New Releases by Julius Lester

Julius Lester is the author of How Many Spots Does a Leopard Have? and Other Tales (1994), The Last Tales of Uncle Remus (1994), The Man who Knew Too Much (1994), The Knee-High Man and Other Tales (1992), Black Folktales (1992).

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How Many Spots Does a Leopard Have? and Other Tales

release date: Apr 01, 1994
How Many Spots Does a Leopard Have? and Other Tales
An illustrated collection of twelve folk tales, ten African and two Jewish.

The Last Tales of Uncle Remus

release date: Jan 01, 1994
The Last Tales of Uncle Remus
With his boisterous friends and rowdy enemies, Brer Rabbit is on the road to adventure. He gets a job and figures out how to get paid--twice a day! Times may change, but Brer Rabbit is forever! 32 illustrations, 8 in full color.

The Man who Knew Too Much

release date: Jan 01, 1994
The Man who Knew Too Much
A husband does not believe it when his wife tells him that their crying baby is comforted by a huge eagle who flies down with its sharp talons and alights on the baby.

The Knee-High Man and Other Tales

release date: Jul 15, 1992
The Knee-High Man and Other Tales
Delightfully funny animal stories and beautifully detailed paintings certain to captivate children.

Black Folktales

release date: Jan 01, 1992
Black Folktales
A modern retelling with contemporary references to 12 African and African American folktales.

Further Tales of Uncle Remus

release date: Jan 01, 1990
Further Tales of Uncle Remus
A retelling of the classic Afro-American tales relating the adventures and misadventures of Brer Rabbit and his friends and enemies.

Falling Pieces of the Broken Sky

release date: Jan 01, 1990
Falling Pieces of the Broken Sky
A collection of thirty-five essays of Julius Lester.

More Tales of Uncle Remus

release date: Jan 01, 1988
More Tales of Uncle Remus
The author retells the classic Afro-American tales.

Who I Am

Who I Am
Poems and photographs dealing with the themes of love, identity, city and country life, and childhood.

The Knee-high Man, and Other Stories

The Knee-high Man, and Other Stories
Retells six tales from American black folk literature: "Why the waves have whitecaps," "Mr. Rabbit and Mr. Bear," "Why dogs hate cats," "The farmer and the snake," "What is trouble?" and "The knee-high man."

Search for the New Land :4bhistory as Subjective Experience

Revolutionary Notes

Revolutionary Notes
A collection of essays introduce various facets of the struggle for radical change in American society, ranging from Women''s Liberation to the Yippies

The Folksinger's Guide To The 12-String Guitar As Played by Leadbelly

The Folksinger's Guide To The 12-String Guitar As Played by Leadbelly
From Introduction: "Huddie Ledbetter, nicknamed Leadbelly, died in December, 1949 at the age of 64. He had come out of the deep South, settled down in a little apartment on New York''s lower East Side, determined to build a successful career as a musician. Unfortunately, there was not much interest in folk music then. He got occasional jobs singing for schools and colleges, or at little parties where they were raising money for some cause like helping Loyalist Spain. Until the last three years of his life, he had barely recorded more than a few dozen songs. Today, through his recordings, he is world famous as one of the greatest singers of folksongs of this century. Songs he composed, or helped put together out of the fragments of older tunes, or adapted into the form in which we all know them now, have sold in the tens of millions: Good Night Irene, Bring Me A Little Water, Silvy, Midnight Special, Rock Island Line, Kisses Sweeter Than Wine (the tune), Old Cotton Fields At Home, and many others. The driving rhythms he developed on his unusual guitar, with its double strings, are unforgettable to anyone who ever heard them. Today, many young people wishing to learn his songs as he sang them, are trying to learn his style of guitar playing. This book is designed to help them, but it cannot be considered a substitute for listening to the recordings of Leadbelly....It must be remembered that more is involved than playing the correct notes and rhythm. When you listen to Leadbelly on record, you are listening to a man with many years of experience play an instrument. To achieve what he achieved is something which cannot be communicated in a book." - Julius Lester
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