New Releases by Fyodor Dostoevsky

The Double is a psychological exploration of identity, paranoia, and existential crisis within the rigid structure of 19th-century Russian society. Fyodor Dostoyevsky examines the fragile nature of self-perception through the story of Yakov Petrovich Golyadkin, a government clerk who encounters his uncanny double. As Golyadkin's life unravels, the novel delves into themes of alienation, madness, and the struggle for recognition in a bureaucratic and hierarchical world. Since its publication, The Double has been recognized for its psychological depth and innovative narrative style. Its portrayal of a fractured identity and the tension between self and society has influenced discussions on existentialism and modernist literature. The novel's unsettling atmosphere and exploration of paranoia continue to captivate readers, solidifying its place as an essential work in Dostoyevsky's literary evolution. The novel's lasting significance lies in its ability to depict the instability of human identity and the psychological toll of societal pressures. By confronting readers with the ambiguity of perception and the fragility of selfhood, The Double invites reflection on the nature of consciousness and the fears that arise when one's reality is questioned.

In "The Gambler," Fyodor Dostoevsky delves into the psychological complexities of addiction and the perils of obsession through the lens of gambling. Set against the backdrop of a fictional European spa town, the narrative unfolds with a visceral immediacy, employing a distinctive first-person perspective that immerses the reader in the protagonist's turbulent mind. Dostoevsky's prose is marked by its intensity and moral ambiguity, reflecting the existential struggles of the human condition while navigating themes of desperation, desire, and the quest for identity within the realm of chance. This unabridged Hogarth translation captures the nuances of Dostoevsky's style, richly conveying the tension and vivid characterizations that make the novel a poignant study of societal pressures and personal downfall. Dostoevsky's life experiences, characterized by his own battles with gambling addiction and his time in Siberian exile, profoundly shaped the narrative of "The Gambler." Emerging from a period of tumultuous financial instability and existential inquiry, Dostoevsky's intricate understanding of human psychology is evident in the depth of his characters, who grapple with their moral choices in a world rife with uncertainty. The novel can be seen as a reflection of the author's broader contemplation on fate, luck, and the essence of freedom. This compelling work is a must-read for those fascinated by the intersection of psychology and literature, as well as admirers of existential thought. "The Gambler" provides readers with an intimate exploration of the destructive allure of addiction, prompting introspection on the choices that define us. Dostoevsky's exploration of the darker aspects of human nature remains resonant, making it a timeless classic deserving of attention.

Demons (pre-reform Russian: post-reform Russian: IPA: sometimes also called The Possessed or The Devils) is a novel by Fyodor Dostoevsky, first published in the journal The Russian Messenger in 1871-72. It is considered one of the four masterworks written by Dostoevsky after his return from Siberian exile, along with Crime and Punishment (1866), The Idiot (1869), and The Brothers Karamazov (1880). Demons is a social and political satire, a psychological drama, and a large-scale tragedy. Joyce Carol Oates has described it as "Dostoevsky's most confused and violent novel, and his most satisfactorily 'tragic' work." According to Ronald Hingley, it is Dostoevsky's "greatest onslaught on Nihilism", and "one of humanity's most impressive achievements--perhaps even its supreme achievement--in the art of prose fiction." Demon is an allegory of the potentially catastrophic consequences of the political and moral nihilism that were becoming prevalent in Russia in the 1860s. A fictional town descends into chaos as it becomes the focal point of an attempted revolution, orchestrated by master conspirator Pyotr Verkhovensky. The mysterious aristocratic figure of Nikolai Stavrogin--Verkhovensky's counterpart in the moral sphere--dominates the book, exercising an extraordinary influence over the hearts and minds of almost all the other characters. The idealistic, Western-influenced generation of the 1840s, epitomized in the character of Stepan Verkhovensky (who is both Pyotr Verkhovensky's father and Nikolai Stavrogin's childhood teacher), is presented as the unconscious progenitors and helpless accomplices of the "demonic" forces that take possession of the town.

The Raw Youth, also published as The Adolescent or An Accidental Family, is a novel by Russian writer Fyodor Dostoevsky, first published in monthly installments in 1875 in the Russian literary magazine Notes of the Fatherland. Originally, Dostoevsky had created the work under the title "Discord"

"Crime and Punishment is a novel by the Russian author Fyodor Dostoevsky. Crime and Punishment is considered the first great novel of his mature period of writing. Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex student in Saint Petersburg who formulates a plan to kill an unscrupulous pawnbroker for her money. Before the killing, Raskolnikov believes that with the money he could liberate himself from poverty and go on to perform great deeds. However, once it is done he finds himself racked with confusion, paranoia, and disgust for what he has done. His ethical justifications disintegrate completely as he struggles with guilt and horror and confronts the real-world moral consequences of his deed."

