New Releases by Elie Wiesel

A continuation of the very popular Very Christmas series filled with festive as well as meditative Chanukah stories from Israel, Central Europe and the United States. Contemporary works that capture the Festival of Lights as observed on Manhattan''s Upper West Side along with classics that remind readers of Chanukah celebrations in shtetls of the Old Country. A rewarding, never predictable literary treasure trove.

Elie Wiesel’s heartbreaking narrative poem about history, immortality, and the power of song, accompanied by magnificent full-color illustrations by award-winning artist Mark Podwal. Based on an actual event that occurred during World War II. It is the evening before the holiday of Purim, and the Nazis have given the ghetto’s leaders twenty-four hours to turn over ten Jews to be hanged to “avenge” the deaths of the ten sons of Haman, the villain of the Purim story, which celebrates the triumph of the Jews of Persia over potential genocide some 2,400 years ago. If the leaders refuse, the entire ghetto will be liquidated. Terrified, they go to the ghetto’s rabbi for advice; he tells them to return the next morning. Over the course of the night the rabbi calls up the spirits of legendary rabbis from centuries past for advice on what to do, but no one can give him a satisfactory answer. The eighteenth-century mystic and founder of Hasidism, the Baal Shem Tov, tries to intercede with God by singing a niggun—a wordless, joyful melody with the power to break the chains of evil. The next evening, when no volunteers step forward, the ghetto’s residents are informed that in an hour they will all be killed. As the minutes tick by, the ghetto’s rabbi teaches his assembled community the song that the Baal Shem Tov had sung the night before. And then the voices of these men, women, and children soar to the heavens. How can the heavens not hear?

A conversation between Elie Wiesel and Jorge Semprún about what they experienced and observed during their time in the Buchenwald concentration camp. On March 1, 1995, at the time of the fiftieth anniversary of the liberation of the Nazi concentration camps, ARTE—a French-German state-funded television network—proposed an encounter between two highly regarded figures of our time: Elie Wiesel and Jorge Semprún. These two men had probably crossed paths—without ever meeting—in the Nazi concentration camp Buchenwald in 1945. This short book, published in association with the United States Holocaust Memorial Museum, is the entire transcription of their recorded conversation. During World War II, Buchenwald was the center of a major network of sub-camps and an important source of forced labor. Most of the internees were German political prisoners, but the camp also held a total of ten thousand Jews, Roma, Sinti, Jehovah’s Witnesses, and German military deserters. In these pages, Wiesel and Semprún poignantly discuss the human condition under catastrophic circumstances. They review the categories of inmate at Buchenwald and agree on the tragic reason for the fate of the victims of Nazism—as well as why this fate was largely ignored for so long after the end of the war. Both men offer riveting testimony and pay vibrant homage to the Jewish victims of the Holocaust. Today, seventy-five years after the liberation of the Nazi camps, this book could not be more timely for its confrontation with ultra-nationalism and antisemitism.

