Best Selling Books by John Ruskin

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The state of Venice existed Thirteen Hundred and Seventy-six years, from the first establishment of a consular government on the island of the Rialto, [Footnote: Appendix I., "Foundations of Venice."] to the moment when the General-in-chief of the French army of Italy pronounced the Venetian republic a thing of the past. Of this period, Two Hundred and Seventy-six years [Footnote: Appendix II., "Power of the Doges."] were passed in a nominal subjection to the cities of old Venetia, especially to Padua, and in an agitated form of democracy, of which the executive appears to have been entrusted to tribunes, [Footnote: Sismondi, Hist. des R�p. Ital., vol. i. ch. v.] chosen, one by the inhabitants of each of the principal islands. For six hundred years, [Footnote: Appendix III., "Serrar del Consiglio.

The King of the Golden River or the Black Brothers A Legend of Stiria. John Ruskin ling-pin no sooner touched the cap, than it flew out of Schwartz''s hand, spinning like a straw in a high wind, and fell into the corner at the further end of the room.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This eBook edition of "The King of the Golden River" has been formatted to the highest digital standards and adjusted for readability on all devices. The richness of the Treasure Valley, high in the mountains of Stiria is lost through the evil of the owners, the two elder "Black Brothers", Hans and Schwartz, who in their foolishness mistreat Southwest Wind, Esquire, who in turn floods their valley, washing away their "liquid assets", and turning their valley into a dead valley of red sand. Forced into a trade other than farming, Hans and Schwartz become goldsmiths. They cruelly melt their younger brother Gluck''s prize heirloom, a golden mug. This action releases the King of the Golden River for Gluck to pour out of the crucible as a finely dressed little golden dwarf. The dwarfish king offers a proposition to brothers: if someone were to climb up to the source of the Golden River high in the mountains and throw into it at least three drops of "holy water", it would become, for that person only, a river of gold. That person must do it on his first and only attempt or be overwhelmed by the river to become a black stone.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In "The Elements of Drawing, in Three Letters to Beginners," John Ruskin offers a profound exploration of artistic principles, meticulously crafted through a series of accessible and enlightening correspondences. Adopting a didactic yet engaging literary style, Ruskin combines his personal insights with fundamental techniques, illuminating the intricacies of observing and rendering the natural world. Set against the backdrop of the Victorian era, a time when art theory was evolving in tandem with social change, this book serves as both a technical manual and a philosophical treatise, addressing the aesthetic dimensions of drawing while challenging conventional artistic norms. John Ruskin (1819-1900), a preeminent Victorian art critic, social thinker, and polymath, was deeply influenced by his encounters with nature and works of art. His extensive knowledge of art history and passionate belief in the moral responsibilities of artists shaped this book as a pedagogical tool aimed at democratizing art education. Ruskin''Äôs dedication to the craft of drawing was not merely an artistic pursuit; it was an extension of his broader vision for human development and social reform. This compelling volume is highly recommended for aspiring artists, students, and lovers of art, as it offers foundational insights that harmoniously blend technical skill with a deeper appreciation for the beauty of nature. Readers will find in Ruskin''Äôs letters not only practical advice but also an invitation to engage with art as a transformative experience.

In "The King of the Golden River; or, the Black Brothers: A Legend of Stiria," John Ruskin weaves a captivating tale that melds fantasy with moral lessons, set against the backdrop of the picturesque Styrian landscape. This charming allegory illustrates the timeless battle between greed and generosity, encapsulated in the story of the benevolent King who rewards kindness with prosperity. Ruskin''Äôs prose is rich and vivid, employing a distinctive style that combines intricate descriptions with whimsical narratives, making it not only an enchanting read but also an insightful commentary on Victorian values concerning wealth, morality, and nature. John Ruskin (1819-1900), an English art critic, social thinker, and philanthropist, was profoundly influenced by the Romantic movement and his experiences in the art world. His deep-seated beliefs about the importance of beauty and ethical responsibility shaped his literary pursuits. "The King of the Golden River" stands as a reflection of his ideologies, merging artistic expression with a critique of industrial society, which he perceived as detrimental to both art and humanity. This enchanting story is highly recommended for readers of all ages who cherish engaging narratives infused with meaningful allegory. Ruskin''Äôs work not only serves as a delightful fairy tale but also challenges readers to ponder their values in a material world, making it a timeless piece much deserving of exploration.

Modern Painters Volume IV From John Ruskin

More than 150 years after its first publication in 1851-53, this massive work by a great Victorian writer, critic, and artist remains one of the most influential books on art and architecture ever written. In it John Ruskin surveys many of the principle buildings in the Paradise of Cities, and develops an aesthetic and intellectual argument that is still at the heart of the debate over the meaning of architecture and craftsmanship.

High quality reprint of Val d''Arno, the Schools of Florence, Mornings in Florence, the Shepherd''s Tower by John Ruskin.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.