New Releases by James McNeill

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Best known as a painter and printmaker, James McNeill Whistler (1834 - 1903) was also an influential

"With Kindest Regards records the extraordinary friendship between the American expatriate artist James McNeill Whistler (1834-1903) and his most significant patron, Charles Lang Freer (1854-1919). By the time the industrialist from Detroit met the artist in 1890, Whistler was as notorious for his irascibility as he was famous for his artistic productions. Freer, however, would always maintain that he had never met a truer, nobler man. Their correspondence reveals a warmth and generosity in Whistler that has gone largely unobserved." "The eighty-nine letters, telegrams, cablegrams, and calling cards chronicle the growth of Freer''s Whistler collection, the largest and most important in the world. Linda Merrill sets the correspondence in context and traces the contacts between the two men during their long acquaintance. She observes how the previously unpublished letters cast new light on Freer''s aesthetic education and expand the history of Whistler''s later years. Even Freer''s outstanding collection of Asian art began with the keen interest in Japanese art he shared with Whistler." "Illustrated with works from the Freer collection and vintage photographs from the Freer Gallery Archives, With Kindest Regards makes important original documents accessible for the first time, augments the legends of Whistler''s personality, and reveals the foundation of Charles Freer''s legacy to the United States."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This book brings together for the first time almost seventy of Whistler''s most beautiful, unusual, and important pastels, drawn from collections world-wide. Many of them have never been reproduced before and are too fragile for exhibition.

A brief survey of nineteenth century American art shows landscapes, genre paintings, still lifes, and portraits by the most important artists of the period

Catalogue raisonné.

A collection of etchings by the American artist, with an introductory essay.

The purpose of the exhibition was to "explore international cross-currents, using Whistler''s friendships and connections as a focus." Includes several color and mostly B&W illustrations of paintings, sketches and photographs, plus bibliographic notes of various artists of the later nineteenth century whose "work seem to show some stylistic or thematic similarities" to Whistler''s work.