A memorial edition of Elie Wiesel’s seminal memoir of surviving the Nazi death camps, with tributes by President Obama and Samantha Power When Elie Wiesel died in July 2016, the White House issued a memorial statement in which President Barack Obama called him “the conscience of the world.” The whole of the president’s eloquent tribute serves as a foreword to this memorial edition of Night. “Like millions of admirers, I first came to know Elie through his account of the horror he endured during the Holocaust simply because he was Jewish,” wrote the president. In 1986, when Wiesel received the Nobel Peace Prize, the Norwegian Nobel Committee wrote, “Elie Wiesel was rescued from the ashes of Auschwitz after storm and fire had ravaged his life. In time he realized that his life could have purpose: that he was to be a witness, the one who would pass on the account of what had happened so that the dead would not have died in vain and so the living could learn.” Night, which has sold millions of copies around the world, is the very embodiment of that conviction. It is written in simple, understated language, yet it is emotionally devastating, never to be forgotten. Born in the town of Sighet, Transylvania, Wiesel was a teenager when he and his family were deported to Auschwitz and then Buchenwald. Night is the shattering record of his memories of the death of his mother, father, and little sister, Tsipora; the death of his own innocence; and his despair as a deeply observant Jew confronting the absolute evil of man. “Never shall I forget that night, the first night in camp, that turned my life into one long night,” writes Wiesel. “Never shall I forget . . . even were I condemned to live as long as God Himself.” These words are etched into the wall of the Holocaust Memorial Museum in Washington. Far more than a chronicle of the sadistic realm of the camps, Night also addresses many of the philosophical and personal questions implicit in any serious consideration of the Holocaust. In addition to tributes from President Obama and Samantha Powers, this memorial edition of Night includes the unpublished text of a speech that Wiesel delivered before the United Nations General Assembly on the sixtieth anniversary of the liberation of Auschwitz, entitled “Will the World Ever Know.” These remarks powerfully resonate with Night and with subsequent acts of genocide.

A profoundly and unexpectedly intimate, deeply affecting summing up of life so far, from one of the most cherished moral voices of our time. Eighty-two years old, facing emergency heart surgery and his own mortality, Elie Wiesel reflects back on his life. Emotions, images, faces, and questions flash through his mind. His family before and during the unspeakable Event. The gifts of marriage, children, and grandchildren that followed. In his writing, in his teaching, in his public life, has he done enough for memory and for the survivors? His ongoing questioning of God—where has it led? Is there hope for mankind? The world’s tireless ambassador of tolerance and justice gives us a luminous account of hope and despair, an exploration of the love, regrets, and abiding faith of a remarkable man. Translated from the French by Marion Wiesel

The Holocaust.

On Yom Kippur eve in 1965, Elie Wiesel found himself in Russia, “in a synagogue crowded with people. The air was stifling. The cantor was chanting . . . Suddenly a mad thought crossed my mind: Something is about to happen; any moment now the Rabbi will wake up, shake himself, pound the pulpit and cry out, shout his pain, his rage, his truth. I felt the tension building up inside me; the wait became unbearable. But nothing happened . . . It was too late. The Rabbi no longer had the strength to imagine himself free.” In Zalmen, or The Madness of God, Wiesel gives his Rabbi that strength, the courage to voice his oppression and isolation, and the result is a passionate cry. This play illuminates not only the plight of the Soviet Jew, but the anguish of individuals everywhere who must survive—and yet long for something more than mere survival. (Adapted for the stage by Marion Wiesel.)

A Passover Haggadah, enhanced with more than fifty original drawings, Elie Wiesel and his friend Mark Podwal invite you to join them for the Passover Seder—the most festive event of the Jewish calendar. Read each year at the Seder table, the Haggadah recounts the miraculous tale of the liberation of the Children of Israel from slavery in Egypt, with a celebration of prayer, ritual, and song. Wiesel and Podwal guide you through the Haggadah and share their understanding and faith in a special illustrated edition that will be treasured for years to come. Accompanying the traditional Haggadah text (which appears here in an accessible new translation) are Elie Wiesel''s poetic interpretations, reminiscences, and instructive retellings of ancient legends. The Nobel laureate interweaves past and present as the symbolism of the Seder is explored. Wiesel''s commentaries may be read aloud in their entirety or selected passages may be read each year to illuminate the timeless message of this beloved book of redemption.

