Most Popular Books by Jules Feiffer

Cartoon and word spoof of the delicate relations between husband and wife.

This is the first of the Feiffer collections devoted to the development of a single theme: sex. In it we meet, on the most intimate of levels, Feiffer''s two most popular characters: Bernard and Huey. One, inept, inconsequential and, in all things, a loser ("I''ve come to look upon myself as the Renaissance-man of the rejectees"); the other (to put it plainly), a make-out man. But Bernard Mergendeiler is not just another one of the constant flood of comic victims that American humor so dearly loves to foist on us: he has other drives than to lose. As his cartoon memoir progresses Bernard lets slip the underground nature of the traditional victim. Shocking. Terribly funny. And unexpurgated

Has rearranged sections of the trial of D.T. Dellinger and others, which commenced in the U.S. District Court in Chicago on Sept. 24, 1969.

In 1956, an unknown cartoonist named Jules Feiffer began drawing a weekly comic strip called Sick, Sick, Sick free of charge for a then-obscure weekly newspaper called the Village Voice. Within two years, Feiffer had become one of the most popular satirists of the period, appearing in several major newspapers in the U.S. and Great Britain, and with a best-selling book under his belt. Feiffer: The Collected Works Vol. 3 contains the first two scintillating years of this strip (later re-dubbed simply Feiffer), shot mostly from the original art. But that''s not all! This volume also includes "Boom," Feiffer''s savage take on H-bomb testing, government duplicity, and public apathy. "The Deluge" takes a modern everyman, Harvey Noah, and gives him the daunting task of warning the world of impending flood by going through proper bureaucratic channels. "Kept" is the story of a small, ugly man who discovers the awful secret of successful seduction. In "Harold Swerg," the title character is the greatest athlete in the world; he upsets the nation when he refuses to win the Olympics because there''s no challenge in it. As a special bonus this book includes "Rollie," a never-before-printed 10-page story from that period, about a bass player whose playing sends everyone who hears it into orbit. This story, which languished in Feiffer''s files for close to four decades, is a great lost treasure, and absolutely critical to any Feiffer fan!

When his father leaves him beside the road to teach him a lesson about misbehaving, Richard discovers that the roadside is not a bad place and takes up residence there.

"Someone''s calling Bobby. I''m not Bobby. I''m a lion." Bobby''s parents are trying to get his attention, but Bobby is something else. For example, he''s a monster, an airplane, a dinosaur. Anything but Bobby. It''s not long before Bobby turns himself into an eagle soaring away with Mom, Dad, and every other grown-up in his life chasing after him. But after a daring escape into outer space, Bobby gets hungry and returns to Earth to claim his dinner. This hilarious escape story rings true to every child''s struggle for independence--not to mention a full tummy.

Catalog of an exhibition held at the Eric Carle Museum of Picture Book Art October 25, 2011 - January 22, 2012.

L''avventura di Julie che non potendo avere un cane ottiene un gatto, ma è un gatto antipatico. Allora ci vuole un criceto e poi.... via un animale dietro l''altro.

A first of four volumes collecting the Pulitzer Prize- and Academy Award-winning cartoonist''s Village Voice strips reflects the political and cultural arenas of the mid-twentieth century and tackles a wide range of topics, from the Eisenhower administration and McCarthyism to the Cold War and the impending civil rights era.

