiding mankind and preparing for leaving for new habitable planets deep in outer space. All righteous people must leave a radioactive Earth and move into outer space. Spacecraft are given to many people, and others are trained to build them. This is gripping action and terribly prophetic!

Arlette Adair has always done what’s right. From the day she was born, she’s lived the life her parents forced upon her. Now, she’s stuck in a sparkless relationship and a job she never wanted. Her father''s presidential campaign will forever root her in the world of politics that she’s trying to escape from. Brooke Dawson has always made her own rules. She’s a struggling freelance artist by day and a catering bartender at night, but her heart is full…almost. When she picks up a bartending shift at a high society party, she hopes to bring home enough money to pay her rent. She never expects to run into Arlette Adair: her former best friend, the girl she spent all of college secretly crushing on, and the one who got away. Now face-to-face with their unresolved past, Arlette and Brooke quickly fall back into their old ways while dancing around the biggest question: Why hadn’t they fallen in love all those years ago?

Would you want to forget the only woman you’ve ever loved? Marlie Rose does. Everyone thinks Broadway legend Marlie Rose has it all: a fabulous career spanning over five decades, all the major awards, and a lifetime in the spotlight. Only Marlie knows the heavy weight of her memories. When a new, experimental procedure promises to relieve trauma and heartbreak by erasing unwanted memories, Marlie signs up, desperate to let go of her tumultuous childhood, grief, and broken heart. As Marlie recalls her memories and decides which ones to keep and which to erase, she unexpectedly reunites with Eleanor Olson, the woman she’s been in love with for forty-seven years. As her heartbreak fades and her heart races anew for Eleanor, Marlie discovers their love isn’t as dead as she thought it was, and she starts regretting the procedure. Eleanor might be the only person who can help her restore her memories, but remembering might break her heart all over again.

In "a chilling documentary history of America''s above-ground nuclear tests conducted during the 1950s and early 1960s, Miller takes on the subject and universalizes it, at the same time giving it the flavor of a Dos Passos novel" ("Kirkus Reviews").

In the midst of exile from his native Russia in the mid-1930s, Fr Sergii Bulgakov identified his basic aspiration as an Orthodox theologian to be a ‘positive overcoming of Modernity’ - in fact, a continuation of the efforts of his great 19th-century inspiration, Vladimir Solovyóv, to reconstruct Christian thought and culture in the face of the unprecedented challenges posed by the Enlightenment and the era of revolutionary upheaval. But Bulgakov’s theological vision also involves a distinctive revision of Solovyóv’s programme, whose ‘residual Hegelianism’ continually threatens to level out speculative reason and mystagogical faith, progress in history and ‘the Kingdom not of this World’. Bulgakov refuses any such levelling: instead, he consummates the ‘apocalyptic turn’ Solovyóv had already commenced in the years immediately preceding his premature death in 1900. The resulting preference for the paradox of ‘antinomy’ over the closure of ‘dialectic’ comes to light in relation to four themes running through Bulgakov’s thinking in the decades falling between his rejection of Marxism and the commencement of his mature systematic-theological work in the 1930s: history, work, knowledge, and power.

No detailed description available for "The Linguistic Relativity Principle and Humboldtian Ethnolinguistics".

Blair Bennett’s only twenty-four but already has an impressive résumé. A sought-after songwriter, she’s written an arsenal of hit singles for other artists. Now she’s ready to conquer the music industry with her own band, and touring with the biggest pop star in the world, Reagan Moore, will get her exactly where she wants to go. It’s a lot harder than Blair expects, especially when she has to cope with the loss of her grandfather. She develops a close bond with Reagan, whose quick wit and easy charm keep her on her toes. As their attraction blossoms, Blair shows Reagan how to have fun again despite her fame, and their impulsive adventures ignite feelings neither can deny. Everything would be fine, if only Blair could keep it together. But her unhealthy ways of dealing with her grief and her troubled past jeopardize not only her budding music career but her relationship with the only woman she’s ever fallen for.

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