From Elie Wiesel, Nobel laureate and author of Night, a charged, deeply moving novel about the legacy of the Holocaust in today’s troubled world and the ongoing Israeli-Palestinian conflict. It’s 1975, and Shaltiel Feigenberg—professional storyteller, writer and beloved husband—has been taken hostage: abducted from his home in Brooklyn, blindfolded and tied to a chair in a dark basement. His captors, an Arab and an Italian, don’t explain why the innocent Shaltiel has been chosen, just that his life will be bartered for the freedom of three Palestinian prisoners. As his days of waiting commence, Shaltiel resorts to what he does best, telling stories—to himself and to the men who hold his fate in their hands. With beauty and sensitivity, Wiesel builds the world of Shaltiel’s memories, haunted by the Holocaust and a Europe in the midst of radical change. A Communist brother, a childhood spent hiding from the Nazis in a cellar, the kindness of liberating Russian soldiers, the unrest of the 1960s—these are the stories that unfold in Shaltiel’s captivity, as the outside world breathlessly follows his disappearance and the police move toward a final confrontation with his captors. Impassioned, provocative and insistently humane, Hostage is both a masterly thriller and a profoundly wise meditation on the power of memory to connect us to the past and our shared need for resolution.

The compassion of Reb Moshe-Leib, the vision of the Seer of Lublin, the wisdom of Reb Pinhas, the warmth of the Ba’al Shem Tov, the humor of Reb Naphtali–to their followers these sages appeared as kings, judges, and prophets. They communicated joy and wonder and fervor to the men and women who came to them in the depths of despair. They brought love and compassion to the persecuted Jews of Russia, Ukraine, Poland, and Lithuania. For Jews who felt abandoned and forsaken by God, these Hasidic masters incarnated an irresistible call to help and salvation. The Rebbe combats sorrow with exuberance. He defeats resignation by exalting belief. He creates happiness so as not to yield to the sadness around him. He tells stories to escape the temptations of irreducible silence. It is Elie Wiesel’s unique gift to make the lives and tales of these great teachers as compelling now as they were in a different time and place. In the tradition of Hasidism itself, he leaves others to struggle with questions of justice, mercy, and vengeance, providing us instead with eternal truths and unshakable faith.

As this concluding volume of his moving and revealing memoirs begins, Elie Wiesel is forty years old, a writer of international repute. Determined to speak out more actively for both Holocaust survivors and the disenfranchised everywhere, he sets himself a challenge: "I will become militant. I will teach, share, bear witness. I will reveal and try to mitigate the victims'' solitude." He makes words his weapon, and in these pages we relive with him his unstinting battles. We see him meet with world leaders and travel to regions ruled by war, dictatorship, racism, and exclusion in order to engage the most pressing issues of the day. We see him in the Soviet Union defending persecuted Jews and dissidents; in South Africa battling apartheid and supporting Mandela''s ascension; in Cambodia and in Bosnia, calling on the world to face the atrocities; in refugee camps in Albania and Macedonia as an emissary for President Clinton. He chastises Ronald Reagan for his visit to the German military cemetery at Bitburg. He supports Lech Walesa but challenges some of his views. He confronts Francois Mitterrand over the misrepresentation of his activities in Vichy France. He does battle with Holocaust deniers. He joins tens of thousands of young Austrians demonstrating against renascent fascism in their country. He receives the Nobel Peace Prize. Through it all, Wiesel remains deeply involved with his beloved Israel, its leaders and its people, and laments its internal conflicts. He recounts the behind-the-scenes events that led to the establishment of the Holocaust Museum in Washington, D.C. He shares the feelings evoked by his return to Auschwitz, by his recollections of Yitzhak Rabin, and by his memories of his own vanished family. This is the magnificent finale of a historic memoir.

From the Nobel laureate and author of the masterly Night, a deeply felt, beautifully written novel of morality, guilt, and innocence. Despite personal success, Yedidyah—a theater critic in New York City, husband to a stage actress, father to two sons—finds himself increasingly drawn to the past. As he reflects on his life and the decisions he’s made, he longingly reminisces about the relationships he once had with the men in his family (his father, his uncle, his grandfather) and the questions that remain unanswered. It’s a feeling that is further complicated when Yedidyah is assigned to cover the murder trial of a German expatriate named Werner Sonderberg. Sonderberg returned alone from a walk in the Adirondacks with an elderly uncle, whose lifeless body was soon retrieved from the woods. His plea is enigmatic: “Guilty . . . and not guilty.” These words strike a chord in Yedidyah, plunging him into feelings that bring him harrowingly close to madness. As Sonderberg’s trial moves along a path of dizzying yet revelatory twists and turns, Yedidyah begins to understand his own family’s hidden past and finally liberates himself from the shadow it has cast over his life. With his signature elegance and thoughtfulness, Elie Wiesel has given us an enthralling psychological mystery, both vividly dramatic and profoundly emotional.

