Best Selling Books by David Low

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The Armenian contribution to Ottoman photography in the last decades of the empire has been well-documented. Studios founded and run by Armenian Ottomans in Istanbul contributed to the exciting cultural flourishing of Ottoman ''modernity'', before its dissolution after World War I. Less known however are the pioneering studios from the east in the empire''s Armenian heartlands, whose photographic output reflected and became a major form of documenting the momentous events and changes of the period, from war and revolution to persecution, migration and ultimately, genocide. This book examines photographic activity in three Armenian cities on the Armenian plateau: Erzurum, Kharpert and Van. It explores how indigenous photography was rooted in the seismic social, political and cultural shifts that shaped Armenian lives during the Ottoman Empire''s last four decades. Arguing that photographic practice was marked by the era''s central movements, it shows how photography was bound-up in Armenian educational endeavours, mass migration and revolutionary activity. Photography responded to and became the instrument of these phenomena, so much so that it can be shown that they were responsible for the very spread of the medium through the Armenian communities of the Ottoman East and the rapid increase in photographic studios. Contributing to growing interest in Ottoman and Middle Eastern photographic history, the book also offers a valuable perspective on the history of Armenians in the Ottoman Empire"--

Low''s book is a seminal work in the field of chemistry, offering a detailed analysis of the fundamental components of matter. Through a mix of theoretical analysis and empirical observation, Low provides insights into the chemical structure of atoms, molecules, and other basic units, laying the groundwork for modern chemistry as we know it today. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Note, 1922 Feb. 22, 10. Adelphi Terrace, W.C. 2 [to Harold Laski] / G. B. S. -- Caricature cartoon by David Low.

Over the past couple of decades, and especially since the financial crisis in 2008-09, real interest rates have collapsed. For much of the past two years they have been negative, but they have been trending down for some while. But how far have real rates fallen? This note computes a measure of the "world" real interest rate and, where possible, a measure of the implied future real rate. It also makes public our estimates of the "world" real interest rate so they can be used by other researchers.