The Idiot is a novel by the 19th-century Russian author Fyodor Dostoevsky. It was first published serially in the journal The Russian Messenger in 1868-69.The title is an ironic reference to the central character of the novel, Prince (Knyaz) Lev Nikolayevich Myshkin, a young man whose goodness, open-hearted simplicity and guilelessness lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man."[1] The novel examines the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved.

Crime and Punishment, Russian Prestupleniye i nakazaniye, novel by Russian writer Fyodor Dostoyevsky, first published in 1866. His first masterpiece, the novel is a psychological analysis of the poor former student Raskolnikov, whose theory that he is an extraordinary person able to take on the spiritual responsibility of using evil means to achieve humanitarian ends leads him to murder. The act produces nightmarish guilt in Raskolnikov. The story is one of the finest studies of the psychopathology of guilt written in any language. -Illustrated with book-end doodles about reading.-

A beautiful hardcover edition of the first great prison memoir, Fyodor Dostoevsky''s fictionalized account of his life-changing penal servitude in Siberia. Translated by Richard Pevear and Larissa Volokhonsky, with an introduction by Richard Pevear. Sentenced to death for advocating socialism in 1849, Dostoevsky served a commuted sentence of four years of hard labor. The account he wrote afterward, Notes from a Dead House (sometimes translated as The House of the Dead), is filled with vivid details of brutal punishments, shocking conditions, and the psychological effects of the loss of freedom and hope, but also of the feuds and betrayals, the moments of comedy, and the acts of kindness he observed. As a nobleman and a political prisoner, Dostoevsky was despised by most of his fellow convicts, and his first-person narrator—a nobleman who has killed his wife—experiences a similar struggle to adapt. He also undergoes a transformation over the course of his ordeal, as he discovers that even among the most debased criminals there are strong and beautiful souls. Notes from a Dead House reveals the prison as a tragedy both for the inmates and for Russia. It endures as a monumental meditation on freedom. Everyman''s Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

Completed only a few months before the author''s death, The Brothers Karamazov is Dostoyevsky''s largest, most expansive, most life-embracing work. Filled with human passions ― lust, greed, love, jealousy, sorrow, and humor ― the book is also infused with moral issues and the issue of collective guilt. As in many of Dostoyevsky''s novels, the plot centers on a murder. Three brothers, different in character but bound by their ancestry, are drawn into the crime''s vortex: Dmitri, a young officer utterly unrestrained in love, hatred, jealousy, and generosity; Ivan, an intellectual capable of delivering impromptu disquisitions about good and evil, God, and the devil; and Alyosha, the youngest brother, preternaturally patient, kind, and loving. Part mystery, part profound philosophical and theological debate, The Brothers Karamazov represents the culmination of Dostoyevsky''s life''s work and ranks among the greatest novels of all time.

The two years before he wrote Crime and Punishment (1866) had been bad ones for Dostoyevsky. His wife and brother had died; the magazine he and his brother had started, Epoch, collapsed under its load of debt; and he was threatened with debtor's prison. With an advance that he managed to wangle for an unwritten novel, he fled to Wiesbaden, hoping to win enough at the roulette table to get himself out of debt. Instead, he lost all his money; he had to pawn his clothes and beg friends for loans to pay his hotel bill and get back to Russia. One of his begging letters went to a magazine editor, asking for an advance on yet another unwritten novel -- which he described as Crime and Punishment.One of the supreme masterpieces of world literature, Crime and Punishment catapulted Dostoyevsky to the forefront of Russian writers and into the ranks of the world's greatest novelists. Drawing upon experiences from his own prison days, the author recounts in feverish, compelling tones the story of Raskolnikov, an impoverished student tormented by his own nihilism, and the struggle between good and evil. Believing that he is above the law, and convinced that humanitarian ends justify vile means, he brutally murders an old woman -- a pawnbroker whom he regards as "stupid, ailing, greedy...good for nothing." Overwhelmed afterwards by feelings of guilt and terror, Raskolnikov confesses to the crime and goes to prison. There he realizes that happiness and redemption can only be achieved through suffering. Infused with forceful religious, social, and philosophical elements, the novel was an immediate success. This extraordinary, unforgettable work is reprinted here in the authoritative Constance Garnett translation.

