Best Selling Books by J.r.r. Tolkien

Mr Bliss, a man notable for his immensely tall hats and for the girabbit in his garden, takes the whimsical decision to buy a motor car. But his first drive to visit friends quickly becomes a catalogue of disasters... J.R.R. Tolkien invented and illustrated the book of Mr Bliss''s adventures for his own children when they were very young. The book was handwritten with lots of detailed and uproarious colour pictures. This is a complete and highly imaginative tale of eccentricity. Some of the disasters that befall Mr Bliss could be blamed on his style of driving, but even he could not anticipate being hijacked by three bears. As for what happened next - the readers, whether young or old, will want to discover for themselves. Republished in hardback to match his Letters from Father Christmas and other illustrated Tolkien editions, Mr Bliss is presented as a conventional illustrated storybook, and also with Tolkien''s handwritten pages in facsimile at the back, and is sure to delight Tolkien fans of all ages.

The first part of The History of The Lord of the Rings, The Return Of The Shadow is J.R.R. Tolkien''s enthralling account of the writing of the Book of the Century which contains many additional scenes and includes the unpublished Epilogue in its entirety. The Return of the Shadow is the story of the first part of the history of the creation of The Lord of the Rings, a fascinating study of Tolkien’s great masterpiece, from its inception to the end of the first volume, The Fellowship of the Ring. In The Return of the Shadow (the abandoned title of the first volume of The Lord of the Rings) we see how Bilbo’s magic ring evolved into the supremely dangerous Ruling Ring of the Dark Lord; and the precise, and astonishingly unforeseen, moment when a Black Rider first rode in to the Shire. The character of the hobbit called Trotter (afterwards Strider or Aragorn) is developed, and Frodo’s companions undergo many changes of name and personality. The book comes complete with reproductions of the first maps and facsimile pages from the earliest manuscripts.

The Fellowship of the Ring is the first part of J.R.R. Tolkien''s epic adventure, The Lord of the Rings.

Two tales of fantasy by Tolkien.

Bilbo’s Last Song is considered by many to be Tolkien’s epilogue to his classic work The Lord of the Rings. As Bilbo Baggins takes his final voyage to the Undying Lands, he must say goodbye to Middle-earth. Poignant and lyrical, the song is both a longing to set forth on his ultimate journey and a tender farewell to friends left behind. Pauline Baynes’s jewel-like illustrations lushly depict both this final voyage and scenes from The Hobbit, as Bilbo remembers his first journey while he prepares for his last.

New York Times bestseller “A thrill . . . Beowulf was Tolkien’s lodestar. Everything he did led up to or away from it.” —New Yorker J.R.R. Tolkien completed his translation of Beowulf in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication. This edition includes an illuminating written commentary on the poem by the translator himself, drawn from a series of lectures he gave at Oxford in the 1930s. His creative attention to detail in these lectures gives rise to a sense of the immediacy and clarity of his vision. It is as if Tolkien entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beach their ship on the coast of Denmark, listening to Beowulf’s rising anger at Unferth’s taunting, or looking up in amazement at Grendel’s terrible hand set under the roof of Heorot. “Essential for students of the Old English poem—and the ideal gift for devotees of the One Ring.” —Kirkus

Throughout this vast and intricate mythology, says Publishers Weekly, "one marvels anew at the depth, breadth, and persistence of J.R.R. Tolkien''s labor. No one sympathetic to his aims, the invention of a secondary universe, will want to miss this chance to be present at the creation." In this capstone to that creation, we find the chronology of Middle-earth''s later Ages, the Hobbit genealogies, and the Western language or Common Speech. These early essays show that Tolkien''s fertile imagination was at work on Middle-earth''s Second and Third Ages long before he explored them in the Appendices to The Lord of the Rings . Here too are valuable writings from Tolkien''s last years: " The New Shadow," in Gondor of the Fourth Age, and" Tal-elmar," the tale of the coming of the Nsmen-rean ships.

To celebrate its 40th anniversary, the first ever illustrated edition of this collection of tales which takes readers further into the stories told in The Hobbit, The Lord of the Rings and The Silmarillion, featuring 18 full-colour paintings depicting scenes from the First, Second and Third Ages of Middle-earth.

The extraordinary history of Middle-earth, edited by Christopher Tolkien The Book of Lost Tales stands at the beginning of the entire conception of Middle-earth and Valinor. Embedded in English legend and English association, they were set in the narrative frame of a great westward voyage over the Ocean by a mariner named Eriol (or Ælfwine) to Tol Eressëa, the Lonely Isle, where Elves dwelt; from them he learned their true history, the Lost Tales of Elfinesse. In the Tales are found the earliest accounts and original ideas of Gods and Elves; Dwarves and Orcs; the Silmarils and the Two Trees of Valinor; Nargothrond and Gondolin; and the geography and cosmology of the invented world. Praise for Book of Lost Tales 1 “In these tales we have the scholar joyously gamboling in the thickets of his imagination. . . . A commentary and notes greatly enrich the quest.”—The Daily Telegraph “Affords us an almost over-the-shoulder view into the evolving creative process and genius of J.R.R. Tolkien in a new, exciting aspect . . .The superb, sensitive, and extremely helpful commentary and editing done by Christopher Tolkien make all of this possible.”—Mythlore

