Most Popular Books by John Donne

In this new edition of Donne''s Essayes in Divinity Anthony Raspa demonstrates how Donne reconciles the destiny of Christians, who arose out of divine creation, with the turbulent state of the Renaissance world. Raspa argues that the purpose of Donne''s work is to explain how Genesis and Exodus capture the essence of existence for a person who must deal with life as both an individual and a member of a community. Completed late in 1614, Essayes, Donne''s only theological and philosophical treatise, casts considerable light on his ideas about his own future. Donne entered the Anglican priesthood soon after completing it and Raspa reveals that, particularly because of its treatment of time and destiny, Essayes is crucial to our understanding of the development of Donne''s ideas about the turbulent religio-political state of the Renaissance world and how he came to see his own life within it. Raspa contends that Essayes is a peculiarly modern work and that Donne, as a Renaissance humanist, was profoundly shaken by the development of empirical thinking and the seemingly endless political conflicts among Christian denominations. He shows that Donne drew on the entirety of Renaissance humanist learning in an attempt to reconcile the state of contemporary knowledge with the destiny of humanity prophesied in the bible.

Holy Sonnets by John Donne are a series of nineteen poems originally written in 1609-1610 and have been tied to Donne''s conversion to Anglicanism. These poems of John Donne have become some of his most highly regarded and most popular works. Included are Holy Sonnet 10 ("Death be not Proud") and Holy Sonnet 14 ("Batter my heart, three-person''d God; for you").

This comprehensive collection showcases the beautiful and profound poetry of John Donne, one of the most celebrated writers of the Renaissance. The volume also includes a detailed memoir of Donne''s life, providing valuable context for his work. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Poems of John Donne is one volume paperback edition of the poems of John Donne (1572-1631) based on a comprehensive re-evaluation of his work from composition to circulation and reception. Donne’s output is tremendously varied in style and form and demonstrates his ability to exercise his rhetorical capabilities according to context and occasion. This edition aims to present the text of all his known poems, from the epigrams, songs and satires written for fellow young men about town, to the more mature verse-epistles and memorial elegies written for his patrons. The Longman Annotated English Poets series traditionally aims to present poems in chronological order; in this edition, however, the principle has been observed only within generic sections. This organisation reproduces the manner in which Donne’s original readers first encountered the poems in the various manuscripts of his elegies and satires that circulated in Donne’s lifetime. Volume One contains the Epigrams, Verse Letters to Friends, Love Lyrics, Love Elegies and Satires; Volume Two contains the religious poems, Wedding Celebrations, Verse Epistles to Patronesses, Commemorations, and the Anniversaries. The lyrics have been arranged alphabetically for ease of reference and because, in all but a few cases, precise date of composition is impossible to determine. Each poem has extensive editorial commentary designed to put the twenty-first century reader in possession of all that is necessary fully to appreciate Donne’s work. A substantial headnote sets each poem in its historical and literary context, while the annotations give detailed guidance on the wealth of classical and religious allusions and give full representation to the literary, historical and philosophical culture out of which the poems grew. In keeping with the traditions of the series, Donne’s own text has been modernised in punctuation and spelling except where to do so would alter or disrupt a rhyme

This title is part of UC Press''s Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1957.

