New Releases by Lawrence Block

TWO OF THE GREATEST AUTHORS OF NOIR FICTION IN AN UNFORGETTABLE COLLABORATION An innocent woman lies dead in the street, felled by a stray bullet. Now it’s up to the woman who killed her to investigate the dead woman’s life and pick up its cut-short threads, carrying out a mission of vengeance on her behalf against the man she loved and lost – and the nightclub-singing femme fatale responsible for splitting them apart. Begun in the last years of his life by noir master Cornell Woolrich, the haunted genius responsible for such classics as Rear Window, The Bride Wore Black, Night Has a Thousand Eyes, and Phantom Lady, and completed decades later by acclaimed novelist and MWA Grand Master Lawrence Block (A Walk Among the Tombstones, Eight Million Ways to Die), INTO THE NIGHT – available here for the first time in more than 35 years – is a collaboration that extends beyond the grave, echoing the book’s own story of the living taking on and completing the unfinished work of the dead.

IF YOU WANT SOMETHING BADLY ENOUGH, YOU''LL GET IT... Bernie Rhodenbarr may be New York''s most charming bookseller (by day) and its most skillful burglar (by night), but the modern world isn''t kind to either of his vocations. How is a bookseller supposed to make ends meet in a world where Amazon will deliver any title right to your doorstep? And how is a burglar to ply his trade in a city filled with security cameras and unpickable electronic locks? The answer, as Bernie will discover in the pages of this wildly imaginative new novel--the twelfth in MWA Grandmaster Lawrence Block''s acclaimed series, and the first in nearly a decade--is that the world can sometimes change in the most unexpected ways. Tempted to steal a priceless diamond from the penthouse apartment of a swinish entrepreneur, Bernie goes out drinking with his best friend Carolyn instead. But when he wakes up with something much stranger than a hangover, he realizes he''s got the opportunity of a lifetime if only he can figure out what to do with it. Taking inspiration from the mind-bending works of one of Bernie''s favorite authors (and one of Block''s), The Burglar Who Met Fredric Brown throws Bernie into unfamiliar territory while keeping him squarely on the streets of the city he loves, and if that seems impossible to you, well--maybe that''s because impossible is exactly what it is...

Here''s CHIP HARRISON--the second series character created by Lawrence Block, bestselling author of A WALK AMONG THE TOMBSTONES... How can a series predicated on the hero''s sexual innocence survive past a second book? How can our Chip remain the same age forever? Simple, Block decided, and put our Lecher in the Wry to work for a private detective, the remarkable Leo Haig. Haig believes that Nero Wolfe really exists, and that if he distinguishes himself professionally he may one day be invited to dine at the Great Man''s table. And Chip hires on as Haig''s eyes and ears--if not his nose and throat. MAKE OUT WITH MURDER is at once a tightly plotted murder mystery, a Nero Wolfe pastiche, and a wildly funny and erotic romp featuring five beautiful sisters and some rare coins. Trust me, you''ll love it.

"Matthew Scudder is dying, one bottle at a time. A young prostitute named Kim Dakkinen is dying too, her life measured out in tricks. She wanted out, had asked for Scudder''s help, but suddenly she wasn''t dying anymore, she was just dead. The former cop turned P.I. promised to protect her, but he failed. Now his atonement is to find her killer. But the secrets in the dead hooker''s past are dirtier than her living, and searching for a killer in a city where everyone''s a victim is a good way to make the role permanent"--