一九六八年，反對越戰的聲浪在美國愈漸高漲；同年八月，適逢執政的民主黨即將召開全國代表大會，不同領域的社運團體打算趁此時機，號召上萬群眾在會場外示威抗議，向執政黨表達反戰的意志。 然而，芝加哥市政府卻否決了他們的集會申請，最後更因為警方濫暴，導致和平示威演變為嚴重的流血衝突。八個月後，聯邦檢察官以「共謀」、「意圖跨越州界煽動暴亂」起訴八名示威領導人，準備向全美人民演出一場司法審判大秀，轉移社會焦點。 但是被政府點名的青年們，並不打算乖乖就範。為了捍衛思想自由，也為了避免可能面臨的十年重罪，他們並肩站上法庭，對抗以司法為名，但實際上意圖箝制思想自由的檢調及法官，更將抗議從街頭帶到法庭，讓傲慢的當權者最後必須接受輿論及歷史的審判。 本書由加州大學美國歷史教授喬恩．維納爬梳大量法庭紀錄，結合當事人湯姆．海登所寫後話，生動呈現了被告們在數月的漫長審理中，如何以辯證、嘲諷等方式表達反叛的思想。另收錄由普立茲獎獲獎漫畫家吉爾斯．菲佛繪製的速寫插畫，忠實展現非裔被告鮑比．希爾被綑綁、堵上嘴巴的驚人場面。透過文字與圖像，呈現出美國司法透過制度對人民施暴的惡行。 我從沒有因為我的思想而受過審判。──艾比．霍夫曼（Abbie Hoffman） 在和平集會變成喋血衝突後， 美國政府以共謀煽動暴亂起訴社運領袖，試圖壓制反戰浪潮。 為了捍衛言論與思想自由， 被點名的青年們不得不站上法庭，與司法展開惡戰！ 【本書特色】 ★芝加哥七人之一湯姆‧海登親筆後記 ★美國司法史上惡名昭彰的審判事件 ★收錄普立茲獲獎畫家所繪法庭速寫 ★奧斯卡金獎編劇翻拍案件為電影 ★「從街頭到法庭」的最佳案例，展現自由意志的不屈精神 ★收錄沈旭暉、藍士博、黃守達推薦專文 沈旭暉（國立中山大學政治所副教授） 法操FOLLAW（司法監督媒體） 藍士博（台灣基進桃園黨部執行長） 張之豪（基隆市議員） 黃守達（台中市議員） ──誠摯推薦 【目錄】 推薦── 反抗制度暴力，打破「依法」迷思：芝加哥七人案的歷史意義／沈旭暉 如果歷史有意義，關於《芝加哥七人案》與被審判的思想自由／藍士博 公正的條件：當審判作為一種展演，正義又如何可能？／黃守達 吉爾斯．菲佛法庭速寫清單 致謝 編輯的話 I、序章──被審判的一九六○年代／喬恩．維納 II、年表 III、審判紀錄 一、開場陳述 二、政府方主訴 瑞蒙．西蒙（Raymond Simon），芝加哥市資產律師 大衛．斯托爾（David Stahl），芝加哥市戴利市長的行政官員 瑪麗．艾倫．達爾（Mary Ellen Dahl），芝加哥警察 羅伯特．皮爾森（Robert Pierson），芝加哥警方的臥底警察 法蘭克．立吉奧（Frank Riggio）警探，芝加哥警察局 越戰終止日 卡爾．吉爾曼（Carl Gilman），新聞業員工、聯邦調查局線人 路易斯．薩爾茲伯格（Louis Salzberg），記者、聯邦調查局線人 法蘭克．D．斯威尼（Frank D. Sweeney），廣告人、聯邦調查局線人 威廉．弗拉波利（William Frapolly），芝加哥警方的臥底警察 被綑綁並堵住嘴的鮑比．希爾 比爾．H．瑞（Bill H. Ray），聖馬特奧郡副警長 鮑比．希爾：切割及被判藐視法庭罪 約翰．布萊達克（John Braddock），ABC電視台新聞攝影師 法蘭西斯．I．麥特南（Francis I. McTernan）：鮑比．希爾的專門律師 歐文．巴克（Irwin Bock），芝加哥警方的臥底警察 理查．沙勒（Richard Schaller），美國海軍情報局官員 佛列德．漢普敦（Fred Hampton）被芝加哥警察殺害 三、辯方主訴 費爾．歐克斯（Phil Ochs），抗議歌手、作曲家 艾倫．金斯堡（Allen Ginsberg），詩人 狄克．格雷戈里（Dick Gregory），喜劇演員、政治活動家 琳達．莫爾斯（Linda Morse），第五大街和平遊行委員 提摩西．李瑞（Timothy Leary）博士，前哈佛心理學教授、迷幻藥（LSD）推廣者 保羅．塞奎拉（Paul Sequeira），《芝加哥每日新聞》攝影師 艾比．霍夫曼（Abbie Hoffman） 李察．戴利（Richard Daley），芝加哥市長 艾德．山德斯（Ed Sanders），搖滾團體「濁氣樂團」團長 朱利安．邦德（Julian Bond），民權活動家、喬治亞州眾議院議員 阿洛．蓋瑟瑞（Arlo Guthrie），民謠歌手 保羅．克拉斯納（Paul Krassner），《現實主義者》雜誌編輯 朱蒂．柯林斯（Judy Collins），民謠歌手 倫尼．戴維斯（Rennie Davis） 諾曼．梅勒（Norman Mailer），作家 拉姆齊．克拉克（Ramsey Clark），詹森總統時期的司法部長 鮑比．希爾（Bobby Seale），黑豹黨黨主席 斯陶頓．林德（Staughton Lynd），歷史學家、民權積極分子 傑西．傑克森（Jesse Jackson）牧師，民權積極分子 四、政府方反證 詹姆士．利歐丹（James Riordan），芝加哥警局副局長 戴夫．戴林澤坐牢 五、結案陳詞與對陪審團的指示 六、藐視法庭的裁決 七、裁斷與判決 IV、後話／湯姆．海登 注解