JOHN DONNE: AIR AND ANGELS: SELECTED POEMS A selection of the finest poems by British poet John Donne. John Donne was, Robert Graves said, a ''Muse poet'', a poetwho wrote passionately of the Muse. It is easy to see Donne asa love poet, in the tradition of love poets such as Bernard deVentadour, Dante Alighieri, Francesco Petrarch and Torquato Tasso. Donne has written his fair share of lovepoems. There are the bawdy allusions to the phallus in ''TheFlea'', while ''The Comparison'' parodies the adoration poem, with references to the ''sweat drops of my mistress'' breast''. Like William Shakespeare in his parody sonnet ''my mistress'' eyes are nothing like the sun'', Donne sends up the Petrarchan and courtly love genre with gross comparisons (''Like spermatic issue of ripe menstruous boils''). In ''The Bait'', there is the archetypal Renaissance opening line ''Come live with me, and be my love'', as used by Christopher Marlowe and William Shakespeare, among others. And there is the complex, ambivalent eroticism of ''The Extasie'', a much celebrated love poem, and the 19th ''Elegy'', where features Donne''s famous couplet: Licence my roving hands, and let them go Before, behind, between, above, below. The Songs and Sonnets of John Donne celebrate the many emotions of love, feelings that are so familiar in love poetry from Sappho to Adrienne Rich. Donne does not quite cover every emotion of love, but a good deal of them. In ''The Canonization'', we find the age-old Neo-platonic belief that two can become as one (''we two being one'', or ''we shall/ Be one'', he writes in ''Lovers'' Infiniteness''), a common belief in love poetry. John Donne''s love poetry, like (nearly) all love poetry, self-reflexive. Although he would ''ne''er parted be'', as he writes in ''Song: Sweetest love, I do not go'', he knows that love poetry comes out of loss. The beloved woman is not there, so art takes her place. The Songs and Sonnets arise from loss, loss of love; they take the place of love. For, if he were clasping his beloved in those feverish embraces as described in ''The Extasie'' and ''Elegy'', he would not, obviously, bother with poetry. Love poetry has this ambivalent, difficult relationship with love. The poem is not love, and is no real substitute for it. And writing of love exacerbates the pain and the insecurity of the experience of love. With an introduction and bibliography. Illustrated, with new pictures. The text has been revised for this edition. Also available in an E-book edition. www.crmoon.com. "

A Chronology, Selected Bibliography, Index of Titles, and Index of First Lines are also included."--BOOK JACKET.

The Delphi Poets Series offers readers the works of literature''s finest poets, with superior formatting. This volume presents the complete poetical works of John Donne, with beautiful illustrations and the usual Delphi bonus material. Donne''s sparkling wit and imaginative conceits have delighted readers over the centuries; now you can own his entire poetical genius on your eReader! (3MB Version 1) * Beautifully illustrated with images relating to Donne''s life and works * Concise introductions to the poetry and other works * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Almost the complete prose, with rare texts like Donnes study of suicide BIATHANATOS, appearing for the first time in digital print * Includes Donne''s letters - spend hours exploring the poet''s personal correspondence * Features three biographies, including Izaak Waltons famous contemporary memoir - discover Donne''s literary life in detail! * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse our range of exciting titles CONTENTS: The Poetry Collections SONGS AND SONNETS ELEGIES DIVINE POEMS HOLY SONNETS OTHER DIVINE POEMS SATIRES MARRIAGE SONGS VERSE LETTERS EPICEDES AND OBSEQUIES EPIGRAMS INFINITATI SACRUM THE ANNIVERSARIES LATIN POEMS DOUBTFUL VERSES The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Prose BIATHANATOS PSEUDO-MARTYR IGNATIUS HIS CONCLAVE DEVOTIONS UPON EMERGENT OCCASIONS PARADOXES PROBLEMS The Letters LIST OF LETTERS The Biographies THE LIFE OF DR. JOHN DONNE by Izaak Walton JOHN DONNE by Arthur Symons JOHN DONNE by Robert Lynd Please click here to browse our other titles

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

“John Donne’s verse and prose have had a remarkable renaissance in the twentieth century ad have been a vital influence on this century’s poets and prose writers. The glory of his prose at its best is very different from that of his verse, but is equal to it; and there can be no questions that his best prose is in his sermons.This selection of Donne’s sermons on the Psalms and Gospels has been made by Evelyn M. Simpson, one of the editors of the ten-volume collected sermons of John Donne, to introduce to a wider audience the majesty and power and variety of the poet’s sermons. Sometimes Donne preached as a poet, sometimes as a pastor, sometimes as a theologian, sometimes as a controversialist, and to many different types of congregations – to the parishioners of St. Dunstan’s, to the King and Court at Whitehall, to the citizenry of London at St. Paul’s – and wonderfully showed his power to adapt himself to each.Donne’s sense of form, his arrangement of his materials, his common sense, his shrewdness, his psychological insight, and his real religious fervor are readily apparent in these sermons. The differences of mood and emphasis within the rigid framework of the formal sermon make this selection interesting to the attentive reader. Donne was an artist in prose, and he knew the value of contrast and surprise, of imagery and literary artifice. He was a poet who did not lose his poetical imagination when he entered the pulpit. The impression of an amazingly vital personality, rich in mental and spiritual power will abide with the reader.” – Publisher

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.