New Releases by JIM HARRISON

With its fanlike evergreen fronds, soft trunk, and strong root system, the palmetto is a wind-adapted palm that can bend with strong sea breezes without breaking or being uprooted. Emblematic of survival against opposition, the palmetto tree has captured the imaginations of South Carolinians for generations, appearing on the state seal since the American Revolution and on the state flag since 1861. The palmetto was named South Carolina''s official state tree by Governor Burnet R. Maybank in 1939, and in 1974 Governor John C. West commissioned acclaimed South Carolina artist Jim Harrison to paint the official palmetto tree portrait for the State of South Carolina, an image that adorns the State House to this day. The Palmetto and Its South Carolina Home showcases the timeless, natural beauty of the state tree in marshland and coastal landscapes in the popular Harrison style. Appearing on glassware, stationery, jewelry, and many other decorative and functional objects, the palmetto tree is an omnipresent symbol in South Carolina culture. For Harrison, the palmetto remains foremost an icon of the wondrous Carolina coastal habitats. Sweeping images of the coast have been part of Harrison''s art since the beginning of his career, and he continues to illustrate his love of the South Carolina coast by capturing the beauty of the state tree amid the many stunning and enchanting scenes included here. The Palmetto and Its South Carolina Home also explores the historical background of the tree and its many ties to South Carolina''s heritage as a symbol of strength and beauty worthy of this artistic celebration.

Harrison, one of America''s most celebrated writers, is considered "a renegade genius" for his poetry.

#1 Poetry Foundation Bestseller Michigan Notable Book “A beautifully mysterious inquiry... Here Harrison—forthright, testy, funny, and profoundly discerning—a gruff romantic and a sage realist, tells tales about himself, from his dangerous obsession with Federico García Lorca to how he touched a bear’s head, reflects on his dance with the trickster age, and shares magnetizing visions of dogs, horses, birds, and rivers. Oscillating between drenching experience and intellectual musings, Harrison celebrates movement as the pulse of life, and art, which ‘scrubs the soul fresh.’” —Booklist “Harrison has written a nearly pitch-perfect book of poems, shining with the elemental force of Neruda''s Odes or Matisse''s paper cutouts....In Songs of Unreason,, his finest book of verse, Harrison has stripped his voice to the bare essentials--to what must be said, and only what must be said." —The Wichita Eagle “Songs of Unreason, Harrison’s latest collection of poetry, is a wonderful defense of the possibilities of living.… His are hard won lines, but never bitter, just broken in and thankful for the chance to have seen it all.” —The Industrial Worker Book Review “Unlike many contemporary poets, Harrison is philosophical, but his philosophy is nature-based and idiosyncratic: ‘Much that you see/ isn’t with your eyes./ Throughout the body are eyes.’… As in all good poetry, Harrison’s lines linger to be ruminated upon a third or fourth time, with each new reading revealing more substance and raising more questions.” —Library Journal “It wouldn’t be a Harrison collection without the poet, novelist, and food critic’s reverence for rivers, dogs, and women…his poems stun us simply, with the richness of the clarity, detail, and the immediacy of Harrison’s voice.” —Publishers Weekly Jim Harrison''s compelling and provocative Songs of Unreason explores what it means to inhabit the world in atavistic, primitive, and totemistic ways. "This can be disturbing to the learned," Harrison admits. Using interconnected suites, brief lyrics, and rollicking narratives, Harrison''s passions and concerns—creeks, thickets, time''s effervescence, familial love—emerge by turns painful and celebratory, localized and exiled.