Five-time Edgar winner and MWA Grand Master Lawrence Block wrote a monthly column for Writers Digest Magazine for fourteen years. The Liar''s Bible consists of previously uncollected columns, chosen to illuminate the often dimly-lit path of the writer of fiction. Here''s what one reviewer said on Goodreads: "I am fascinated by the creative process and there are few excellent examples of this that I have found - there is Koestler''s The Act of Creation insightful in a general way- but I have found only two worth their salt about working creators - Trauffaut''s interviews with Hitchcock collected in Trauffaut/Hitchcock and Thomas Hoving''s two interviews with Andrew Wyeth - published as Autobiography and Two Worlds of Andrew Wyeth - but reading Lawrence Block''s collected columns on writing from Writer''s Digest I have discovered outstanding examples of this somewhat mysterious creative process. "Now I am anxious to read his other collected columns - Block of course writes so fluidly that, as one Stephen King fan commented, I would probably read his grocery list - but he also asks brilliant questions of himself and does a terrific job answering and commenting on these. "This is a must read for anyone intrigued by writers, artists, the creative process or those eager to write whether already published or hoping to be soon." And here''s another: "What an absolute treat it is to re-read these columns, nearly 30 years after I first read many of them in the pages of Writer''s Digest. I first started reading WD in high school, and subscribed for years, mostly for Lawrence Block''s fiction-writing columns. This book collects all of his pieces from that era. Sure, a few pieces of advice -- mostly related to the marketplace for fiction -- have since become, oh, just slightly dated, but most of the wisdom still applies, not just for fiction writers but for all writers. These columns were, indeed, my bible in the early stages of my writing life. I owe a lot to Block, and I''m glad to have the chance to reflect back on how his writing influenced not just my own wordsmithing but also my life."

"Ed London is the kind of private investigator you call to clean up the mess when your mistress turns up dead. But after he dumps a body in Central Park, it appears this case is still alive and kicking. Seems that the dead girl was in possession of something special that some very shady characters want back. Now Ed, along with his actress friend Maddy, will have to crack the case before he ends up dead himself. But there''s more than a murder here; there''s missing jewels, Israeli intelligence, Nazi spies, and a host of double-dealing, backstabbing thieves." Coward''s Kiss started life as a tie-in novel for Belmont Books, linked to the TV series Markham, starring Ray Milland. When a very young Lawrence Block turned in the book, his agent sent it instead to Knox Burger at Gold Medal, who shared the agent''s enthusiasm. Block rewrote the book, changing Roy to Ed and Markham to London, and Gold Medal published the book with the unfortunate title of Death Pulls a Doublecross. After fulfilling his assignment by writing another book for Belmont (You Could Call It Murder, Classic Crime Library #12) Block tried to write a second Ed London novel, but somehow never managed it. He did write three magazine novelettes with London, and you can find them in One Night Stands and Lost Weekends, a collection of his earliest pulp work. The legendary Anthony Boucher gave the book a nice review in the New York Times Book Review, and if Lawrence Block had the sense to hang on to things, we''d reproduce it here. But he doesn''t, so you''ll have to take our word for it. THE CLASSIC CRIME LIBRARY brings together Lawrence Block''s early crime novels, reformatted and with new uniform cover art.

The long-awaited eleventh novel in the Bernie Rhodenbarr series. Everybody''s favourite burglar returns in an eleventh adventure that finds him and his lesbian sidekick Carolyn Kaiser breaking into houses, apartments, and even a museum, in a madcap adventure replete with American Colonial silver, an F. Scott Fitzgerald manuscript, a priceless portrait, and a remarkable array of buttons. And, wouldn''t you know it, there''s a dead body, all stretched out on a Trent Barling carpet . . .

A must-have collection of essays on the art and craft of fiction from Mystery Writers of America Grand Master Lawrence Block. Collected here for the first time are writings that illuminate the tricks of the authorial trade, from creating a fresh story and delivering a powerful ending, to adapting books for the screen and deciding when to make the switch to fulltime writer.