Now in paperback, Wiesel’s newest novel “reminds us, with force, that his writing is alive and strong. The master has once again found a startling freshness.”—Le Monde des Livres A European expatriate living in New York, Doriel suffers from a profound sense of desperation and loss. His mother, a member of the Resistance, survived World War II only to die soon after in France in an accident, together with his father. Doriel was a hidden child during the war, and his knowledge of the Holocaust is largely limited to what he finds in movies, newsreels, and books. Doriel’s parents and their secrets haunt him, leaving him filled with longing but unable to experience the most basic joys in life. He plunges into an intense study of Judaism, but instead of finding solace, he comes to believe that he is possessed by a dybbuk. Surrounded by ghosts, spurred on by demons, Doriel finally turns to Dr. Thérèse Goldschmidt, a psychoanalyst who finds herself particularly intrigued by her patient. The two enter into an uneasy relationship based on exchange: of dreams, histories, and secrets. And despite Doriel’s initial resistance, Dr. Goldschmidt helps bring him to a crossroads—and to a shocking denouement. “In its own high-stepping yet paradoxically heart-wracking way, [Wiesel’s novel] can most assuredly be considered beautiful (almost beyond belief).”—The Philadelphia Inquirer

Part of the Jewish Encounter series From Elie Wiesel, winner of the Nobel Peace Prize, comes a magical book that introduces us to the towering figure of Rashi—Rabbi Shlomo Yitzchaki—the great biblical and Talmudic commentator of the Middle Ages. Wiesel brilliantly evokes the world of medieval European Jewry, a world of profound scholars and closed communities ravaged by outbursts of anti-Semitism and decimated by the Crusades. The incomparable scholar Rashi, whose phrase-by-phrase explication of the oral law has been included in every printing of the Talmud since the fifteenth century, was also a spiritual and religious leader: His perspective, encompassing both the mundane and the profound, is timeless. Wiesel’s Rashi is a heartbroken witness to the suffering of his people, and through his responses to major religious questions of the day we see still another side of this greatest of all interpreters of the sacred writings. Both beginners and advanced students of the Bible rely on Rashi’s groundbreaking commentary for simple text explanations and Midrashic interpretations. Wiesel, a descendant of Rashi, proves an incomparable guide who enables us to appreciate both the lucidity of Rashi’s writings and the milieu in which they were formed.

In Wise Men and Their Tales, a master teacher gives us his fascinating insights into the lives of a wide range of biblical figures, Talmudic scholars, and Hasidic rabbis. The matriarch Sarah, fiercely guarding her son, Isaac, against the negative influence of his half-brother Ishmael; Samson, the solitary hero and protector of his people, whose singular weakness brought about his tragic end; Isaiah, caught in the middle of the struggle between God and man, his messages of anger and sorrow counterbalanced by his timeless, eloquent vision of a world at peace; the saintly Rabbi Yehoshua ben Levi, who by virtue of a lifetime of good deeds was permitted to enter heaven while still alive and who tried to ensure a similar fate for all humanity by stealing the sword of the Angel of Death. Elie Wiesel tells the stories of these and other men and women who have been sent by God to help us find the godliness within our own lives. And what interests him most about these people is their humanity, in all its glorious complexity. They get angry—at God for demanding so much, and at people, for doing so little. They make mistakes. They get frustrated. But through it all one constant remains—their love for the people they have been charged to teach and their devotion to the Supreme Being who has sent them. In these tales of battles won and lost, of exile and redemption, of despair and renewal, we learn not only by listening to what they have come to tell us, but by watching as they live lives that are both grounded in earthly reality and that soar upward to the heavens.

