Most Popular Books by JERRY SILVERMAN

This compact book presents 130 songs in a convenient 5 1/2 inches by 8 inch format. All selections are written in leadsheet format for voice with complete lyrics, guitar chords and harmonica tablature. Ideal for the trail or campfire singing, take it along on your next hike or camping trip. Written in the guitar- friendly keys of C, G, D, A, E major and A, D, and E minor. Songs include A Tisket, a Tasket; All the Pretty Little Horses; Arkansas Traveler; Aunt Rhody; Bury Me Beneath the Willow; Clementine; Cripple Creek; I''ve Been Working on the Railroad; Oh Susanna; Pop Goes the Weasel; and many more.

An excellent way to celebrate holidays throughout the year. St. Valentines''s Day, St. Patrick''s Day, Easter, Mother''s Day, Flag Day, Columbus Day, Veteran''s Day, and other holidays are included. Arranged for voice and piano with guitar chords.

Learning to play fiddle tunes is made more meaningful when the student is supported musically by the accompaniment of a teacher, parent or friend. the 76 traditional fiddle tunes and folksongs in this book in C, G, D, A and E major (many of which are presented in more than one key) are printed in a separate pull-out section. the accompanying piano part (with guitar chords) has its own section which includes the fiddle part. This layout will help the accompanist keep the student on track. the result: Enjoyable stylish duets.76 fiddle tunes and folksongs arranged with guitar chords and piano accompaniment in C, G, D, A and E major.All the fiddle parts are in the first position. Many are presented in more than one key.A separate pull-out section for the fiddle part.The accompanying piano part (with guitar chords) has its own section which includes the fiddle part.

This book presents 375 of J.S. Bach''s surviving chorale harmonizations with singable English translations of the original German text by choral conductor Henry S. Drinker. Printed in an easy-to-read format, this edition was designed to facilitate both analysis of Bach''s musical genius in voice leading and renewed performance of these works by congregations. It is hoped that this user-friendly edition will inspire students and congregations alike to take a fresh look at this priceless musical treasure. Today they remain some of the finest examples of voice leading and harmonic movement, making them appropriate study material for any student of music theory and harmony. Chorales are also the root of traditional hymnody, especially from the Lutheran tradition. the chorales were originally text and melody sung a cappella, and were for congregational singing. Chorales were set in four parts for choir use, and are still appropriate for performance in worship services today. Many of the melodies will be familiar to those who sing traditional hymns. Choirs will love singing these beautifully written settings.

In this meticulously researched anthology, Jerry Silverman uses the popular music of the World War I (1912-1919) to provide a thorough overview of the political and social milieu of the times as well as a sense of the futility of war. Extensive historical notes and period photographs enhance this collection of 59 songs chosen for their musical value as much as for their historical significance. Silvernman writes, There were two parallel streams of songs being created during the course of ''the war to end all wars''-one by the soldiers ''over there'' and the other by songwriters ''over here''. Tin Pan Alley titles include: It''s a Long Way to Tipperary, ''Til the Boys Come Home (Keep the Home Fires Burning), I Don''t Want to War, I Didn''t Raise My Boy to Be a Soldier, I''ve Got the Army Blues, Hello Central-Give Me France, Over There, Oh! How to Get Up in the Morning, and How Ya Gonna Keep ''Em Down on the Farm; Tin Hat Alley tunes include: Diggin'', Deep-Sea Blues, When I Lay Down, The Passing Pilot and Hinky Dinky, Parley-voo. Each song is shown in piano/vocal format with accompaniment chord symbols. Many of the soldiers'' songs appear in print here for the first time.

This collection includes a large dose of sentimentality and pathos intermingled with irreverent humor and lighthearted gaiety, the sparkle of the British music hall, the brilliance of Gilbert and Sullivan, the sweet simplicity of Stephen Foster, and more.

More than one hundred songs of the Holocaust in sixteen languages with English translations. Here for the first time is a stirring collection of rare songs of the Holocaust; songs of resistance, despair, rage, hope and even humor, written in the face of utter evil. The very existence of these songs raises haunting questions. The extensive historical notes and insightful survivor testimony in this groundbreaking volume provide moving answers. Musicologist Jerry Silverman has compiled and presents an expansive collection of Holocaust-era folk music in sixteen languages that he situates within a vivid historical framework. This volume represents the work of concentration camp prisoners and inhabitants of the ghettos of Eastern Europe, subversive European cabaret music, anti-Fascist Russian Army songs, and songs of Resistance fighters. Silverman has conducted exhaustive research that took in many countries to unearth this material, and in some cases where the original music has been lost, set the words to music using traditional melodies. Included are songs of prewar Germany and of postwar reflection by such balladeers as Peter Seeger, Janis Ian, and Si Kahn.

Forty-nine typical songs from down under, with historical information. for voice and piano in friendly guitar keys - with guitar chords.

The first self-teaching guide to one of America''s most enduring and popular instruments, with over 70 songs and instrumental solos.

New York''s fascinating history as presented in song.

America is clearly a land of song! In this fine collection, prolific Mel Bay author Jerry Silverman explores the dusty archives of songdom to rediscover golden treasures of bygone days. The book offers over 50 captivating American songs loosely classified as related to Home, Home Runs, and Heartbreak. All selections are arranged for piano and voice with complete lyrics and suggested guitar chords. Includes a historical essay by Russell Baker plus an introduction and commentary on many of the individual songs by the author.

This guitar-centered counterpart to Songs of Spain: Piano/Vocal includes 22 beautiful Spanish folksongs in Spanish and singable English. Each song is shown both as a vocal line with guitar accompaniment written in standard notation, and as a separate guitar solo. Guitar arrangement in standard notation and tab. Selections include: Lagrimas; Alala; La Pastora; Eres aguila real; Viva la Quince Brigada; Los cuatro generales; Serranilla; Las palabras; amor mio; and more.

This huge collection of traditional and folk tunes includes song catergories such as love songs, songs of the sea, fun songs, train songs, sentimental songs, and songs based on historic events. Written in simple leadsheet format with complete lyrics and chord symbols, this collection is perfect for gatherings around the campfire or as a general sourcebook. Author/compiler Jerry Silverman contributes program notes for the more obscure tunes in this exhaustive anthology of American song.

Created with both children and parents in mind, this collection offers songs that children can sing to their parents, songs that parents can sing to their children, and songs that parents and children can sing together. The musical arrangements are simple, and the keys are user friendly. Includes melody line, lyrics, and suggested guitar chords.

The Guitar Guide: At the dawn of the folk guitar boom of the 1960s Jerry Silverman''s two books, "The Folksinger''s Guitar Guide," volumes 1 and 2 set the gold standard for guitar instructional material. They sold in the hundreds of thousands of copies and inspired a generation (and more) of aspiring pickers and singers with their combination of folksongs and the various techniques needed to accompany them. The Almanac: Unique in the annals of guitar literature, its purpose is to present to the interested reader a body of material relating to the guitar and the guitarist that is generally not touched upon in the usual method books. This material has been drawn from the personal experiences of the author, and it contains advice about choosing, studying and teaching the guitar, as well as discussions about strings, capos, fingernails and other "accessories after the fact."

Jerry Silverman has taken the best songs from Songs of England; Songs of Ireland; and Songs of Scotland and arranged them for voice with complete lyrics and annotated guitar accompaniment, as well as guitar solos. A new section on Songs of Wales has been added. Solos appear in standard notation and tablature.

Offers basic instructions for playing the guitar and provides musical scores and lyrics for several types of songs