Here is the definitive collection of poetry from one of America’s best-loved writers—now available in paperback. With the publication of this book, eight volumes of poetry were brought back into print, including the early nature-based lyrics of Plain Song, the explosive Outlyer & Ghazals, and the startling "correspondence" with a dead Russian poet in Letters to Yesenin. Also included is an introduction by Harrison, several previously uncollected poems, and "Geo-Bestiary," a 34-part paean to earthly passions. The Shape of the Journey confirms Jim Harrison’s place among the most brilliant and essential poets writing today. "Behind the words one always feels the presence of a passionate, exuberant man who is at the same time possessed of a quick, subtle intelligence and a deeply questioning attitude toward life. Harrison writes so winningly that one is simply content to be in the presence of a writer this vital, this large-spirited."--The New York Times Book Review "(An) untrammelled renegade genius… here’s a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language."—Publishers Weekly "Readers can wander the woods of this collection for a lifetime and still be amazed at what they find."—Booklist (starred review.) When first published, this book immediately became one of Copper Canyon Press’s all-time bestsellers. It was featured on Garrison Keillor’s Writer’s Almanac, became a finalist for the Los Angeles Times Book Prize, and was selected as one of the "Top-Ten Books of 1998" by Booklist. Jim Harrison is the author of twenty books, including Legends of the Fall and The Road Home. He has also written numerous screenplays and served as the food columnist for Esquire magazine. He lives in Michigan and Arizona. Dead Deer Amid pale green milkweed, wild clover, a rotted deer curled, shaglike, after a winter so cold the trees split open. I think she couldn''t keep up with the others (they had no place to go) and her food, frozen grass and twigs,

Named to the Notable Books of the Year lists from The Kansas City Star and the Michigan Library Association. “Jim Harrison is a writer with immortality in him.”—The Times (London) “This is [Harrison’s] most robust, sure-footed, and blood-raising poetry collection to date.”—Booklist Jim Harrison—one of America’s most beloved writers—calls his poetry “the true bones of my life.” Although he is best known as a fiction writer, it is as a poet that Publishers Weekly famously called him an “untrammeled renegade genius.” Saving Daylight, Harrison’s tenth collection of poetry, is his first book of new poems in a decade. All of Harrison’s abundant passions for life are poured into suites, prose poems, letter-poems, and even lyrics for a mariachi band. The subjects and concerns are wide-ranging—from the heart-rending “Livingston Suite,” where a boy drowns in the local river and the body is discovered by the poet’s wife—to some of the most harrowing political poems of Harrison’s career. There is also a cast of creature characters—bears, dogs, birds, fish—as well as the woodlands, thickets, and occasional cities of Arizona, Montana, Michigan, France, and Mexico. “Imagination is my only possession,” Harrison once said. And Saving Daylight is an imagination in full, exuberant bloom. Jim Harrison is the author of over thirty books of poetry, fiction, and nonfiction. His work has been translated into dozens of languages. Born and raised in Michigan, he now lives in Montana and Arizona.

“A wild ride . . . [and] a thoroughly enjoyable tale of religion, sex and money . . . this is not your grandfather’s detective novel.” —Tim McNulty, The Seattle Times New York Times–bestselling author Jim Harrison has won international acclaim for his masterful body of work, including Returning to Earth, Legends of the Fall, and over thirty books of fiction, nonfiction, and poetry. In this enthralling, witty, and expertly crafted novel, he follows one man on a hunt for an elusive cult founder, dubbed “The Great Leader.” On the verge of retirement, Detective Sunderson begins to investigate a hedonistic cult, which has set up camp near his home in Michigan’s Upper Peninsula. At first, the self-declared Great Leader seems merely a harmless oddball, but as Sunderson and his sixteen-year-old sidekick dig deeper, they find him more intelligent and sinister than they realized. Recently divorced and frequently pickled in alcohol, Sunderson tracks his quarry from the woods of Michigan to a town in Arizona, filled with criminal border-crossers, and on to Nebraska, where the Great Leader’s most recent recruits have gathered to glorify his questionable religion. But Sunderson’s demons are also in pursuit of him. “Jim Harrison is unsurpassed at chronicling man’s relationship with wilderness . . . The Great Leader is hugely enjoyable.” —Tom Bissell, Outside Magazine