A Classic Russian Novella that has influenced Kafka's The Metamorphosis, Ralph Ellison's Invisible Man, Brett Easton Ellis' novel American Psycho, and Martin Scorsese's Taxi Driver. Notes from Underground, is an 1864 novella by Fyodor Dostoevsky. Notes is considered by many to be one of the first existentialist novels. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man's diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky's What Is to Be Done? The second part of the book is called "Apropos of the Wet Snow" and describes certain events that appear to be destroying and sometimes renewing the underground man, who acts as a first person, unreliable narrator and anti-hero.

The Devils By Fyodor Dostoyevsky stillness of his study, far from the immense burden of university work, it was always possible to devote himself to the service of science, and to enrich the literature of his country with erudite studies. These works did not appear. But on the other hand it did appear possible to spend the rest of his life, more than twenty years, "a reproach incarnate," so to speak, to his native country, in the words of a popular poet: We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Title: Crime and PunishmentAuthor: Fyodor DostoevskyLanguage: English

The Possessed (The Devils) by Fyodor Mikhailovich Dostoyevsky

The Brothers Karamazov by Fyodor Mikhailovich Dostoyevsky

"The classic book has always read again and again.""What is the classic book?""""Why is the classic book?""READ READ READ.. then you''ll know it''s excellence."

Crime and Punishment by Fyodor Mikhailovich Dostoyevsky Unabridged 1866

The IdiotbyFyodor DostoyevskyTranslated by Eva MartinThe Idiot is a novel by the 19th-century Russian author Fyodor Dostoyevsky. It was first published serially in the journal The Russian Messenger in 1868-9.The title is an ironic reference to the central character of the novel, Prince (Knyaz) Lyov Nikolaevich Myshkin, a young man whose goodness and open-hearted simplicity lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man". The novel examines the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved. The result, according to philosopher A.C. Grayling, is "one of the most excoriating, compelling and remarkable books ever written; and without question one of the greatest."

A collection of stories by Fyodor Dostoyevsky in high quality paperback form. Stories in this collection: WHITE NIGHTS, NOTES FROM UNDERGROUND, A FAINT HEART, A CHRISTMAS TREE AND A WEDDING, POLZUNKOV, A LITTLE HERO, MR. PROHARTCHIN

The Idiot a novel by the 19th-century Russian author Fyodor Dostoyevsky. It was first published serially in the journal The Russian Messenger in 1868-9. The title is an ironic reference to the central character of the novel, Prince Lyov Nikolaevich Myshkin, a young man whose goodness and open-hearted simplicity lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man." The novel examines the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved. The result, according to philosopher A.C. Grayling, is "one of the most excoriating, compelling and remarkable books ever written; and without question one of the greatest.

Dostoevsky''s Psychological Exploration “To love is to suffer and there can be no love otherwise.” ― Fyodor Dostoyevsky, Notes from Underground Notes from the Underground is the diary of an unnamed narrator who has completely withdrawn from society. One of Fyodor Dostoevsky''s masterpiece novels, Notes from the Underground combines elements of fiction and philosophy in a psychological novel that explores the existential angst of one man in nineteenth-century Russia. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes

Master translation of a neglected Russian classic into English Long before Solzhenitsyn's Gulag Archipelago came Dostoevsky's Notes from the House of the Dead, a compelling account of the horrific conditions in Siberian labor camps. First published in 1861, this novel, based on Dostoevsky's own experience as a political prisoner, is a forerunner of his famous novels Crime and Punishment and The Brothers Karamazov. The characters and situations that Dostoevsky encountered in prison were so violent and extraordinary that they changed his psyche profoundly. Through that experience, he later said, he was resurrected into a new spiritual condition -- one in which he would create some of the greatest novels ever written. Including an illuminating introduction by James Scanlan on Dostoevsky's prison years, this totally new translation by Boris Jakim captures Dostoevsky's semi-autobiographical narrative -- at times coarse, at times intensely emotional, at times philosophical -- in rich American English.

Fyodor Dostoevsky’s classic tale of one man’s pure innocence in the face of a society obsessed with power, money, and manipulation The twenty-six-year-old Prince Myshkin, following a stay of several years in a Swiss sanatorium, returns to Russia to collect an inheritance and “be among people.” Even before he reaches home he meets the dark Rogozhin, a rich merchant’s son whose obsession with the beautiful Nastasya Filippovna eventually draws all three of them into a tragic denouement. In Petersburg the prince finds himself a stranger in a society obsessed with money, power, and manipulation. Scandal escalates to murder as Dostoevsky traces the surprising effect of this “positively beautiful man” on the people around him, leading to a final scene that is one of the most powerful in all of world literature. Richard Pevear and Larissa Volokhonsky’s masterful translation of The Idiot is destined to stand with their versions of Crime and Punishment, The Brothers Karamazov, and Demons as the definitive Dostoevsky in English.

