Most Popular Books by Johnny Cash

(Guitar Recorded Versions). 17 classics from the Man in Black transcribed note for note with tab, including: Big River * A Boy Named Sue * Cry, Cry, Cry * Daddy Sang Bass * Folsom Prison Blues * The Highwayman * I Walk the Line * Ring of Fire * Tennessee Flat Top Box * There You Go * and more.

(Piano/Vocal/Guitar Artist Songbook). This stark, beautiful, and simple album features Cash''s acoustic guitar playing songs directly out of his mother''s old hymnal. Our folio includes all 15 songs: I Shall Not Be Moved * I''ll Fly Away * If We Never Meet Again * In the Sweet by and By * Just As I Am * Softly and Tenderly * When the Roll Is Called up Yonder * and more.

The End... A book in getting closure to a past at long last... A book saying Good-Bye to the past... A book telling of love that once was... A book sharing of memories from a past that never seemed to end... A book in saying thanks for the memories... A book in saying it''s finally time to move on in this life... A book, which was meant to be... A book, which can only lead to a new beginning...

(String Solo). Hillbilly concert piece for violin and piano.

The book Finding All will be Johnny Cash Eaton''s fourth book... Finding All will give to its readers... Johnny Cash Eaton will share his inspiration, the being a survivor of abuse, the healing, the mending, the joys, the courage, the strength, the wisdom, the faith, the fight, the light, the love, and the sadness, you will read all about it in his fourth book, Finding All... Finding All is one book that will have its readers finding answers...

Eigentlich sollten mit der Platte ''American V: A hundred highways'' die posthum-Veröffentlichungen der ''American Recordings'' von Johnny Cash (1932-2003) im Jahr 2006 abgeschlossen sein. Produzent Rick Rubin, der Cash zu diesen überragenden Alterswerken ab 1994 gebracht hatte, kann aber auf weitere Aufnahmen des ''man in black'' für eine weitere Folge zurückgreifen, die nun ihrerseits als die verbindlich letzte zu gelten hat. Wieder sind auf ''American VI'' Coverversionen ausgesuchter Songs zu hören, denen Johnny Cash durch seinen gebrochenen, warmen Bariton einen neuen Charakter verleiht. ä''American VI - Ain''t No Grave'' bildet ein würdiges, ja ergreifendes und majestätisches Finale, das untermauert, dass ... Johnny Cash zu den grössten Musikern aller Zeiten gehört. Viel braucht er auch diesmal nicht, nur seine Akustik-Gitarre, ein Piano, diese tiefe Stimme und eine unglaubliche Ausstrahlung ... Damit endet die Serie der American Recordings, wie sie begann: mit einem meisterhaften Albumä (www.amazon.de).

From 1866 to 1882, Missouri''s Frank and Jesse James led a gang that robbed banks, held up trains and became the most famous outlaws in American history. After 15 years of thievery, the legendary outlaws are trying to settle down. This is the last years of the brothers'' lives, revealing Frank as a book-loving and family-oriented man and brother Jesse as a money-hungry womanizer.

Heartbreakers Mike Campbell and Benmont Tench and slide guitar session pro Smokey Hormel on board (all three of whom appear on earlier Cash albums), along with guitarists Matt Sweeney and Johnny Polansky, the sound is stately and acoustic, but rarely staid, even as the dynamics of earlier recordings in the series are absent. Instead, the songs have a measured, elegiac intensity, the sound of musicians choosing their notes carefully and making just the right choices. The songs Cash sings are, unsurprisingly, confessional and reflective: his mortality and his mistakes, his maker and his salvation, and the loss of his wife June and the end of his career may have weighed on his mind, but in these songs he both embodies and transcends his personal history. On "God''s Gonna Cut You Down," as the musicians clap and stomp behind him, his voice cuts through the air like that same avenging hand. On the new original "Like the 309"--The last song Cash ever wrote--he cops to being short of breath, and that voice becomes a metaphor for what each of us will one day face. On Gordon Lightfoot''s "If You Read My Mind," Rubin flirts with overwhelming the damp bittersweetness of Cash''s phrasing in tasteful atmospherics, but the voice is implacable, hitting and finding notes one never expected he''d have the will to find. Likewise, it''s hard to believe this is his first recording of Ian Tyson''s "Four Strong Winds"; the elemental narrative seems to have been written for him. Two songs, however, Cash has recorded before: the born-again hymn "I Came to Believe" and the final spiritual, "I''m Free from the Chain Gang Now." The latter especially is a definitive testament, as is his version of Bruce Springsteen''s "Further On (Up the Road)." "One sunny morning we''ll rise, I know / And I''ll meet you further on up the road," he sings. If only, John, if only.