Bestselling author and grand master Lawrence Block returns to his deadliest hitman. A man named Nicholas Edwards lives in New Orleans renovating houses, doing honest work and making decent money at it. Between his family and his stamp collection, all his spare time is happily accounted for. Sometimes it''s hard to remember that he used to kill people for a living. But when the nation''s economy tanks, taking the construction business with it, all it takes is one phone call to drag him back into the game. It may say Nicholas Edwards on his driver''s license and credit cards, but he''s back to being the man he always was: Keller. Keller''s work takes him to New York, the former home he hasn''t dared revisit, where his target is the abbot of a midtown monastery. Another call puts him on a West Indies cruise, with several interesting fellow passengers -- the government witness, the incandescent young woman keeping the witness company, and, sharing Keller''s cabin, his wife, Julia. But the high drama comes in Cheyenne, where a recent widow is looking to sell her husband''s stamp collection . . . In Hit Me, legendary Edgar Grandmaster and New York Times bestselling author Lawrence Block returns to one of his most beloved characters. Welcome back, Keller. You''ve been missed.

Facing his demons in his first year of sobriety, Matthew Scudder finds himself on the trail of a killer. When Scudder''s childhood friend Jack Ellery is murdered, presumably while attempting to atone for past sins, Scudder reluctantly begins his own investigation, with just one lead: Ellery''s Alcoholics Anonymous list of people he wronged. One of them may be a killer, but that''s not necessarily Scudder''s greatest danger. Immersing himself in Ellery''s world may lead him right back to the bar stool. In a novel widely celebrated by critics and readers, Lawrence Block circle back to how it all began, reestablishing the Matthew Scudder series as one of the pinnacles of American detective fiction. "Right up there with Mr. Block''s best . . . A Drop of Hard Stuff keeps us guessing." -- Tom Nolan, Wall Street Journal

A thief finds himself in the wrong place and suspected of the wrong crime in the “unfailingly entertaining” series from bestselling author (The New York Times). It’s hard to ignore someone with his hands in your mouth. Bernie Rhodenbarr’s all ears when Dr. Sheldrake, his dentist, starts complaining about his detestable, soon-to-be-ex wife, and happens to mention the valuable diamonds she keeps lying around the apartment. Since Bernie’s been known to supplement his income as a bookstore owner with the not-so-occasional bout of high-rise burglary, a couple of nights later he’s in the Sheldrake apartment with larceny on his mind—and has to duck into a closet when the lady of the house makes an unexpected entrance. Unfortunately he’s still there when an unseen assailant does Mrs. Sheldrake in . . . and then vanishes with the jewels. Bernie’s got to come out of the closet some time. But when he does, he’ll be facing a rap for a murder he didn’t commit—and for a burglary he certainly attempted—unless he can hunt down the killer who left him hanging. “Light-hearted crime at its very best.” —Robert Ludlum “Hilarious.” —St. Louis Post-Dispatch “A forgery ring turns up—along with the breezy Manhattan repartee and charmingly crude New Yorkers we’ve come to expect from the likably smart-alecky Mr. Block.” —Kirkus Reviews

Bernie Rhodenbarr is a personable chap, a good neighbor, a passable poker player. His chosen profession, however, might not sit well with some. Bernie is a burglar, a good one, effortlessly lifting valuables from the not-so-well-protected abodes of well-to-do New Yorkers like a modern-day Robin Hood. (The poor, as Bernie would be the first to tell you, alas, have nothing worth stealing.) He''s not perfect, however; he occasionally makes mistakes. Like accepting a paid assignment from a total stranger to retrieve a particular item from a rich man''s apartment. Like still being there when the cops arrive. Like having a freshly slain corpse lying in the next room, and no proof that Bernie isn''t the killer. Now he''s really got his hands full, having to locate the true perpetrator while somehow eluding the police -- a dirty job indeed, but if Bernie doesn''t do it, who will?

This is a city that seduces dreamers . . . then eats their dreams. Matthew Scudder understands the futility of his search for a longtime missing Midwestern innocent who wanted to be an actress in the vast meat-grinder called New York City. But her frantic father heard that Schudder is the best—and now the ex-cop-turned-p.i. is scouring the hell called Hell''s Kitchen looking for anything that might resemble a lead. And in this neighborhood of the lost, he''s finding love—and death—in the worst possible places.