SIR GAWAIN AND THE GREEN KNIGHT, PEARL, AND SIR ORFEO THREE MEDIEVAL ENGLISH POEMS, WITH TRANSLATION AND COMMENTARY BY J.R.R. TOLKIEN It’s Christmas at Camelot and King Arthur won’t begin to feast until he has witnessed a marvel of chivalry. A mysterious knight, green from head to toe, rides in and brings the court’s wait to an end with an implausible challenge to the Round Table: he will allow any of the knights to strike him once, with a battle-axe no less, on the condition that he is allowed to return the blow a year hence. Arthur’s brave favorite for the challenge is Sir Gawain… Accompanying Sir Gawain and the Green Knight in this book are Sir Orfeo, a medieval version of the story of Orpheus and Euridice, a love so strong that it overcame death, and Pearl, the moving tale of a man in a graveyard mourning his baby daughter, lost like a pearl that slipped through his fingers. Worn out by grief, he falls asleep and dreams of meeting her in a bejewelled fantasy world. Interpreted in a form designed to appeal to the general reader, J.R.R. Tolkien’s vivid translations of these classic poems represent the complete rhyme and alliterative schemes of the originals. This beautifully decorated text includes as a bonus the complete text of Tolkien’s acclaimed lecture on Sir Gawain.

In his acclaimed collection Tales Before Tolkien, Douglas A. Anderson illuminated the sources, inspirations, and influences that fired J.R.R. Tolkien’s genius. Now Anderson turns his attention to Tolkien’s colleague and friend C. S. Lewis, whose influence on modern fantasy, through his beloved Narnia books, is second only to Tolkien’s own. In many ways, Lewis’s influence has been even wider than Tolkien’s. For in addition to the Narnia series, Lewis wrote groundbreaking works of science fiction, urban fantasy, and religious allegory, and he came to be regarded as among the most important Christian writers of the twentieth century. It will come as no surprise, then, that such a wide-ranging talent drew inspiration from a variety of sources. Here are twenty of the tributaries that fed Lewis’s unique talent, among them: “The Wood That Time Forgot: The Enchanted Wood,” taken from a never-before-published fantasy by Lewis’s biographer and friend, Roger Lancelyn Green, that directly inspired The Lion, the Witch, and the Wardrobe; E. Nesbit’s charming “The Aunt and Amabel,” in which a young girl enters another world by means of a wardrobe; “The Snow Queen,” by Hans Christian Andersen, featuring the abduction of a young boy by a woman as cruel as she is beautiful; and many more, including works by Charles Dickens, Kenneth Grahame, G. K. Chesterton, and George MacDonald, of whom Lewis would write, “I have never concealed the fact that I regarded him as my master.” Full of fascinating insights into Lewis’s life and fiction, Tales Before Narnia is the kind of book that will be treasured by children and adults alike and passed down lovingly from generation to generation. INCLUDING SEVENTEEN MORE WORKS BY THE PROGENITORS OF MODERN FANTASY AND SCIENCE FICTION: “Tegnér’s Drapa” by Henry Wadsworth Longfellow “The Magic Mirror” by George MacDonald “Undine” by Friedrich de la Motte Fouqué “Letters from Hell: Letter III” by Valdemar Thisted “Fastosus and Avaro” by John Macgowan “The Tapestried Chamber; or, The Lady in the Sacque” by Sir Walter Scott “The Story of the Goblins Who Stole a Sexton” by Charles Dickens “The Child and the Giant” by Owen Barfield “A King’s Lesson” by William Morris “The Waif Woman: A Cue—From a Saga” by Robert Louis Stevenson “First Whisper of The Wind in the Willows” by Kenneth Grahame “The Wish House” by Rudyard Kipling “Et in Sempiternum Pereant” by Charles Williams “The Dragon’s Visit” by J.R.R. Tolkien “The Coloured Lands” by G. K. Chesterton “The Man Who Lived Backwards” by Charles F. Hall “The Dream Dust Factory” by William Lindsay Gresham

“Shows how Finnish mythology and folk tales were instrumental to how Tolkien created his own legendarium.”—Boston Globe Kullervo, son of Kalervo, is perhaps the darkest and most tragic of all J.R.R. Tolkien’s characters. “Hapless Kullervo,” as Tolkien called him, is a luckless orphan boy with supernatural powers and a tragic destiny. Brought up in the homestead of the dark magician Untamo, who killed his father, kidnapped his mother, and tried three times to kill him when he was still a boy, Kullervo is alone save for the love of his twin sister, Wanona, and the magical powers of the black dog Musti, who guards him. When Kullervo is sold into slavery he swears revenge on the magician, but he will learn that even at the point of vengeance there is no escape from the cruelest of fates. Tolkien himself said that The Story of Kullervo was “the germ of my attempt to write legends of my own,” and was “a major matter in the legends of the First Age.” Tolkien’s Kullervo is the clear ancestor of Túrin Turambar, the tragic incestuous hero of The Silmarillion. Published with the author’s drafts, notes, and lecture essays on its source work, the Kalevala, The Story of Kullervo is a foundation stone in the structure of Tolkien’s invented world. “A fascinating read.”—NPR