The Etiquette of Freedom is an all–encompassing companion to the film The Practice of the Wild Gary Snyder joined his old friend, novelist Jim Harrison, to discuss their loves and lives and what has become of them throughout the years. Set amidst the natural beauty of the Santa Lucia Mountains, their conversations—harnessing their ideas of all that is wild, sacred and intimate in this world—move from the admission that Snyder''s mother was a devout atheist to his personal accounts of his initiation into Zen Buddhist culture, being literally dangled by the ankles over a cliff. After years of living in Japan, Snyder returns to the States to build a farmhouse in the remote foothills of the Sierras, a homestead he calls Kitkitdizze. For all of the depth in these conversations, Jim Harrison and Gary Snyder are humorous and friendly, and with the artfully interspersed dialogue from old friends and loves like Scott Slovic, Michael McClure, Jack Shoemaker, and Joanne Kyger, the discussion reaches a level of not only the personal, but the global, redefining our idea of the Beat Generation and challenging the future directions of the environmental movement and its association with "Deep Ecology."

Get your Web security, network perimeter security, and application layer security gateway up and running smoothly. This indispensible, single-volume reference details the features and capabilities of Microsoft Forefront Threat Management Gateway (TMG). You''ll gain the real-world insights, implementation and configuration best practices, and management practices you need for on-the-job results. Discover how to: Implement TMG integrated security features Analyze your Web and perimeter security requirements and infrastructure Plan, install, and configure TMG Implement network intrusion prevention, proxy, caching, filtering Configure security for the Web, Microsoft Exchange Server, and SharePoint Products and Technologies Implement remote access and site-to-site VPNs Select and configure clients Monitor and troubleshoot protected systems with Network Monitor 3 and other tools Use scripting to configure systems and automate administration Plus, get a fully searchable eBook on the companion CD For customers who purchase an ebook version of this title, instructions for downloading the CD files can be found in the ebook.

Plaqué par sa femme à soixante-deux ans, Cliff quitte tout et prend la route. II traverse les Etats-Unis de part en part, bientôt rejoint par la peu farouche Marybelle. Parfois mélancolique, toujours truculent, ce voyage lui apportera-t-il la renaissance tant recherchée ?

Three classic novellas from “one of our master chroniclers of human hungers, flaws, and frustrations.” (The Kansas City Star). Jim Harrison’s vivid, tender, and deeply felt fictions have won him acclaim as an American master of the novella. His highly acclaimed volume of novellas, The Summer He Didn’t Die, is a sparkling and exuberant collection about love, the senses, and family, no matter how untraditional. In the title novella, Brown Dog, a hapless Michigan Indian, is trying to parent his two stepchildren and take care of his family’s health on meager resources. (It helps a bit that his charms are irresistible to the new dentist in town.) Republican Wives is a wicked satire on the sexual neuroses of the right, the emptiness of a life lived for the status quo, and the irrational power of love that, when thwarted, can turn so easily into an urge to murder. And Tracking is a meditation on Harrison’s fascination with place, telling his own familiar mythology through the places his life has seen and the intellectual loves he has known. With wit as sharp and prose as lush as any Harrison has yet written, The Summer He Didn’t Die is a resonant, warm, and joyful ode to our journey on this earth. “Harrison has proved to be one of our finest storytellers. These novellas are urgent and contemporary, displaying his marvelous gifts for compression and idiosyncratic language.” —Los Angeles Times

“The longtime chronicler of Michigan’s Upper Peninsula . . . gives eloquent expression to death and the grieving process.” —Booklist Hailed by The New York Times Book Review as “a master . . . who makes the ordinary extraordinary, the unnamable unforgettable,” beloved author Jim Harrison returns with a masterpiece—a tender, profound, and magnificent novel about life, death, and finding redemption in unlikely places. Donald is a middle-aged Chippewa-Finnish man slowly dying of Lou Gehrig’s Disease. His condition deteriorating, he realizes no one will be able to pass on to his children their family history once he is gone. He begins dictating to his wife, Cynthia, stories he has never shared with anyone as around him, his family struggles to lay him to rest with the same dignity with which he has lived. Over the course of the year following Donald’s death, his daughter begins studying Chippewa ideas of death for clues about her father’s religion, while Cynthia, bereft of the family she created to escape the malevolent influence of her own father, finds that redeeming the past is not a lost cause. Returning to Earth is a deeply moving book about origins and endings, making sense of loss, and living with honor for the dead. It is among the finest novels of Harrison’s long, storied career, and confirms his standing as one of the most important American writers. “A deeply felt meditation on life and death, nature and God, this is one of Harrison’s finest works.” —Library Journal