Dostoevsky''s unique, mesmerizing and revolutionary work of art. He has depicted the underground politics with deep skepticism. The significance of this great literary work is enhanced by its stunning fight scenes and alluring suspense. Compelling language and life-like characterization give a clear view of dilemmas being faced by the whole Russian nation. Astounding and enthralling!

Dostoevsky's unique, mesmerizing and revolutionary work of art. He has depicted the underground politics with deep skepticism. The significance of this great literary work is enhanced by its stunning fight scenes and alluring suspense. Compelling language and life-like characterization give a clear view of dilemmas being faced by the whole Russian nation. Astounding and enthralling!

In this dark and compelling short novel, Fyodor Dostoevsky tells the story of Alexey Ivanovitch, a young tutor working in the household of an imperious Russian general. Alexey tries to break through the wall of the established order in Russia, but instead becomes mired in the endless downward spiral of betting and loss. His intense and inescapable addiction is accentuated by his affair with the General’s cruel yet seductive niece, Polina. In The Gambler, Dostoevsky reaches the heights of drama with this stunning psychological portrait.

Inspired by the true story of a political murder that horried Russians in 1869, Fyodor Dostoevsky conceived of Demons as a "novel-pamphlet" in which he would say everything about the plague of materialist ideology that he saw infecting his native land. What emerged was a prophetic and ferociously funny masterpiece of ideology and murder in pre-revolutionary Russia.

In September 1867, when Dostoevsky began work on what was to become The Idiot, he was living in Switzerland with his new wife Anna Grigoryevna, having left Russia in order to escape his creditors. They were living in extreme poverty, and constantly had to borrow money or pawn their possessions. They were evicted from their lodgings five times for non-payment of rent, and by the time the novel was finished in January 1869 they had moved between four different cities in Switzerland and Italy. During this time Dostoevsky periodically fell into the grip of his gambling addiction and lost what little money they had on the roulette tables. He was subject to regular and severe epileptic seizures, including one while Anna was going into labor with their daughter Sofia, delaying their ability to go for a midwife. The baby died aged only three months, and Dostoevsky blamed himself for the loss. Dostoevsky's notebooks of 1867 reveal deep uncertainty as to the direction he was taking with the novel. Detailed plot outlines and character sketches were made, but were quickly abandoned and replaced with new ones. In one early draft, the character who was to become Prince Myshkin is an evil man who commits a series of terrible crimes, including the rape of his adopted sister (Nastasya Filippovna), and who only arrives at goodness by way of his conversion through Christ. By the end of the year, however, a new premise had been firmly adopted. In a letter to Apollon Maykov, Dostoevsky explained that his own desperate circumstances had "forced" him to seize on an idea that he had considered for some time but had been afraid of, feeling himself to be artistically unready for it. This was the idea to "depict a completely beautiful human being". Rather than bring a man to goodness, he wanted to start with a man who was already a truly Christian soul, someone who is essentially innocent and deeply compassionate, and test him against the psychological, social and political complexities of the modern Russian world. It was not only a matter of how the good man responded to that world, but of how it responded to him. Devising a series of scandalous scenes, he would "examine each character's emotions and record what each would do in response to Myshkin and to the other characters." The difficulty with this approach was that he himself did not know in advance how the characters were going to respond, and thus he was unable to pre-plan the plot or structure of the novel. Nonetheless, in January 1868 the first chapters of The Idiot were sent off to The Russian Messenger. Here is the complete text of the novel with the followings annotations: * Historical context: The Idiot was conceived and created in the late 1860s when the enthusiasm over the liberal reforms of Alexander II was beginning to wane and their results were proving to be unfavorable to many. *literary analysis: The Idiot Analysis. The Idiot explores many universal themes through its premise and its characters. * Fyodor Dostoevsky Quotes: -"To go wrong in one's own way is better than to go right in someone else's." -"What is hell? I maintain that it is the suffering of being unable to love." -"I say let the world go to hell, but I should always have my tea." *Biographical Information: Novels and novellas (1846) Poor Folk (1846) The Double (1847) The Landlady (novella) (1849) Netochka Nezvanova (unfinished)...