Most Popular Books by Frances Thomas

Mother Monster soothes Little Monster with a pleasant story when he imagines a scary day.

Townsville-based artist Tate Adams is renowned for his wood engravings, a form of printmaking he first practised while illustrating limited edition books for Ireland's famous Dolmen Press. In Australia, he initiated something of a revolution in the art of printmaking through his teaching at the Royal Melbourne Institute of Technology from 1960-1982, and his establishment of the Crossley Gallery with early exhibitions of prints by artists such as Fred Williams, John Brack, George Baldessin and many others. He also established, with George Baldessin, the Lyre Bird Press for the publication of limited edition artists' books. During the past decade he has moved from the miniature art of wood engraving, in which he is an internationally acknowledged master, to the painting of large scale gestural works executed in gouache on paper. The vitality of these recent works is astonishing. This Mini-Book, No 15 in Macmillan Art Publishing's series, provides an overview of Tate Adams's art in both wood engraving and the recent abstract painting.

A new poetry collection by the author of 'The Memory Gate' and Girls of Troy quartet.

Supposing you woke up and the house was on fire and there was a big black hole in the floor beside your bed and you fell in and a spider fell on top of you. That is just what little monster's dreams are about until his mother soothes him and lays all his fears to rest.

Examples of bad bossism are everywhere. Is yours a bully or merely inept? This books gives suggestions on how to deal with your boss and how to know when it's time to say goodbye.

Meet the Vaughn family: Mamma, Dadda, Davy, his five sisters, and baby brother Owen. They live in a small house in a Glamorgan valley and have some hilarious and heart-warming adventures. This new paperback edition includes specially commissioned illustrations (a bloater is a smoked herring).

Just when Mark Sullivan is fed up with his boring life, in steps Zak out from nowhere, who seems to have everything Mark wants.

A grumpy old man, nicknamed Mr. Bear, discovers a dancing bear in a carnival.

As eyewitnesses to history, American women newspaper photographers occupy ringside seats as they cover local, national or international events. Their names are credited under countless images printed in daily and weekly papers, yet viewers seldom consider how the private lives of individual women intersect with their profession. Regrettably their narratives are absent from most photographic and journalism histories. Female news photographers constitute less than 25% of this male-dominated profession. To comprehend how newsroom culture informed both professional and personal experience, extensive life histories were collected from thirty women who consented to participate in this study. As a means of painting a more complete picture of issues encountered during their careers, the group was chosen to reflect geographical location, age, ethnicities, and sexual preference. Participants were asked how they balanced career aspirations, personal relationships, and self-worth in context of the changing roles of women. What choices have they made? What compromises? Did their experiences change over decades or do some issues remain essentially the same? What kind of discrimination, if any, did they experience in their job and how did they respond? Did ethnic cultures or social mores clash with their career choice? Also explored were statements regarding education, parental professions, marital status, family dynamics, life changes, and stressors. On assignment and in the newsroom their presence has helped change social assumptions but because their profession straddles both journalism and photography, researchers have ignored much of their work. Naomi Rosenblum, author of A History of Women Photographers, cites only a few newspaper photographers and describes pictures produced by women photographers in the 1940s and 1950s as "pedestrian" in quality. Current photographic history is not false, but rather one-sided. Stories shared by the women of this study, whose collective experience spans over fifty years, offer insights to young women who will be working as news photographers in the future and refute benighted scholarly assumptions that women newspaper photographers have no history worth remembering.

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Petit Monstre a fait un cauchemar! il tombait dans un trou noir. Une grosse araignée s'approchait de lui. Sa maison était en feu. Mais sa maman sait comment apaiser ses peurs et le rassurer en lui rappelant tous les petits bonheurs qu'ils partagent tous les deux. Une histoire tendre et merveilleuse pour chasser les mauvais rêves.