In one of Jim Harrison’s greatest works, five members of the Northridge family narrate the tangled epic of their history on the Nebraska plains. The Road Home continues the story of the captivating heroine Dalva and her peculiar and remarkable family. It encompasses the voices of Dalva’s grandfather John Northridge, the austere, hard-living half-Sioux patriarch; Naomi, the widow of his favorite son and namesake; Paul, the first Northridge son, who lived in the shadow of his brother; and Nelse, the son taken from Dalva at birth, who now has returned to find her. It is haunted by the hovering spirits of the father and the lover Dalva lost to this country’s wars. It is a family history drenched in suffering and joy, imbued with fierce independence and love, rooted in the Nebraska soil, and intertwined with the destiny of whites and native Americans in the American West. Epic in scope, stretching from the close of the nineteenth century to the present day, The Road Home is a stunning and trenchant novel, written with the humor, humanity, and inimitable evocation of the American spirit that have delighted Jim Harrison’s legion of fans. “A graceful novel . . . To read this book is to feel the luminosity of nature in one’s own being.” —The New York Times Book Review “The Road Home confirms what his longtime fans already know: Harrison is on the short list of American literary masters.” —The Denver Post “Demonstrates why [Harrison] is considered one of the best storytellers around.” —The Washington Post “The Road Home is Harrison at the peak of his powers, a splendid combined prequel and sequel . . . very much alive and probably his best novel.” —Boston Sunday Herald

The son of a wealthy family of timber barons struggles to reconcile himself with the damage his family has done to Michigan''s Upper Peninsula--a scarring that cuts deeply into the fabric of his own family.

Dans cette luxuriante autobiographie, Jim Harrison commence par le récit de son enfance. Mais plutôt que d''en distiller les détails, le grand romancier américain en retient surtout les images intenses, celles imprégnées de nourritures délicieuses, de feuilles fraîches et de bruits de rivière, car seule " la sensualité marque la mémoire ". Dès lors, l''écriture déroule un formidable et gargantuesque appétit pour la vie, mais aussi une mélancolie profonde dont Jim Harrison, comme tout hédoniste, n''est pas exempt. Mais le plus extraordinaire est encore dans cette folle déclaration d''amour adressée à la littérature. En marge, dans le fond, n''est traversé que par un seul récit celui d''une vie vouée à l''écriture. " Des coups de blues, des parties de rigolade des plages de solitude, l''amitié, tels sont les ingrédients mélangés dans ce cocktail à boire cul sec : attention, il est très fort. A consommer sans modération. "

Selected as a New York Times Notable Book of the Year, Off to the Side is the tale of one of America''s most beloved writers. Jim Harrison traces his upbringing in Michigan amid the austerities of the Depression and the Second World War, and the seemingly greater austerities of his starchy Swedish forebears. He chronicles his coming-of-age, from a boy drunk with books to a young man making his way among fellow writers he deeply admires -- including Peter Matthiessen, Robert Lowell, W.H. Auden, Truman Capote, Tennessee Williams, and Allen Ginsberg. Harrison discusses forthrightly the life-changing experience of becoming a father, and the minor cognitive dissonance that ensued when this boy from the "heartland" somehow ended up a highly paid Hollywood screenwriter. He gives free rein to his "seven obsessions" -- alcohol, food, stripping, hunting and fishing (and the dogs who have accompanied him in both), religion, the road, and our place in the natural world -- which he elucidates with earthy wisdom and an elegant sense of connectedness. Off to the Side is a work of great beauty and importance, a triumphant achievement that captures the writing life and brings all of us clues for living.