Book description to come.

A philosophical yet practical gentleman, Bernie Rhodenbarr possesses many admirable qualities: charm, intelligence, sparkling wit, and unwavering loyalty. Of course, he also has this special talent and a taste for life''s finer things. So he''s more than willing to perform some vengeful larceny for a friend -- ripping off a smarmy, particularly deserving plastic surgeon -- for fun and a very tidy profit. But during a practice run at another address, Bernie''s forced to hide under a bed when the lady of the house returns unexpectedly with the worst kind of blind date in tow. In no time, Bernie''s up to his burgling neck in big trouble. Again. And this time it includes his arrest, no less than four murders, and more outrageous coincidences than any self-preserving felon should ever be required to tie together.

The author of dozens of acclaimed novels including those in the Scudder and Keller series, Lawrence Block has long been recognized as one of the premier crime writers of our time. Now, the breathtaking skill, power, and versatility of this Grand Master are brilliantly displayed once again in a mesmerizing new thriller set on the streets of the city he knows and loves so well. That was the thing about New York -- if you loved it, if it worked for you, it ruined you for anyplace else in the world. In this dazzlingly constructed novel, Lawrence Block reveals the secret at the heart of the Big Apple. His glorious metropolis is really a small town, filled with men and women from all walks of life whose aspirations, fears, disappointments, and triumphs are interconnected by bonds as unbreakable as they are unseen. Pulsating with the lives of its denizens -- bartenders and hookers, power brokers and politicos, cops and secretaries, editors and dreamers -- the city inspires a passion that is universal yet unique in each of its eight million inhabitants, including: John Blair Creighton, a writer on the verge of a breakthrough; Francis Buckram, a charismatic ex–police commissioner -- and the inside choice for the next mayor -- on the verge of a breakdown; Susan Pomerance, a beautiful, sophisticated folk-art dealer plumbing the depths of her own fierce sexuality; Maury Winters, a defense attorney who prefers murder trials because there''s one less witness; Jerry Pankow, an ex-addict who has turned being clean into a living, mopping up after New York''s nightlife; And, in the shadows of a city reeling from tragedy, an unlikely killing machine who wages a one-man war against them all. Infused with the raw cadence, stark beauty, and relentless pace of New York City, Small Town is a tour de force Block fans old and new will celebrate.

Small-time stoolie, Jake " The Spinner" Jablon, made a lot of new enemies when he switched careers, from informer to blackmailer. And the more "clients", he figured, the more money -- and more people eager to see him dead. So no one is surprised when the pigeon is found floating in the East River with his skull bashed in.And what''s worse, no one cares -- except Matthew Scudder. The ex-cop-turned-private-eye is no conscientious avenging angel. But he''s willing to risk his own life and limb to confront Spinner''s most murderously aggressive marks. A job''s a job after all -- and Scudder''s been paid to find a killer -- by the victim...in advance.

Matt Scudder is finally leading a comfortable life. The crime rate''s down and the stock market''s up. Gentrification''s prettying-up the old neighborhood. The New York streets don''t look so mean anymore. Then all hell breaks loose. Scudder quickly discovers the spruced-up sidewalks are as mean as ever, dark and gritty and stained with blood. He''s living in a world where the past is a minefield, the present is a war zone, and the future''s an open question. It''s a world where nothing is certain and nobody''s safe, a random universe where no one''s survival can be taken for granted. Not even his own. A world where everybody dies.

Bookseller and New-Yorker-to-the-bone, Bernie Rhodenbarr rarely ventures out of Manhattan, but he''s excited about the romantic getaway he has planned for himself and current lady love Lettice at the Cuttleford House, a remote upstate b&b. Unfortunately, Lettice has a prior engagement—she''s getting married . . . and not to Bernie—so he decides to take best buddy Carolyn instead. A restful respite from the big city''s bustle would be too good to waste. Besides, there''s a very valuable first edition shelved in the Cuttleford''s library that Bernie''s just itching to get his hands on. Did we neglect to mention that Bernie''s a burglar? But first he''s got to get around a very dead body on the library floor. The plot''s thickened by an isolating snowstorm, downed phone lines, the surprise arrival of Lettice and her reprehensible new hubby, and a steadily increasing corpse count. And it''s Bernie who''ll have to figure out whodunit . . . or die.

