Best Selling Books by John McPhee

In the 1960''s and 1970''s, American professor Norton Dodge forayed on his own in the Soviet Union, bought the work of underground "unofficial" artists, and brought it out himself or arranged to have it shipped illegally to the United States. John McPhee investigates Dodge''s clandestine activities in the service of dissident Soviet art, his motives for his work, and the fates of several of the artists whose lives he touched. The Ransom of Russian Art is a suspenseful, chilling, and fascinating report on a covert operation like no other.

"Ethics and Law for the Health Professions" provides an accessible and clinically relevant introduction to ethics and health law. It adopts a reflective approach to a wide range of key areas of modern health care. The layout of the book clearly distinguishes between law and ethics, and its structure is carefully designed to ensure that topics are covered in a logical, sequential order, with each chapter both introducing new concepts and building upon its predecessors. The book draws on case material and ethical thought used in all the health professions, and the second edition has been extensively changed to reflect changes in law and ethics since 1998.

In 1957--long before colleges awarded degrees in creative nonfiction and back when newspaper writing''s reputation was tainted by the fish it wrapped--Princeton began honoring talented literary journalists. Since then, fifty-nine of the finest, most dedicated, and most decorated nonfiction writers have held the Ferris and McGraw professorships. This monumental volume harbors their favorite and often most influential works. Each contribution is rewarding reading, and collectively the selections validate journalism''s ascent into the esteem of the academy and the reading public. Necessarily eclectic and delightfully idiosyncratic, the fifty-nine pieces are long and short, political and personal, comic and deadly serious. Students will be provoked by William Greider''s pointed critique of the democracy industry, eerily entertained by Leslie Cockburn''s fraternization with the Cali cartel, inspired by David K. Shipler''s thoughts on race, unsettled by Haynes Johnson''s account of Bay of Pigs survivors, and moved by Lucinda Frank''s essay on a mother fighting to save a child born with birth defects. Many of the essays are finely crafted portraits: Charlotte Grimes''s biography of her grandmother, Blair Clark''s obituary for Robert Lowell, and Jane Kramer''s affecting story of a woman hero of the French Resistance. Other contributions to savor include Harrison Salisbury on the siege of Leningrad, Landon Jones on the 1950s, Christopher Wren on Soviet mountaineering, James Gleick on technology, Gloria Emerson on Vietnam, Gina Kolata on Fermat''s last theorem, and Roger Mudd on the media. Whether approached chronologically, thematically, randomly, or, as the editors order them, more intuitively, each suggests a perfect evening reading. Designed for students as well as general readers, The Princeton Anthology of Writing splendidly attests to the elegance, eloquence, and endurance of fine nonfiction.

Combines Galen Rowell''s photographs with excerpts from John McPhee''s 1977 book, Coming into the Country (page xi)

When John McPhee met Bill Bradley, both were at the beginning of their careers. "A Sense of Where You Are," McPhee''s first book, is about Bradley when he was the best basketball player Princeton had ever seen. McPhee delineates for the reader the training and techniques that made Bradley the extraordinary athlete he was, and this part of the book is a blueprint of superlative basketball. But athletic prowess alone would not explain Bradley''s magnetism, which is in the quality of the man himself-- his self-discipline, his rationality, and his sense of responsibility. Here is a portrait of Bradley as he was in college, before his time with the New York Knicks and his election to the U.S. Senate-- a story that suggests the abundant beginnings of his professional careers in sport and politics.

Se c''è un libro in grado di dividere i lettori fra chi rischia di contrarre in una forma o nell''altra il morbo del tennis, e chi invece ne risulta immune, è questo. Dove si rivive, un punto dopo l''altro, la semifinale di Forest Hills 1968 fra Arthur Ashe e Clark Graebner – la prima disputata da un tennista nero agli albori dell''èra Open, ma anche e soprattutto la prima partita di tennis raccontata dall''interno del luogo enigmatico e fino ad allora inesplorato che il gioco abita, e spesso devasta: la mente del tennista. Guardandola per caso alla CBS, John McPhee era subito rimasto incantato dal magnifico arabesco che i colpi dei due protagonistiu00ad – diversi in tutto, e in primo luogo nello stile – disegnavano sulu00adl''erba. Ma rivedendo il match insieme a Ashe e Graebner – ascoltandone i racconti, trascrivendone le reazioni – McPhee lo ha poi ricostruito, in «Livelli di gioco», con due soli accorgimenti: la demoniaca accuratezza descrittiva che ha fatto di lui una leggenda della narrativa americana, e i veri ingredienti del tennis: collera, spavento, esaltazione, freddezza, sconforto, orgoglio. Gli stessi che qualche mese prima McPhee aveva scoperto vivendo per quindici giorni a pochi centimetri di distanza dal prato su cui il tennis moderno è nato, per ascoltare e poi ritrarre dal vero, nel secondo pezzo che compone questo libro, uno dei suoi personaggi più indimenticabili: Robert Twynam, giardiniere capo di Wimbledon.