The Gilt-Edged Market is specifically aimed at finance professionals and investors who need to understand the inner working of the United Kingdom gilt market. There is detailed coverage of the different gilt instruments, as well as a look at the structures, institutions and practices of the market itself.Topics include:* Bond basics* Conventional gilts* Index-linked gilts* Gilt strips* The gilt repo market* The gilt bond future basis* Yield spread trading using giltsThere are also personal reminiscenes that illustrate the great changes that have occurred in this market since Big Bang, as well as an exposition on the art of trading.The Gilt-Edged Market is ideal reading for traders, salespersons, fund managers, private investors and other professionals involved to any extent in the UK gilt market.* The latest research on index-linked gilts, gilt markets and sterling debt markets presented in an enthusiastic, readable style* Written by gilt-edged market makers and dealers to ensure realistic, practical coverage as well as a clear explanation of the theory, so readers gain from years'' experience* Foreword written by Mike Williams, CEO of the Debt Management Office

Presents brief poems originally exchanged by the longtime friends in their letters to each other, exploring such topics as the natural world, aging, and the nature of poetry.

The first-ever collection of interviews with this well-known, prolific writer whose books include twenty-two volumes of poetry, fiction, and nonfiction published over a period of thirty-six years

After being blinded in one eye, a young boy becomes wild and unruly, until he discovers the wonders of nature in the Michigan woods near his family''s summer cabin.

Jim Harrison''s essays and articles have been selected from twenty-five years of work, from venues as diverse as PLAYBOY, THE NATION, OUTSIDE, and the AMERICAN POETRY REVIEW. They explore the passions and concerns of a classic American writer: ice fishing and bar pool, nouvelle cuisine and night walks.

Ce roman, sans doute le plus ambitieux et le plus impressionnant de Jim Harrison, reprend certains thèmes et la plupart des personnages rencontrés dans Dalva. Composé de trois parties, qui sont autant de journaux intimes, c''est une grande fiction américiane où, comme dans Dalva, se mêlent les genres épique, lyrique et dramatique pour former une vaste fresque à la fois poétique et réaliste, truculente et nostalgique, brassant l''histoire de l''Amérique, depuis les guerres indiennes et les massacres qu''on sait, jusqu''à nos jours. Jamais sans doute Jim Harrisson n''a aussi bien évoqué ce mélange de profane absolu et de visions sacrées qui constitue selon lui l''existence. Jamais il n''a créé avec autant de verve et de sensibilité, de puissance et de finesse, des personnages plus grands que nature.

Three novellas explore the theme of revenge and the actions to which people resort when they feel threatened

"This collection marked Jim Harrison''s return to the world of poetry after a seven-year hiatus. Spanning the entirety of Harrison''s long, productive career, these poems begin with ''Plain song'', his first volume of poetry, and end with a sampling of some of his most recent verse. As with his prose, Harrison''s poetry is informed by his distinctive blend of courage, intelligence, and wit. Avoiding both academic formalism and the vogue of hygienic confessions, these poems speak from the heart with a power that derives from keen observation and a prodigious command of the language." --

John Lundgren, a.k.a. Warlock, is an unemployment foundation executive whose life is about to become unhinged. After surviving a midlife crisis, Warlock finally decides to get a job. He soon discovers, however, that his new boss, Dr. Rabun, is no less evil to Professor Moriarty. Hired to troubleshoot for the doctor, Warlock himself battling poachers in the haunted wilderness of northern Michigan while also spying on his employer''s wife and son in the seamy underside of Key West. A comedy with one foot in the abyss, Warlock is the singular literary entertainment from an American master.

Les romans de Harrison font entrevoir en chacun de nous l''ombre portée du criminel, du tricheur et du saint. Au surplus, le style est à lui seul un chef-d''œuvre, une leçon pour les auteurs français plus habiles à sodomiser les mouches de la ponctuation, à sacraliser les arguties qu''à livrer une inspiration urgente. Le roman, pour Harrison, c''est la religion du délire. Il enivre les mots, les soûle à mort ; il écrit à tue-tête et bâtit des phrases où se devinent encore les ahans et les suées. Jim Harrison est un écrivain passionné, donc il nous passionne ! Yann Queffelec Le Nouvel Observateur (1981)