Matthew Scudder knows that justice is an elusive commodity in the big city, where a harmless man can be shot dead in a public place criminals fly free through holes in a tattered legal system. But now a vigilante is roaming among the millions, executing those he fees deserve to die. He calls himself "The Will of the People"—an ingenious serial killer who announces his specific murderous intentions to the media before carrying through on his threats. A child molester, a Mafia don, a violent anti-abortionist—even the protected and untouchable are being ruthlessly erased by New York''s latest celebrity avenger. Scudder knows that no one is innocent—but who among us has the right to play God? It is a question that will haunt the licensed p.i. on his journey through the bleak city grays, as he searches for the sanity in urban madness. . .and for a frighteningly efficient killer who can do the impossible.

The New York Times–bestselling author “ratchets up the suspense with breathtaking results as only a skilled, inventive and talented writer can do” (Orlando Sentinel). A man in a Virginia prison awaits execution for three horrific murders he must have committed but swears he didn’t . . . An aging investigator in New York City has seen too much and lost too much—and is ready to leave the darkness behind . . . But a nightmare is coming home—because a brilliant, savage, patient monster has unfinished business in the big city . . . and a hunger that can be satisfied only by fear and the slow, agonizing death of Matthew Scudder and the woman he loves. “Block, who couldn’t write a dull scene even if he tried to, is in fine form here.” —Los Angeles Times “Block, as always, takes his readers on a wildly entertaining ride.” —The Buffalo News “A thrilling, satisfying concoction brewed by a master storyteller in top form.” —Publishers Weekly (starred review) “An unforgettable tale of violence, death and deceit.” —Lansing State Journal “A page-turning work of art.” —Toronto Sun

Bookselling burglar Bernie Rhodenbarr doesn''t generally get philosophical about his criminal career. He''s good at it, it''s addictively exciting—and it pays a whole lot better than pushing old tomes. He steals therefore he is, period. He might well ponder, however, the deeper meaning of events at the luxurious Chelsea brownstone of Herb and Wanda Colcannon, which is apparently burgled three times on the night Bernie breaks in: once before his visit and once after. Fortunately he still manages to lift some fair jewelry and an extremely valuable coin. Unfortunately burglar or burglars number three leave Herb unconscious and Wanda dead . . . and the cops think Rhodenbarr dunnit. There''s no time to get all existential about it—especially after the coin vanishes and the fence fencing it meets with a most severe end. But Bernie is going to have to do some deep thinking to find a way out of this homicidal conundrum.

The CIA, the FBI, the KGB, Interpol—not one of the world''s premier intelligence organizations knows quite what to make of Evan Michael Tanner. Is he a spy, a mercenary, a footloose adventurer, or simply a screwball sucker for hopeless causes? (Actually he''s a little bit of all of the above. Plus he never sleeps. Ever.) One thing''s for sure: Tanner''s a true romantic, which is why he can''t refuse a distraught mother who begs him to rescue her lost, pure-as-driven-snow daughter. Phaedra Harrow (nee Deborah Horowitz) once shared Tanner''s apartment but not his bed. And now the virginal beauty''s been abducted by white slavers in the Afghan wilderness. Finding Phaedra will be difficult enough. Bringing her back alive and unmolested may be impossible. And first Tanner will have to swim the English Channel, survive trigger-happy Russian terrorists . . . and maybe pull off a timely assassination or two.