In the quiet still hours of the evening on May 10, 1980, a young nation faced its most crucial hour. Two Cuban MiGs were dispatched by Cuba''s competent authority. Their ultimate destination Cay Santo Domingo a small cay in the southern hemisphere of the Bahamas. Their intended target: HMBS Flamingo, a one-hundred-and-four-foot Bahamian patrol vessel with two Cuban fishing vessels, Ferrocemento 54 and Ferrocemento 165, in tow.The remaining hours in the afternoon will unfold a tyranny of unsettling events resulting in the tragic loss of life and property for the Bahamas. The crises plunged the region into a geopolitical crisis and set in motion a cascading set of circumstances that will affect the young nation for the rest of its existence.Final Sunset is the riveting account of the fatal sinking of HMBS Flamingo by Cuban MIGs on May 10, 1980. It recounts the harrowing tale of heroism and survivorship. The gritty and unrelenting human will to make it home after their routine day took a most unfortunate turn on one of the darkest moments in Bahamian history.

Canadian Professional Engineering and Geoscience: Practice and Ethics, 6e, is a unique and comprehensive text for today''s Canadian students and practising professionals. Structured in five parts, the text is written in an approachable and engaging style that effectively covers practice and ethics topics while offering advice for readers to become effective professionals. The authors guide readers through professional licensing, practice, ethics, and environmental practice and ethics using history, case studies, examples, and images to bring the issues to life. The text devotes an entire chapter to preparing readers for the Professional Practice Examination (PPE), including practice questions to bolster success. Canadian Professional Engineering and Geoscience is up to date with Engineers Canada''s practice and ethics syllabus and is the recommended study guide for this section of the PPE. The coverage in this sixth edition includes all provinces and territories of Canada and contains updated, new, and revised content and cases including the fascinating new case history: "Accidental Overdose: The Therac-25 Radiation Therapy Accidents." This edition has expanded its Employment, Management, and Consulting sections with new and relevant Canadian cases to keep readers engaged and connected to the content. Canadian Professional Engineering and Geoscience: Practice and Ethics is a vital professional resource for study and reference.

A Pulitzer Prize winner takes you on unforgettable adventures to some of America''s most wild places in this deluxe collection of 4 classic books of nature writing From legendary New Yorker writer John McPhee, here are four adventures in wild places. Exploring these untamed regions and the characters, skills, and ways of living they have fostered, McPhee quietly registers the costs of growth and progress and finds pleasure in what remains. The Pine Barrens (1968), finds McPhee traversing the byways of an unexpected near-wilderness—the New Jersey Pine Barrens—with it''s unusual dwarf forests, cedar swamps, and tannin-brown creeks a world apart from the sprawling megalopolis that surrounds them. Encounters with the Archdruid (1971) recounts three trips, hiking and rafting, through pristine ecosystems in Washington''s Cascade Mountains, off the Georgia coast, and down the Colorado River through the Grand Canyon. Along the way, McPhee’s expert companions—a mining engineer, resort developer, and dam builder among them—challenge the "archdruid" of the book''s title, the environmentalist David Brower, to defend his efforts to keep them "forever wild." The Survival of the Bark Canoe (1975) follows New Hampshire Canoe builder Henri Vaillancourt as he crafts a new vessel out of birch Bark, using the age old tools and methods of the American Indians. McPhee then joins Vaillancourt and others on a grueling, tense 150-mile test voyage through a Maine woods full of hauntingly beautiful prospects and potential peril. Coming into the Country (1977) is McPhee’s magisterial composite portrait of Alaska and Alaskans. Here, as he crisscrosses this vast and sublime state, are Natives and newcomers; government officials, gold miners, and oilmen; wildlife ecologists, rugged outdoorsman, and bush pilots; and much more Edited by current New Yorker chief David Remnick and prepared with McPhee’s assistance, the volume includes a newly researched chronology of the author''s life, detailed notes, and index, and all of the illustrations that accompanied the original editions.

A una certa età ogni scrittore desidera essenzialmente una cosa: vuotare i propri cassetti, prima che lo faccia qualcun altro. Non sempre ne vale la pena, ma se i cassetti sono quelli di John McPhee, c’è il caso che contengano – be’, un nuovo, inimitabile, imprevedibile pezzo di John McPhee.

McPhee''s vivid account of the serene landscape, people, and folklore of southern New Jersey''s immense Pine Barrens is complimented by the photography of Bill Curtsinger

This article is an assembly of ideas about the New Jersey Pine Barrens and its natural beauty. The opinions of locals about the acquisition of the pines as a national reserve are revealed.