"From the inspiring words of a prime minister stirring a nation to face a powerful aggressor, to the calm address of a spiritual leader encouraging peaceful protests for freedom, the 10 influential speeches in this book have changed the world" (publisher).

Gamaliel Friedman is only a child when his family flees Czechoslovakia in 1939 for the relative safety of Hungary. For him, it will be the beginning of a life of rootlessness, disguise, and longing. Five years later, in desperation, Gamaliel’s parents entrust him to a young Christian cabaret singer named Ilonka. With his Jewish identity hidden, Gamaliel survives the war. But in 1956, to escape the stranglehold of communism, he leaves Budapest after painfully parting from Ilonka. Gamaliel tries, unsuccessfully, to find a place for himself in Europe. After a failed marriage, he moves to New York, where he works as a ghostwriter, living through the lives of others. Eventually he falls in with a group of exiles, including a rabbi––a mystic whose belief in the potential for grace in everyday life powerfully counters Gamaliel’s feelings of loss and dispossession. When Gamaliel is asked to help draw out an elderly, disfigured Hungarian woman who may be his beloved Ilonka, he begins to understand that a real life in the present is possible only if he will reconcile with his past.

A Man seriously injured when hit by a car is taken to the hospital where a doctor, the woman who loves him, and his artist friend lead him to yearn for life rather than death.

In this book, the reader can share their thoughts on intolerance, anti-Semitism and what can be done to end this longest surviving for of bigotry that has brought suffering and destruction to millions of ordinary people. Their thoughtful and passionate words explore the issue and their hopes for the future.

As a child in Sighet, as a young boy in Auschwitz, as a teenage displaced person wandering through post-World War II Europe, as a young man at the beginning of his career as a writer, witness, and human-rights activist, Elie Wiesel had haunting, often surreal encounters with a wide range of people—sages, mystics, teachers, and dreamers. In Legends of Our Time, he shares with us some of their stories. On a Tel Aviv bus, Wiesel encounters a notorious Auschwitz barracks chief who forces him to confront past demons that he thought had long since been laid to rest. While traveling through Spain, he is approached by a young Catholic man holding an ancient family document in an unfamiliar language; written in Hebrew in 1492 by the man’s Marrano ancestor, it proudly proclaims to future generations the family’s Jewish origins. Twenty years after being deported from Sighet, Wiesel returns to discover that the only thing missing are the towns 10,000 Jews and the collective memory of their ever having existed. In a Moscow synagogue in the fall on 1967, Wiesel finds a sanctuary filled with young Jews who have miraculously educated themselves in their history and ancient language, who sing Hebrew songs in the street as KGB agents take down names. And from a rabbi in Auschwitz who fasted on Yom Kippur, Wiesel leans that there is more than one way to confront a God who seems to have abandoned His people.

Stunning colour plates of the artist''s work from his years in the Soviet Union through his life in New York today. The benchmark reference on the artist''s life and his renowned achievements in portraiture, with captivating documentary materials. 100 colour & 50 b/w illustrations

