Most Popular Books by Isak Dinesen

SINOPSIS Carnaval y otros cuentosrecoge once relatos publicados tras la muerte de Isak Dinesen en 1962. Estos cuentos fueron escritos en diferentes etapas de la vida de la autora y muestran su amplia variedad de intereses literarios y personales, así como su magistral técnica. Algunos de estos relatos están entre los mejores y más originales de su producción, como por ejemplo «Caballos fantasmas» y «El oso y el beso». En Nórdica sentimos un aprecio especial por Isak Dinesen, pues su escritura nos parece llena de una honestidad e inteligencia que nos hacen recuperar el gusto por las historias bien contadas. CRÍTICA «Mi historia de amor con Isak Dinesen duraría mientras yo tuviera ojos para leer.» Orson Welles

Early in the 19th century, a couple stay in seclusion to hide the woman''s pregnancy caused by premarital indiscretion.

En un aislado pueblo de pescadores de la costa noruega, la comunidad practica, en el sentido más estricto, los principios religiosos que el pastor ha predicado durante años. De pronto, Babette aparece en sus vidas para cambiarlas...

From the moment Karen Blixen arrived in Kenya in 1914 to manage a coffee plantation, her heart belonged to Africa. Drawn to the intense colours and ravishing landscapes, Karen Blixen spent her happiest years on the farm and her experiences and friendships with the people around her are vividly recalled in these memoirs. She describes her strong friendships with the people of the area, her affection for the landscape and animals, and great love for the adventurer Denys Finch-Hatton. Written with astonishing clarity and an unsentimental intelligence, Out of Africa is the story of a remarkable and unconventional woman and of a way of life that has vanished for ever. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

"Una tarde, el joven marinero Simón baja a tierra y se topa con una niña de vestido rojo que le promete un beso a cambio de una naranja ... si regresa. Al día siguiente encontrará en el camino aquello que lo llevará a reconocer su fuerza y vulnerabilidad, así como su destino. Con ecos míticos y las sutiles ilustraciones de Angela Lago, El cuento del joven marinero descubre lo que sucede si escuchamos el llamado a la aventura."--Cubierta.

When Isak Dinesen''s SEVEN GOTHIC TALES first appeared in 1934, their old-world atmosphere, their romantic style of writing, and their aura of mystery made them highly popular. Particularly in America, these tales of nineteenth century aristocratic life and of the supernatural found a wide audience of people tired of the vast amount of realistic and naturalistic fiction of the age. At that time, few Americans knew Dinesen''s real identity (she is a Danish Baroness, Karen Blixen-Finecke). In fact, Dorothy Canfield, who wrote the introduction to the first American edition of SEVEN GOTHIC TALES, did not know whether the author was a man or a woman and only ventured the guess that the author was a northern European of aristocratic background. These tales, and Dinesen''s subsequent work, have held a loyal audience ever since, although for many readers the enthusiasm that originally greeted the SEVEN GOTHIC TALES has been tempered by an awareness of the overwriting and the tricks frequently used to bring the plots together.Many of the plots involved in the SEVEN GOTHIC TALES deal with a vanishing aristocracy in Europe in the early or middle years of the nineteenth century. The aristocracy, concerned with passing its blood down from generation to generation, finds the lines of breeding corrupted by illegitimacy. The uncovering of illegitimacy, or sometimes of legitimacy, is one of the major plot devices in Dinesen''s work. In "The Deluge at Norderney," for example, Jonathan Maersk is trying to escape the knowledge that he is really a baron''s son instead of the son of a simple seaman. The knowledge that he is the baron''s son makes Miss Malin Nat-og-Dag arrange a marriage between him and her godchild while they are all waiting in a hayloft for a rescue boat during a flood. The plot hinges on Jonathan''s disclosure of his origin, no matter how melancholy this revelation makes him, for melancholy is fashionable among the aristocracy of the time. The question of legitimacy also plays a strong part in the working out of several of the other tales.

Vier verhalen met herinneringen aan een verblijf in Kenia.