For this spy, there’s no Nazi losing sleep over. An up-all-night thriller from the New York Times–bestselling author and MWA Grand Master. Evan Tanner ran head-first into a piece of shrapnel in Korea, and now he can’t sleep. Ever. Which can be an asset for a dedicated linguist, term paper forger, thief, lost cause enthusiast . . . Spy. Tanner takes on jobs for a covert intelligence organization so secret that even those who work for it have no idea who they’re working for. Now his nameless supervisor wants him to sneak behind the Iron Curtain, storm an impregnable castle in Prague (alone!), and rescue an old Slovak who’s got a pressing date with a hangman’s noose. The trouble is the prisoner is an unrepentant Nazi who makes Goering look like Mister Rogers. Tanner hates Nazis. If he’s caught (which is likely) the U.S. will deny that they know him. And Tanner will be executed. After being tortured, no doubt. All in all, there are many excellent reasons why Tanner should refuse this assignment. So, naturally, he says yes. Praise for Lawrence Block “Block is one of the best!” —The Washington Post “Block is a deft surgeon, sure and precise.” —The New York Times “Block generates nonstop suspense.” —Publishers Weekly “One of our best authors.” —San Diego Union-Tribune

Cold War superspy Evan Tanner lost the ability to sleep on a battlefield in Korea. So where the heck has he been since the ''70s? Frozen. Cryogenically. A Tanner-sicle. Which he never thought would happen when he walked into a basement in Union City, New Jersey, more than a quarter century ago. Now he''s unthawed and ready to rumble, and his somewhat addled, former super-secret boss, "the Chief," is glad his favorite operative''s active again. Tanner awoke to a different world, though some bad things have remained the same . . . or gotten worse. Even before he can fully acclimate himself to this perplexing future, Tanner''s off to Burma (which isn''t really Burma anymore) to pose as a monk, destabilize the government, dodge a lethal double-cross, and rescue a beautiful prisoner. The world''s still full of conspiracy, corruption, greed, political chicanery—and beautiful women. So Tanner''s back with a vengeance, with a lot of lost time to make up for.

Twelve years ago, Matthew Scudder lied to a jury to put James Leo Motley behind bars. Now the ingenious psychopath is free. And the alcoholic ex-cop-turned-p.i. must pay dearly for his sins. Friends and former lovers -- even strangers unfortunate enough to share Scudder''s name -- are turning up dead. Because a vengeful maniac is determined not to rest until he''s driven his nemesis back to the bottle...and then to the boneyard.

The craft of writing is a lot like spinning a web: You take threads and weave them skillfully together, and only you know where this intricate network of twists and turns begin and how it will end. Now, with Lawrence Block''s expert advice, you can learn this art of entrapping your reader in a maze of fascinating fiction. Spider, Spin Me a Web is the perfect companion volume to Block''s previous book on writing, Telling Lies for Fun and Profit, which Sue Grafton noted "should be a permanent part of every writer''s library." As helpful and supportive as always, Block shares what he''s learned over the course of writing over one hundred published books: techniques to help you to write a solid piece of fiction; strategies for getting a reader (or editor) to read—and buy—your book; ideas for increasing your creativity and developing an environment that will nourish you and your craft. Spider, Spin Me a Web is a complete guide to achieving your full potential as a writer.

Bookseller Bernie Rhodenbarr''s in love—with an exotic Eastern European beauty who shares his obsession with Humphrey Bogart movies. He''s in heaven, munching popcorn with his new amour every night at a Bogart Film Festival—until their Casablanca-esque idyll is cut short by his other secret passion: burglary. When he''s hired to pilfer a portfolio of valuable documents from a Park Avenue apartment, Bernie can hardly refuse. But the occupant''s early return forces Bernie to flee empty-handed—and he soon finds himself implicated in a murder. Before you can say "who stole the strawberries?" he''s hunting for a killer, up to his neck in the outrageous intrigues of a tiny Balkan nation . . . and menaced by more sinister fat men and unsavory toadies than the great Bogie himself butted heads with in pursuit of that darn bird!