Best Selling Books by Gary Russell

Ground Zero collects a range of classic black-and-white comic strip tales featuring four different Doctors, all digitally remastered! All stories have been taken from the official Doctor Who Magazine, now in its 40th year of publication!

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Novelizations of all the stories of the first season and the first story of the second season of the television program Blakes 7, originally broadcast by the BBC in 1978 and 1979.

This dissertation has as its premise a critical re-evaluation and rehabilitation of sixteenth-century Italian tragedy, which has been largely ignored in both Anglophone and Italian scholarship. The starting point of my re-evaluation is the reception and innovation of the theoretical framework of tragedy itself found in two vital sources: Aristotle's Poetics and Horace's Ars Poetica. My argument is that the compositional process itself plays as important a role on the theorization of the tragic and the rebirth of the genre as does the ideological message contained within each tragedy. The problematics of genre definition render it difficult to satisfactorily and unitarily codify tragedy and its role in society. Trissino, Giraldi Cinzio, Speroni, and Tasso all conclude quite differently the role of the poet and the genre itself; and this project analyzes those differences to arrive at a fuller understanding of the historical icastity and poetic lyricism in the Cinquecento. Chapter one discusses Trissino's Sofonisba, the first neoclassical tragedy, and his theorization of a new tragic style rooted in the Aristotelian theoretical framework. Trissino's tragedy, taking a historical subject as its matter, is predicated upon representing a peaceful utopia between the political forces of the Holy Roman Emperor and the Pope. In Chapter two, I discuss Giraldi Cinzio's Orbecche which takes one of Giraldi Cinzio's own novella as his source material. I trace how Giraldi Cinzio diverges from Trissino's theoretical framework by embracing Horace's Ars Poetica. The Orbecche represents a major turning point from the few tragedies which follow Trissino's because it seeks to locate the ideological message in the horrific shock of its representation. Chapter three examines Speroni's Canace and the lyric innovations that he adds to the development of tragic composition. Speroni is less engaged theoretically with Aristotle or Horace, and he attempts to situate the tragic sentiment in its melic representation. The final chapter examines the culmination of the tragic form in the sixteenth-century, Tasso's Re Torrismondo. Tasso composes the Re Torrismondo as a psychologized reflection of the inner turmoil of the soul as he delimits the function of utility and privileges that of pleasure.

Recent advances in data gathering through checkout scanners have produced vast amounts of data on the actual behavior of consumers in the marketplace, creating new opportunities for managers and researchers to under stand competition and consumers' response to the marketing mix. Previous analyses of this data in the literature have focused either at the household (micro) or store (macro) level. The authors propose a method of enriching the analysis of competitive behavior by combining the in-depth consumer in formation obtained from a micro-level household scanner panel with the comprehensive market data supplied by a macro-level retail-tracking panel. The approach offers the manager detailed information about consumers (e.g., identification of consumer segments in terms of brand preferences and socioeconomic characteristics) along with strategic diagnostics of the product market (e.g., the sensitivity of the market to price promotions, impact of a brand's strategy on competitors, vulnerability of the brand to competitive actions).