Elie Wiesel has given hundreds of interviews. Yet his fame as a human rights advocate often directs such conversations toward non-literary issues. Indeed, many of Wiesel''s questioners barely address the writer''s role that has defined him since the 1950s. Unlike previous volumes in which he speaks with interviewers, Elie Wiesel: Conversations collects interviews which set in relief the writer at work. This book focuses on Wiesel the literary artist instead of Wiesel the Holocaust survivor or the 1986 Nobel Peace Prize laureate. Beyond highlighting Wiesel''s literary significance, these interviews also correct many faulty assumptions about his achievement. Few American readers know that he writes in French, that he has been favorably compared to Andr Malraux and Albert Camus. Not many realize that the Holocaust has been the subject of only a few of his forty books. Particularly in his nonfiction, Wiesel''s scope is wide, addressing Jewish life in all its religious and historical complexity. Though most of Wiesel''s books do not focus on the Holocaust, they are written against the backdrop of what he has come to term "The Event." Always, the presence of Auschwitz can be felt, always the author "lives in the shadows of the flames that once illuminated and blinded him." These interviews are reminders that the writing life is both solitary and public, interior and social. The writer must venture beyond his study and speak out against the world''s traumas and outrages. Robert Franciosi is an associate professor of English at Grand Valley State University in Allendale, Mich. He is the editor of Good Morning: A Holocaust Memoir. His work has appeared in American Poetry, Contemporary Literature, Modern Jewish Studies, and the William Carlos Williams Review.

A six-day series of interviews between Nobel Peace Prize Laureate Elie Wiesel and French journalist Michaël de Saint Cheron, Evil and Exile probes some of the most crucial and pressing issues facing humankind today. Having survived the unspeakable evil of the Holocaust, Wiesel remained silent for ten years before dedicating his life to the memory of this tragedy, witnessing tirelessly to remind an often indifferent world of its potential for self-destruction. Wiesel offers wise counsel in this volume concerning evil and suffering, life and death, chance and circumstance. Moreover, the dialogue evokes candid and often surprising responses by Wiesel on the Palestinian problem, Judeo-Christian relations, recent changes in the Soviet Union as well as insights into writers such as Kafka, Malraux, Mauriac, and Unamuno.

There are probably no two men of such stature who can speak to the Holocaust as Christian theologian Johann Baptist Metz, author of A Passion for God and Jewish writer, Nobel laureate and human rights activist, Elie Wiesel, author of Night. One was drafted into the German army at the age of fifteen; the other was interned at Auschwitz. Both came from upbringings of deep faith, only to have their lives broken by the horrors they witnessed during the war. Both share the sense that the Holocaust is a rift in history itself, after which nothing could ever be seen in the same way as before. Yet for both, there is hope ... "nonetheless."

Grisha Kossover, arriving in Russia in 1972, twenty years after his father, poet Paltiel Kossover, was executed by Stalin, is finally able to read the written testament his parent left behind and finds that it illuminates the shadowed places of his own life.

Reuven Tamiroff, a Holocaust survivor, has never been able to speak about his past to his son, a young man who yearns to understand his father’s silence. As campuses burn amidst the unrest of the Sixties and his own generation rebels, the son is drawn to his father’s circle of wartime friends in search of clues to the past. Finally discovering that his brooding father has been haunted for years by his role in the murder of a brutal SS officer just after the war, young Tamiroff learns that the Nazi is still alive. Haunting, poetic, and very contemporary, The Fifth Son builds to an unforgettable climax as the son sets out to complete his father’s act of revenge.

Portraits d''une vingtaine de personnages de l''Ancien Testament à partir de sources bibliques et midrashiques (Noé, Ruth, Jonas, etc.). [SDM].

A lecture held at the Wissenschaftskolleg in Berlin, June 1996. Discusses the importance of memory to human life. Unlike history, it has an ethical aspect; and it must be inclusive - of good and evil, the painful and the encouraging, Nazi crimes and those few who heroically resisted them. Points to the ghetto and concentration camp inmates who wrote journals, and to Dubnow who continued to write his history, so that we might remember. We should remember the Jews in the photographs - the old Jew whose beard is being cut off by laughing German soldiers, the starving children begging for bread. But as the generation of the Holocaust passes away, who will remember or want to remember? While Germany is now a praiseworthy democracy, there are troubling manifestations of insensitivity toward the Jewish past. Pp. 1-10 contain introductory remarks by Wolf Lepenies on the occasion of the lecture.