Milo, a young boy with little interest in anything, takes a trip through the Phantom Tollbooth to the Lands Beyond where he meets an enchanting cast of characters that teaches him the importance of words, numbers, ideas, creativity, and enthusiasm for life.

Cuando su mamá le pide que ladre, George maúlla, grazna…, pero ¡no puede ser! George es un perro. ¿Qué le pasa? Este libro interactivo es muy divertido y presenta unas ilustraciones sencillas de colores atrevidos que contribuyen a la expresividad de los personajes y al humor de las situaciones. Es un álbum ideal para hablar de las emociones. Además, los lectores gozarán con la sorpresa final. ¡Genial para leerlo en voz alta! Empezad a entrenar las cuerdas vocales y repetid conmigo: «Miau», «Cuac, cuac», «Oinc», «Muuu».

The boy across the street has a fantastic life--he gets to sleep late, doesn''t go to school and has a pool in his bedroom? Can the boy who watches him have the same things in life? Full color.

"Bark, George," says George''s mother, and George goes: "Meow," which definitely isn''t right, because George is a dog. And so is his mother, who repeats, "Bark, George." And George goes, "Quack, quack." What''s going on with George? Find out in this hilarious new picture book from Jules Feiffer.

La maman de Georges dit: "Allez, aboie, Georges!" Georges fait "Miaou". "Non, Georges", dit la maman de Georges. "Les chats font miaou mais les chiens font wouf. Allez, aboie, Georges!" Et Georges fait "Coin Coin."

O cartunista e roteirista americano Jules Feiffer estreia na literatura juvenil, com uma ficção cujo herói, um menino de dez anos, sonha em tornar-se desenhista de HQ. "O homem no teto é um prazer a que não estamos acostumados: um livro para jovens escrito numa relação de igualdade com os leitores. O humor característico de Feiffer e a percepção penetrante como um laser com que ele desvenda o mecanismo de motivações das pessoas - marcas registradas de toda a sua obra - estão luminosamente presentes neste livro. O homem no teto capta com a pontaria certeira de um soco do Batman as primeiras manifestações apaixonadas da sensibilidade em formação de um garoto criador de histórias em quadrinhos." - Art Spiegelman.

Carey McWilliams was The Nation''s editor between 1955 and 1975, carrying forward the tradition of great Nation editors such as Oswald Garrision Villard, Freda Kirchwey and others. In the fall of 1978 in New York City, several hundred of his closest friends and greatest admirers assembled to honor Carey McWilliams and the occasion provoked some comments by the cartoonist and social critic Jules Feiffer. With his usual few deft strokes, Feiffer managed to capture in words a man, a tradition and a spirit, a spirit that continues to animate The Nation.